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2023 Billboard Music Awards Producers Answer 15 Burning Questions About Show’s New Format

It’s no secret that awards show ratings on traditional TV platforms have been declining, even though fan engagement in the form of social media is up. Fans want the buzzy moments and maybe to find out who won, but they aren’t as inclined to sit for three or four hours and watch the show unfold in real time.

So producers are trying to come up with fresh approaches and figure out how to survive and thrive in this challenging environment. That’s one reason that the team behind the 2023 Billboard Music Awards have created a fresh format. Performances and awards will roll out across BBMAs and Billboard social channels, as well as via BBMAs.watch, on Sunday, Nov. 19.

In what is billed as a first-of-its-kind collaboration, the BBMAs and Spotify “Fans First” will bring fans up-close-and-personal with their favorite artists at performances and award celebrations taking place around the globe, in the midst of sold-out tours and in custom venues.

Nine new categories are being added this year, including four K-pop awards and two for Afrobeats, as well as top Hot 100 songwriter, top Hot 100 producer and top rock duo/group.

To find out more about the 2023 Billboard Music Awards Presented by Marriott Bonvoy, we quizzed two of the show’s producers, Maddy Mesevage, SVP, marketing for dick clark productions, and Alexi Mazareas, DCP’s VP, programming & development, to answer all the burning questions around the revamped awards show.

Do you agree with the premise that producers are trying to come up with fresh approaches and figure out how to survive and thrive in this challenging environment?

Mesevage: When conceptualizing a newly reimagined BBMAs, it was important for us to put the artists and fans first, leaning into the existing viewing habits of today’s audience to create an awards show that speaks to a new generation. Similar to how music consumption has shifted, with 85% of music consumed digitally, how fans engage with their favorite artists and view content has also shifted. So this year, the BBMAs is meeting fans everywhere they are, and everywhere they already consume music and content.  

How has the creative community reacted to this new concept for the show? What are the main questions you’re getting from artists as they approach the new concept?

Mazareas: The new concept has resonated with both artist teams and the creative community as it allows an unprecedented amount of flexibility for an awards show performance. Not being restricted to a single stage or location, we are approaching each performance as a blank slate where we can collaborate with artists to create something totally unique, and bring on creative team members specifically curated to execute that vision. We’re partnering with best-in-class creative directors, world-renowned choreographers, and of course each artist’s creative team to make every one of these performances really special. Productions will take place all around the world from a variety of locations, each with their own vision and identity.

Are you telling top artists “Give us a four-minute performance and we’ll run it,” or is it more of a collaboration between the show and the artist?

Mazareas: This is a true collaboration between the artists, dick clark productions, and some amazing creative partners. We’ll collectively develop each concept, build a bespoke execution plan based on that vision, and then jump in together. The BBMAs team is heavily involved in all phases of the process, but our core goal is to facilitate the artist’s vision and help that vision come to life. Each production is completely unique.

The BBMAs used to be a three-hour show that aired from 8-11. Could someone who likes the traditional awards show format tune in to the show in that same way if they wanted?

Mesevage: Content will roll out directly to fans, including performances, exclusive interviews, and acceptance speeches across BBMAs and Billboard social channels; artists’ social platforms; BBMAs.watch, which takes viewers to a central curation page on Billboard.com; as well as Harmony, PMC’s proprietary live streaming platform, which saw record viewership for this year’s Streamy Awards at 15 million views and Billboard Women in Music with 57 million views.    

Will there be a host or presenter to welcome the audience and make transitions and say “good night”?

Mazareas: Since this is such a non-traditional format, we are moving away from traditional host and presenter patterns. The goal is to really lean in to each unique performance and winner celebration that connects the artists and their biggest fans.

Will any of the performances be live? Will they all be new performances, recorded specifically for the show? Will any of them be pre-existing clips?

Mazareas: They will all be pre-recorded. All performances are exclusive to the BBMAs.

Will artists accept awards on the show or appear in some capacity even if they aren’t going to perform?

Mazareas: Yes, artists will accept awards, and with Spotify’s help, some will celebrate their winning moments with the fans who helped them reach the top of the charts.

In the absence of a live broadcast, will there be opportunities for spontaneous moments that often arise at awards shows?

Mesevage: We have created a scenario to give viewers an exciting new experience. We are leaning into the strengths of what this adapted format provides. We are not trying to re-create a live show environment. With that in mind, each taping lends itself to spontaneous moments and content that will feel truly unique to our 2023 BBMAs. 

Another attraction of awards shows is that all your favorite stars are gathered into one place for one night. They watch each other rehearse and perform and cheer each other on. Will there be any of that?

Mazareas: Those are always great moments, but we are not focused on trying to replicate that element.  We are leaning into the flexibility the new format allows to create completely original and unique performance, that prioritize both artist creativity and the fan experience. 

With TV ratings, it’s very clear how many (or how few) people watched the show, but how will it be measured here?

Mesevage: We will measure the audience based on views and engagement across BBMAs content.

How else will you evaluate the success of the show?

Mesevage: Success for us is not solely how many views the content receives. What we are doing with the BBMAs is re-evaluating the value proposition for the talent involved and the fans that both watch BBMAs content and consume artist content and music. We are interested in bringing value to artists and to fans. For us, working through how we can continue to further hone in on those elements will create success in the short and long term. We are also looking at how thoughtfully and intentionally we can work with brand partners within this new model and are excited to be working with Spotify, Lexus and Marriott.

The show’s new November air date means that the eligibility period now syncs up with the year-end Billboard charts. Have you been getting a favorable response to that new timing?

Mesevage: Everyone has been supportive of the change, and we’re now uniquely positioned as the only year-end awards show that’s dedicated to celebrating the year’s best in music. 

How does the Spotify partnership come into play? What creative involvement do they have in the show via their “Fans First” program?

Mesevage: The Spotify partnership allows us to identify fans who have consumed vast amounts of  music over the past year of our performers and helped drive their favorite artists to the top spots on the Billboard charts. These fans will receive a “golden ticket,” granting them a once-in-a-lifetime opportunity to see their favorite artist up close, in an intimate setting. 

The BBMAs is unique among music awards shows because winners are determined by year-end performance metrics on the Billboard charts, which are data-driven. Fans’ consumption habits are the driving force behind this data, so the partnership with Spotify is naturally synergistic because Spotify is where many fans consume music. Together, we’re able to unite artists with their biggest fans who have directly impacted their success on the charts through streaming.

Spotify’s Fans First program offers exclusive rewards and privileges like one-of-a-kind concerts, personal artist experiences, and more. Spotify has been a great collaborative partner in working with us to create memorable and fun experiences for these top fans.

Will there be a special effort to spotlight the nine new categories on the show, including four K-pop and two Afrobeats categories?

Mazareas: There will be special global moments in the show spotlighting some of the new categories, including a couple that K-pop fans will not want to miss.

How many awards will be presented on the show? How many will be otherwise revealed or announced on the show?

Mazareas: We plan to reveal all winners on the BBMAs in a variety of ways.

Peep The New Trailer For ‘Kingdom Of The Planet Of The Apes’

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Kingdom of the Planet of the Apes

Source: 20th Century Studios / 20th Century Studioes

It’s been years since the last film to the Planet Of The Apes franchise hit theaters but fans of the classic series are in for a treat as yesterday we were given the first teaser trailer to the next installment to the franchise, Kingdom of the Planet of the Apes.

Kingdom of the Planet of the Apes

Source: 20th Century Studios / 20th Century Studioes

Picking up several decades after the events of 2017’s War for the Planet of the Apes, the latest film finds the apes under new leadership as a seemingly tyrannical king has emerged to rule the dominate species of earth while humans are relegated to living in fear while in caveman-ish conditions. They can thank James Franco for that.

Luckily for them they find a sympathetic ape willing to put his own safety on the line to help them while learning and discovering his own place in the ape world which could prove to be dangerous should the head ape in charge catch whiff of his insubordination. Looking a bit like the OG of them all, Caesar, we wouldn’t be surprised if this particular ape is a decedent of the one that started it all. Could be the twist at the end of the film. Just sayin.’

Kingdom of the Planet of the Apes

Source: 20th Century Studios / 20th Century Studioes

Check out the trailer for Kingdom of the Planet of the Apes below and let us know if you’ll be checking it out when it hits theaters on May 24, 2024.



Luke Bryan Tosses Back His 35th Country Airplay Top 10 With ‘But I Got a Beer in My Hand’

Luke Bryan hits the top 10 on Billboard’s Country Airplay chart for a 35th time, as he hoists “But I Got a Beer in My Hand” to No. 10 on the chart dated Nov. 11.

In the Oct. 27-Nov. 2 tracking week, the song increased by 8% to 18.3 million audience impressions, according to Luminate. The lead single from Bryan’s upcoming studio album was written by Matt Dragstrem, Chase McGill and Geoff Warburton.



Bryan, whose 35 Country Airplay top 10s include 26 No. 1s, follows his previous single, “Country On,” which reached No. 3 in December 2022. He most recently led as a featured artist on Jordan Davis’ “Buy Dirt,” which ruled for two frames in January 2022. Bryan banked his first top 10 with his first of 44 entries when “All My Friends Say” hit No. 5 in September 2007. He first reached No. 1 with “Rain Is a Good Thing,” a two week chart-topper in July 2010.

Bryan ties Brad Paisley and becomes the 13th artist with at least 35 Country Airplay top 10s since the list launched in January 1990. George Strait leads with 61, followed by Kenny Chesney and Tim McGraw, each with 60.

Bryan will co-host the 57th Annual Country Music Association Awards (Nov. 8, on ABC), with former NFL star quarterback Peyton Manning.

Deep ‘Thinkin’ ’

Morgan Wallen’s “Thinkin’ Bout Me” dominates Country Airplay for a third week (35 million, up 7%). Of Wallen’s 10 No. 1s, it marks his sixth to reign for three or more weeks.

Meanwhile, of the 16 songs that have ascended to their first weeks at No. 1 so far in 2023, the track is the seventh to lead for three or more frames.

“Thinkin’ Bout Me” concurrently crosses over to a No. 40 debut on the Pop Airplay chart, where it’s Wallen’s third entry and follows his No. 5-peaking “Last Night,” which dominated Country Airplay for eight weeks.

Don Omar, Silvestre Dangond & More: Which Is Your Favorite New Latin Music Release? Vote!

This week, our New Music Latin roundup — a compilation of the best new Latin songs, albums and videos recommended by Billboard Latin and Billboard Español editors — is powered by new music from Don Omar — in collaboration with Luny Tunes and Wisin y Yandel — Silvestre Dangond and Sofía Reyes, who both released new albums, respectively.

Marking a reunion between Don Omar, Wisin y Yandel and producer duo Luny Tunes, “Sandunga” is a preview of what fans can expect from Don Omar’s upcoming EP, titled Don Omar Presenta: Back to Reggaeton. Taking Don Omar back to his old-school reggaeton roots, the song successfully blends the singer’s adrenaline-fueled formula, resulting in an explosive sound that preserves the essence of música urbana.

Colombian vallenato star Silvestre Dangond has unleashed ‘Ta Malo, which includes tracks by 13 composers, a true nod to the notion that vallenato is a troubadour genre where the singer tells stories of the people. Meanwhile, Mexican singer-songwriter Sofía Reyes embraces growth and lessons-learned in MILAMORES, her third studio album which includes collaborations with El Gran Silencia, Ingratax, Gera MX, and more.

Other new releases include Esteman’s bachata track “PORNOSTALGIA,” Arthur Hanlon’s EP Legados Pop, Juan Luis Guerra’s Radio Güira and Espectro Caudillo hard-hitting new set, La Liturgia del Tigre Blanco.

In our most recent New Music Latin fan-related poll, Chayanne’s Bailemos Otra Vez won with more than 42 percent of the votes. He was followed by Jay Wheeler’s Trappii with over 18 percent of the votes. What’s your favorite new Latin music release of the week? Vote below!

Jason Kelce & Philadelphia Eagles Teammates Put Their Spin on ‘All I Want for Christmas Is You’

The Philadelphia Eagles are getting into the holiday spirit!

The NFL team’s Jason Kelce, Jordan Mailata and Lane Johnson teamed up this year for their second festive album, A Philly Special Christmas Special, which features a freshly dropped rendition of Mariah Carey’s “All I Want for Christmas Is You.”

The album is out December 1, and features collaborations with Patti LaBelle and Jason’s brother, Travis Kelce, who has been making headlines in recent months due to his blossoming rumored relationship with Taylor Swift. In a new episode of the Kelce brothers’ New Heights podcast, Travis revealed that he lent his voice to a duet with Jason for the album, but he hasn’t listened to the final version yet. “Dude I do not want to hear myself sing like that. I’ve got more of the rock voice,” the Kansas City Chiefs tight end admitted.

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The 1994 hit has long been a Christmas staple, but “All I Want for Christmas” never hit No. 1 until 2019 and has since ranked as the most popular holiday song of all time on the Billboard Holiday 100. Carey is slated to hit the road for her 13-date Merry Christmas One and All! tour on Nov. 15 in Highland, CA and ride her sleigh across North American until a Dec. 17 gig at Madison Square Garden in New York.

Listen to the Eagles trio’s take on Carey’s “All I Want for Christmas Is You” below.



Pop Evil Tops Mainstream Rock Airplay Chart With ‘Skeletons’

Pop Evil notches its eighth No. 1 on Billboard’s Mainstream Rock Airplay chart with “Skeletons,” which rises to the top of the Nov. 11-dated list.

The song is the band’s first leader since “Survivor,” which ruled for two weeks in October 2021. In between, Pop Evil notched a pair of top five hits: “Eye of the Storm” (No. 2, September 2022) and “Paranoid (Crash & Burn)” (No. 5, April 2023).

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Pop Evil first reigned on Mainstream Rock Airplay with “Trenches” for four weeks beginning in July 2013. The band is tied with Papa Roach for the seventh-most No. 1s since the start of the 2010s; Five Finger Death Punch and Shinedown lead all acts with 14 each in that span.

Concurrently, “Skeletons” lifts 15-13 on the all-rock-format, audience-based Rock & Alternative Airplay chart thanks to 2.2 million audience impressions, up 11% Oct. 27-Nov. 2, according to Luminate. It’s Pop Evil’s highest charting song on the list since “Survivor,” which peaked at No. 11; its all-time best and lone top 10, “Trenches,” reached No. 9.



On the most recently published multimetric Hot Hard Rock Songs chart (dated Nov. 4), “Skeletons” re-entered at No. 24. In addition to its radio airplay, the song earned 170,000 official U.S. streams Oct. 20-26.

“Skeletons” is the title track and third single from Pop Evil’s seventh studio album, following “Eye of the Storm” and “Paranoid (Crash & Burn).” The LP debuted at No. 36 on the Top Album Sales ranking in April and has earned 29,000 equivalent album units to date.

All Billboard charts dated Nov. 11 will update on Billboard.com on Tuesday, Nov. 7.

New Music Latin: Sofía Reyes, Juan Luis Guerra, Esteman & More

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

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Sofía Reyes, MILAMORES (Warner Music Latina)

From Mal de Amores (bad heartbreaks) to Milamores (a thousand loves), Sofia Reyes embraces her growth and life lessons on her third studio album. Home to 14 tracks, the set kicks off with the 20-second “Florecer,” where, over the sound of birds chirping in a garden, Reyes says: “Joy where are you? Come help me wake up. Heal me with your song, heal me with your joy.” 

The first official song is “La Batidora,” in collaboration with El Gran Silencio, where they lace Mexican cumbia sonidera with the Monterrey band’s fiery rap verses. “I put the bad vibes in a blender, pure happiness is trending now,” Reyes chants. On “Delirio,” a dreamy indie-pop track backed by synth melodies, Reyes takes listeners to a galaxy far away to remind us that we are bright as a star. Along those lines, MILAMORES is a feel-good album packed with inspirational lyrics about self-love and enjoying the simplicity of life. 

Musically, the album delivers all sorts of rhythms meshed with Reyes’ pop essence: “Cobarde” is a romantic bachata featuring Beéle; “Altitud” is a futuristic reggaeton track with Ingratax; the title track is a heartfelt mariachi-meets-hip-hop song with Gera MX; “Gaia” is a chill reggae song featuring Delian; and “Noche de Sirenas” is a hard-hitting perreo, in collab with Mariah Angeliq. Other collaborators on the set include Danna Paola and Caloncho. MILAMORES follows Reyes’ albums Louder (2017) and Mal de Amores (2022). — JESSICA ROIZ  

Juan Luis Guerra y 4.40, Radio Güira (Rimas Entertainment)

Juan Luis Guerra y 4.40 light up the party this week with Radio Güira, an EP of six songs presented, as its title indicates, in radio station style. “You are listening to Radio Güira, 4.40 FM,” Guerra narrates over a techno-beat at the beginning of “Mambo 23,” the first single and opener. “This EP has a different concept. Our purpose was to do something innovative,” Guerra explained in a press release. “We imagine a radio station playing 4.40 music in different parts of the world. We include calls, recipes, and IDs and the genres of mambo, bachata, and merengue. This was our dream for many months, and today we make it known!”

With six songs written and produced by the Dominican maestro, it is impossible not to move and smile to the rhythm of mambo, bachata (“DJ Bachata”), merengue (“La Noviecita” and “Como Me Enamora”), pambiche blues (“Te Invito a un Blues”) and even pop reggaeton (“Cositas de Amor”), all with elegant touches of genres such as jazz and rock, and the sweet, poetic lyrics for which the artist is known. It is, in short, a work that overflows with joy, humor and love. — SIGAL RATNER-ARIAS

Don Omar, Wisin & Yandel, “SANDUNGA” (Sugar Cream Music)



“Dale, dale, Don dale.” Don Omar is back with an irresistible reggaeton, which is a reunion of sorts: After over a decade, “SANDUNGA” brings together Don Omar with Wisin y Yandel and OG production duo Luny Tunes. Taking Don Omar back to his old-school reggaeton roots, reminiscent of the early 2000s, the song successfully blends the adrenaline-fueled formula that is rooted in reggaeton, resulting in an explosive sound that preserves the essence of música urbana. As for the meaning of the word, “sandunga” can mean many things, including describing someone’s spark or charisma. The historic reunion is part of the upcoming Don Omar Presenta: Back to Reggaeton EP. The song drops along with an epic four-minute music video, visually reflecting the track’s underworld vibe, which was shot in Miami and directed by Carlos Perez from Elastic People. — INGRID FAJARDO

Arthur Hanlon, Legados Pop (Sony Music Latin)

An American pianist with a Latin heart, Arthur Hanlon presents the second volume of his Legados album series, which began with Legados Bachata and, on this occasion, pays an emotional tribute to pop classics from the 2000s. Composed of six songs, Legados Pop includes a notable collaboration with emerging Mexican-American artist Mariangela (of the popular trio Camila) on the single “Todo Cambió.” The beautiful collaboration transports you to a golden era, both in the blues-tinged musical arrangements and in the accompanying video, that evokes those classic romantic scenes from the movies of yesteryear.

The EP also includes five instrumental pieces, where the piano’s versatility is the protagonist. Among them, “Noviembre Sin Ti” from Reik is cleverly fused with a piece of the melody from “Christmas Canon” by Trans-Siberian Orchestra. It also includes gems such as “Un Siglo Sin Ti” from Chayanne, “Mientes Tan Bien” from Sin Bandera, a bossa nova version of “Corazón Partío” by Alejandro Sanz with backing vocals in Portuguese, and “Vente Pa’ Ca” by Ricky Martin. Legados Pop includes classic songs that have conquered the hearts of a generation, with soft choruses to accompany you on that nostalgic journey. Hanlon will be on tour in early 2024 with Un Viaje Mágico De Piano: Arthur Hanlon and Friends. Presented by Loud and Live in collaboration with SBS, the tour will visit cities such as Miami, New York and Los Angeles. — LUISA CALLE

Silvestre Dangond, ‘Ta Malo (Sony Music Latin)

After dabbling with pop and tropical music, Silvestre Dangond returns firmly to his vallenato roots with an album that has contemporary edges, but is still traditional vallenato in its musical arrangements (and more importantly in its spirit). ‘Ta Malo includes tracks by 13 composers, a true nod to the notion that vallenato is a troubadour genre where the singer tells stories of the people. Among the writers is Dangond himself, who lends his personal life and love story to “La Vallenata.” Indeed, many tracks in ‘Ta Malo are romantic, but ultimately this is an album to party to, as highlighted by focus track “Bacano,” a feel-good romp. While Dangond’s music is impeccably executed, this is a celebration of vallenato as music to cry, drink and dance to. — LEILA COBO

Esteman, “PORNOSTALGIA” (Universal Music Group México)



The play-on-words title of Esteman’s new song is intriguing enough to want to listen to it, yet the Colombian singer-songwriter manages to stay away from the raunchiness and place all bets on his usual romantic style, as he sings about the chemistry and passion between two people that keeps them coming back for more. “PORNOSTALGIA” is a delicate yet captivating bachata, which allows Esteman to step out of his electro-pop comfort zone his fans are now accustomed to hearing. “This song talks about a forbidden love that breaks with traditions and what is established, where desire, eroticism and nostalgia are present all the time,” he said about the track in a statement. — GRISELDA FLORES

Espectro Caudillo, La Liturgia del Tigre Blanco (Nacional Records)

In a climate where prominent Latin artists such as Peso Pluma and Fuerza Regida have been forced to cancel their Tijuana performances in response to menacing narco-banner threats, and where the grim specter of violence continues to cast a shadow over the nation, La Liturgia del Tigre Blanco emerges as a work of ever-increasing significance. This concept album by Tijuana/San Diego-bred producer Espectro Caudillo speaks to the pressing issues facing not only the music industry but also the freedom of journalists in Mexico. Fusing traditional northern Mexican sounds like brass-blaring banda and cumbia with dark electronica, Caudillo (real name: Reuben Torres) encapsulates the essence of the border city’s hybrid electronic styles, like Nortec and Ruidosón — the latter of which he helped pioneer as one-third of Los Macuanos in the early 2010s.

La Liturgia takes its creative spark from Daniel Salinas Basave’s 2013 book of the same name, which delves into the captivating narrative of Jorge Hank Rhon, a former Tijuana mayor with an enduring influence on the region. The 16 songs pay homage to a wide spectrum of events, spanning from the hedonism surrounding Rhon’s immersion into Tijuana’s social scene in the mid-1980s (“La Siniestra Extravagancia”) to the drug cartel conflicts and the murder of a journalist Hector “El Gato” Felix in 1988 (“04’20″88”) that still lingers as a haunting presence in Tijuana even now.

Then there’s “El Temible Grupo Jaguar”, with a music video that depicts a lone aspiring hitman in his apartment that undergoes a transformation from an ordinary man into an Aztec warrior jaguar. In an era where Latin artists grapple with threats and violence, Cadullo’s La Liturgia stands as a profound musical testament, blending traditional Mexican sounds with electronica to encapsulate the rich, often complex tapestry of Tijuana’s history. — ISABELA RAYGOZA

Listen to the New Music Latin playlist below:

Queer Jams of the Week: New Music From Kevin Abstract, Cat Burns, Tokischa & More

With the spooky season officially behind us and the end of the year fast approaching, it’s time to start finding even more new songs from your favorite queer artists before 2023 wraps. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

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From Kevin Abstract’s complex new album to Cat Burns’ introspective new single, check out just a few of our favorite releases from this week below:

Kevin Abstract, Blanket



Starting something new can often bring up old wounds, a fact that Kevin Abstract is embracing fully on his new album Blanket. Throughout the lush, 13-track project, the former Brockhampton member disengages from his present and clings onto the past, seeking out comfort when being offered none in the moment. Imbuing the ew LP with a shoegaze, indie-rock sensibility to further amp up that sense of deep nostalgia, Abstract encapsulates the feeling of searching for meaning when you are in need of it most.

Cat Burns, “Know That You’re Not Alone”



Cat Burns knows what it feels like to be stuck in place — and she wants to make sure that others in the same boat get a chance to look up for a change. The driving ethos behind “Know That You’re Not Alone” sits comfortably in the song’s title, as Burns bluntly and easily explains her journey with self-worth, anxiety and therapy. With a boisterous, uplifting chorus, the rising UK star doesn’t offer any easy solutions for anyone experiencing the same kind of situation — she just wants them to know that there are many others who’ve been there, herself included.

Tokischa, “Candy”



Dominican superstar Tokischa is back, and she’s ready to party. With “Candy,” Tokischa embraces the dembow stylings to deliver a fast-paced, slickly produced ode to getting high and keeping the vibes correct. With rapid-fire Spanish bars and a beat that simply won’t quit, “Candy” aims to get you partying right alongside Tokischa — and by all measures, it’s an unmitigated success.

Matt Rogers, Have You Heard of Christmas?



After the self-proclaimed Queen of Christmas announced that the season had finally arrived, comedian and singer Matt Rogers wasted absolutely no time. On Have You Heard of Christmas?, Rogers gives you everything that you hope to hear on a Christmas album — huge vocals, excellent production, well-executed guest verses (yes, MUNA, VINCINT, Leland and Bowen Yang all make appearances throughout), and oodles of holiday cheer. Once you mix in Rogers’ razor sharp commentary and wit into the mix, you have an all-time great Christmas project on your hands, and one you’ll be playing for many holiday seasons to come.

King Isis, “Make It Up”



Still finding yourself clinging to the Halloween season? King Isis is here to give you all the eerie vibes you could want on “Make It Up.” The droning rock track sees the up-and-coming artist embrace some nihilism as they look back on a failed relationship with a mix of apathy and trepidation. As Isis asks their ex “What will it take for you to hold me down or help me up,” the relentless melody joins them, offering a foreboding sense of danger to this enigmatic (and excellent) new song.

Teddy Geiger, Teresa



After a lifetime of coming to terms with the concept of transformation, Teddy Geiger is fully embracing the concept with her latest LP Teresa. Taking on the less-than-literal persona promised by the title, Geiger dabbles in a new dream-pop soundscape throughout the cohesive album, conjuring up an ethereal plane of pleasure and pain with every successive song. “It’s been really nice to focus on what it feels like, what it sounds like and what it looks like for me as an artist at this point,” she told Billboard back in August, upon announcing Teresa. “It took some time, but I’m now feeling really focused on myself and my artistry.”

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

Tyler, the Creator’s ‘Wolf’ Returns to Top 10 on Album Sales Chart After Vinyl Reissue

Tyler, the Creator’s Wolf returns to the top 10 on Billboard’s Top Album Sales chart (dated Nov. 4), re-entering the list at No. 4 following its reissue on vinyl for its 10th anniversary. The album sold 26,000 copies in the U.S. in the week ending Oct. 26 (up 4,982%), according to Luminate, with nearly all of that sum driven by vinyl sales. The album originally debuted and peaked at No. 3 on Top Album Sales in 2013.

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Wolf, first released in 2013, was reintroduced on vinyl on Oct. 20 in either a multi-disc collectible boxed set or a standard pink-colored vinyl edition. On the Vinyl Albums chart, which ranks the top-selling vinyl releases of the week, Wolf re-enters at No. 3. The set peaked at No. 2 on the list in 2014.

Also in the top 10 of the new Top Album Sales chart: The latest releases from Blink-182, The Rolling Stones and Cher all debut in the top five.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Blink-182’s reunion album One More Time starts at No. 1 on Top Album Sales with 101,000 copies sold, marking the third leader for the rock group. The Rolling Stones’ new Hackney Diamonds – the band’s first studio album of original material since 2005 – launches at No. 2 with 94,000 copies sold. TOMORROW X TOGETHER’s The Name Chapter: Freefall drops to No. 3 with 28,000 (down 73%) after debuting atop the list a week ago.

Cher’s first holiday album, Christmas, starts at No. 5 with 20,000 sold. It also bows at No. 1 on the Top Holiday Albums tally, which returns to Billboard’s chart rankings for the season.

Taylor Swift’s former leader Lover rises 10-6 (10,000; up 12%) and Olivia Rodrigo’s chart-topping Guts bumps 8-7 (9,000; down 13%). Two of Swift’s former No. 1s are next, as Midnights climbs 12-8 (nearly 9,000; up 1%) and Folklore ascends 18-9 (8,000; up 17%). Boygenius’ The Rest rounds out the top 10, dipping 6-10 in its second week with nearly 8,000 sold (down 35%).

In the week ending Oct. 26, there were 1.767 million albums sold in the U.S. (up 4.1% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.424 million (up 3.2%) and digital albums comprised 344,000 (up 8.1%).

There were 601,000 CD albums sold in the week ending Oct. 26 (down 7.9% week-over-week) and 811,000 vinyl albums sold (up 14%). Year-to-date CD album sales stand at 26.012 million (down 1.4% compared to the same time frame a year ago) and year-to-date vinyl album sales total 37.152 million (up 16.2%).

Overall year-to-date album sales total 80.656 million (up 3.9% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 65.607 million (up 7.9%) and digital album sales total 15.049 million (down 10.5%).

Taylor Swift Declared Buenos Aires Guest of Honor Ahead of Eras Tour Stop

The grand welcoming of Taylor Swift’s The Eras Tour has gone international. The superstar is set to perform at Buenos Aires’ River Plate Stadium on November 9, 10 and 11, and the Argentinian city has joined in on the tradition of going all out for Swift’s arrival.

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The “Anti-Hero” singer was declared a guest of honor by local legislatives following an approved declaration bill filed by legislator Roy Cortina, according to Buenos Aires Herald. In his bill, Cortina cited Swift as a positive influence on the Argentine audience and noted the economic benefits of her Eras tour entering the city. With 220,000 tickets sold, the bill noted that the sold-out shows “will have an impact on jobs and tourism all over Buenos Aires City.”

Swift’s Latin American leg of her wildly popular Eras Tour kicked off back in August with four shows in Mexico City. Following her stint in Buenos Aires, Swift will head over to Rio de Janeiro, Brazil, on Nov. 18 and 19 before wrapping up in São Paulo, Brazil, on Nov. 24, 25 and 26.

Sabrina Carpenter is the opener for the Latin American tour dates, and recently told Billboard that she was speechless after finding out that she’d be touring with Swift, “That is one of my main inspirations ever since I was a little girl, and now to just be able to watch that show every night is going to be so special,” she shared.

Carpenter continued, “It’s so funny, I’ve been growing up with her advice in her songs because it’s very much a how-to book on how to survive as a young woman, which is really special. Watching her in and of itself is how you learn. I admire her work ethic and her talent and she’s just so amazing.”