Author: djfrosty
Page: 324
Addison Rae’s rise to main pop girl is equal parts master class and modern spectacle. Having started on TikTok, becoming one of the platform’s top users known for choreographing brief dances to catchy hits, Rae always had her sights set on a bigger stage — literally. In the past year, she’s performed onstage with Charli […]
50 years to the day since their first live show, Talking Heads have unveiled the official video for their first charting single, ‘Psycho Killer.”
Released on Thursday (June 5), the clip marks the gold anniversary of the band’s debut performance at iconic New York City club CBGB. Opening for fellow New Yorkers the Ramones, the performance comprised just nine songs, including “Psycho Killer,” which would be released as their third single in December 1977.
Issued on debut album Talking Heads: 77, the single would become the group’s first to impact the Hot 100, reaching No. 92 in early 1978. However, it lacked any official visual accompaniment until now, with the Mike Mills-directed clip featuring Academy Award-nominated actress Saoirse Ronan navigating the mundanity of modern life as she slowly destabilizes.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
“This video makes the song better,” the band wrote in a statement. “We LOVE what this video is NOT – it’s not literal, creepy, bloody, physically violent or obvious.”
Trending on Billboard
Alongside the release of the video, Talking Heads have also announced the super deluxe edition of their second album, 1978’s More Songs About Buildings and Food, with the limited box set due for release on July 25.
Talking Heads lasted from 1975 until 1991, with their 16-year career resulting in eight studio albums. 1983’s Speaking in Tongues was their most successful, peaking at No. 15 on the Billboard 200, with lead single “Burning Down the House” giving them their highest-charting single when it reached No. 9 on the Hot 100.
Though the group would split in 1991, their final live performances would take place seven years earlier as part of the Speaking in Tongues tour in 1984. They would later reunite for one solitary performance for their induction into the Rock and Roll Hall of Fame in 2002.
Reports of “bad blood” between the group has been the stated cause behind no further reunions, though David Byrne, Chris Frantz, Tina Weymouth and Jerry Harrison did appear together for the first time since 2002 as part of the Toronto International Film Festival in 2023 to celebrate the re-release of their Stop Making Sense concert film.
However, while this in-person reunion has left fans eager for a return to the live stage, the band seem less than eager to do so, with members even going so far as to turn down a reported $80 million offer for a series of shows in late 2023.
Watch Talking Heads’ “Psycho Killer” below.
Round Hill Music acquired the publishing catalogs of songwriters Terry Shaddick (Olivia Newton-John’s “Physical”), Linus Eklöw (Icona Pop’s “I Love It”) and Carmine Appice (Rod Stewart’s “Do Ya Think I’m Sexy”) along with publishing assets of the band Dirty Heads (“Vacation”) and a portion of the master rights for Al Stewart (“Year of the Cat”). According to a press release, the acquisitions bring Round Hill’s catalog value under management back to more than $1 billion following the sales of its London Stock Exchange-listed fund to Concord in 2023. The company continues managing five private funds.
Rezonate Music Rights, a new investment platform that’s looking to acquire the royalty rights of music producers backed by a $150 million partnership with Bridgepoint Credit, announced its launch. According to a press release, the investment will allow Rezonate to make “high-profile” producer catalog acquisitions; Bridgepoint is also acquiring a minority stake in Rezonate’s management company. Co-founded by music producer Cam Blackwood, Rezonate has already acquired rights from producers including Loma Blackwood, Mark Crew, James Earp and Jussi Karvinen.
Trending on Billboard
Live Nation acquired Dominican Republic-based live entertainment company SD Concerts, which promotes Latin and international talent in the Dominican Republic, along with Aruba, Chile, Colombia, Costa Rica, Guatemala, Panama and Puerto Rico. The company also operates a ticketing platform that services all SD events; it will become part of the Ticketmaster ecosystem under the deal. According to Live Nation, fan attendance in the Latin American region was up more than 25% in the first quarter of this year.
Global streaming service Audiomack signed a deal with music fraud detection company Beatdapp to help eliminate streaming fraud on its platform. Through the deal, Beatdapp will remove fraudulent streams from sales reports, detect bots and more by analyzing streaming activity on Audiomack. “By partnering with Beatdapp, we have adopted the best-in-class technology from an impartial third party to demonstrate our commitment to both our creator and rights holder partners, and to uphold the integrity of our editorial recommendations and chart activity,” said Audiomack CEO Dave Macli in a statement.
Spotify struck a deal with United Airlines to bring more than 450 hours of free Spotify-curated playlists, podcasts and audiobooks to more than 130,000 United seatback screens. In a blog post, the streaming giant said it’s the first time it has offered audiobooks and video podcasts on an airline. Next year, United passengers will be able to use their personal devices to log in to the Spotify app on the airline’s in-flight screens, allowing them to pick up where they left off on their personal Spotify accounts.
Music synch platform SourceAudio launched the first comprehensive AI dataset licensing marketplace through which it will offer 14 million fully cleared tracks to AI companies via an opt-in model. The tracks come from major publishers, indie artists and production music libraries, providing AI companies with training datasets while offering compensation to writers and publishers. So far, the company has partnered with several AI companies, including Wondera.ai, generating more than $1.35 million in new annual recurring revenue for artists and publishers who opted in, according to a press release. Revenue from dataset licensing is paid out to rights holders up front or throughout the term of each license agreement. Rightsholders already on SourceAudio can contact their rep at the company to explore dataset licensing for themselves. Those not on SourceAudio can opt in by contacting the company here.
Karaoke technology company Singa signed a deal with Warner Music Group to bring original master recordings from the label’s artists to the Singa platform (the agreement includes both Warner Chappell Music and Warner Recorded Music). “This game-changing deal allows karaoke singers at home and Singa-powered venues worldwide to perform songs by iconic Warner Music Group artists, all using the original backing tracks,” said Singa co-founder/CEO Atte Hujanen in a statement. This is Singa’s first deal with a major label, though it has previously secured deals with publishers and indie labels.
Sony Music India signed a joint venture with The Hello Group (THG) to form THG India. Through the deal, Sony Music India’s local reach will be paired with THG’s international touring and artist development network to help Indian artists thrive in the country’s growing live music ecosystem and beyond. THG India will offer comprehensive support for talent, including management, global concert booking and publishing, while Sony Music India will provide strategic investment and access to its creative and commercial platforms.
AEG Presents acquired Nashville-based special events production company Gary Musick Productions and the affiliated entity Destination Musick City. Gary Musick Productions will keep its name and continue providing corporate and social event services, including audio-visual production, scenic fabrication, custom set design, live streaming and branding integration. Destination Musick City will remain a destination management company offering immersive experiences and full meeting execution services for groups visiting Nashville. With the deal, Gary Musick Productions will expand its design and fabrication services to music festivals and concerts while giving its clients access to AEG’s network of venues.
Symphonic Distribution partnered with Hitmakers Entertainment, which boasts Australian pop and R&B artist Tash on its roster. Going forward, the two companies will support emerging and established artists from Australia and Southeast Asia. “This collaboration allows us to further expand Tash’s career as well as our continually growing roster with the help of Symphonic’s creative and strategic vision,” said Hitmakers boss Mark Feist in a statement.
New Sweden-based generative AI startup Songfox struck a deal with Musical AI, through which it will use Musical AI’s platform, containing fully cleared music catalogs, to train its models. Musical AI will provide full reports of what data contributed to each generated song, allowing Songfox to pay rightsholders. According to a press release, Songfox allows users to generate and “tweak” full songs, including AI-assisted lyrics and a library of licensed voices.
“What’s the difference between love and obsession?” “Stans” have become a source of heated discussion over recent years, as some fan accounts on social media have infamously harassed, stalked or doxxed whoever dares go against their faves. Eminem, who invented the term with his 2000 hit of the same name, premiered the documentary STANS at […]
Billboard’s The Stage hit SXSW London on Thursday night (June 5), marking the first time the event took place in the U.K. The show at the capital’s Troxy was headlined by Lagos-born, London-based superstar Tems, a day after she collected the Diamond Award at the Global Power Players Event alongside Sir Elton John and EMPIRE […]
Sabrina Carpenter‘s new song “Manchild” is here, kicking off what could very well be another summer of dominance for the pop star. Following the success of hits such as “Espresso,” “Please Please Please” and “Taste” on the charts last year, the pop star returned Thursday night (June 5) with a track that pokes fun at […]
Her Madgesty has spoken. Madonna took to social media on Thursday (June 5) to give fans insight into her forthcoming EDM remix album Veronica Electronica. “Making my Ray of Light album was a seminal moment in my life as an artist,” the Queen of Pop wrote on her Instagram Stories, referencing the mystical, techno-fueled 1998 […]
Jay-Z just “rolled the dice, trying to get some change.” After helping launch Fanatics Sportsbook in 2023 alongside Fanatics CEO Michael Rubin, Hov is putting his money where his mouth is for the 2025 NBA Finals. According to a social media post from Fanatics and Roc Nation, Jay-Z has wagered $1 million on the Oklahoma […]
Cam’ron gave fans a bit of a stunning revelation on Thursday (June 5).
On a recent episode of It Is What It Is, while talking about NBA commissioner Adam Silver telling FS1’s Breakfast Ball that next year’s All-Star Game will be “some form of USA against the World,” Cam and his co-host Mase joked around that the league is stealing their ideas and that they should let them ghostwrite for them.
Cam then gave some high-profile examples of songs he’s co-written, including 3LW‘s 2000 hit “No More (Baby I’ma Do Right),” which features a viral opening line about broken promises. “I wrote for 3 Little Women,” the Harlem rapper said as Mase laughed and egged him on. “The single, I’m in the credits, I wrote that. ‘Promises, promises’? That’s me. I penned that joint. We’re real creative, just tap in, man.”
Explore
See latest videos, charts and news
See latest videos, charts and news
He then revealed that he originally wrote the classic Dipset track “I Really Mean It” with the intention of giving it to Lil’ Kim, but the Queen Bee wasn’t feeling it — but said he was glad that Kim decided to pass on it because it’s one of his more popular songs.
Trending on Billboard
“I did write a song for Lil’ Kim and she didn’t want it, and the lyrics changed and I ended up keeping it for myself,” he began. “It was one of my biggest records, but I wrote ‘I Really Mean It’ for Lil’ Kim. Same format, and she didn’t like it. That’s one of the best things, ’cause that’s one of my close-out songs, to be totally honest with you, and she didn’t want the song. I’m happy she didn’t.”
Cam is, in fact, credited on 3LW’s hit record as a songwriter, and most of the recent comments on YouTube are people asking if they’re there because of It Is What It Is. The Harlem rapper also famously ghostwrote Lil’ Kim’s 1996 classic “Crush on You.”
You can watch the full episode below.
Meanwhile, though Cam and Mase are trying to take credit for the NBA All-Star idea, ESPN journalist Michael Wilbon said back in February on First Take that he’s been pushing the USA vs. the World format for more than a decade.
“I’ve been pushing this for 15 years,” Wilbon claimed during a segment about the popular 2025 NHL Nations Face-Off that replaced the hockey league’s All-Star Game. “This goes back to me talking to David Stern about it and then Adam Silver about it on this air during Finals games when Stephen A. [Smith] and I are sitting there with our colleagues with the commissioner during the Finals. I’ve been asking him about this directly. It even became a joke, where they said, ‘Oh, we know what Wilbon’s gonna ask Adam Silver about.’”
Cam and Mase should reach out to Wilbon and get him on the show.
IDLES frontman Joe Talbot used the band’s set at Barcelona’s Primavera Sound on Thursday (June 5) to offer full-throated support for Palestine.
The lead singer shouted “Viva Palestina!” from the stage at Barcelona’s Parc del Fòrum and led the crowd in a minuteslong chant of the Spanish phrase. At one point in between songs, Talbot asked the crowd: “Donde esta las Palestinas?” (which translates to “Where are the Palestinians?” in English). He also dedicated the group’s set to Palestine.
After kicking off with their 2018 track “Colossus,” the British post-punk outfit’s festival set also included recent singles like “Dancer,” “Grace” and “Gift Horse” from their latest U.K. No. 1 album, 2024’s Tangk, as well as earlier songs including 2018’s “Danny Nedelko,” 2019’s “Never Fight a Man with a Perm” and 2021’s “Car Crash.”
Known for their outspoken political activism, Primavera Sound is hardly the first time IDLES have used their platform to stand in solidarity for Palestinian rights amid the ongoing Israel-Hamas war. At their London release show for Tangk in early 2024, Talbot reportedly altered the lyrics of multiple songs, including “The Wheel” and “Danny Nedelko,” to reference Palestine.
Trending on Billboard
He also dedicated Brutalism-era album cut “Mother” to the Palestinian people during the band’s appearance at Glastonbury 2024, telling the crowd at Somerset’s Worthy Farm, “This song is a celebration of all the insults that I was thrown over the years, and I tried to turn it into something beautiful. … This is for the people of Palestine and this is for you. Any scumbags in the audience?”
Earlier this year, IDLES performed a benefit concert for the Los Angeles Fire Department following the 2025 Grammys, where they were nominated for best rock album, best rock song and best rock performance.
Primavera Sound continues throughout this weekend, with headlining sets from Sabrina Carpenter, Chappell Roan and Charli xcx. Northern Irish hip-hop trio Kneecap, who have been similarly vocal in their support for Palestine, is also on the Primavera Sound bill.
State Champ Radio
