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Sony has unveiled its latest superstar partnership with none other than chart-topper Post Malone. The global star has teamed up with the brand for the launch of its new Ult Power Sound series, part of Sony’s For The Music audio brand campaign, the company announced on Wednesday (April 9). According to the release, Sony picked […]

Elton John and Brandi Carlile’s new collaborative album Who Believes in Angels?seems to have a good shot at a Grammy nomination for album of the year. Carlile was nominated in the category with both of her last two solo studio albums – By the Way, I Forgive You (at the 2019 ceremony) and In These Silent Days (2023). John was nominated three times in his 1970s heyday, with Elton John (1971), Caribou (1975) and Captain Fantastic and the Brown Dirt Cowboy (1976).
Who Believes in Angels? was produced by Andrew Watt, who won a Grammy for producer of the year, non-classical in 2021 and was nominated for album of the year the following year for his work on the deluxe edition of Justin Bieber’s Justice.
What’s more, Ben Winston, one of the executive producers of the annual Grammy telecast, also served as an executive producer of An Evening With Elton John and Brandi Carlile, which aired on CBS on Sunday April 6. Does that give the album an edge in the Grammy voting process? No. But it shows that it’s front-and-center in terms of Grammy consciousness.
It may seem early to be thinking in terms of Grammy nominations, but it’s actually not all that early. We’re more than seven months into the Grammy eligibility year, which runs from Aug. 31, 2024 to Aug. 30, 2025.
If Who Believes in Angels? receives an album of the year nod, John will have a 55-year span of nominations in that category, which would put him in second place on the list of artists with the longest span of nods in that category. Tony Bennett has the longest span – 59 years from I Left My Heart in San Francisco (a nominee at the 1963 ceremony) to Love for Sale, his collab with Lady Gaga (a nominee at the 2022 ceremony). Ray Charles would fall to third place. His nods span 43 years, from Genius + Soul = Jazz (1962) to Genius Loves Company (2005).
Who Believes in Angels? is vying to become the 12th collaborative album to receive a Grammy nod for album of the year. It would be the third pairing where one artist was a generation older than the other. John is 35 years older than Carlile. There was a 60-year age gap between Bennett and Gaga; a 23-year age gap between Robert Plant and Alison Krauss.
You may have noticed that John’s double-album opus Goodbye Yellow Brick Road, widely regarded as his most classic work, was not listed among his nominees for album of the year. You may be wondering: How can that be? The album was released on Oct. 5, 1973, just 10 days before the end of the eligibility year, a bit late for it to register its full impact. John was nominated the following year with Caribou, a solid album, but not in the same league with Goodbye Yellow Brick Road. While Goodbye Yellow Brick Road should have been nominated, it probably wouldn’t have won. Stevie Wonder, then at his creative and commercial peak (and on a history-making Grammy roll), won that year for Innervisions.
Here’s a complete list of the 11 collaborations that have received album of the year nods, working backwards. Will Who Believes in Angels? join them? Place your bets. All chart references are to the Billboard 200; the years shown are the years of the Grammy ceremony.
2022: Tony Bennett & Lady Gaga, Love for Sale
Image Credit: Kevin Mazur/Getty Images for LN
Save this storySaveSave this storySaveThe ever-busy King Gizzard & the Lizard Wizard revealed last year that they recorded an entire album with an orchestra in the same time period that they made 2024’s Flight B741. Now, the Australian prog-rock band has announced the LP is finally out next week, with Phantom Island arriving April 15 on the band’s own label (P)Doom. Check out the title track and cover art below.“A lot of love and time and energy and patience and growth went into this one,” lead singer-guitarist Stu Mackenzie wrote on Instagram. “Can’t wait to grow wings and fly with all of you.”“Phantom Island” is the first of 10 tracks on the new album. It’s the whopping 27th album of King Gizzard & the Lizard Wizard’s career, following last year’s Flight B741 and two 2023 records: The Silver Cord and PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation. The band hasn’t specified which orchestra actually plays on the album, but the credits for the lead single do note that it was conducted by Brett Kelly.Read about King Gizzard & the Lizard Wizard’s upcoming shows in “The 72 Most Anticipated Tours of 2025.”Phantom Island:01 Phantom Island02 Deadstick03 Lonely Cosmos04 Eternal Return05 Panpsych06 Spacesick07 Aerodynamic08 Sea of Doubt09 Silent Spirit10 Grow Wings And Fly
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Make room on your shelf, because the very first P!nk Funko Pop! collectible is finally here. Inspired by her 2023 Trustfall […]
Grammy-nominated pop-dancehall princess Shenseea and Jamaican dancehall hitmaker Masicka lead the nominations for the 2025 Caribbean Music Awards, with seven nods each.
Notably, Shenseea, who won her first Caribbean Music Award last year for female artist of the year (dancehall), scored her first solo Grammy nomination earlier this year. Her sophomore album, Never Gets Late Here, was recognized in the best reggae album category, ultimately losing out to the Bob Marley: One Love soundtrack.
Soca superstars Patrice Roberts and Kes follow with six Caribbean Music Awards nominations. Dancehall legend Vybz Kartel, genre-fusing soca star Nailah Blackman and Jamaican dancehall stars Chronic Law and Kranium each have five nods. In addition, Trinidadian soca titan Bunji Garlin and reggae luminaries Romain Virgo and Lila Iké are next in line with four nods each.
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The Caribbean Music Awards recognizes artists, producers and industry professionals who have significantly contributed to the Caribbean music landscape. This year’s nominations list includes more than 150 nominees across 40-plus categories spanning a diverse range of genres including reggae, soca, dancehall, calypso, R&B and gospel.
This year, the Caribbean Music Awards is introducing seven new categories: Caribbean R&B and Zess-Steam Artist of the Year, International DJ of the Year (Female), Reggae Collaboration of the Year, and Reggae, Gospel, and Caribbean Fusion Song of the Year. The new categories reflect the breadth of Caribbean music and the increasing consumption of particular styles and sounds. “The Greatest Bend Over,” Yung Bredda’s Full Blown-produced smash, became one of the biggest soca crossover hits of the year thanks to its incorporation of Zess.
“Zess has a very large following among the youth in Trinidad, but [those artists] have been struggling to be accepted by mainstream Trini music – which is soca,” Kevon Hart of Full Blown told Billboard in March. “For us, this was a very clever way of combining the two and showing the Zess artists that they do what we do, just in a different way.”
Other notable nominees include Jada Kingdom, Spice, Mical Teja, Lady Lava and Dexta Daps — last year’s most nominated artist — with three nods each.
The awards are presented by the Caribbean Elite Group, which also produces Caribbean Elite Magazine – a print and digital publication that highlights Caribbean entertainers, artists, producers, promoters, cuisine, travel, fashion and entrepreneurs.
Voting is currently underway at the Caribbean Music Awards website, and will conclude on Friday, May 1. Winners will be celebrated on Thursday, Aug. 28, at King Theatre in Brooklyn, N.Y.
For the complete list of nominations, visit the Caribbean Music Awards website. Here are the nominees in selected categories:
Reggae — Album of the Year
Various Artists — Bob Marley: One Love – Music Inspired by the Film (Deluxe)
Bugle — Apex
Etana — Nectar of the Gods
Mortimer — From Within
Romain Virgo — The Gentle Man
UB40 — UB45
Dancehall — Album of the Year
Dexta Daps — Trilogy
Govana — Legacy
Shenseea — Never Gets Late Here
Spice — Mirror 25
Vybz Kartel — First Week Out
People’s Choice Award
Joé Dwèt Filé
Kes
Lady Lava
Shenseea
Skeng
Skillibeng
Vybz Kartel
Yung Bredda
Dancehall Song of the Year
Squash, “Big Breeze”
Vybz Kartel, “The Comet”
ArmaniI, “HAAD (Fiesta)”
Busy Signal, “Happy Birthday”
Kranium & Chronic Law, “Higher Life”
Shenseea, Masicka & Di Genius, “Hit & Run”
Jada Kingdom, “What’s Up (Big Buddy)”
Masicka, “Whites”
Reggae Song of the Year
Romain Virgo & Masicka, “Been There Before”
Bugle, Buju Banton & Damian “Jr. Gong” Marley, “Thank You Lord”
Lila Iké & Joey Bada$$, “Fry Plantain”
Pressure Busspipe, “Haunted”
Protoje, “Legend Legend”
Marlon Asher & Sizzla, “Never See Us Fall”
Alaine & Usain Bolt, “Pile Up”
YG Marley, “Praise Jah in the Moonlight”
Soca Song of the Year
Patrice Roberts, “Anxiety”
Nailah Blackman & Lyrikal, “Best Self”
Blaka Dan, “Blessing”
Bunji Garlin, “Carnival Contract”
Problem Child, “Carnival Jumbie”
Mical Teja, “DNA”
GB Nutron & Farmer Nappy, “In the Center”
Trilla-G, Lil Boy & Quan, “Someone Else”
Musical Event of the Year
Buju Banton — Long Walk to Freedom
Dominica World Creole Festival
Patrice Roberts — I Am Woman
Konpa Kingdom
Saint Lucia Jazz & Arts Festival
Soca Brainwash
Stink & Dutty
Vybz Kartel — Freedom Street
Dreamville Festival concluded its fifth and final outing over the weekend, and Hip-Hop Wired was there to take in all the festivities. As it happens with music festivals of this magnitude, we managed to get a few quick interviews and comments from celebrities while checking out sets in between.Dreamville Festival 2025 was another sold-out event and brought thousands to the city of Raleigh, N.C. Everyone who touched the stage gave it their all, and the fans showed love to all the acts, whether familiar or not. The outpouring of love was bittersweet to witness, and it was beyond clear that this year’s Dreamville Festival meant the world to J. Cole, the Dreamville artists, and all who performed.While backstage, we spoke with several media figures, such as DC Young Fly, who was there representing for his 85 South podcast crew along with the Pour Minds crew, Drea Nicole and Lex P, hosting a joint live broadcast powered by Backwoods. Several Dreamville Festival performers sat down on the couch and gave their perspectives and insights, with DC Young Fly, hilarious as ever, chatting with us briefly as they wrapped.“I really do appreciate Dreamville for having us along with the Pour Minds crew down here and letting us do our thing in their backyard,” DC told us. We then asked DC how seamless the transition from comedy to podcasting was for him.“I give all credit to that man Karlous Miller for seeing something in me and knowing I could carry the weight. It was pretty smooth because I’m used to talking for a living and trying to be funny, so it just came naturally for me,” DC Young Fly shared.We spent significant time in the artist lounge area, coming across the likes of the charming Jordan Howlett, better known as Jordan The Stallion, Dee-1, and Julian Delgado of Something Wrong With The Podcast. Everyone we greeted was charming, affable, and humbled to be recognized by their fans and supporters.In the gallery below, we’ll share a blitz of quick-hit interviews we did with Akia, Kai Ca$h, Niko Brim, Turk of the Hot Boys, and more. We want to thank everyone for being so gracious to us, and best of luck to all in your musical journeys.
1. AKIA
At just 22 years of age, AKIA is currently pushing her latest EP, DUMB, and her dynamic vocal stylings were on full display at Dreamville. In our all-too-brief chat, the charming artist let it be known that she was destined for her current moment.
“The stage and studio, both are where I feel most at home,” AKIA began. “So, no matter how long my set is when I perform, that’s my sh*t. I just get on that stage or in that booth, and it goes from there.”
The Arkansas native credits her mother for pushing what she referred to as her “God-given gift” of singing. Every Sunday, a young AKIA was asked to sing at her church services, honing her powerful and soulful vocals.
“There would be times where I didn’t want to sing because my head was hurting but my mom would be like ‘God is gonna fix it but you gonna have to sing’ and I thank her for believing in me,” AKIA explained.
Next up for AKIA as she continues to promote DUMB is another pair of EPs, CRAZY and STUPID, which will complete a trilogy depicting a romantic relationship’s ups and downs. Considering how her single “DND” resonates with her fans, AKIA’s trajectory appears sky-high.
Learn more about AKIA here.
2. Cozz
Cozz, a longtime artist on the Dreamville roster, commanded the stage on Day 2 of the festival with the poise of a 20-year veteran. We caught up with Cody Macc after his crowd-pleasing set and got into his story a bit.
“This being the last Dreamville is kind of a bittersweet thing, but this is our home as artists on the label, and you can tell the fans who come out are supporters of our dreams,” Cozz said. “But what made this special is that this is the first time I’ve done this festival sober. This is the best version of me, and that’s why the crowd responded the way they did, because they could tell.”
Cozz added that he’s been sober for 11 months and, for what it’s worth, he appeared to be at peace. There was an aura around the Los Angeles rapper that translated well, and whatever troubles he faced before were on the way behind him.
“I haven’t been able to release music much legally since 2021 because I was on the chain with the label, but I’m still Dreamville all day. I have at least three projects in the stash now,” Cozz said. “I’m just trying to determine what to release and when, and I’m in the studio every week, tweaking and recording new music all the time.”
Cozz is currently promoting his new singles “50 Percent” and “God’s Design,” and on the former track, he hints at his sobriety journey and tells listeners that everything from the time before he stopped drinking was just him at half of his power. Cozz shared what the song meant to him with us.
“The track [50 Percent] is really a testament to the growth and the first freestyle I recorded since being sober,” Cozz explained. “I wanted my listeners to know that they were only getting half of me, so imagine how I’m gonna sound with a clear mind.”
In closing, Cozz left a message to anyone who is struggling on their path and what he hopes his fans get from his music.
“It’s never too late, it ain’t never too late to improve your life but you have to want it,” Cozz said. “It took me a long time to get to this place, but now I’m here and my life feels beautiful.”
Learn more about Cozz here.
3. Kai Ca$h & Niko Brim
Native New Yorkers Kai Ca$h and Niko Brim kicked off the Dreamville Festival with their high-energy set, and it truly felt like we were witnessing Hip-Hop’s latest young superstars in the making. Backstage, the energetic duo shared the trials of their time as artists and where they intend to go from there.
“I used to take this ability I have lightly, and I kid you not, I didn’t take it seriously until my teen years,” Kai began. “Truthfully, you do get discouraged because the music business is not easy. Especially when you don’t see things working expeditiously, but I just kept the focus on what’s next.”
Niko Brim, who has been around the music industry all his life via his parents Misa Hylton and Jojo Brim, added, “I’ve seen a lot because of my parents and their belief in my gifts, but having a brother from another like Kai really makes this journey easier than it looks.”
Niko shared that his first track was with Kai, and they recorded the “Stop Being Greedy” freestyle at his home studio. With Kai leading the way as an artist, Niko said that his brother inspired him to keep going.
“When Kai started making moves and considering all I’ve seen in my upbringing, it made sense for me to fall in line and get serious about it too and I thank him for giving me a lane and making this easy for me,” Niko said.
Kai Ca$h is currently preparing to drop his new album Ca$h Rules, later this month. Niko Brim says he has plenty of music he’s working on and wants everyone to stay tuned.
Learn more about Kai Ca$h here.
Learn more about Niko Brim here.
4. Lute
Lute is a mainstay of the Dreamville roster and the Charlotte rapper has kept active on the scene despite having last dropped a full-length project, the excellent Gold Mouf, in 2021. We just had a few minutes with Lute yet in that time, we got to learn more about the artist.
“It’s always love to come to Raleigh, and even though I’m a Charlotte boy living two hours west, this is home for me,” Lute said. “I appreciate the Dreamville fans because without them, I wouldn’t be doing any of this right now.”
Despite just being two hours apart, Lute explained the difference between the North Carolina cities to our outsider’s ears.
“In Charlotte, it was tough making it because we didn’t have much of a Hip-Hop scene when I first started, but now it’s starting to change,” Lute shared. “I come from the Blog Era and that’s how I got my first project West1996 pt. 2 out via the blog site,s and it just makes me appreciate how far I came in this game.”
In a reflective moment, Lute shared that his personal journey right now is bigger than music, although he’s clear that putting something out this year is a goal.
“I’ve been focusing on my mental health journey crazy and I’ve been through a lot. I can be honest and say that things are looking up for me and I won’t keep the fans waiting for too much longer,” Lute said.
Learn more about Lute here.
5. Omen
Omen is one of the senior members of the Dreamville roster, and the Chicago native’s reserved nature is a total 180 from his passionate presence onstage. We caught up with Omen as he made his way to his trailer to learn what’s next for the rapper and producer.
“It’s always amazing to get in front of all these people who know your music and support the Dreamville movement the way they do. It’s humbling, actually,” Omen began. “This journey might not always go the way you envision, but the chance to express that, it feels special.”
Omen’s lone studio album, Elephant Eyes, isn’t available on DSPs at the moment. However, Omen has kept active over the years, appearing on several Dreamville projects and producing for J. Cole among others. As he prepares his upcoming album, Granny’s House Again, Omen is taking it back to his earlier days in Chicago.
“I want this album to bring folks into my world, coming up in Chicago and how I used to be at my grandmother’s house just dreaming about what I’m doing currently,” Omen shared. “I put a lot of work into this project, and I think people who liked Elephant Eyes and anything I did over the years will hear something they never heard before from me.”
In closing, we asked Omen how he keeps himself grounded as a public figure who, by all appearances, would rather just play the background.
“Like you said to me before we spoke, I tend to be introverted and keep to myself and allow my music to do most of my talking,” Omen said. “However, I want my new album and performances to show that I have layers, and maybe I’ll inspire someone along the way because music definitely got me through a lot.”
Learn more about Omen here.
6. TRAP DICKEY
TRAP DICKEY might have been one of our quickest interviews, but also one of our favorites. The South Carolina native’s personality is bigger than life, but what was surprising is how much of a student of Hip-Hop he is.
“People hear my music and the accent and probably think it’s just one thing but I came up freestyling and listening to the greats like Nas, Busta Rhymes, Jay-Z, DMX, you name them, I was on it,” TRAP began. “You gotta go back to the old ways of rapping and tap into that country soul. That comes from being around grandma; it all comes out in the music.”
TRAP DICKEY says that his upcoming album, The Preacher’s Grandson, will showcase him in a light few have heard thus far.
“I been grinding a long time and things are paying off, but I think this album gonna show the fans about how I came up, how I grew in this game, and where I’m going next, ” TRAP said.
Learn more about TRAP DICKEY here.
7. Turk
Last but not least, Turk, one of the original Hot Boyz members, gave us a few moments of his time and some gems along the way. Turk’s growth as an artist, husband, and solid human being came across in our chat with the New Orleans native.
“I feel so blessed and honored to be on that Dreamville stage with my original family,” Turk began. “People know the story, they know the history and the controversies and what I done been through, but we’re still here and it feels good to be together again.”
He continued, “We had to let that pride and ego stuff go. Brothers fall apart all the time but since we patched it up in November, we out here selling out arenas and shows all over the world, and that feels right.”
Turk said that now, as a married man who has reformed his life, his upcoming musical journey will reflect that growth.
“Seeing as I’ve got my wife in my corner, my new musical outlook is all about growth, development, being a family man, being a leader in my community,” Turk shared. “I want people to know through my story that you can go through some things that’s hard but you ain’t gotta stay there. Look at me, and of course, you keep God in the front, it’s all possible.”
Learn more about Turk here.
Ye (formerly Kanye West) has been staunch in his support for Donald Trump since the business mogul’s first presidential term. During a stream with Digital Nas on Tuesday (April 8), the embattled rapper claimed that Frank Ocean attempted to talk him out of supporting the twice-impeached president prior to the 2016 election.
“Frank Ocean p—y a– come over my house talking about Trump all day and how I shouldn’t support Trump,” he said. “N—a f–k you know about politics and n—a I’m your motherf—ing senior, OG, y’all used to come on tour with mea.”
Ye continued: “None of you n—-s can tell me about politics n—a. F–k you think? You read a book and now you can tell me some s–t? None of these n—-s as talented. I’m the greatest motherf—ing artist that ever existed. They can just be slightly better at one thing cause they only do that one thing.”
Billboard has reached out to Ocean’s reps for comment.
Ye — who has faced continued backlash for his ongoing hate speech — hasn’t been shy about his support for Trump over the years. He originally had a pro-Trump rant during his Saint Pablo Tour in 2016 and met up with the president at Trump Towers in December 2016 for a photo op.
He pulled up to the White House in 2018 while rocking a red MAGA hat, where he spoke about his appreciation for the president and met with Trump at the Oval Office. Ye kept the MAGA hat on throughout the year and even wore it during his appearance on Saturday Night Live.
While Ye opposed Trump in 2020 during his own brief presidential bid, he came back to support Trump — who has since been convicted on 34 felony charges in his hush money case — for the 2024 election as DT defeated Democratic nominee Kamala Harris.
Around the time of the alleged conversation between Ocean and Ye in 2016, they had been collaborative on the music side. Ocean helmed “Frank’s Track” on The Life of Pablo, while West had a cameo on Blonde‘s “White Ferrari.” Ocean hasn’t released a project since.
However, West’s tune changed in March when he claimed during an explosive interview with DJ Akademiks that “Moon” from 2021’s Donda album was the end of his former collaborator’s time in music.
“Like when I made, ‘Moon,’ it basically ended Frank Ocean’s career. He ain’t have a song since then. He talking, ‘Sipping some wine.’ I knew it I heard it, I was like, ‘Oh, this n—a not gonna be able to make another album again,’” he said. “Any genre of music that anyone has, I make a better version of it. I’m 10 times stronger at music than anyone living.”
Save this storySaveSave this storySaveMark Pritchard and Thom Yorke have shared the latest single from their collaborative album Tall Tales. “Gangsters” comes with a creepy video directed by the duo’s informal third member, Jonathan Zawada, in which a Boschian assortment of marionette-like characters cavort on a plaza. Watch that below.“Gangsters” follows “This Conversation Is Missing Your Voice” and “Back in the Game,” the first two Tall Tales singles and the latest in a string of Pritchard-Yorke compositions. The album arrives May 9 via Warp. Zawada also directed and animated a feature film to accompany the album, which will screen in theaters on May 8.

Machine Gun Kelly will see your jokes and raise you more jokes. The rap/rocker took to his Instagram Story on Tuesday (April 8) to double-down on an Onion headline tweaking the new dad just weeks after MGK’s former fiancée, actress Megan Fox, gave birth to the couple’s first child together.
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“Megan Fox Confirms She and New Baby Will Co-Parent Machine Gun Kelly,” read the lightly teasing headline, which MGK re-posted along with three laughing crying emoji. That same reel featured a re-post of footage of the rapper performing his 2024 Trippie Redd collab “Beauty,” with a caption that paid tribute to his first-born, 15-year-old daughter Casie Colson Baker. “the girl dad was performing his rap song ‘beauty’ at his birthday party on April 22, 2024, and his daughter casie was vibing to it. she knows it’s a bop,” it read.
In another slide, Kelly hangs with Casie and implores her not to read the comments on one of his performance videos. “Why? They’re not bad,” she says, as he frets, “I know but of them, just like, I see certain words and I’m like, ‘aaaahhh.’”
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In an Insta post titled “dad.,” Kelly, 34, appears in a series of selfies in which he wears all black outfits, goofs around with Casie, shows off his Rolls Royce and hangs with pals Travis Barker, Camila Cabello and Atlantic Records VP of A&R Keith “Keefa” Parker aka “Keefa Black.”
Fox gave birth to her fourth child — she has three others with former husband Brian Austin Green — on March 27. To date the formerly engaged pair have posted some face-obscured photos of their newborn daughter’s and not much else. But last month Kelly threw cold water on suggestions that they’d named their little girl “celestial seed.”
The confusion came after MGK announced in an Instagram post that he and Fox, 38, had welcomed their first child along with a picture of his daughter gripping his fingers, writing, “She’s finally here!! our little celestial seed. 3/27/25.” After headlines suggested that the baby’s name was actually “Celestial Seed,” MGK clarified in his Stories, “wait guys… her name isn’t ‘Celestial Seed’ [crying laughing emoji] her mom is gonna tell you the name when we’re ready.”
The NO FAKES Act was reintroduced to the U.S. House of Representatives and Senate on Wednesday (April 9) with the help of country legend Randy Travis, his wife Mary Travis and Warner Music Group CEO Robert Kyncl.
The reintroduction of the bill, designed to protect artists against unauthorized AI deepfake impersonations, was part of the Recording Academy’s annual GRAMMYs on the Hill initiative, in which the organization visits D.C. to meet with elected officials and advocate for a variety of music-related causes. On Wednesday, the GRAMMYs on the Hill Awards celebrated Travis, along with U.S. Representatives Linda Sánchez (D-CA) and Ron Estes (R-KS), for their dedication and advocacy for the rights of music creators.
Introduced by Senators Marsha Blackburn (R-TN), Chris Coons (D-DE), Thom Tillis (R-NC) and Amy Klobuchar (D-MN) and Representatives María Elvira Salazar (R-FL-27), Madeleine Dean (D-PA-4) Nathaniel Moran (R-TX-1), Becca Balint (D-VT-At Large), the NO FAKES Act has also found new supporters in an unlikely place: the tech industry. The bill is now supported by tech giants like YouTube, OpenAI, IBM and Adobe, showing a rare moment of solidarity between artists and big tech in the AI age.
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The NO FAKES Act was first introduced as a draft bill in 2023, and formally introduced to the Senate in the summer of 2024. If passed, the legislation would create federal intellectual property protections for the so-called right of publicity for the first time, which adds restrictions to how someone’s name, image, likeness and voice can be used without consent. Currently, these rights are only protected at the state level, leading to a patchwork of varying laws around the nation.
Unlike some of the patchy state publicity rights laws, the federal right that the NO FAKES Act would create would not expire at death and could be controlled by a person’s heirs for 70 years after their passing. There are, however, specific carve outs for replicas used in news, parody, historical works and criticism to ensure the First Amendment right to free speech remains protected.
Over the last few years, as AI voice models have continued to develop, many artists have often found themselves on the receiving end of AI deepfakes. In 2023, the AI music craze kicked off with the so-called “fake Drake” song “Heart On My Sleeve” which featured the unauthorized AI voices of Drake and the Weeknd. Last year, Taylor Swift, for example, was the subject of a number of sexually-explicit AI deepfakes of her body; the late Tupac Shakur‘s voice was deepfaked by fellow rapper Drake in his Kendrick Lamar diss track “Taylor Made Freestyle,” which was posted, and then deleted, on social media.
Even President Donald Trump participated in the deepfake trend, posting an unauthorized AI image of Swift allegedly endorsing him during his campaign to return to the White House.
“Recently, I was made aware that [an] AI [image] of ‘me’ falsely endorsing Donald Trump’s presidential run was posted to his site. It really conjured up my fears around AI, and the dangers of spreading misinformation,” Swift wrote in an Instagram post soon after. “It brought me to the conclusion that I need to be very transparent about my actual plans for this election as a voter. The simplest way to combat misinformation is with the truth.”
Overall, the bill has seen widespread support among the entertainment industry establishment. According to a press release about the bill’s reintroduction, it is celebrated by Sony Music, Warner Music Group, Universal Music Group, the Recording Industry Association of America, the Recording Academy, SAG-AFTRA, Human Artistry Campaign, Motion Picture Association and more.
Mitch Glazier, chairman and CEO of the RIAA, praised the bipartisan effort, saying “this bill proves that we can prioritize the growth of AI and protecting American creativity at the same time.”
Harvey Mason jr., CEO of the Recording Academy, added: “The Academy is proud to represent and serve creators, and for decades, GRAMMYs on the Hill has brought music makers to our nation’s capital to elevate the policy issues affecting our industry. Today’s reintroduction of the NO FAKES Act underscores our members’ commitment to advocating for the music community, and as we enter a new era of technology, we must create guardrails around AI and ensure it enhances – not replaces – human creativity.”