Author: djfrosty
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Doja Cat was in a generous mood this weekend, giving fans what appears to be the latest preview of her upcoming Vie album. After seemingly sharing the track list in November, when she posted and then quickly deleted a 13-song roster that included the songs “Break My Heart,” “Take Me Dancing,” “Anything,” “Ain’t News,” “Turn the Lights On,” “Slow Burn,” “Wood Holly” and “Appreciation,” Doja was at it again on Sunday (April 13).
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This time around the list included 16 songs, some of which matched the earlier roster, with no additional information on a release date or first single. “dont ask me where crack is rn,” she captioned the weekend post, which did not include one of the songs on the earlier roster, “Crack.” While “Turn the Lights On” matched the earlier run-down, other songs appear to have dropped off, including “Break My Heart,” “Take Me Dancing,” “Anything,” “Aint News,” “Slow Burn,” “Wood Holly,” “Did I Lie” and “Appreciation.”
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The new apparent track list includes: “Turn the Lights On,” “Slide,” “One More Time,” “Make It Up,” “Lipstain,” “Kink,” “Jealous Type,” “I Like You,” “Happy,” “Gorgeous,” “Couples Therapy,” “Come Back,” “Cards,” “Amen,” “All Mine” and “Acts of Service.”
Fans recorded an Instagram live over the weekend in which Doja previewed the bouncy “Jealous Type,” a Janet Jackson-like pop funk jam. “Boy, let me know if this is careless/ I could be torn between two roads that I just can’t decide/ Which one is leading me to hell or paradise?/ Baby, I can’t hurt you, sure, but I’m the jealous type/ I’m the jealous type,” Doja sings in a breathy register on the song.
Back in March, Doja also previewed the slow-burn jams “Acts of Service” and “Lipstain.”
Doja Cat’s last album, 2023’s Scarlet, was the follow-up to 2021’s hit-packed Planet Her. Scarlet reached No. 4 on the Billboard 200 and hit No. 2 on the Top Rap Albums chart. She also dropped Scarlet 2 CLAUDE deluxe edition in May and earlier this year teamed up with BLACKPINK’s LISA and RAYE on “Born Again” and Jack Harlow on his song “Just Us.”
Katy Perry is almost ready for launch — and she’s giving fans a peek inside the capsule before liftoff.
The pop star is set to board Blue Origin’s NS-31 mission on Monday morning (April 14), joining a groundbreaking, all-female crew for the company’s 11th human spaceflight.
Ahead of launch, Perry shared a behind-the-scenes look from inside the capsule, posting a video to Instagram where she appears in full flight gear with her fellow passengers.
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“I think I’m gonna sing,” she says in the clip. “I’ve got to sing in space!” As the camera pans to show the six-woman team seated together, Perry adds, “These are all of my astronaut girly friends,” flashing a grin as the capsule runs through final simulations.
Joining Perry on the mission are journalist Lauren Sánchez, aerospace engineer Aisha Bowe, civil rights activist and Nobel Peace Prize nominee Amanda Nguyen, producer and entrepreneur Kerianne Flynn, and CBS Mornings anchor Gayle King. The crew is scheduled to launch at 7 a.m. CT from Blue Origin’s West Texas facility, where they’ve spent the past several days completing astronaut training.
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This will mark the first all-women crewed mission to space since Valentina Tereshkova’s historic solo flight in 1963.
Earlier this week, Perry described the emotional resonance she felt while preparing for the mission, explaining that she experienced what she believed were signs from the universe that confirmed she was on the right path.
“When I was invited to come on this voyage, I looked up the capsule. On the very front of it is the outline in the shape of a feather and when I saw that it was like a total confirmation because my mom has always called me Feather,” she said.
“Then they reveal the capsule name… The capsule’s name is Tortoise. A wave, just the most energetic wave, just shot through my body. My mom calls me two nicknames. Feather and Tortoise. What are the chances that I’m going to space on a rocket in a capsule with my symbol, the feather, called Tortoise?”
“There are no coincidences,” she added. “And I’m just so grateful for these confirmations and so grateful that I feel like something bigger than me is steering the ship.”
Perry has embraced the symbolism and style of the mission, joking in a separate post, “There will be lash extensions flying in the capsule… Mine are glued on. They’re good.” She added, “Space is going to finally be glam.”
Lauren Sánchez echoed the sentiment, saying, “We’re going to put the ‘a**’ in astronaut.”
For Perry, the mission also serves as a message to young women. “I’m motivated more than ever to be an example for my daughter that women should take up space — literally and figuratively,” she wrote on Instagram.
After the short journey into space — which will include four minutes of weightlessness before returning to Earth — Perry will begin her Lifetimes Tour in support of her upcoming album 143, launching April 23 in Mexico City.
The flight will be broadcast live on CBS with coverage beginning at 7 a.m. ET with a special edition of CBS Mornings, followed by the “Gayle Goes to Space” special at 9 a.m. ET. Paramount+ will also stream the entire Blue Origin launch and flight.
Awich dropped a new song called “Butcher Shop feat. FERG” on digital platforms last Friday (April 11) at midnight Japan time.
RZA, founding member of Wu-Tang Clan who has greatly influenced hip-hop history, produced the track, the first single from Awich’s album that he produced in full. The collaborative track is a bold number with a global and classic hip-hop feel.
The “Bad B***h Bigaku” rapper and Gravediggaz artist first met when the latter visited Japan a few years ago. They felt a deep resonance both musically and spiritually from the beginning and hit it off immediately. For RZA, who has incorporated Asian culture into his work with Wu-Tang Clan, and for Awich, who was preparing to make her U.S. debut, it was a natural progression from there to start collaborating. The YENTOWN MC spent time at RZA’s base, Wu Mansion, to take in his ideas and sound approach, and over time she built the foundation for her new album.
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Awich had been interacting with FERG, the featured artist on her new release, since before, when she performed at music festivals overseas and visited New York. At a live event hosted by Jordan Brand earlier this year, the rapper made a surprise appearance on stage with Awich and the two performed this song for the first time. Awich and FERG’s the backgrounds and skills clash in the mic relay of this track, thrillingly developed by RZA’s precise and cinematic production.
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“Butcher Shop is a place where the three realities of Okinawa, where I was born and raised, Tokyo, where I live now, and New York intersect,” says Awich about this single. “Together with the legendary RZA and FERG, a supreme artist who embodies the streets, we’ve carved out today’s borderless atmosphere with cutting words and beats. This song is a crossroads where everything collides: Japan and New York, culture, fashion, luxury, fun, sin and its price. Everyone brings their own ‘meat’ and carves up the truth. Welcome to our Butcher Shop.”
The accompanying music video, which the press release says is immersive like a short film featuring performances by Awich and FERG set to RZA’s signature dark and majestic worldview, was unveiled Monday (April 14) at 8 p.m. Japan time.
Awich’s new single follows her recent collaborative track called “ASIAN STATE OF MIND” featuring South Korea’s Jay Park, India’s KR$NA, Masiwei, the leader of the Chinese group Higher Brothers, and Cambodia’s VannDa released at the end of February.
The rapper has also been giving back to the community, organizing the Know The World – Awich Global Education Project – (Study Abroad in Atlanta & Study Abroad in the City) program for the second year in a row. This project reflects her wish to contribute towards solving the issues of child poverty, experience discrepancy and education in her home prefecture of Okinawa by providing free English learning opportunities to young people.
The program aims to foster a spirit of “turning adversity into strength” through international exchange experiences and studying abroad. 100 young people from low-income households in Okinawa, from first year high school to those aged 22, will be provided with free “study abroad in the city” homestay experiences with foreign families in the prefecture, and three people will be provided with free short-term study abroad experiences in Atlanta, where Awich studied, after the local homestay stint.
It’s been almost one year since Post Malone saddled up and dropped his chart-topping country set, F-1 Trillion. But on Sunday (April 13), on Coachella’s main stage, his headlining performance felt celebratory and emotional enough to be release night.
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Though Posty has been booked and busy since he served up F-1, his set felt like the long-awaited main course — plus dessert. For the gig, Post fittingly brought a reimagined Forumla 1 racetrack to the desert that extended all the way from the stage through the crowd. He also leaned into his love for pyro, with various trash bins spread across the stage that, of course, would catch fire throughout the set. As for sparklers – why wait? Post tossed them in for his opening song, the thumping “Texas Tea.”
Starting with a song from his 2023 album Austin was certainly not the most expected, but it was absolutely the most fitting. Austin is sandwiched in Post’s fast-growing catalog between Twelve Carat Toothache and F-1, and in many ways bridged the gap between where Post had been as an artist and where he was heading. Opening with “Texas Tea” set the tone, immediately answering the question on the minds of many: What kind of show will he deliver?
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Striking balance between his older hip-hop leaning material with his more recent country sound was surely on Post’s mind, too. But, as he told Billboard the day before his set: “That’s always been the thing about me, is it’s all just f—ing music.” And tonight, he endlessly thanked his fans for seemingly feeling the same. “I just wanted to say thank you to everybody who has listened to the music for such a long time,” he said after a run of album-spanning songs including “Wow” (Hollywood’s Bleeding), “Better Now” (Beerbongs & Bentleys), “Lemon Tree” (twelve carat toothache) and “Wrong Ones” (F-1 Trillion). “I know it’s been a crazy f—ing journey and I just wanted to express how grateful I am to each and every one of you.”
The weekend-closing slot was not only a testament to Post’s decade-long career, but was also crafted in a way that helped contextualize how an artist who debuted with a song like “White Iverson” ended up recording alongside country’s biggest superstars and sounding right at home. His nine-piece backing band surely helped, illustrating how his sound has grown both literally and figuratively, as did his raw vocals — especially on songs that were originally recorded quite differently.
“Auto-tune is a hell of a drug,” Post said with a smile said after apologizing for the second time for his “pitchiness,” which seemed to go entirely unnoticed by anyone else. In fact, in the absence of auto-tune, Posty’s signature warble sounded stronger and more melodic than ever.
But perhaps the best way in which Post offered a glimpse into how he landed where he is today was through his use of the fog machine. Yes, really. Oftentimes, Post was entirely engulfed in thick layers of engineered fog; but the thing is, without the ability to see him clearly, it allowed fans to listen more closely. And if Post’s set proved anything, it was that no matter what genre, style or sound he explores, he has always been an incredible songwriter right to his core.
And while a Post Malone headlining set may have seemed like the perfect time and place for him to welcome any number of guests – he has hits with everyone including fellow festival headliner Travis Scott, Halsey, Morgan Wallen, Jelly Roll and many more – given how grateful Post was for the opportunity, he had every right to keep it all for himself. (In fact, all of this weekend’s headliners opted to do exactly that.)
Sure, Post’s No.1 hit “I Had Some Help” (with Wallen) may have seemed like an on-the-nose moment to indeed bring some help on stage, but there was something poetic about doing the exact opposite. In a way, performing the song alone – and following his gushes of gratitude – helped it sound more like a thank you than a screw you. Because of course Post had plenty of help to get to this moment, and it’s one that he said never felt like a guarantee.
“Lots of motherf—ers called me a one hit wonder,” said Post, “and I just wanted to say that if you don’t believe in yourself, then nobody f—ing else will. No one can f—ing stop you.”
Post repeated the last line several times, growing louder and more impassioned with each utterance. By the end, it was as if he was only speaking to himself. Because while tonight was a celebration, it’s clear Post has no plans of slowing down. Rather, having just performed on a makeshift racetrack, nothing is stopping him from continuing full speed ahead.
Shirley Manson is pushing back against media commentary about her appearance, calling out what she describes as “weaponised” language used to diminish women in music as they age. Explore Explore See latest videos, charts and news See latest videos, charts and news On Saturday (April 13), the Garbage frontwoman took to Instagram to share a […]
Neil Young, Joan Baez and Maggie Rogers shared the stage at a Bernie Sanders’ Fighting Oligarchy rally over the weekend, delivering a powerful, multi-generational performance of Young’s protest anthem “Rockin’ in the Free World.”
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The moment took place on Saturday (April 12) at the political rally hosted by Sen. Bernie Sanders and Rep. Alexandria Ocasio-Cortez at Los Angeles’ Grand Park. The event, which centered on anti-corporate messaging and grassroots political reform, also featured solo sets from all three artists.
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Young, who closed out the rally, began his brief performance with “Rainbow of Colors,” a song from his 2019 album Colorado, before launching into “Rockin’ in the Free World.”
Midway through the song, Baez and Rogers walked onstage to join him, taking turns on vocals and leading chants of “Power to the people” and “Take America back” between verses.
Baez, who recently marked her return to public performance following her Rock & Roll Hall of Fame induction in 2023, also performed a five-song solo set earlier in the evening. Her selections were all covers, beginning with “Ain’t Nobody Gonna Turn Me ’Round,” a Freedom Singers civil rights anthem. She followed with Phil Ochs’ “There But for Fortune” and John Lennon’s “Imagine.”
Toward the end of her set, Baez was joined by Rogers for renditions of “America the Beautiful” and Bob Dylan’s “Don’t Think Twice, It’s All Right.” It marked a rare public musical appearance for Baez, who formally retired from full-length touring in 2019.
Rogers, who released her sophomore album Surrender in 2022, recently teased new music on social media and has continued to appear at benefit concerts and politically focused events.
Sanders has been very vocal in his disdain for the Trump administration’s controversial tariff policies. During a CNN town hall with Anderson Cooper on Wednesday, Sanders lambasted Trump’s pugilistic approach to foreign policy, saying, “We don’t have to hate China. We don’t have to hate other people. Let’s figure out a way to work together.”
Young, a longtime supporter of progressive causes, first released “Rockin’ in the Free World” in 1989 on his album Freedom, and has performed it across decades of political moments. In 2020, the rocker filed a copyright infringement lawsuit over Trump’s unauthorized use of “Rockin’ in the Free World” at campaign events.
Billboard, Amazon Pharmacy and Amazon One Medical teamed up with comedian/musical improviser Reggie Watts to hit the streets of Palm Springs with the sickest show seen in the desert, “MuSick: Live from Reggie Watts’ Couch.”
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Amazon Pharmacy made the opening weekend of Coachella Valley Music and Arts Festival “less painful” for festival-goers with a free live show on Saturday afternoon, April 12 with Reggie Watts — in the name of the brand’s mission to “make healthcare less painful.” When Watts woke up feeling “sick” on a festival day, he turned to Amazon One Medical and Amazon Pharmacy to get rolling again. And roll he did, without getting off the couch, through the streets of Palm Springs. He surprised festival goers by riding on a motorized, four-wheeled sofa — with an incredible sound system one might add — to invite music lovers to “MuSick” at the Ace Hotel.
During the event, Watts, who is known for his beatboxing music, crafted “sick” beats out of sick sounds. Imagine an audience dancing to a chorus of coughs, bobbing to syncopated sneezes, and throwing their hands up to a throw-up reflex. The whole performance took place atop a larger-than-life 12ft-tall couch (complete with giant throw pillows). A way to let the audience know that with Amazon Pharmacy and Amazon One Medical you can get medical care without getting off the couch. Or even, hypothetically, without leaving the dance floor. Special guest NEIL FRANCES and Rhythm Luna opened the show before Watts’ headline performance.
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The event also treated fans to specialty cocktails and mocktails, including some health-inspired beverages like Sinus Spritz, MuSick Margarita, Cougha-colada, Thirst Aid, and Placebo Effect, as well as cold pressed juices from a wellness bar and branded misters and fans to fight off the heat.
“The event was sick fun—in the best way,” Watts said. “It made perfect sense to be out there making ‘MuSick’ about getting prescriptions delivered. Playing live for people on the street, then climbing up on this massive couch to perform? Easily the softest stage I’ve ever been on. Hopefully when folks are curled up sick at home, they’ll think of Amazon Pharmacy and get what they need fast.”
Scroll on below to see more of the action from the “MuSick: Live from Reggie Watts’ Couch” event!
Reggie Watts at the Billboard and Amazon Health’s Pop-up Party held at Ace Hotel & Swim Club Palm Springs on April 12, 2025 in Palm Springs, California.
Guests at the Billboard and Amazon Health’s Pop-up Party held at Ace Hotel & Swim Club Palm Springs on April 12, 2025 in Palm Springs, California.
NEIL FRANCES at the Billboard and Amazon Health’s Pop-up Party held at Ace Hotel & Swim Club Palm Springs on April 12, 2025 in Palm Springs, California.
Amazon decor at the Billboard and Amazon Health’s Pop-up Party held at Ace Hotel & Swim Club Palm Springs on April 12, 2025 in Palm Springs, California.
Amazon decor at the Billboard and Amazon Health’s Pop-up Party held at Ace Hotel & Swim Club Palm Springs on April 12, 2025 in Palm Springs, California.
Staff at the Billboard and Amazon Health’s Pop-up Party held at Ace Hotel & Swim Club Palm Springs on April 12, 2025 in Palm Springs, California.
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Fans of music, thrillers and drama will want to take advantage of a new streaming deal that you gets you three months of access to BET+ for just $0.99/month. We spotted the deal on Amazon as part of the site’s Prime Channels offerings.
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The new BET+ deal gets you access to the streaming service for less than $1 per month, for your first three months. Regularly $5.99/month, the latest offer saves you a whopping 83% off for a limited time.
BET+ is home to thousands of hours of content from top Black actors, creators and producers like Tyler Perry, Kevin Hart, Kemba, Eva Marcille and more. Top shows include Kingdom Business, All the Queen’s Men, Tyler Perry’s Ruthless and the animated Lil Kev.
Music fans can stream documentaries and specials on stars like Harry Belafonte, TLC and New Edition, while BET+ is also home to fan favorite reality shows like The Impact Atlanta, Love and Hip-Hop, Basketball Wives and College Hill: Celebrity Edition.
The Amazon Prime Video deal gets you access to the entire BET+ library with limited ads, and you can watch new premieres and episodes weekly or stream content on-demand. The streamer says it currently has more than 4,000 movies and episodes available to watch online.
What we like: Amazon’s BET+ offer lets you stream on up to two devices simultaneously, all at the $0.99/month price. Now that’s a deal!
This is a rare chance to score a Prime Channel deal outside of Prime Day so we recommend taking advantage of the offer while the promotional price is still live. Get access to BET+ for just $0.99/month for three months. Continue on for $5.99/month after that or cancel at anytime. Offer ends April 21. See full details here.
Irish hip-hop trio Kneecap have claimed they had their pro-Palestinian messaging cut from the recent livestream of this year’s Coachella Valley Music and Arts Festival.
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The trio – who have become known for their outspoken political views on and off the stage – made their debut appearance at Coachella on Friday (April 11), with their performance gaining a small amount of notoriety thanks to an onstage chant celebrating the death of former British Prime Minister Margaret Thatcher.
Thatcher, who passed away in 2013 at the age of 87, has been a noted target of Kneecap, largely due to her outspoken conservative policies and her involvement in the signing of the Anglo-Irish Agreement, which aimed to put an end to the Troubles in Northern Ireland.
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During the trio’s Coachella set, the band could be heard calling out to fans, “If anybody was wondering, Margaret Thatcher’s still dead.” This was then followed by a singalong of “Maggie’s in a box” to the tune of “Give It Up” by KC and The Sunshine Band. However, after this portion’s absence from the livestream was noted by NME, the group noted that this instance wasn’t the only part of their set that was removed from the broadcast.
“Not the only thing that was cut – our messaging on the US-backed genocide in Gaza somehow never appeared on screens either,” Kneecap wrote on socials. “Back next Friday Coachella and it’ll be sorted.”
The following day (April 12), Californian pop-punk veterans Green Day performed a headline set at the festival, with their appearance being noted for frontman Billie Joe Armstrong once again altering lyrics in response to ongoing political issues. While Armstrong changed the “American Idiot” line “I’m not a part of the redneck agenda” to “I’m not part of the MAGA agenda,” their track “Jesus of Suburbia” also received a similar revision during their late-night slot.
In that instance, Armstrong changed the line “Runnin’ away from pain when you’ve been victimized” to “Runnin’ away from pain, like the kids from Palestine,” though by all reports this lyrical alteration was not removed from the stream.
Kneecap will return for the second weekend of Coachella in a matter of days, and will perform another run of North American dates in October.
Hugh Evans, the Co-Founder and CEO of Global Citizen, has become the first Australian to be awarded the prestigious Sunhak Peace Prize.
Evans was named as the 2025 recipient of the award at the Sunhak Peace Prize Award Ceremony in Seoul, Korea on April 11, with his leadership and innovation in the mission to end extreme poverty cited as the reason for his recognition.
The Sunhak Peace Prize has been handed out on a largely biannual basis since 2015, with its Committee currently chaired by former European Commission President José Manuel Durão Barroso. Evans received the 2025 award alongside laureates Patrick Awuah Jr., the Ghanaian Founder and President of Ashesi University, and Wanjira Mathai, Kenyan activist and Regional Director for Africa at the World Resources Institute.
“I am deeply honoured to receive the 2025 Sunhak Peace Prize,” Evans said in a statement. “While over $49 billion has been committed toward the end of extreme poverty, impacting 1.3 billion lives, our mission is more critical now than ever before. We are rising to the challenge – we’re innovating, expanding and will be activating across five continents in the coming year.
“I share this award with our incredible team, long-standing partners, generous supporters, and global citizens everywhere who have taken action with us over the past decade and beyond.”
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Evans co-founded Global Citizen in 2008 alongside Michael Sheldrick, Simon Moss and Wei Soo, with the organization focusing on education and advocacy to end extreme poverty and promote both social justice and equity on a global scale.
Global Citizen has utilized high-impact campaigns and live events in an effort to unite leaders across myriad fields, with its Global Citizen Festival launching in 2012 and taking place in numerous cities around the world since.
Its most recent event took place in New York City in September 2024, with Post Malone, Doja Cat, Jelly Roll and Rauw Alejandro appearing. On Thursday (April 10), Global Citizen announced its 2025 event will take place in Central Park on Sept. 27.
“As our world faces rising temperatures, growing inequality, and deepening uncertainty, this year’s Global Citizen Festival is an opportunity to push for real, lasting change,” said chief music and entertainment officer Katie Hill in a statement. “We’re excited to unite 60,000 global citizens on the Great Lawn of Central Park — together with some of the world’s biggest artists and advocates — to demand action. See you on September 27th!”
News of Evans’ award also coincides with Global Citizen’s announcement of new events, including the forthcoming Global Citizen NOW summit, November’s Global Citizen Festival: Amazonia in Brazil, and its involvement in the production of the inaugural FIFA World Cup final half-time show in July 2026.