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Coolio’s Final ‘Futurama’ Appearance as Kwanzaabot Features a New Song & Tribute Message

Coolio‘s legacy continues to live on. The rapper — who died in September 2022 due to an accidental overdose — received a tribute in the Monday (Aug. 28) episode of Hulu’s Futurama, in which he voices Kwanzaabot. The episode, titled “I Know What You Did Next Xmas,” marks Coolio’s final appearance on the show.

In the episode, Kwanzaabot acts as a Robot Santa alongside the Chanukah Zombie. Chanukah Zombie and Kwanzaabot try to educate children about the other holidays, but unfortunately the only holiday the kids care to learn about is Christmas.

In the end credits of the episode, Kwanzaabot returns for a song, in which Coolio raps his “Futurama Xmas list for 3023″: “Gimme 12 Slurms a-slurping/ 11 Benders burping/ 10 episodes dropping/ 9 Scruffys mopping/ 8 Leelas drinking/ 7 Zoidbergs stinking/ Chanukah and Kwanzaa, share a single stanza/ Time traveling chumps/ 40 ounce of nog/ Fry’s dead dog/ 2 turtle-duckens/ And a voice over credit for me.”

The episode ended with a tribute to the late rapper that read “In Memory of Coolio,” with his animated counterpart watching the sun shine over Earth.

After Coolio’s passing, David X. Cohen, producer for Futurama said the rapper “was one of our favorite guests, always upbeat.” Cohen continued, “This news was especially shocking since he looked and sounded great when we saw him in the studio just a few weeks ago, for what was an especially fun session. I thanked him for returning to do the part once again, and he said, ‘Everybody loves KwanzaaBot.’ It was an honor to have gotten the chance to work with him.”

Watch a clip of the new Futurama episode in the video above.

Did Fans Track Down Beyoncé’s Renaissance Tour Tumbler? Here’s Where You Can Buy It Online

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Does Beyoncé shop at Amazon? Queen Bey teamed with the retail giant to release Renaissance Tour merch, but fans have apparently spotted another item from Amazon after the “Cozy” singer shared photos from her concert in Phoenix over the weekend.

The photo gallery includes a snapshot of Beyoncé backstage sipping water from a tumbler and it looks like they BeyHive may have found the same one online — and an affordable dupe.

Beyonce

Ready for the Renaissance Tour? Where to Buy Beyoncé’s Disco Cowboy Hat

Although some BeyHive members in her Instagram comments confused the water bottle with a similar version from the same brand, an eagle-eyed fan appears to have tracked down the exact same tumbler that Bey used. The fan shared a photo on X (formerly Twitter).

The Contigo Autoclose Shake & Go Tumbler is sold out at Amazon, but it’s currently available online at Walmart. You can also grab a similar option from the same brand at Amazon for $11.

Walmart

Contigo Autoclose Shake & Go Tumbler 20 oz.

$45.87

The Autoclose Shake & Go Tumbler has a double-wall, shatter-resistant plastic body with a removable straw and “trap door” under lid that’s designed for “clean and easy shaking and mixing,” per the product description. The tumbler is perfect for iced tea, coffee, water and other beverages and promises no leaks or spills. Some of the customer reviews pointed out at the Autoclose Tumbler is “perfect for travel” and fits easily in a cup holder. It’s available in clear/monaco and scuba blue with bubblegum pink.

The Shake & Go Fit Mixer Bottle from Cantigo retails for $11. According to its product description, the plastic bottle features a “unique” rounded-bottom design with a weighted shaker ball engineered to reduce clumps and build up, making it easier to mix up your protein drinks and shakes. It can also be used for water, of course, and other beverages.

Amazon

Contigo Shake & Go Fit Shaker Bottle, 28 oz., Carolina Blue, Snap Lid

$11.00 $11.99 8% OFF

The leak-proof, dishwasher-safe bottle, which is available in 20 ounce and 28-ounce designs, has volume markings on the side for easy measurement and a convenient, carry-and-go handle. The lid is available in black and Carolina blue and customer reviews point out that the bottle is “sturdy” with “no leaks” and “great for protein shakes.”

Beyoncé hasn’t officially endorsed or confirmed the Contigo connection, but a co-sign from Queen Bey goes a long way. Makeup artist Patrick Starr cant certainly attest to that fact — his One/Size On ‘Til Dawn Matte Waterproof Setting Spray sold out after she used it on tour earlier this month (it’s now back in stock at Sephora).

Speaking of which, the Renaissance Tour makes its way to Levi Stadium in Santa Clara, Calif. on Wednesday (Aug. 30) followed by three nights at SoFi Stadium in Inglewood, Calif. starting on Sept. 1. Click here for tickets.

 

Future Leads Hot Trending Songs Chart Thanks to Viral Groom Video

Future’s “I’m Dat N—-” leads Billboard’s Sept. 2-dated Hot Trending Songs chart, powered by X, over a year after its initial release thanks to a viral video featuring the song.

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Billboard’s Hot Trending charts, powered by X (formerly known as Twitter), track global music-related trends and conversations in real-time across X, viewable over either the last 24 hours or past seven days. A weekly, 20-position version of the chart, covering activity from Friday through Thursday of each week, posts alongside Billboard’s other weekly charts on Billboard.com each Tuesday, with the latest tracking period running Aug. 18-24.

“I’m Dat N—-,” from Future’s 2022 album I Never Liked You, rules thanks to a viral video widely shared on X featuring a groom walking out to the song at his wedding.

It becomes Future’s first No. 1 on Hot Trending Songs; the tune previously appeared at No. 2 on the list in February.

The video spurred streaming gains for the song – a 15% gain from 836,000 official on-demand U.S. streams to 958,000 in the Aug. 18-24 tracking week, according to Luminate.

Future leads a slew of songs from Burna Boy’s new album I Told Them…, which occupy Nos. 2-9. They’re led by “Cheat on Me” featuring Dave, which preceded the album with an Aug. 22 release.

I Told Them… was eventually released Aug. 24, with further chart positions for both the album and its songs possible on the Sept. 9-dated Billboard charts encompassing the week of Aug. 25-31.

Victoria Monet’s “Alright” rounds out the top 10 from her new album Jaguar II, released Aug. 25.

Keep visiting Billboard.com for the constantly evolving Hot Trending Songs rankings, and check in each Tuesday for the latest weekly chart.

Beyoncé to Become Honorary Mayor of Santa Clara Ahead of Renaissance Tour Stop

You can now call her Mayor Bey.

Ahead of Beyoncé’s Renaissance tour stop at Levi’s Stadium on Aug. 30, the Santa Clara City Council will be voting on Tuesday night (Aug. 28) to name the superstar honorary mayor for the day and present her with a key to the city, according to The Mercury News.

“The city of Santa Clara is excited about Beyonce’s upcoming visit to the world-renowned Levi’s Stadium,” Santa Clara spokesperson Michelle Templeton told the publication. “Her concerts will certainly bring a great deal of energy and excitement.”

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The news comes just a month after Taylor Swift’s Eras Tour stopped by the California city, and the “Anti-Hero” singer was also named honorary mayor of Santa Clara, which temporarily changed its name to “Swiftie Clara.”

The Renaissance tour has been nothing short of jaw-dropping so far. According to figures reported to Billboard Boxscore, The Renaissance World Tour earned $127.6 million over 11 shows between July 8-30, claiming the largest one-month sum for any artist since the Boxscore archives began in the mid-1980s. Meanwhile, when her five-show run at London’s Tottenham Hotspur Stadium grossed $42.2 million, it was noted that it was the highest grossing engagement ever by a woman, a Black artist, or any American artist.

Best Buy’s Deal of the Day Will Save You $90 on a ‘Dependable’ External Hard Drive: Shop It Here

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Labor Day is quickly approaching, and besides a long weekend to look forward to, there are also major deals to anticipate. Before you scour any Labor Day deals on Amazon, let us direct you to Best Buy for a moment. Every day, the retailer offers up what it calls its Deal of the Day, which spotlights one highlyrated product at a slashed price for 24 hours — and today it’s serving $90 off a popular external hard drive.

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The WD External Hard Drive comes with 18 TB of storage and has a USB 3.0 interface all for $90 off. Normally, you’d have to splurge and drop $370 for this model, but for today only, you can snag it at just $280.

The model has racked up a 4.5 star rating with reviewers noting how “dependable” it is for backing up everything from important files, photos and more.

Keep reading to shop the limited-time deal below.

black external hard drive

Best Buy

WD – Easystore 18 TB External Hard Drive

$279.99 $369.99 24% off% OFF

Keep all your important documents in a safe spot using an external hard drive that’s portable and has a built-in auto-backup. The included WD Discovery software allows you to set hourly, daily or monthly backup schedules. If you just scored a laptop deal on a new PC or MacBook, the hard drive is also compatible with both for ultimate versatility.

One reviewer praised the product, saying all they had to do was “plug and play” and “it works like a charm.”

For more product recommendations, check out our roundups of the best Amazon Fire TV deals, Apple Watch deals and commuter gadgets.

Nicki Minaj Drops New Song “Last Time I Saw You” On TikTok

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Source: Christopher Polk / Getty

Rejoice Nicki Minaj fanatics for your queen has returned with some new material to get your body grooving once again, but there is a small catch.

After weeks of teasing her new cut “Last Time I Saw You,” Nicki Minaj took to X, formerly known as Twitter, to announce that the track has dropped exclusively on TikTok. The general release is dropping Friday (Sept. 1). Naturally, fans flocked to TikTok to take in Nicki’s latest offering, and the pop-sounding cut is already the talk of the town as fans of the Barb can never get enough of the Trinidadian superstar from Queens.

While this may be the first single off of her upcoming sequel to her Pink Friday album, there’s still no word on when that project will actually hit the streets, but creating a buzz in this manner will only further build up the hype for the highly anticipated LP. Couple that with the possibility that the album will feature a cameo from her new buddy, Ice Spice, and y’all already know that Nicki’s gonna have a hit on her hands whenever her project sees the light of day.

Check out the snippet for “Last Time I Saw You” below, and let us know if you’re counting down the hours to get your hands on the track in the comments section below.

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Tony Bennett in Billboard’s Back Pages: From ‘Bobby-Sox Crowd’ Favorite to Elder Statesman

When Tony Bennett died July 21 in his hometown of New York at the age of 96, the world lost one of the last great interpreters of the American Songbook. Billboard has 32 years on Tony — although we can only wish we had such unflagging class and charisma — and we have to admit that we greeted the crooner with a “Cold, Cold Heart” when he debuted in 1951. But we quickly came to appreciate the way he flew us to the moon.

‘Cry’-ing Shame

When 24-year-old Anthony Dominick Benedetto rebranded himself as Tony Bennett and debuted on Columbia Records, Billboard didn’t exactly bet on the “Rags to Riches” singer. The May 12, 1951, issue called “I Won’t Cry Anymore” a “competent etching” and dismissed “Because of You” as an “adequate” song “with nothing special to offer.” By the time the latter track topped Billboard’s pre-Hot 100 pop chart, Bennett’s performances routinely “bowled over the bobby-sox crowd,” according to the Sept. 29, 1951, issue. Hey, we’re a trade publication — not Nostradamus.

Golden Gate, Golden Pipes

Over the next decade, as Bennett delivered a series of era-defining hits, Billboard was full steam ahead on the Tony train. “Ol’ pro Tony leaves ’em gasping,” raved a Dec. 8, 1962, review of a Carnegie Hall concert. “Tony, like a crafty veteran pitcher in baseball, grew stronger as the night grew longer.”

Saving Face

An in-depth interview in the Nov. 30, 1968, issue found the crooner getting candid: “The trend in the music business was moving away from me,” he said. “I held out and finally I found [‘I Left My Heart in San Francisco’] and had my first hit record after a long dry spell.” Bennett also said he had stuck to his guns when Hollywood called, revealing that one studio floated a “contract that called for remodeling his nose.” His reply? “I liked my nose then, and I like it today.” His praises were also sung by a chorus of all-star supporters, including Duke Ellington, Bob Hope and even jazz pioneer Louis Armstrong. “If Tony Bennett who swing sings wonderfully can’t send you,” Armstrong said, “there’s a psychiatrist right up the street from you. DIG him.”

Plugged In to the Next Generation

“Bennett continues his reign as the crooning choice of Generation X,” reported the July 2, 1994, Billboard in the wake of his hit MTV Unplugged album, asking, “What will Grandma do to rebel? Start buying White Zombie CDs?” Bennett’s cross-generational appeal didn’t wane over the next two decades. “Tony Bennett achieves his first No. 1 album on the Billboard 200 with Duets II, making the 85-year-old the oldest living artist to reach No. 1,” reported the Oct. 8, 2011, issue. Three years later, Bennett beat his own record when he returned to No. 1 on the Oct. 11, 2014, chart at age 88 with Cheek to Cheek, his album with Lady Gaga. The record still stands.

The Good Life

“I feel on top of the world,” Bennett told Billboard in an Aug. 11, 2016, interview. “I’m singing well. The audience loves what I’m doing. All I can tell you is I have a blessed life.”

This article originally appeared in the Aug. 26, 2023 issue of Billboard.

Taylor Swift Becomes First Female Artist to Reach 100 Million Monthly Listeners on Spotify

The year of Taylor Swift is continuing strong. The superstar broke another record on Spotify on Tuesday (Aug. 29), becoming the first female artist in the streaming platform’s history to reach 100 million monthly listeners.

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Spotify announced the news on social media, fittingly calling the accomplishment “Queen behavior.”

Meanwhile, over on the Billboard charts, Swift spends a record-extending 78th week at No. 1 on the Billboard Artist 100 chart (dated Sept. 2), thanks to 10 albums on the Billboard 200 and four songs on the Billboard Hot 100. On the Hot 100, Swift charts four songs: “Cruel Summer” (at No. 4 after reaching No. 3), “Karma” featuring Ice Spice (14-15), “Anti-Hero” (20-18) and “I Can See You (Taylor’s Version) (From the Vault)” (71-74).

The superstar played four shows last week at the Foro Sol in Mexico City, Mexico, to kick off her Eras Tour’s international dates. “After years of wanting to play in Mexico City, just got to play 4 of the most unforgettable shows for the most beautiful and generous fans,” she captioned an Instagram carousel featuring multiple photos of herself performing on stage posted Monday (Aug. 28). “Feeling so grateful for the memories we’re making together on this tour … TE AMO.”

Wasserman Music’s Tom Windish Hasn’t Lost His Passion For Developing New Acts

Were David Mamet’s Pulitzer Prize-winning play Glengarry Glen Ross adapted for the music industry, Tom Windish’s mantra — “Keep booking” — could replace the play’s motivational line “Always be closing.”

At a time when agencies are consolidating and many agents are concentrating on their next career move, Windish remains focused on the core purpose of his job as head of A&R and business development at Wasserman Music: building an impressive roster of promising acts and established stars and helping them graduate to larger and larger stages. That roster includes alt-J, M83, Tove Lo, First Aid Kit, Rina Sawayama, Bartees Strange and superstar Billie Eilish, whom Windish helps route with Wasserman Music’s Sara Bowinkle. And this year, he signed one of his first management clients, activist and attorney-turned-artist Danielle Ponder.

“I like finding bands really early and rolling my sleeves up and figuring out every opportunity we can for them,” says Windish, 50. “When I’ve got an artist that’s already established at a certain level, I like going out and finding shows for them.”

The Schenectady, N.Y., native has worked for over three decades as an agent — first as an intern at WMA, where he was fired after three weeks for not being “William Morris material,” he says. After a stint at Billions, he opened The Windish Agency, which he sold to Paradigm in 2017. Wasserman Music launched in 2021 after acquiring Paradigm’s North American live music division. In 2023, the agency earned the distinction of booking the most acts at Coachella.

Windish recently relocated from Vancouver to New York, where he lives with his wife, film producer Emma Ludbrook — actor and 30 Seconds to Mars frontman Jared Leto married the couple in 2017 — and two children.

For Windish, discovery and development remain a large part of what drives him. “I probably take on more new things than almost anyone at the company,” he says. “I’m not necessarily saying that’s a good thing, but I tend to find artists that develop slower.”

How are your artists doing post-pandemic?

Last year was hard for artists because of supply chain issues. Just getting the gear that some artists needed was difficult. But this year sales have been very strong, especially in the United States, which has been very beneficial for agents that have international rosters. In Europe, things are much messier, and you see more acts coming to the U.S. a little more often than they used to.

What is your agenting style?

I’m pretty dry. My main responsibility is to send people music and have a conversation about what’s going on and why I’m excited about it. If they react to it or they don’t, I don’t take it personally. I’ll still call them about the next thing. I look for people I can build some history with that are passionate and take chances early.

Do you rely on data to make the case for your artists?

In the last decade or so, I do look at data a lot, especially global data. I have my ear really close to the ground in America and Canada. But I might not know something that’s happening in the Philippines or Korea or Australia because I’m not talking to the people there as frequently. What Spotify for Artists can reveal is interesting, and it’ll lead me to reach out and just ask other people, “Are you seeing this? What does it mean to you? Who is reaching out about it? What type of promotions are going on there? Should we have a tour strategy there? Should we go there?” I’ll also reach out to promoters at the same time.

Shows are being scheduled further and further in advance — deep into 2024. How do these long lead times affect the routing of tours?

I’m usually booking shows before new music is out. Often it’s nine months before it’s out, and I have no way of knowing how people are going to react or how likely they are to buy tickets. But one of the age-old rules of this business is don’t skip steps. So if you sold 500 tickets the last time, maybe you’ll try to sell 1,000 this time. You’re not just bumping up to 2,000 because you have this data that’s indicating there might be more [demand]. One of my strategies to deal with that is to hold a second night or a [venue] upgrade in case it goes really, really well.

Why sell to Paradigm?

I felt like the bigger we got, and the bigger the artists got, the harder it was to compete with these agencies that had a lot more resources. I felt I needed to compete and offer these things so that I wouldn’t lose out on clients. Paradigm had achieved its scale by bringing together independent agencies that all had similar backgrounds to me. Marty Diamond started in the coat closet booking bands in vans. Paul Morris started in the back of a record shop booking Tiësto.

What was that experience like for you, to sell Paradigm to Wasserman?

The sale was prompted by the pandemic. I didn’t know if the business was even going to come back. It was brutal — a lot more brutal for people in our business than others. It was an existential crisis. In terms of what it meant for the agency, I was in the dark about what was going on. There weren’t many people that I could ask because I think we were all in the dark because of the state of the business at the time. No one knew when shows were coming back. No one knew when there was going to be revenue coming back.

How does Wasserman compare with Paradigm?

They’ve been really helpful and great partners. I met [chairman/CEO] Casey Wasserman a few times over the years before it happened and while the transition was happening and was really excited about it. I mean, I was reading books about his grandfather Lew Wasserman for years because I’m a geek for that kind of stuff. I’ve read, like, every book about agents and Hollywood.

There have been complaints that labels are no longer developing and breaking acts. How does that affect the live business?

It’s hard to put it all in one bucket. I do think artist development is falling on the shoulders of the artists themselves and their managers. Labels are looking for artists to make an impact on their social media and to develop their own streaming. The labels get involved after things are moving. It’s “Don’t call us, we’ll call you.”

Have you ever signed an artist that hasn’t played a live show?

Oh, yeah. I remember a time when it was sacrilegious to sign an artist who hadn’t played a show. But if I didn’t sign artists before they had played a show, I wouldn’t be booking Billie Eilish. I wouldn’t be booking Lorde. And that’s the way it is now, and it’s OK.

What’s your perspective on Ron Burkle’s merging of the AGI and APA agencies?

When you look at all the changes that have happened in the last three or so years, it’s pretty wild. There’s a lot of things moving around, and I think that the biggest thing it shows is that we are all still trying to figure it out. We’re not done. Right now, everyone’s trying to perfect the model maybe, or at least improve their model.

What do you think of the emergence of companies like Firebird?

The interesting thing about Firebird is that we’re seeing now how much managers need to do. A lot of it is stuff that labels used to do. One of the more interesting things about Firebird is going to be how management companies evolve the services that they provide. Will there be more big management companies that are backed by groups like Firebird? Or will a bunch of different management companies share resources, like Artist Nation, where they all shared layers of infrastructure?

What genres are doing well on the road?

The thing I’m most interested in right now is just how global things are. I’ve been a student of that for a long, long time. In the old days, I was looking for artists from other countries because my competitors weren’t. So it was easier for me to sign them. There was an extra layer of a pain in the neck because of the visas and all that kind of stuff, but I was just like, “It’s fine. I’ll do it.” I signed Os Mutantes from Brazil and it was harder than booking an American rock band, but I love them. And now everybody’s signing stuff from all over the world in a lot of different genres. That is the way we now find fans. We kind of ignored these fans in the past because they liked acts we never expected. A lot of artists have been ignored because an agent decided they would never work. And looking back, many of them turned out to be wrong.

‘Joker,’ ‘Oppenheimer’ & the Top 10 R-Rated Movies of All Time

The R-rated movie has been a moviegoing constant since 1968, when the Motion Picture Association of America (MPAA) created the modern rating system.

R of course stands for “Restricted,” which initially meant “Persons under 16 not admitted, unless accompanied by parent or adult guardian.” That age threshold was upped to 17 in 1970.

We’ve had movies rated R (and G, for general audiences) in every iteration of the rating system. The two other ratings during the first two years of the system (1968-70) were M (“Suggested for mature audiences – parental discretion advised”) and X (“Persons under 16 not admitted”).

The three other ratings under the current system are PG (Parental Guidance Suggested), PG-13 (Parents strongly cautioned) and NC-17 (adults only).

The modern ratings system was created in 1968 to replace the Motion Picture Production Code, also known as the “Hays Code” – which had been in place since 1930. Such ground-breaking films as Who’s Afraid of Virginia Woolf? and Blow-Up (both 1966) made the old code seem archaic. Jack Valenti, who had become president of the MPAA in May 1966, took the lead in creating a new system. On Nov. 1, 1968, the voluntary MPAA film rating system took effect. (The MPAA became the MPA in 2019 when they dropped the word America from their name.)

Let’s take a look at the 10 highest-grossing R-rated films of all time, according to boxofficemojo.com. All of the films in the top 10 are from this century, which makes sense, owing to higher ticket prices. To give you an idea of the popular R-rated films from the 1970s, ’80s and ’90s, we looked deeper on the boxofficemojo.com list. Here are the top three R-rated films, in descending order, from each of those decades.

1970s: The Exorcist (1973), National Lampoon’s Animal House (1978), The Godfather (1972)

1980s: Beverly Hills Cop (1984), Rain Man (1988), Fatal Attraction (1987)

1990s: Saving Private Ryan (1998), Terminator 2: Judgment Day (1991), Pretty Woman (1990)

A current hit, Oppenheimer, has already made this list. It also surpassed Bad Boys for Life to become the top-grossing R-rated film of the 2020s. (No. 3 for the decade: John Wick: Chapter 4.)

Todd Phillips directed three of 10 highest-grossing R-rated films of all-time – the first two films in The Hangover trilogy and Joker. Bradley Cooper starred in three of the 10 highest-grossing R-rated films of all time – the first two Hangover films and American Sniper. (Movie buffs should check out our lists of the top 10 box-office hits of 2023 and the 30 highest-grossing films directed or co-directed by women. Spoiler alert: Barbie heads both lists.)

Here are the 10 highest-grossing R-rated films of all time, according to boxofficemojo.com.