State Champ Radio

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Best known as a dancer, rapper and singer-songwriter in BTS, j-hope has long stood out, with a magnetic stage presence and captivating dance moves that helped propel the group to global stardom. Now — as ARMY around the world anticipate the group’s remaining members completing South Korea’s mandatory military service and BTS reuniting in June, with group activities on hold until 2026 — the charismatic 31-year-old is distinguishing himself further, carving out a bold solo identity that showcases a versatility and creative range that extend far beyond his BTS persona.

Following his 2022 debut solo album, Jack in the Box, which peaked at No. 6 on the Billboard 200, and his 2024 Hope on the Street, Vol. 1 EP that rose to No. 5 on the chart, j-hope has already released collaborations this year with stars including Miguel, Don Toliver and Pharrell Williams. And with his Hope on the Stage World Tour, which kicked off Feb. 28 in Seoul, j-hope is reaching new heights: His show at Los Angeles’ BMO Stadium made him the first South Korean male solo artist to headline a U.S. stadium. (His bandmate Jin will hit the road this summer.) The tour — which will wrap June 1 after visiting 15 markets across North America and Asia, including a May 31 show in Osaka, Japan, that will be broadcast live to cinemas around the world — has mirrored his own artistic growth as he prepares for the next stage of his solo journey with his upcoming album. J-hope sat down with Billboard Korea in Los Angeles for an exclusive chat about his music, touring and inspirations.

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Louis Vuitton shirt, jacket, and pants; Audemars Piguet watch.

Julian Dakdouk

What does it mean to you to be on the cover of Billboard as a solo artist?

Growing up, Billboard seemed like a completely different universe to me. I’d follow the charts to see where my favorite artists landed, and that’s how I got a sense of the era’s musical flow and what sounds were defining each moment. So having my own music recognized by Billboard still feels surreal and exciting. To me, Billboard remains a dreamlike presence, and the amazing thing is, that dream is still unfolding, much like my song, “Sweet Dreams.”

You’re widely regarded as a symbol of hope — not only for your fans, but also for many Asian artists globally. How does it feel to have that kind of impact?

Just as I drew inspiration from the artists I admired growing up, shaping my own music through their influence, I’d be honored if my work could inspire others and pass on that same positive energy — that would mean the world to me. Above all, I hope to continue growing into an artist who brings light and encouragement to others wherever I go.

Louis Vuitton jacket and pants, Audemars Piguet watch.

Julian Dakdouk

Is there a particular message you want to convey with this tour?

Embracing my identity as j-hope, I found myself reflecting more deeply on the true essence of hope. I realized it’s not something to be taken lightly, so I wanted to channel that sincerity into my music and bring it to life through Hope on the Stage, sharing it with as many people as possible. I was hands-on with everything — stage design, choreography, fashion and even the props — pouring my heart into every aspect. I hope the audience left with a sense of genuine positivity and inspiration. Moving forward, I want to keep creating authentic performances that unite everyone through the power of music.

You made history in April as the first South Korean male solo artist to headline a U.S. stadium. How did that feel?

Having performed at countless stadiums with BTS, I was always part of a seven-member team filling the stage. This time, I was on my own, and honestly, I wondered if I could handle that immense energy and pressure by myself. But I pulled it off and that means a lot to me — it’s a milestone I’ll always cherish.

Louis Vuitton shirt, jacket, pants and shoes; Audemars Piguet watch.

Julian Dakdouk

You’re often hailed as a fashion icon. What ignited your love of style?

Ever since I was young, I’ve had a genuine passion for clothes. I don’t really see myself as a fashionista — I just have a deep, genuine love for fashion. To me, clothing is a powerful way to express my identity. Even during BTS world tours, I’d make time to visit local boutiques and explore different styles, which really helped shape my personal aesthetic over time. For my solo world tour, I handpicked every outfit for each performance, ensuring every look was distinct. I believe my approach to fashion adds a fun, dynamic element for fans to enjoy while watching my shows.

Your recent single, “Mona Lisa,” debuted at No. 65 on the Billboard Hot 100 and was released in March two weeks after your Miguel collaboration, “Sweet Dreams.” What’s the story behind these tracks?

I believe my music should evolve as I grow. Before my enlistment, I leaned into my roots in dance, experimenting with a variety of sounds to express different facets of myself. But just a week after my discharge, I headed straight to the U.S. because I wanted to explore how the American producers I admire would interpret my sound. “Sweet Dreams” featuring Miguel — an artist I’ve long respected — has a smooth, soulful vibe that feels deeply personal. On the other hand, “Mona Lisa” brings a hip-hop-driven performance energy. Both tracks are easy to connect with, yet they offer a glimpse into the broader, more evolved musical world I’m building. This is just the start — I have plenty more musical experiments in store.

This story appears in the May 17, 2025, issue of Billboard.

Best known as a dancer, rapper and singer-songwriter in BTS, j-hope has long stood out, with a magnetic stage presence and captivating dance moves that helped propel the group to global stardom. Now — as ARMY around the world anticipate the group’s remaining members completing South Korea’s mandatory military service and BTS reuniting in June, […]

Billboard cover star j-hope sits down to share his experience with ‘HOPE ON THE STAGE,’ the kind of music he hopes to create after completing his military service, his collaborations with J. Cole and Miguel, the artists he hopes to work with in the future, and more! j-hope: ‘HOPE ON THE STAGE’ is exactly what […]

The FBI is doubling its reward for tips leading to the arrest of a handful of escaped prisoners from a New Orleans prison. Last week, 10 prisoners made a brazen nighttime escape from the Orleans Justice Center, and authorities are combing New Orleans and beyond as they look to apprehend the remaining seven escapees.

The FBI’s New Orleans office issued a media alert regarding the 10 escapees from the Orleans Justice Center on May 16.

From the FBI New Orleans website:

At the request of the New Orleans Police Department, FBI New Orleans has surged resources to assist with apprehending inmates who escaped from the Orleans Parish Jail on May 16, 2025. The FBI routinely offers assistance to our law enforcement partners, to provide additional manpower and specialized resources.

In addition, the FBI is offering a reward of up to $5,000 for tips leading to the arrest of any of the inmates.

As reported by local outlet WDSU, Orleans Parish Sheriff Susan Hutson, who is up for reelection, is facing heavy criticism from residents and others regarding the escape. During a press conference, Sheriff Hutson suggested that the inmates may have been helped by someone who works for the Orleans Parish Police Department.

The outlet adds that three employees of the Orleans Justice Center were placed on suspension as an investigation takes place.

Photo: WDSU

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Ahead of their reunion tour slated for this fall, Minus The Bear will reissue their sophomore album, 2005’s Menos el Oso, to commemorate the album’s 20th anniversary. The beloved Seattle indie band unveiled the deluxe vinyl release, as well as the demo version of the track “Hooray,” on Tuesday (May 20), with the reissue scheduled […]

Avex Music Group (AMG) announced on Tuesday (May 20) that it has signed fast-rising producer Elkan to a global publishing deal. Additionally, AMG has partnered with Elkan on his JV publishing company, Toibox by Elkan.  Under the new deal, Elkan’s catalog, including previous works and future output, will be published through AMG. Already this year, […]

Grab your synthesizer, pink wig and star earrings – Jem is celebrating its 40th anniversary this year. To commemorate four decades of Jem and the Holograms, Hasbro is releasing a new album of Jem and the Holograms songs.

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The series – which ran from 1985-1988 and inspired Jon M. Chu’s live action 2015 film Jem and the Holograms – combined music, sci-fi and a storyline that more than like inspired Hannah Montana (Jem is the secret rock star alter ego of Jerrica Benton). The show’s ’80s fashion was truly outrageous (truly, truly, truly outrageous) and its glimmering synth-pop tunes were, as the Jem theme song promised, undeniably “contagious.”

Billboard can reveal that in July, a 40th anniversary album for Jem will come out on vinyl and digital streaming platforms via Hasbro. The project includes six re-recorded tracks from the ‘80s series, held down by the original singing voice of Jem, Britta Phillips.

Trending on Billboard

“Seriously, I was thrilled to be asked to sing these songs again,” Phillips tells Billboard. “I had listened to and sang many Jem songs at Jemcon last year, so they were very fresh in my mind. And I’m so excited for the Jem fans to hear them.”

Those six songs are the Jem theme song, “Only The Beginning,” “Truly Outrageous,” “Like A Dream,” “I Got My Eye On You” and “She’s Got The Power.” You can listen to “Jem and the Holograms Theme (Reimagined)” right now thanks to a glamor and glitter, fashion and fame-filled music video below.

Listening to the reimagined theme song, it’s hard to believe this is Phillips’ voice four decades later – she sounds almost exactly the same as she did on the O.G. series. That’s especially impressive when you spin her post-Jem music, such as her 2016 album Luck or Magic, which found her adopting a more mature, dreamy vocal tone. But it seems that the spirit of Jem was still inside her, ready to return (even without the help of supercomputer Synergy).

“I took a couple of voice lessons before the recording sessions which helped with my confidence in belting those crazy high notes, but luckily the sound of my voice and my vocal range hasn’t changed much. It’s still pretty girlish,” Phillips tells Billboard. “To my surprise, the high notes weren’t difficult. We even kept the songs in the original key except for one track where we dropped down a half step – and that one didn’t have the highest notes. The biggest challenge was singing at such fast tempos (the original tempos), but it was very exciting and nostalgic for me, and I had a blast! And working with these amazing and talented producers (all female!) was inspiring,” she adds, tipping to the female-led team behind this anniversary album.

Of the re-recorded songs, Phillips says “Only the Beginning” – a song that appeared in the series pilot, which aired Oct. 6, 1985 – was “the most emotional one to sing. It brought me back to my beginning and so it felt like a full circle of my life from the very beginning of my musical career to the present.”

Phillips says returning to “She’s Got the Power” was also exciting for her. “It felt much like it did when I first recorded those songs, except now I know those little kids I sang to are all grown up! Makes me a little teary.”

Guns N’ Roses are having a laugh at their own expense. On Monday (May 19), the band shared a tongue-in-cheek video compilation on Instagram titled “Guns N’ Roses Greatest Hits!”

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Instead of featuring career-spanning songs, the clip highlights 14 onstage wipeouts from frontman Axl Rose. Set to their 1987 classic “Welcome to the Jungle,” the video includes archival footage of Rose slipping, tripping and toppling over onstage across the decades, concluding with a clip from Saturday’s (May 17) show in Mumbai, India, where the rocker stumbled on the stairs while performing “Sweet Child O’ Mine.”

The post arrives as Guns N’ Roses hit the road on their Because What You Want & What You Get Are Two Completely Different Things world tour, which kicked off May 1 in Incheon, South Korea. The stadium run will continue across Asia, the Middle East and Europe through the end of July, with support from Public Enemy, Rival Sons and Sex Pistols members on select dates.

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The band’s current lineup includes Rose, Slash, Duff McKagan, Dizzy Reed, Richard Fortus and Melissa Reese. This marks the first tour since longtime drummer Frank Ferrer announced his departure from the group in March. His final show was Nov. 5, 2023, in Mexico.

The group has since welcomed Isaac Carpenter as their new drummer for the 2025 tour.

Guns N’ Roses continue to be one of the most enduring acts in rock. Their 1987 debut album, Appetite for Destruction, remains one of the best-selling rock albums of all time. The band’s iconic single “Sweet Child O’ Mine” became their first Billboard Hot 100 No. 1 when it topped the chart dated Sept. 10, 1988.

Their Not in This Lifetime… reunion tour in 2019 grossed over $584 million, making it the third-highest-grossing tour of all time. The shows reunited Guns N’ Roses members Axl Rose, Slash and Duff McKagan, who, before reconvening in 2016, hadn’t played a show together since 1993.

Blink-182’s Mark Hoppus opened up about the simmering tension between his band and Green Day during the iconic 2002 Pop Disaster Tour, describing it as a “musical battle” that helped sharpen Blink’s edge at a pivotal time in their rise.

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The tour, which paired pop-punk’s elder statesmen with its ascendant newcomers, saw Blink-182 closing each night, despite Green Day being the band Hoppus idolized growing up.

“I literally waited for the day that Dookie came out,” he recalled in a recent interview with NME. “I was in line waiting to buy it.”

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By 2002, Blink-182 were riding high off the back of their No. 1 album Take Off Your Pants and Jacket, while Green Day were in a quieter commercial moment between 2000’s Warning and their eventual resurgence with 2004’s American Idiot. That dynamic sparked what Hoppus described as an unspoken competition onstage.

“We walked in thinking we were hot sh–,” Hoppus said. “And Green Day walked in ready to fight — musically of course. They blew us off the stage the first few nights and we were like, ‘Oh s–t, we have to up our game.’ It definitely made us a better band.”

Though he emphasized there was no personal beef — “Billie was super nice to us” — the nightly battle for crowd dominance created a performance arms race.

“It was this back-and-forth about who could put on the better show and who could win people over,” Hoppus explained. “I think I inspired them so much they were like, ‘We have to kill Blink-182 with an awesome album called American Idiot.’”

The story is one of many anecdotes included in Hoppus’ newly released memoir Fahrenheit-182, in which the bassist and vocalist reflects on his cancer diagnosis, pop culture moments, and his decades-long music career.

Blink-182 are currently preparing to hit the road again with Alkaline Trio this fall, with their U.S. tour kicking off Aug. 28 in Hollywood, Fla.

Shakira made a special appearance on The Tonight Show Starring Jimmy Fallon this week, performing her beloved 1996 ballad “Antología” in front of a crowd that sang along word for word in a moment that underscored just how deeply her early catalog continues to resonate nearly three decades on. Explore Explore See latest videos, charts […]