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Denny Laine, Wings and The Moody Blues Co-Founder, Dies at 79

Less than three months after Denny Laine’s wife, Elizabeth Hines, started a GoFundMe to help with his “critical” health issues following a serious bout of COVID-19 followed by a bacterial infection, Hines has shared that the rock legend – who co-founded The Moody Blues and Wings alongside Paul and Linda McCartney — died on Tuesday, Dec. 5.

“My darling husband passed away peacefully early this morning,” Hines wrote on Laine’s Facebook page on Dec. 5. “I was at his bedside, holding his hand as I played his favorite Christmas songs for him. He’s been singing Christmas songs the past few weeks and I continued to play Christmas songs while he’s been in ICU on a ventilator this past week. He and I both believed he would overcome his health setbacks and return to the rehabilitation center and eventually home. Unfortunately, his lung disease, Interstitial Lung Disease (ILD), is unpredictable and aggressive; each infection weakened and damaged his lungs. He fought everyday. He was so strong and brave, never complained. All he wanted was to be home with me and his pet kitty, Charley, playing his gypsy guitar. Denny was so very thankful to all of you who sent him so much love, support and the many kind words during these past few months of his health crisis-it brought him to tears. I thank you all for sending both of us love and support.”

The English musician, born Oct. 29, 1944, took up guitar in his youth, inspired by jazz guitar great Django Reinhardt. After a stint in a band called The Diplomats, he became a co-founder of the legendary British rock outfit The Moody Blues in 1964 alongside singer Mike Pinder. Laine lent a lilting lead vocal performance to the group’s first hit, a smash cover of “Go Now,” which topped the U.K. singles chart and reached No. 10 on the Billboard Hot 100. Laine’s tenure with the group was brief – following 1965’s The Magnificent Moodies, he left the band, which would go on to help pioneer prog-rock with its second album, Days of Future Passed. (His membership in the Moody Blues ensured his induction into the Rock and Roll Hall of Fame in 2018.)

Following the Moody Blues, Laine formed the Electric String Band, released a couple solo singles and played alongside Cream skinsman Ginger Baker in Ginger Baker’s Air Force. But an unexpected phone call from an old friend returned Laine to the top in 1971. Paul McCartney, whom Laine had known since the early ‘60s, rang him up and invited Laine to join a new band the former Beatle was forming alongside his wife, Linda McCartney. For the next decade, Laine and the McCartneys were the sole constants of the band’s ever-shifting lineup – in fact, it was solely the core trio that crafted what became the band’s most celebrated album, 1973’s Band on the Run.

“In order to move forward, you have to try new things,” Laine told Billboard earlier this year about the tumultuous sessions in Lagos, Nigeria, that birthed the classic LP. “It’s like being a gambler. You gamble with things because it’s more exciting. It’s more appealing. It’s not the normal, everyday 9-to-5 job, it’s more of a ‘Let’s try something new.’”

The title track became one of Wings’ six Hot 100-topping singles, while the album became one of the band’s five Billboard 200-topping albums. The LP also featured his first McCartney co-write on a Wings album with “No Words.” On follow-up album Venus and Mars, and every Wings album thereafter, Laine would contribute lead vocals and writing credits to at least one song.

Wings officially wrapped by the 1980s, but Laine and McCartney stayed in touch, with Laine playing on Macca’s Tug of War (1982) and Pipes of Peace (1983), in addition to co-writing the “Ebony and Ivory” b-side, “Rainclouds.”

McCartney contributed to Laine’s solo efforts released during the tenure of Wings, including the delightfully lo-fi Buddy Holly covers album Holly Days in 1977 and Japanese Tears in 1980. Laine’s final solo effort, The Blue Musician, came out in 2008, though he continued to perform live. Laine had announced tour dates for 2023, but his health issues forced him to cancel them.

Laine is survived by five children, two of whom he shared with late ex-wife Jo Jo Laine, and his widow, Elizabeth Hines.

“It was my absolute honor and privilege to not only be his wife, but to care for him during his illness and vulnerability,” Hines wrote in the Facebook post announcing his death. “Thank you to Dennys surgeons, doctors, specialists, physical therapists and nurses at Naples Hospital for working so hard to help him. Thank you for your compassion and support for me during these past several emotional months. My world will never be the same. Denny was an amazingly wonderful person, so loving and sweet to me. He made my days colorful, fun and full of life-just like him. Thank you sweetie for loving me, for all the laughter, friendship, fun and for asking me to be your wife. I will love you forever Please give Denny’s friends and family the time and privacy needed as we grieve our loss. Much love, Elizabeth Hines.”

‘The Voice’ Singer Nini Iris Stuns With Dramatic Cover of The Cure’s ‘Lovesong’

It’s hard, if not impossible, to out-goth Robert Smith. But on Monday night (Dec. 4), Team Niall’s Nini Iris did her level best to bring all the spooky vibes to her cover of The Cure’s 1989 mope rock ballad “Lovesong” on The Voice.

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The 27-year-old Tbilsi, Georgia native who made it to the live shows on the Georgian version of The Voice in 2012 and then moved to New York in 2016 — where she went from being a cabaret singer to a professional wedding singer — has been on a serious roll since the beginning of the playoff rounds last month.

But on Monday night she kicked it to a new high with her moving, emotive Cure cover. Accompanied by a string quartet and pianist, Iris stood atop a square platform midstage wearing a midnight black dress, long lace gloves and a matching choker and belted out the song’s keening lyrics over the moody arrangement.

Adding a bit of Adele-like soul to the darkly bouncy song from the Cure’s Disintegration album — which became the band’s highest-charting U.S. single when it hit No. 2 on the Billboard Hot 100 in Oct. 1989 — Iris climbed into her sky-high register to sing the track’s’s haunting refrain: “Whenever I’m alone with you/ You make me feel like I am home again.”

As the music swelled and Iris’ voice took on a gritty growl, she became more animated and held the final “I will always love you” for an extra beat as mentor Horan closed his eyes and watched with pride. “And the Grammy goes to” he joked, dubbing the performance “absolutely spectacular.”

The stunning performance came on the same night that season-long frontrunner Ruby Leigh, 16, posted yet another impressive performance for Team Reba when she sang McEntire’s 1980 single, “You Lie.” With the season 24 grand finale just two weeks away, the competition got real on Monday night when the top 12 semifinalists finally competed for America’s votes.

Other impressive performances from the episode included Team Reba’s Jacquie Roar’s roaring version of Lainey Wilson’s “Wildflowers and Wild Horses,” Team Gwen Stefani’s Kara Tenae doing an elegant cover of Keyshia Cole’s “Love” and Team John Legend singer Lila Forde’s mellow ramble through the Barbie soundtrack Indigo Girls folk rock classic “Closer to Fine.” The show also featured spots from Team Gwen’s Tanner Massey and BIAS, Team Niall’s Huntley and Mara Justine, Team Legend’s Azán and Mac Royals and Team Reba’s Jordan Ranier.

Watch Nini Irish sing “Lovesong” on The Voice below.


https://youtube.com/watch?v=SuJRI8rJBGI&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Taylor Swift Continues Atop Artist 100 Chart, Mariah Carey Returns to Top 10

Taylor Swift spends a record-extending 88th week at No. 1 on the Billboard Artist 100 chart (dated Dec. 9), thanks to 10 albums on the Billboard 200 – including a landmark five in the top 10 – as well as six songs on the Billboard Hot 100.

1989 (Taylor’s Version) leads Swift’s titles on the Billboard 200, returning to No. 1 with 141,000 equivalent album units earned Nov. 24-30, according to Luminate. Her other albums in the top 10 are Midnights (No. 3), Folklore (No. 5), Lover (No. 6) and Speak Now (Taylor’s Version) (No. 10), as Swift becomes the first living artist to place five albums in the top 10 simultaneously (since the survey combined stereo and mono releases in 1963).

Here’s a recap of Swift’s 10 current Billboard 200-charting albums:

  • No. 1, 1989 (Taylor’s Version)
  • No. 3, Midnights
  • No. 5, Folklore
  • No. 6, Lover
  • No. 10, Speak Now (Taylor’s Version)
  • No. 19, Red (Taylor’s Version)
  • No. 27, Reputation
  • No. 34, Fearless (Taylor’s Version)
  • No. 36, Evermore
  • No. 76, 1989

On the Hot 100, Swift charts six songs, led by “Cruel Summer” at No. 7, following four weeks on top. Next up, all from 1989 (Taylor’s Version): “Is It Over Now? (Taylor’s Version) [From the Vault]” (No. 21, after spending one week at No. 1); “You’re Losing Me (From the Vault)” (a debut at No. 46); “Now That We Don’t Talk (Taylor’s Version) [From the Vault]” (No. 74); “Slut! (Taylor’s Version) [From the Vault]” (No. 98); and “Say Don’t Go (Taylor’s Version) [From the Vault]” (No. 100).

Rounding out the top five of the Artist 100, Morgan Wallen climbs 4-2, Drake drops 2-3, Olivia Rodrigo rises 7-4 and Zach Bryan bumps 6-5.

Mariah Carey surges from No. 20 to No. 10 on the Artist 100, returning to the top 10 for the first time since last holiday season, thanks to the latest gains for her holiday catalog, led by “All I Want for Christmas Is You.” The 1994 classic rises 4-2 on the Hot 100, having spent 12 total weeks at No. 1 between 2019 and last year’s holidays.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

Cardi B’s Cryptic Posts Spark Offset Breakup Rumors: ‘I Gotta Put Myself First’

Rap’s biggest couple may be in trouble again. Fans are speculating that Cardi B and Offset are splitting up after the “WAP” artist shared some cryptic posts about outgrowing relationships, with some noticing that the pair seem to have unfollowed one another on Instagram.

On Monday (Dec. 4) via Instagram Stories, Cardi posted two written messages typed over a blank black background. “You know when you just out grow relationships,” read the first, followed by, “I’m tired of protecting peoples feelings…I GOTTA PUT MYSELF FIRST!”

The posts that followed were business as usual, with the Grammy winner showing followers her Chick-fil-A order. But that hasn’t stopped fans from thinking that something is awry in the Cardi-Offset household. “Ooh they over,” tweeted one X user. Added another, “If offset fumbled Cardi B that’s gonna be worse than that world cup miss that woman been nothing but loyal to that man.”

While the “Up” rapper and Migos star — who’ve been married since 2017 and share two kids together — do not appear to be following each other on Instagram at press time, they are still following each other on X.

Billboard has reached out to Cardi B’s and Offset’s reps for comment.

Cardi and Offset have had a tumultuous relationship, announcing their split several times over the years, and even coming close to ending their marriage in 2020. (Cardi filed for divorce that September, but it was later dismissed by a judge.) Offset has also previously opened up about being unfaithful to his wife and how he regained her trust.

The latest breakup rumors come about five months after the couple made headlines for a social media spat in June, which started with Offset seemingly implying that Cardi had cheated on him — an accusation she quickly shut down. The next month, they teamed up for a joint song titled “Jealousy” and appeared alongside their daughter Kulture and son Wave in the track’s music video.

See what fans are saying about the Cardi and Offset breakup rumors below:

Vinyl Group Is New Home of Jaxsta and Vampr

Music credits database Jaxsta is still Jaxsta, but the parent company housing it — along with social networking platform Vampr and online record store Vinyl.com — is now called Vinyl Group Ltd. The fine-print flip was announced on Tuesday (Dec. 5) following approval from shareholders at the publicly-listed company’s general meeting last month.

“It’s a huge privilege to be able to usher in this new era in the journey of three fantastic businesses, each now residing under the newly rebranded Vinyl Group,” said group CEO Josh Simons. “This new identity is more than just a name change. It represents a unified vision for our future – a future where our technology and products are more interconnected, offering an enriched experience for our clients and users.”

It’s a big move from Simons, who took over as CEO in late June following the departure of Beth Appleton. Simons joined Jaxsta following the completion of the acquisition of Vampr, which he-co-founded, on June 1 and was appointed chief strategy officer. This year also saw the launch of Vinyl.com, an online store powered by Jaxsta’s music credits that styles itself as a digital “crate-digging” experience.

Vinyl Group is Australia’s only ASX-listed music business and now trades under the ticker code VNL (it was JXT). Its share price rose 10% following the name change.

In addition to Simons, the Vinyl Group leadership team includes chief financial officer Jorge Nigaglioni, chief marketing officer Alli Galloway, chief product officer Jessy Trengove, and tech lead Chris Lowe.

“The Board has backed this new evolution for the Company, which sees Vinyl Group launch as a new, global brand dedicated to making, enjoying and monetising music,” added Linda Jenkinson, board chair. “We are confident that this exciting new era will see three businesses working together to celebrate music, foster relationships and enhance value for Jaxsta, Vampr and Vinyl.com.”

Hall & Oates Lawsuit, Young Thug RICO Trial, Kelly Clarkson Ruling & More Top Music Law News

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.

This week: A judge issues a ruling in the Hall & Oates lawsuit after the dispute turns public and personal, Young Thug’s RICO trial gets underway in Atlanta with opening statements and witness testimony, Kelly Clarkson wins a California labor law ruling against her ex-husband, and much more.

THE BIG STORY: Hall v. Oates Goes Public

The mysterious legal battle among Hall & Oates got a lot clearer last week – with detailed filings from each artist, a hearing in open court, and a judge’s ruling on how the case will proceed.

To catch you up: After a decades-long, highly-lucrative musical partnership, Daryl Hall sued John Oates last month in Nashville court. The case was initially filed under seal, leading to days of speculation about why the beloved duo had become a house divided. Eventually, unsealed documents showed that Hall had sued Oates to block him from selling part of their joint venture to Primary Wave.

Last Wednesday, the case burst fully into the open. First, Hall filed court papers accusing partner John Oates of leaving him “blindsided” by secretly arranging the Primary Wave deal – an act he called the “ultimate partnership betrayal.” Oates responded hours later, saying he was “tremendously disappointed” that Hall had chosen to make “inflammatory, outlandish, and inaccurate statements about me.”

The filings were packed with new details – not just about the exact contours of the legal dispute, but also about the duo’s broader “divorce,” about Hall’s problems with Primary Wave in particular, and about each man’s personal feelings toward his former partner. Go read our full story here.

A day later, attorneys for the pair headed to court for their first showdown. Hall was repped by Christine Lepera of Mitchell Silberberg & Knupp, who urged a judge to extend a restraining order preventing Oates from completing the Primary Wave sale until an arbitrator can hear Hall’s objections. Oates was repped by Derek Crownover from Loeb & Loeb LLP, who argued that no such order was necessary.

On Thursday afternoon, Chancellor Russell Perkins agreed to extend the restraining order, blocking Oates from selling to Primary Wave until February or until the arbitrator tackles the case – whichever comes first. Go read our full story explaining why.

The case will now head to private arbitration, for which an arbitrator has already been selected but an initial hearing has not yet been scheduled. Stay tuned…

THE OTHER BIG STORY: YSL RICO Trial Begins

More than 18 months after chart-topping rapper Young Thug was indicted on accusations that he ran a violent Atlanta street gang, he finally headed to trial last week.

In their opening statements, Atlanta prosecutors claimed that Thug was “King Slime,” a powerful boss operating his “Young Slime Life” gang like a “pack” of wolves – even reading a passage from The Jungle Book for jurors. And they defended their controversial use of his music to help prove it.

“We didn’t chase any lyrics to solve any murders,” Adriane Love told jurors. Instead, she said prosecutors in this case “chased the murders and found the lyrics” that pointed to true, specific events.

A day later, Thug’s lawyer responded by telling jurors that his client had been “born into a society filled with despair” and had merely rapped about violent crime because “these are the stories he knew” — and that prosecutors had cherry-picked lyrics that matched the crimes they hoped to pin against him. 

“This is the environment he grew up in. These are the people he knew, these are the stories he knew. These are the words he rhymed,” Brian Steel told the jury. “This is art. This is freedom of speech.”

After opening statements concluded, prosecutors began presenting witnesses – a process that is expected to last months.

Other top stories this week…

SINCE U BEEN GONE – Kelly Clarkson won a legal ruling in California that said her ex-husband Brandon Blackstock owes her more than $2.6 million in commissions she paid to him while he serving as her manager. The decision, issued by California’s labor commissioner, said Blackstock had “unlawfully procured” a number of business deals for Clarkson, including her lucrative role as a judge on The Voice, that should have been handled by her talent agents at Creative Artists Agency (CAA).

‘FICTITIOUS’ CONCERTS? – Rapper Polo G sued a European tour booking firm over canceled plans for a string of concerts, claiming that the company continued to advertise the shows anyway — actions he calls “a shocking and outrageous fraud.”

YOUTUBER SLAPPS BACK – YouTube personality Spencer Cornelia — known for his investigative video series on the music industry — prevailed in a defamation lawsuit filed by wealth coach Derek Moneyberg. The case, which concerned YouTube interviews in which Moneyberg was termed a “Charlatan,” was tossed out under California’s anti-SLAPP law – a statute aimed to quash lawsuits that threaten free speech.

TIKTOK BAN BLOCKED – Montana’s first-in-the-nation law banning the video-sharing app TikTok in the state was blocked by a federal judge who ruled that the statute likely violates the First Amendment. The judge ruled that the law “oversteps state power and infringes on the Constitutional right of users and businesses.”

ARETHA ESTATE BATTLE – A judge overseeing the estate of Aretha Franklin awarded real estate to the late star’s sons, citing a handwritten will from 2014 that was found between couch cushions. The ruling came months after a Detroit-area jury said the document was a valid will under Michigan law, despite scribbles and many hard-to-read passages. Franklin had signed it and put a smiley face in the letter “A.”

The Weeknd to Headline New Fortnite Music Experience ‘The Weeknd x Fortnite Festival’: Watch Trailer

The Weeknd stars in a new trailer for Festival, a game from Rock Band studio Harmonix in which the singer — who now goes by his birth name, Abel Tesfaye — is the headliner in a music-experience slated to launch inside Fortnite on Saturday (Dec. 9).

Like Harmonix’s most beloved games, Festival lets fans tap notes along to the song playing in the game as they watch the Weeknd rock the stage, with users able to either jam with the band or take a solo.

The 44-second trailer opens with the sound of thumping dance club bass swirling around a hooded figure who reaches out his hand into the light, which transports him to an actual club. The mysterious figure — wearing a shiny Dr. Doom-style metal mask — slowly makes his way to the stage as a punk-haired audience member tosses a microphone into the air. The high-energy clip ends with the digital image of Tesfaye, who wears different skins while dancing on stage to his Dawn FM song “Take My Breath,” as he’s backed by a futuristic band.

According to Hypebeast, leaks of the game promise that The Weeknd x Fortnite Festival will feature a new microphone design, two new bass designs, three songs, a keytar design and a Weeknd skin available through a Festival Pass.

The Weeknd is the latest artist to team up with Fortnite for a music event, following on the heels of virtual concerts by the likes of Eminem, Ariana Grande, Travis Scott, Marshmello and Kid Cudi. In April, Coachella also teamed up with Fortnite for a game called Coachella Island, which featured a virtual world inside the Fortnite universe with mini-games, Coachella-themed merch, art installations and virtual versions of some of the beloved festival’s iconic ferris wheel and trippy Spectra building.

Fortnite Festival is the first specifically music-focused mode in the game that has been downloaded more than 129 million times on the App Store and Google Play.

Check out the Weekend x Fortnite Festival trailer below.



Chartbreaker: How Kenya Grace’s ‘Strangers’ Became a Historic Hit Around the World

In 1978, Kate Bush became the first solo woman to reach No. 1 in the U.K. with a song she wrote, produced and performed entirely by herself with “Wuthering Heights.” Forty-five years later, in October, dancepop artist Kenya Grace joined her as the second to pull off the feat with the quietly devastating “Strangers,” her major-label debut single.

“There wasn’t too much pressure on that song, to be honest,” Grace says. “I didn’t really have some mad goal in mind — I just wrote it one random night.”

For Grace, 25, that kind of writing experience is the result of skills she’s been honing her entire life: she began creating and performing songs for friends and family at age four, inspired by Norah Jones tracks that her mother would play around the house. By 16, the South Africa-born, Southampton-raised singer was frequenting drum’n’bass parties, baptizing herself in the energy of the U.K. dance music scene that would soon characterize the sound of her own music. “When I start writing something at 120 BPM, I’m like, ‘No, it’s way too slow,’” she quips.

She graduated from London’s Academy of Contemporary Music in 2019 — an institution she likens to a massive networking event — and spent the next few years building an audience on TikTok. Even from her initial videos, Grace displayed a deft understanding of how to present her music, including one clip in which she crafted a beat by using her music production controller to source sound waves from oranges.

The post caught the attention of Day One Music’s Nick Huggett and Nick Shymansky, who have signed and developed British music icons including Amy Winehouse and Adele. By November 2022, two months after she self-released the aptly titled “Oranges,” the two were managing Grace. “We’re seeing someone with a craft [who] knows how to sing and command an audience,” Shymansky says. “We’ve got someone that has earned their stripes and is ready to take on the world.”

They prioritized growing her fan base on an international level, and by July, the two helped her sign a deal with Major Recordings, an electronic dance music label launched by Warner Records. “We knew early on that more than half of her audience was in America; it’s not a coincidence the deal was signed there,” Shymansky says. “We had offers for shows in Los Angeles prior to ‘Strangers’ — that’s not typical for a British artist at such an early stage.”

Kenya Grace, Chartbreaker

Kenya Grace photographed on November 20, 2023 at SOUTH56 studio in London.

Bex Day

The partnership quickly paid huge dividends in “Strangers” — though a different song nearly took its spot. “I signed my deal about two weeks before I posted [a snippet of] ‘Strangers’ online,” Grace recalls. “The month before that, we were lining up a different song,” which ultimately became its follow-up single, “Only In My Mind.”

Nonetheless, when a teaser of “Strangers” connected with listeners on a musical and lyrical level, the label pivoted, with Grace still meticulously poring over the song’s final mix. “I was rewriting the lyrics to make it rhyme,” she says. “I’m always really funny and picky about vocal production. I spend the longest on the vocals.”

Sonically, the song is steeped in drum’n’bass and aligns with the current U.K. dance music revival in the U.S. led by artists like Fred Again.. and PinkPantheress. The song’s vulnerable lyrical bent (“And then one random night when everything changes/You won’t reply and we’ll go back to strangers”) plays to Gen Z’s penchant for unflinchingly honest pop songwriting.

Though Grace admits feeling pressure ahead of its release, “Strangers” officially arrived through Warner Records/Major Recordings on Sept. 1. By the end of the month, it became her first entry on the Hot 100 (since reaching a No. 52 high). The track has also climbed to No. 1 in the U.K.; reached the top 5 on the Billboard Global 200; and spent five weeks atop Hot Dance/Electronic Songs, marking the first time in the ranking’s decade-long history that a track solely written, produced and sung by a woman has reached the summit.

Says Huggett: “We had no expectations other than, ‘Wouldn’t it be great if this did better than the last release, which was really nowhere near there?’ That was the benchmark. Every time we put out some music, we want to improve on it incrementally.”



While social media helped buoy “Strangers,” the resources of a traditional label drove the song at radio and helped place it on editorial playlists on digital service providers. The song has earned 773.7 million on-demand streams through Nov. 23, according to Luminate. “The label used this explosive moment to make sure there’s a proper campaign globally,” says Huggett. “We’ve been blown away with how brilliantly the label has worked the record with their understanding of the complexity of radio and traditional media.”

In October, Grace released the trance-driven “Only In My Mind,” and three weeks later, followed it with a “sad acoustic version” of “Strangers” as the song continues to chart. At the top of December, she detailed a biting take on modern love with “Paris” and, come 2024, she expects to release her “dark, moody [and] dance-inspired” debut album.

In the meantime, she’s on her first tour, with stops in London, New York and Los Angeles — though Shymansky has his sights set on even brighter lights: a Las Vegas residency 10 years from now. “There’s a long road to get there, but we think she has the goods to do that,” he says. “That’s gotta be the ambition.”

Kenya Grace, Chartbreaker

From left: Nick Huggett, Kenya Grace and Nicholas Shymansky photographed on November 20, 2023 at SOUTH56 studio in London.

Bex Day

A version of this story will appear in the Dec. 9, 2023, issue of Billboard.

Goonica Up Or Down?: Monica Announces C-Murder Broke Her Heart, X Reacts Shadily

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Monica and C-Murder are no longer an item. But after the R&B singer announced her relationship with the currently incarcerated rapper was over, social media wasn’t exactly heavy on the empathy.

In fact, the slander about getting cheated on, allegedly, by a man currently serving a life sentence started popping off.

In case you don’t know, C-Murder is serving time for the alleged murder of 16-year-old fan, Steve Thomas, at a nightclub in Harvey, Louisiana.. Despite multiple appeals, witness testimony in his favor and adamantly denying his guilt, he is still in jail. Also, one of his biggest advocates was Monica, who also reportedly helped get her celebrity friends on board to help plead for C-Murder’s release.

However, despite holding her man down, he allegedly strayed. But Monica has moved on and has a whole new guy. “I got my heartbroken (again) and that’s ok! I learned yet another valuable lesson,” she said in an Instagram comment. “I went through it, got over it, now I can laugh about it!”

Now X, formerly known as Twitter, users have been heartless (along with some support) with the hot takes, citing it doesn’t track that Monica would get her heart broken by an inmate.

We compiled some of the more flagrant reactions, for archival purposes, of course. We don’t want any smoke with Goonica.

Pretty Lights, John Summit, Ludacris & Nelly Furtado Lead Electric Forest 2024 Lineup

Rejoice, Forest Fam. Electric Forest announced the lineup for its 2024 event on Tuesday (Dec. 5).

Again melding electronic, jam music with rock, hip-hop, indie and more, the four-day festival will be headlined by Pretty Lights, whose sold-out, 27-date comeback tour wrapped this past weekend, along with tech house phenom John Summit, Subtronics, Excision and resident headliners The String Cheese Incident.

Also getting top billing are techno star Charlotte de Witte, Ludacris, Dom Dolla and Summit performing as Everything Always, Nelly Furtado, The Disco Biscuits, Knock2, Black Tiger Sex Machine, Ben Bohmer, Clozee and LSDream performing as Psyren and many more. More artists will be added to the lineup in the coming months.

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“What I care more about is that attendees walk past a stage where they don’t know the act, but they stop because it’s cool music,” Electric Forest founder Jeremy Stein told Billboard in 2019. “[A diverse lineup] also creates a lot of doors for people from different walks of life to come to the festival. You’ll come because you’re a fan of ten artists on the lineup, and you’ll leave a fan of a lot more.”

The festival returns to Rothbury, Mich., June 20-23, 2024. Festival tickets go on sale Friday (Dec. 8).

Produced by AEG Presents and Insomniac Events, the festival takes place in the tiny town of Rothbury, Mich., (population: roughly 440) on a woodsy 400-acre expanse of land located 10 miles east of Lake Michigan. The event has been taking place at this site since 2008.

See the full lineup below:

Electric Forest

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