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In her letter on Friday (May 30) announcing she achieved a long-time goal of owning the master recordings to all of her songs, Taylor Swift described herself as “endlessly thankful” to the private equity firm Shamrock Capital that sold Swift their holdings of her early music. In fact, Swift is “so grateful to everyone at Shamrock” that she jokingly said her “first tattoo might just be a huge shamrock in the middle of my forehead.”
Swift has not always spoken so warmly about the California-based investment firm — until they struck the deal she says she’d been seeking for years.
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When news broke in November 2020 that Shamrock Holdings purchased Swift’s Big Machine Label Group catalog from Scooter Braun’s Ithaca Holdings — marking the second time in 17 months that Swift’s first six albums had changed hands — the superstar said “it was the second time my music had been sold without my knowledge.”
In a letter Swift wrote to Shamrock Holdings at the time, which she shared on Twitter, she said she was initially hopeful for her “musical legacy and our possible future together.” But she said she could not partner with them because of certain undisclosed terms that Swift said would enrich Braun, related to her “music masters, music videos and album artwork.”
“I simply cannot in good conscience bring myself to be involved in benefiting Scooter Braun’s interests directly or indirectly,” Swift wrote in the letter.
Braun, who has disputed many of Swift’s assertions in the past, said simply on Friday (May 30), “I am happy for Taylor.”
In Shamrock’s statement after announcing its acquisition back in 2020, the company expressed admiration and respect for Swift’s work and professionalism, describing her as a “transcendent artist” with a “timeless catalog.”
“We made this investment because we believe in the immense value and opportunity that comes with her work,” Shamrock said in a statement at the time. “While we hoped to formally partner, we also knew this was a possible outcome … We hope to partner with her in new ways moving forward.”
At least publicly, that was that for about five years. But behind the scenes, Swift kept Shamrock abreast of her plans to re-record albums, according to statements from Swift. And privately, Shamrock explored selling Swift’s catalog, according to sources.
What prompted the sale now is not known. While Swift’s Taylor’s Versions of four of the albums Shamrock held the original recordings to had pulled some fans away from the originals, Swift’s overwhelming dominance as a global superstar resulted in the catalog held by Shamrock still generating nearly $60 million in average annual global revenue between 2022 and 2024, according to Billboard’s estimates based on Luminate data.
“The way they’ve handled every interaction we’ve had has been honest, fair, and respectful,” Swift wrote in her letter on Friday (May 30). “This was a business deal to them, but I really felt like they saw it for what it was to me: My memories and my sweat and my handwriting and my decades of dreams.”
Shamrock did not respond to requests for comment.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
The 2025 WNBA Commissioner’s Cup series pits conference rivals — the Dallas Wings and the Seattle Storm — against one another in an in-season competition to win the Commissioner’s Cup Trophy.
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In the Western Conference, Dallas Wings vs. Seattle Storm takes place at Climate Pledge Arena in Seattle, Washington, on Tuesday (June 3).
When Does Dallas Wings vs. Seattle Storm Start?
Dallas Wings vs. Seattle Storm broadcasts live, with a start time of 9:30 p.m. ET/6:30 p.m. PT.
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Where to Watch Dallas Wings vs. Seattle Storm Online
The Dallas Wings vs. Seattle Storm game airs on ESPN. It will be available to livestream on Hulu + Live TV. Keep reading for more details on how cord-cutters can watch the Wings-Storm game online with Hulu + Live TV.
How to Watch Dallas Wings vs. Seattle Storm with Hulu + Live TV
Dallas Wings vs. Seattle Storm on ESPN is available to watch with Hulu + Live TV. Prices for the cable alternative start at $82.99 per month, while each plan comes with Hulu, Disney+ and ESPN+ at no additional cost. Sign up for a 3-day free trial to try out the streaming service for yourself.
Hulu + Live TV might be best for those who want all of these streaming services together in one bundle. It also features many other networks, including MLB Network, ESPN2, Fox Sports, CBS Sports Network, ABC, Hallmark Channel, BET, CMT, Disney Channel, NBC and many other channels.
Which Celebrities Are Making Appearances During WNBA Game?
It’s likely there may be a few celebrities and famous recording artists in attendance during the WNBA Commissioner’s Cup game, such as rapper A Boogie Wit Da Hoodie, who is a Paige Bueckers fan. Tune in to the games to find out who’s sitting courtside.
Starting at 9:30 p.m. ET/6:30 p.m. PT, the Dallas Wings vs. Seattle Storm airs on ESPN on Tuesday (June 3). The game is available to livestream with Hulu + Live TV.
Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Looking to give your skincare regimen a makeover this summer? We’ve got you covered.
We’re helping you beat out the heat, taking charge of your skincare game by replacing those winter products with tried and true cleansers, serums and masks worthy of a shout-out or two. With so many products to choose from, it’s important to be smart about what you end up putting on your face.
Each pick on this list caters to a specific step in your routine and a variety of skin needs, so there’s bound to be something you’ll fall in love with. We’re talking about top brands like Lancome, Glossier, Ilia, Dieux and OLEHENRIKSEN.
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Bi-Facil Double Action Eye Makeup Remover
A eye makeup remover that starts your skincare journey off right.
Sometimes taking off eye makeup feels more like a punishment than anything. Tugging and rubbing at the eyes just to get that waterproof makeup off isn’t cute. With Lancome’s Bi-Facil Double Action Eye Makeup Remover, fighting to get your makeup off is a thing of the past. What’s great about this product is it’s perfect for all skin types from oily to dry, normal to combination.
OLEHENRIKSEN Violet Ice Cold Plunge Pore Mask
A whipped clay mask that clears pores and keeps skin squeaky clean.
Face masks are a must-have for those days when you just can’t commit to a 12-step skincare routine. OLEHENRIKSEN Violet Ice Cold Plunge Pore Mask is an all-around winner, cleansing and controlling acne all in one product. This mask is made of fluffy whipped clay made of three key ingredients kaolin + purple clay, salicylic acid and Danish purple willow ferment.
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The kaolin and purple clay extract and clear up dirt and grime, targeting pesky blackheads, while the salicylic acid keeps acne at bay. While it sounds fancy, the Danish purple willow ferment simply clarifies and cleanses, controlling surface oils for a clean skin feeling. We recommend slathering this mask on clean dry skin and letting it sit for around 15 minutes. Once it’s sat, rinse with warm water. Say hello to clear and clean skin every time.
Ilia The Base Face Milk Facial Essence + Lightweight Moisturizer
A milky moisturizer in a milky bottle.
Moisturizers are an extremely important step in your skincare routine. Even oily skin girls need to moisturize. It’s especially essential to add hydration back into your skin after cleansing. Ilia’s The Base Face Milk Facial Essence + Lightweight Moisturizer offers supple but lightweight hydration for daily use.
Dieux Forever Eye Mask Reusable 100% Silicone Patches
Under-eye patches for reducing the apperance of dark circles.
While some dark under-eye circles can be genetic, the condition can also be attributed to diet, lack of sleep and even underlying health conditions. Whatever the case may be, Dieux’s Forever Eye Mask Reusable 100% Silicone Patches can help combat those dark rings indefinitely. These under-eye patches are 100% reusable, made of durable silicone and promote plumping fine lines and boosting hydration.
Glossier Futuredew Oil Serum Hybrid
A oil and serum hybrid with a pink glow.
Ever wanted super glossy skin with little to no effort? Glossier Futuredew Oil Serum Hybrid offers an instant dewy glow that’s long-lasting. The product is made with four oils, jojoba, grape seed, evening primrose and rosehip oils that are suspended in an oil and water emulsion.
The combination makes the formula ultra-silky, leaving the skin hydrated and plush. Light-reflecting minerals are also jam-packed into the formula to leave a non-glittery sheen that works on all skin tones. Finally, plant-based sugarcane squalane locks in moisture, keeping the skin fresh and moisturized after use.
On Friday (May 30), Taylor Swift both announced that she has finally acquired the masters to her first six albums and gave an update on the long-awaited Reputation re-record — but fans suspect that, to top it all off, she also subtly teased her 12th album.
In a letter posted to her website, the pop star revealed that she finally has control over her entire body of work after purchasing back her masters from Shamrock Capital (for somewhere around $360 million, sources tell Billboard). The sale comes six years after Scooter Braun acquired her catalog from Scott Borchetta in 2019, after which the music manager sold his ownership of Swift’s music to Shamrock in late 2020.
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“I’m trying to gather my thoughts into something coherent, but right now my mind is just a slideshow,” Swift wrote in her message, emphasizing how meaningful the acquisition is to her. “A flashback sequence of all the times I daydreamed about, wished for, and pined away for a chance to get to tell you this news.”
But what caught fans’ eye was what the 14-time Grammy winner wrote next. “All the times I was thiiiiiiiiiiiis close, reaching out for it, only for it to fall through.”
The statement may seem innocuous — and for all Swifties know, it is — but it’s hard not to focus in on the fact that she included no less than 12 “i”s when writing out the word “thiiiiiiiiiiiis.” Swift has released 11 albums over the course of her career, the last of which, The Tortured Poets Department, arrived in April 2023 and spent 17 weeks at No. 1 on the Billboard 200. That would make her next LP her 12th, a fact that has fans thinking she just teased the upcoming project with her note.
“THE LETTER HAS 12 I’s TS12 IS COMING SOON TOO OMG IM SO HAPPY FOR TAYLOR,” one fan wrote on X, sharing a screenshot of the letter.
“IT’S A TS12 SUMMER!!!” another fan posted, while a third Swiftie shared a screenshot of the letter and wrote, “I feel like ts12 just got so much closer.”
The 12-count “i” situation is just the latest suspected clue fans have picked up on ahead of the “Fortnight” singer’s predicted 12th album. Much fanfare was also made when Swift attended the 2025 Grammys wearing earrings with exactly 12 red jewels apiece, and in March, she used a sequence of 12 “D”s when praising Selena Gomez and Benny Blanco’s I Said I Love You First album on Instagram.
“I LOVE THIS ALBUM SO MUCH OH MY GODDDDDDDDDDDD,” Swift wrote on her Story at the time.
Sharing screenshots of the earrings, the Gomez-Blanco post and the letter about her masters, one Swiftie wrote Friday, “SUDDENLY LIFE IS WORTH LIVING TS12 TRUTHERS RISE.”
But while fans may be excited about the prospect of Swift’s 12th album coming soon, it’s just one of many things they are celebrating. Social media has seen an outpouring of Swifties rejoicing over the musician finally owning her life’s work, something she wrote in her letter is her “greatest dream come true.”
The purchase comes after six years of publicly feuding with Borchetta and Braun over the way the original sale was handled, as well as the re-releases of four of her first six albums: Fearless, Speak Now, Red and 1989. In her letter, Swift emphasized how thankful she was to fans for sticking with her every step of the way.
“You’ll never know how much it means to me that you cared,” she wrote. “Every single bit of it counted and ended us up here. Thanks to you and your goodwill, teamwork and encouragement, the best things that have ever been mine… finally actually are.”
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Offset is making it clear he has no plans to walk away from the luxurious life he’s grown used to, and now, he wants Cardi B to help fund it.
In an updated response to their ongoing divorce, the rapper is asking the court to grant him spousal support, though he hasn’t attached a specific dollar amount to the request. This marks the first significant update in their divorce proceedings since Cardi filed back in August 2024. While the process has moved slowly, Offset’s new demand could add fresh tension to an already complicated situation.
Despite this new financial ask, Offset is standing by his original position when it comes to their kids. He’s still pushing for joint custody, but he’s asking that Cardi’s home be established as their primary residence — potentially a sign of his recognition that she provides a more stable day-to-day environment.
The couple, who were once one of hip-hop’s most talked-about pairs, now find themselves locked in a legal battle that’s becoming more layered. Offset’s request for financial support suggests he’s not just looking to move on — he wants to maintain the high-rolling image that’s become part of his brand. With this latest twist, the divorce could be entering a more contentious phase, and all eyes are likely to stay on how things unfold from here.
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Most people don’t have to worry about hiding a growing baby bump while modeling in a seductive lingerie shoot. But then again, Rihanna is not most people.
The superstar took to social media on Friday (May 30) to share a look at the creative ways she kept her pregnancy a secret while shooting Savage X Fenty’s latest campaign.
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“It’s me playing ‘hide the baby bump’ whole shoot!” the megastar captioned the carousel showing off her menagerie of clever poses before adding, “Boutta be a cheeky summer” with a pair of sun and peach emojis.
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In one snap, RiRi poses with her stomach flat against a wall made up of vibrant, blue pool tiles; in several others, she stands with her back to the camera altogether, offering a series of tantalizing smizes from over her shoulder. Still, the mom of two couldn’t avoid taking pictures from the front for the entire shoot, so when the time came, she opted to lean back in a plastic chair, wisely covering her stomach with her right arm while slinging the opposite leg across her right knee.
Naturally, the mogul also used the post to plug the gorgeous lingerie she was sporting in the photo shoot, adding, “New mosaic floral lace @savagexfenty just dropped!”
Many members of the Navy were quick to hype up their queen in the comments section, with one writing, “And the body stay bodying, even if it’s growing another body” while another declared, “My phone is overheating now.” Others couldn’t help but joke about the singer’s elusive ninth album, commenting, “R9 is winning the hide and seek though.”
Earlier this month, Rihanna announced her third pregnancy with partner A$AP Rocky on the carpet of the 2025 Met Gala, where she put her sweet baby bump on display in a custom tailored ensemble by Marc Jacobs. Since then, she’s also released “Friend of Mine,” her first single in three years, off the Smurfs soundtrack.
Check out Rihanna’s cheeky, pregnancy-hiding photo shoot here.
Morgan Wallen‘s “I’m the Problem” tops Billboard‘s Country Airplay chart for a seventh consecutive week, leading the June 7-dated survey with 29.8 million audience impressions May 23-29, according to Luminate.
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The title track and third No. 1 from Wallen’s new album — which launched atop the Billboard 200 and Top Country Albums (dated May 31) with 2025’s biggest week by equivalent album units (493,000 in the United States) — is the third of his 17 Country Airplay leaders to rule for seven weeks or more, following “You Proof” (10 weeks, 2022-23) and “Last Night” (eight weeks, 2023).
Wallen now claims the year’s longest No. 1 run on Country Airplay, surpassing the six-week command for Jelly Roll’s “Liar” in February-March. Wallen’s latest leader and Shaboozey’s “A Bar Song (Tipsy)” (seven weeks, August-September 2024) share the longest reigns since Nate Smith’s “World on Fire” dominated for 10 frames beginning in December 2023, tying “You Proof” as the longest-leading titles since the chart began in January 1990.
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Meanwhile, Wallen’s latest single being promoted to country radio, “Just in Case,” lifts 13-11 on Country Airplay (16.1 million, up 9%).
Smith’s Latest Top 10 ‘Break’-Through
Nate Smith’s “Fix What You Didn’t Break” rises two spots to No. 9 on Country Airplay (17.1 million, up 6%). Smith co-authored the song with Ashley Gorley, Taylor Phillips and Lindsay Rimes, the lattermost of whom also produced it. It’s from Smith’s album California Gold, which arrived at its No. 12 high on Top Country Albums last October.
Smith earns his fourth Country Airplay top 10. It follows “Bulletproof,” which hit No. 3 last August. The Paradise, Calif., native’s first of four entries, “Whiskey on You,” notched two weeks at No. 1 in February 2023, followed by “World on Fire.”
Oz-some Debut for ‘Laredo’
Lainey Wilson’s newest single, “Somewhere Over Laredo,” debuts on Country Airplay at No. 21 with 7.6 million impressions in its first week of release, aided by hourly spins on participating iHeartMedia stations upon its arrival May 23.
Notably, the song borrows from the melody of “Over the Rainbow,” which was written for the 1939 classic film The Wizard of Oz, starring Judy Garland. The credited writers of “Somewhere Over Laredo” are Andy Albert, Trannie Anderson and Dallas Wilson, with Harold Arlen and Edgar Yipsel Harburg – the co-authors of “Over the Rainbow” – also receiving credit.
Among other charted covers of the beloved ballad, Israel “IZ” Kamakawiwo’Ole’s “Somewhere Over the Rainbow” has topped Billboard’s World Digital Song Sales chart for 370 weeks, among an overall 802-week active run.
All charts dated June 7 will update Tuesday, June 3.
ICMP, the global music publishing organization representing 90% of the world’s commercially released music, has released its first-ever report on global music revenue, documenting the earnings of 16 of the top music markets.
In total, ICMP found that these select markets — United States, the United Kingdom, France, Japan, Germany, Australia, Italy, Spain, Sweden, Canada, South Korea, the Netherlands, Brazil, Mexico, Hong Kong and South Africa — were worth more than $11 billion alone. Because some markets have slightly different accounting periods, the revenue in the report stems from the markets’ last 12 months of completed financial data. Largely, that data is from 2023.
The report helps publishers and songwriters make sense of what trends are building in this sector of the music business and how music lovers across markets are consuming music differently.
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Overall, digital revenue makes up 47.1% of the $11 billion plus in total revenue earned by the 16 markets, while 20.2% of revenue came from synchronization (songs placed in films, TV shows, commercials and video games); 21.5% stemmed from non-digital performance (songs played in restaurants, stores and other public venues); 5.9% came from non-digital mechanicals (songs sold as digital downloads, CDs, vinyl records, cassettes and more); and 4.6% was described as “other.”
In total, 40.9% of overall global publishing revenue was collected directly by publishers, and 59.1% was collected by performing rights organizations (PROs) and other collective management organizations (CMOs), which act as middlemen between licensees and publishers.
Below is a breakdown of Billboard’s top takeaways from the report.
Digital Revenue Dominance Varies Widely Across Markets
Latin music lovers are some of the world’s biggest digital music consumers, according to the report. Mexico’s music publishing sector earns a whopping 70.5% of its revenue from digital sources like streaming services. This makes sense, considering the Recording Industry Association of America (RIAA) reported in April that streaming equates to 98% of total revenue for Latin music in the U.S. on the master recording side.
When it comes to the three East Asian markets considered in ICMP’s report, their digital music consumption was strong but varied fairly significantly, proving music listeners in those markets are far from a monolith. Hong Kong’s revenue was 60% digital, whereas Japan came in at 49.7% digital and South Korea was 47.5% digital.
While Hong Kong is an outlier among East Asian countries, this does not mean that it correlated more closely with its former colonizer, the United Kingdom. In the U.K., digital represented just 41.5% of all publishing revenue.
In the European Union, digital consumption was generally much lower. Italy had just 20.3% of revenue come in from digital sources, while the number was 23.8% in France, 34.6% in the Netherlands, and 35% in Spain, which came in at the high end for the continent but was still relatively low, from a global perspective.
Synch Revenue Correlates to Strong Film/TV Markets
Given their robust film/TV businesses, it should come as no surprise that the U.S. and France had the strongest shares of synchronization in their total publishing revenue pie. The U.S. came in with 23.5% synchronization revenue and France had 18.6%.
Brazil (18.3%), Italy (17.9%), the U.K. (17.7%), Hong Kong (17.3%) and Australia (16.2%) also have strong revenues from synchronization uses. In general, countries that speak English, apart from South Africa, tended to report strong synch revenue shares, possibly due to the ubiquity of globally-distributed originally-English-language TV and film programming.
Countries like South Africa (9.7%), Mexico (9.5%), the Netherlands (9.2%) and Germany (8.8%) had much weaker synch markets, each owing just single-digit shares of their revenue in 2024 to synchs.
The Importance of CMOs Differs Across the World
For every country included in the report, more than half of their revenue was not directly sent to music publishers but through an intermediary CMO. Still, ICMP found that this percentage differed substantially from market to market.
Japan takes in the vast majority of its publishing revenue (84%) through intermediary CMOs — as do countries like South Korea (82.8%) and Brazil (77.2%).
The U.S. music publishers collect the most direct money of all the countries included in the report, with 40.9% going directly to publishers and the remaining 59.1% going through a CMO (like ASCAP, BMI, SESAC, GMR or the MLC). This lower number passing through CMOs might account for CMO regulations unique to the U.S. market. For example, ASCAP and BMI, which collect U.S. performance monies, have not been allowed to collect royalties from movie theaters when songs are played publicly (the “cinema royalty”), even though most other countries do.
To read through the full report, visit ICMP’s website.
What does Alexandria Ocasio-Cortez listen to when she’s fighting for change or passing legislation on Capitol Hill? A lot of Bad Bunny, as it turns out.
In a new interview with Rolling Stone published Friday (May 30), the politician opened up about policy, the Donald Trump administration and, of course, her favorite tunes. “I have had the Bad Bunny album on repeat,” she told the publication, referencing 2025’s four-week Billboard 200 chart-topper Debi Tirar Mas Fotos.
“As a Puerto Rican, the album is very cathartic, and it’s very political,” AOC continued. “It speaks to a lot of what’s happening to us and our people right now.”
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The New York native added that she loves how the rapper is “bringing salsa back.” “Rauw Alejandro is doing that, too,” she noted. “I’m a big salsa person. It’s such a nice outlet. I like it because the lyricism is so dramatic. Everyone’s breaking up, everyone’s got the love of their life. It’s so funny.”
AOC’s praise of the “Titi Me Pregunto” artist comes as he’s gearing up to tour the globe in support of his new album, traveling around Latin America, Asia, Australia and Europe. He’s also been breaking numerous sales records while he’s at it, from becoming the first Latin act to ever sell out a stadium concert in Australia to selling all-time high amounts of tickets in France, Italy, Poland, Portugal and Sweden for a Latin artist.
Other than his upcoming residency in Puerto Rico, however, Bunny is notably skipping the United States on his tour. When asked for her thoughts, Ocasio-Cortez told RS, “We just don’t have figures like that anymore.”
“I think about the Civil Rights Movement, and I think about people like Harry Belafonte and all of these artists who really did risk everything, risk their careers and their popularity in order to support and take part in people’s movements, and to use their art … it’s more rare now, or at least it feels that way,” she continued. “I wasn’t around then. The pressures of the industry are to be as broad as possible. When you have someone who does something gutsy like that, first of all, people come through for it, and it’s super compelling.”
To the representative’s point about Bunny being political, the three-time Grammy winner is also active in politics outside of his music. In the 2024 U.S. election, he supported Kamala Harris’ campaign for president, boosting her messaging about what was at stake for Puerto Rican voters.
Several other Latin stars — including Luis Fonsi, Marc Anthony and Ricky Martin — also expressed support for Harris, though others backed Trump. In September, AOC dissed Nicky Jam and Anuel AA for endorsing the twice-impeached POTUS during a congressional hearing.
“I suppose that puts you and Nicky Jam and Anuel in the same boat,” she told Mark Krikorian, the executive director of the far-right Center for Immigration Studies, after he claimed not to remember Trump saying he wanted to “sell” Puerto Rico.
No Na comes to L.A., and we’re taking you inside a day in the life of the newest Indonesian girl group. They show us their process of recording a song in the studio, how they cook, share the story of how they met and more!
Are you excited to hear more of No Na’s music? Let us know in the comments!
No Na:Hey, everyone for No Na, come spend 24 hours with us with Billboard. Let’s head into the 88 Studio. Let’s do it!
Lyndsey Havens:This group has worked together before, it seems?
Sean Miyashiro:Yes.
Lyndsey Havens:OK on all the music so far?
Sean Miyashiro:A lot of it, yeah, this is kind of like the consistent crew got it. I mean, everybody has made songs with the girls that are coming out, basically. They only have one song out.
Lyndsey Havens:Amazing.
No Na:Coming soon.
Sean Miyashiro:Hey, this is kind of fire, actually.
Lyndsey Havens:Do you usually wait to find a beat before you start writing? Or sometimes–
No Na:Yeah.
Lyndsey Havens:OK, cool. Feel the vibe, and then you see what fits that?
No Na:Yeah. Baila comes up with the best melodies.
Lyndsey Havens:That’s a good strength.
No Na:She makes the best lyrics.
Sean Miyashiro:Oh that’s so fire. The best. So the key is these, like lead bass lines that he does. He’s insane with this stuff. It kind of drives everything, right? It leads us. Should we start? Should we start coming up with the melodies. Let’s do it.
No Na:I like how we started this. What did you say? Got you in my glass? Got you in my hole? Got you in my what? Caught you in a lie. Caught you in a lie, love. Time to say goodbye.
Keep watching for more!
