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Madonna Performs ‘This Used to Be My Playground’ Live for the First Time at Chicago Concert

Fans attending Madonna’s The Celebration Tour stop in Chicago Friday night (Feb. 2) got to hear something the Queen of Pop has never done before: perform her 1992 No. 1 Billboard Hot 100 hit “This Used to Be My Playground” live. (Well, a bit of it, at least.)

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The song was written by Madonna and Shep Pettibone for the 1992 film A League of Their Own. Madonna co-starred in the baseball comedy-drama as “All the Way” Mae Mordabito, and the song played over the film’s end credits. Until last night, it was the only one of her 12 No. 1 Hot 100 hits that she had never performed live.

During the concert at The United Center, Madonna reminisced about filming the movie, which was a fictionalized story about the real-life All-American Girls Professional Baseball League.

“I hope that you guys remember,” she told the audience, “I made a film called A League of Their Own, and I had to learn how to play baseball in this city. I was here for months! And, um, I kinda sucked in the beginning, but I got good. I got good at it. All the Way Mae, that’s right. Remember her? I learned how to play baseball in this goddamn city! And do you remember the song? While we’re taking a trip down memory lane in my retrospective [show].”

She then sang a few lines, a cappella, of the beginning of “This Used to Be My Playground,” with the crowd’s help, telling the audience, “Aww, bless you,” after they joined her. She then joked, “I thought only 10 of you would know it. Turns out 20 of you knew it. I’m just kidding.”


https://youtube.com/watch?v=s1yayUYiGoM&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

“I have very fond memories of this city, I’m just saying,” she said.

In addition to topping the Hot 100 for one week in 1992, “Playground” reached No. 2 on the Radio Songs chart and No. 4 on the Adult Contemporary airplay chart. It would also go on to score a Golden Globe Award nomination for best original song. In 2023, it ranked as Madonna’s 19th-biggest song of all time on the Hot 100 chart.

Fun fact: In 2019, Billboard asked Madonna to consider performing three songs on her then-upcoming Madame X Tour — her three Hot 100 top 10 hits that she, at that point, had never performed live before. They were “This Used to Be My Playground,” “I’ll Remember” and “Rescue Me.” During preparations for the Madame X Tour, she rehearsed “Rescue Me,” but ultimately included it in the show as a pre-recorded spoken word interlude while she was offstage.

Justin Timberlake Performs Acoustic Version of ‘Selfish’ While Getting Over the Flu: ‘Excuse the Raspy Voice’

Justin Timberlake is under the weather but still hard at work promoting his new song “Selfish.”

The pop star posted a video of himself performing an acoustic version of the single on Instagram on Saturday (Feb. 3).

“Still getting over the flu which makes it silly to sing so excuse the raspy voice but messing around with an acoustic version of SELFISH,” Timberlake wrote to fans.

In the clip, Timberlake offered a quiet, stripped-down take of “Selfish” on acoustic guitar.

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JT has performed “Selfish,” his first solo release in more than five years, a number of times since its Jan. 25 release.

He debuted the song live at a free hometown concert in Memphis on Jan. 19. He then played a snippet of it with Jimmy Fallon and The Roots on classroom instruments for The Tonight Show on Jan. 25, and he brought the full track to the SNL stage on Jan. 27.

Timberlake also played “Selfish” for the crowd during his one-night-only show on Jan. 31 at New York City’s Irving Plaza, a concert that made headlines when he introduced his 2002 hit “Cry Me a River” by saying, “I’d like to take this opportunity to apologize to absolutely f—ing nobody. “Cry Me a River” is believed to be about his split from Britney Spears, whom he dated from 1999 to 2002.

“Someone told me someone was talking s— about me on the streets,” Spears seemingly wrote in response on Instagram. “Do you want to bring it to the court or will you go home crying to your mom like you did last time ??? I’m not sorry !!!”

Timberlake’s remark came after Spears seemed to apologize for calling him out in her memoir, The Woman in Me, and praised his new single. “I wanna apologize for some of the things I wrote about in my book. If I offended any of the people I genuinely care about I am deeply sorry,” Spears wrote in a since deleted post without naming names, before adding, “I am so in love with Justin Timberlake’s new song ‘Selfish.’ It is soo good and how come every time I see Justin and Jimmy together I laugh so hard ???”

Watch Timberlake’s acoustic performance of “Selfish” in the Instagram video below. He’ll be heading out on tour beginning April 29 to support his upcoming sixth solo album, Everything I Thought It Was.

Marilyn Manson Completes Community Service Sentence for Blowing Nose on Videographer

Marilyn Manson, who was sentenced to community service for blowing his nose on a videographer at a 2019 concert in New Hampshire, recently completed his time at an organization that provides meeting space for Alcoholics Anonymous and Al-Anon, according to court paperwork.

The shock rocker, 55, spent 20 hours last month at the Windsor Club of Glendale, a California nonprofit that provides meeting locations for Alcoholics Anonymous and families of alcoholics to “achieve a more meaningful life through recovery,” according to the group’s website.

A certificate of completion was filed by the Assistance League of Los Angeles with a New Hampshire court on Jan. 30. Manson had to file proof of his service by Feb. 4.

Manson, whose legal name is Brian Warner, pleaded no contest in September to the misdemeanor charge in Laconia, about 30 miles (48 kilometers) north of Concord, the state capital.

A no contest plea means Manson did not contest the charge and did not admit guilt.

He initially was charged with two misdemeanor counts of simple assault stemming from the encounter with the videographer at the Bank of New Hampshire Pavilion in Gilford on Aug. 19, 2019. The second charge, alleging that he spit on the videographer, was dropped.

Manson also was fined. He needs to remain arrest-free and notify local police of any New Hampshire performances for two years.

Prosecutor Andrew Livernois had said it was his first offense and he had no prior record.

Manson initially pleaded not guilty to both charges in 2021. His lawyer had said that the type of filming the videographer was doing commonly exposes videographers to “incidental contact” with bodily fluids.

Manson emerged as a musical star in the mid-1990s, known as much for courting public controversy as for hit songs like “The Beautiful People” and hit albums like 1996’s “Antichrist Superstar” and 1998’s “Mechanical Animals.”

Last year, a California judge threw out key sections of Manson’s lawsuit against his former fiancée, Westworld actor Evan Rachel Wood, claiming she fabricated public allegations that he sexually and physically abused her during their relationship and encouraged other women to do the same. He is appealing the ruling. The judge recently ruled that Manson cover Wood’s legal fees, according to Rolling Stone.

Manson’s lawsuit, filed last year, alleges that Wood and another woman named as a defendant, Illma Gore, defamed Manson, intentionally caused him emotional distress and derailed his career in music, TV and film.

Several women have sued Manson in recent years with allegations of sexual and other abuse. Most have been dismissed or settled, including a suit filed by Game of Thrones actor Esmé Bianco.

The Associated Press does not typically name people who say they have been sexually abused unless they come forward publicly.

Usher Says His Super Bowl Halftime Show Will Honor Black Artists of the Past

Usher is sharing more details about his upcoming halftime show performance at Super Bowl LVIII.

During an interview with Good Morning America on Friday (Feb. 2), the 45-year-old R&B star said that he plans to use the opportunity on football’s biggest night to pay homage to Black artists who came before him and helped pave the way for his successful career in music.

“I think about what our country has kind of represented for Black artists, you know, having to at some point go through kitchens to even be able to perform for an audience, but they had to leave back through that same door, fear for their lives as they went to the next state to do the same thing,” Usher told reporter Kelley Carter.

The “My Boo” singer added, “So I’m coming through the front door with this one.”

The hitmaker also noted that he remembered his friends and mentors who have supported him over the decades when planning his upcoming halftime show performance.

“I didn’t start where I am now, and I didn’t get there by myself,” he said. “So, everybody that has been a part of it, I’m carrying them with me. All of my fans, my loved ones, the people who may have felt like they have been forgotten, they haven’t. I’m carrying you right with me when I walk on that stage that night.”

Usher will perform during the Super Bowl Halftime Show presented by Apple Music on Feb. 11, when the Kansas City Chiefs take on the San Francisco 49ers at Allegiant Stadium in Las Vegas.

Ahead of the big game, the R&B star will release his new album, Coming Home, on Feb. 9. The project serves as his ninth studio album, and it’s his first released independently. It’s a star-studded affair across the 20 tracks, as he’s recruited Latto, Burna Boy, 21 Savage, The-Dream, H.E.R., Summer Walker and BTS’ Jung Kook to join him on the journey.

“I put a lot of heart and time into making sure that this was curated right. Something that felt like this next chapter of my life. It’s the next frontier, the next chapter of my legacy,” the “Love in This Club” singer said of the album in a recent interview with Club Shay Shay.

Ahead of Coming Home, Usher dropped another single on Friday (Feb. 2) with the Afrobeats-tinged “Ruin.”

Watch Usher’s GMA interview about his Super Bowl halftime show in the video below.



Taylor Swift Will Not Be Performing at 2024 Grammy Awards

Sorry, Swifties. Taylor Swift will not be performing at the 2024 Grammys Awards, Billboard has learned.

The 34-year-old pop superstar, who is nominated for six awards at this year’s Grammys, is expected to attend the ceremony on Sunday (Feb. 4) but won’t be stepping onto the stage for a live musical performance.

Immediately after the Grammys — which is being held at the Crypto.com Arena in Los Angeles — the singer will travel overseas for back-to-back concerts at the Tokyo Dome in Japan as part of her blockbuster Eras Tour. The Japanese leg launches Feb. 7 and wraps Feb. 10.

From there, she’ll continue the trek in Australia, Asia and Europe through the summer. The Eras tour will return to the U.S. and Canada in the fall.

Swift is up for six awards at the 2024 Grammys. The nominations are: album of the year and best pop vocal album for Midnights; best pop solo performance, song of the year and record of the year for “Anti-Hero;” and best pop duo/group performance for her Ice Spice-assisted remix of “Karma.”

If Swift wins album of the year, she will make history as the first artist to win album of the year four times.

With the Super Bowl arriving just one week after the Grammy Awards, Swift’s boyfriend, Kansas City Chiefs tight end Travis Kelce, recently revealed that he won’t be flying to L.A. to support his girlfriend. Super Bowl LVIII takes place on Feb. 11 at Las Vegas’ Allegiant Stadium, where the Chiefs will take on the San Francisco 49ers for the championship.

“I wish I could go support Taylor at the Grammys and watch her win every single award that she’s nominated for,” Kelce said in a Pat McAfee Show interview on Jan. 31, before explaining that the weekend will be filled with practice and traveling for the big game. “Unfortunately, I’ve got to get ready for this big ol’ Super Bowl we got in a week.”

Jon Bon Jovi Honored at 2024 MusiCares Gala By Bruce Springsteen, Shania Twain & More

Just as Bon Jovi has done for 40 years, musicians came to rock at the Los Angeles Convention Center Friday night (Feb. 2) as the band’s namesake, Jon Bon Jovi, was honored at MusiCares 33rd Person of the Year annual gala.  

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The honoree himself set the tone for the night, opening the evening with “Legendary,” the propulsive first single from the band’s forthcoming album that sounds like a classic Bon Jovi track. “As I look out here at all you tuxedoed executives, I remind you this is a Bon Jovi concert,” Jon Bon Jovi said. “We don’t sit down.”

And there was certainly no sitting as Bon Jovi then introduced Bruce Springsteen, calling him “my mentor, my hero, my brother, my friend,” as the audience of more than 2,000 began chanting the requisite “BRUUUUUUCE.” Springsteen’s participation had been in doubt after his 98-year old mother, Adele, died on Wednesday (Jan. 31).

 As Bon Jovi later explained, when Springsteen — MusiCares Person of the Year in 2013 — first got the news about his mother, he was already on a plane to Los Angeles. “I certainly would have understood if he’d said that he couldn’t make it,” Bon Jovi said, “but he wanted to be here tonight for MusiCares. And he wanted to be here tonight for me. And I’m forever grateful to you.

The two most famous musicians from New Jersey (perhaps other than Frank Sinatra) ripped into spirited renditions of Bon Jovi’s 2006 hit “Who Says You Can’t Go Home,” which boasts Springsteenean “Alrights” in the chorus, and Springsteen’s “Promised Land,” with Bon Jovi playing Springsteen’s trademark harmonica parts before the Boss joined in for a little harmonica duet at the end. 

Among those singing along in the audience were Ted Danson and Mary Steenburgen, MSNBC host Ari Melber, frequent Bon Jovi collaborator Desmond Child, Rita Wilson, Carly Pearce, Gayle King, Nile Rodgers and former Speaker of the House Nancy Pelosi and her husband, Paul. The latter pair made the rounds earlier in the evening, schmoozing with Bon Jovi, 2012 MusiCares honoree Paul McCartney and Springsteen. 

Bon Jovi then sat down, flanked for much of the evening by Springsteen and McCartney, as a constellation of artists took the stage to deliver some of the most beloved anthems in the arena rock canon from the past 40 years. With more than 150 million albums sold, including 12 times platinum rock juggernaut Slippery When Wet, and nearly 20 top 40 hits, there was no shortage of familiar material to draw from. 

Melissa Etheridge, joined by Larkin Poe had the tough task of following Bon Jovi and Springsteen, but proved more than up to the challenge with a sizzling version of Jon Bon Jovi’s No. 1 solo hit, “Blaze of Glory,” from the 1990 film Young Guns llTrain’s Pat Monahan delivered a stylish take on 2000’s driving hit, “It’s My Life”; Shania Twain turned in a dramatic reading of ballad “Bed of Roses”; Sammy Hagar was joined by guitar slinger Orianthi for Bon Jovi’s first No. 1, 1986’s “You Give Love A Bad Name”; and Jason Isbell pulled out a double neck guitar, similar to the one sported by former band member Richie Sambora, on the iconic “Wanted Dead or Alive.” While many acts pulled from the multi-platinum group’s ’80s and ’90s era, the Goo Goo Dolls dipped into more recent fare, taking on the title track from 2016’s This House is Not for Sale.

Comedian Jim Gaffigan served as a nimble and often hilarious host, good naturedly roasting Jon Bon Jovi for his ’80s fashion and even more so for his ’80s big hair, and even taking to the stage in a replica of a trademark beefcake poster of Jon Bon Jovi from the ’80s in a cut-off Jack Daniels T-shirt, obscenely short denim shorts and a wig with a shocking amount of teased, flowing blond locks. As he sarcastically noted of the ridiculously photogenic Bon Jovi, “You have to wonder where he would have gotten if he was good looking.” 

Later, he suggested that Bon Jovi, McCartney and Springsteen, as well as table mate, New England Patriots owner Robert Kraft, could form a new iteration of The Traveling Wilburys, with Kraft on lead vocals. 

Additionally, a new generation of artists equipped themselves well taking on songs that they had likely grown up with or heard their parents play.  Best new artist nominee Jelly Roll delivered a growly, rollicking “Bad Medicine,” while taking advantage of the playing before a room full of powerful music industry executives to spread a message about an issue close to his heart, drug addiction. The country artist, who spoke at a congressional hearing in support of an anti-fentanyl bill in January, sported a jacket with facts about drug addiction, including one across his back that read “190 people a day overdose and die in the United States of America.”

A pigtailed Lainey Wilson followed with a spirited “We Weren’t Born to Follow,” while Måneskin’s charismatic frontman Damiano David performed a propulsive “Keep the Faith.” Wolfgang Van Halen’s Mammoth WVH delivered a pounding “Have A Nice Day,” and guitar wiz Marcus King showed off his blazing fret work on “Born to Be My Baby.” 

Playing on the round, revolving B-stage in the middle of the audience, best new artist nominees The War and Treaty gave one of the evening’s most inspired performances at times singing directly to each other with an elevated, emotional take of “I’ll Be There For You,” Bon Jovi’s 1989 tale of devotion that husband and wife team Michael and Tonya Trotter should definitely consider cutting for their next album. Also utilizing the smaller space to great effect was 17-time Grammy nominee Brandy Clark with a beautiful rendition of  2007’s “(You Want to) Make a Memory.”

The evening also included video tributes from Matthew McConaughey, John Mayer, P!nk, Ed Sheeran and New Jersey Senator Cory Booker, who praised Bon Jovi for “his everyday commitment to [help] other people.” Bon Jovi’s myriad philanthropic efforts include the JBJ Soul Foundation, which has built  close to 1,000 units of affordable housing, and JBJ Soul Kitchens, which operate on a pay-it-forward model where those in need volunteer for their meals at the kitchen while paying customers are asked to make a donation that will cover their meal as well as the meal of someone in need.

Kraft, who first met Bon Jovi on the sidelines at the 1997 Super Bowl (“In a game we lost,” he noted), presented Bon Jovi with his award, praising the honoree for his business acumen and social consciousness. 

“Unlike the majority of artists and performers, who understandably, are insular, Jon’s always had an empathy for the world at large,” Kraft said. “And he’s shown that impact as a philanthropist. He has used his platform as a global rock star and paired it with his own money and operating skill and created the Soul Foundation… building a model program for solving the vicious cycle of hunger, poverty and homelessness that has now been copied by many others.” He also praised the son of two Marines for his long-lasting marriage to his high school sweetheart, Dorothea. 

After thanking Springsteen and McCartney (saying to the Beatle, “I think it’s fair to say that the reason most, if not all, of us are in the room tonight, is because of you.”), Bon Jovi quickly noted that this award wouldn’t have been possible without those around him. “Everything that I’ve accomplished with or without the band or in my philanthropic life has had the support of my family, my friends, bandmates, collaborators and an army of the willing, who’ve been ready to take my dreams and make them a reality,” he said. 

He also praised the ability of music as the “common thread” that “moves us when we’re happy and it comforts us when we’re sad and brings us together.” He then spoke of recently buying back his first electric guitar that he sold in 1979 for $100. With his newly reclaimed guitar back in his hands, “the first thing I did was held it, cradled it, really, and then wrote a song… another thing I’ve come to know is that every time that I strum my guitar, I’m reminded that I have a best friend for life. That instrument will never let you down.” 

Bon Jovi then thanked MusiCares for providing assistance to those musicians not as fortunate as himself, who have needed a helping hand. Since 1991, MusiCares has handed out more than $110 million to provide essential support for programs and services assisting the music community, including physical and mental health, addiction recovery, preventive clinics, unforeseen personal emergencies, and disaster relief. 

Jon Bon Jovi, Sammy Hagar, Shania Twain at 2024 MusiCares Person of the Year gala

(L-R) Michael Trotter Jr., Hugh McDonald, Jon Bon Jovi, Sammy Hagar and Jelly Roll attend the 2024 MusiCares Person of the Year Honoring Jon Bon Jovi during the 66th Grammy Awards on Feb. 02, 2024 in Los Angeles

Kevin Mazur/Getty Images for The Recording Academy

Ending by saying, “the 18-year-old in me wants to sing with everybody else,” Bon Jovi called his band back to the stage, including keyboardist David Bryan and drummer Tico Torres, as well all the evening’s participating artists (minus Springsteen) to perform the group’s beloved anthem and 1986 Billboard Hot 100 chart-topper “Living on a Prayer.” Jon Bon Jovi roamed the stage, hugging and trading lyrics with many of the performers to close the evening. 

See the MusiCares Salute to Jon Bon Jovi set list below:

“Legendary,” Bon Jovi
“Who Says You Can’t Go Home,” Bon Jovi and Bruce Springsteen
“The Promised Land,” Bon Jovi and Bruce Springsteen
“Blaze of Glory,” Melissa Etheridge and Larkin Poe
“Bad Medicine,” Jelly Roll
“We Weren’t Born to Follow,” Lainey Wilson
“It’s My Life,” Pat Monahan
“Bed of Roses,” Shania Twain
“Wanted Dead or Alive,” Jason Isbell
“Keep the Faith,” Damiano David
“This House is Not for Sale,” Goo Goo Dolls
“I’ll Be There for You,” The War and Treaty
“Have a Nice Day,” Mammoth WVH
“(You Want To) Make a Memory,” Brandy Clark
“Living on a Prayer,” Bon Jovi and guests

Dom Dolla on Grammy Nominations, Working With Nelly Furtado, The Future of Dance Music & More | Billboard News

Dom Dolla talks about his Grammy nominations, being nominated for his work on “New Gold” with Tame Impala and Gorillaz, collaborating with Nelly Furtado, playing Coachella, the future of dance music, how dance music has changed over the years and more!

Katie Bain
Hi, I’m Katie Bain for Billboard News and I’m here with Grammy-nominated producer, Dom Dolla. Dom, thank you for being here.

Dom Dolla
Thanks for having me. Appreciate it.

Katie Bain
I want to start with knowing exactly what you were doing when you found out you were nominated.

Dom Dolla
I was in bed. I woke up, check my phone and just started swearing. It was a weird morning, honestly, back home in Australia. It’s like, it’s the award that all of my Australian friends and family understand is like the highest echelon of music. So honestly, that’s been the coolest part. Like, I was just back home in Australia with with all my relatives and they were like, you know, bugging out over it.

Katie Bain
Sure. They understand how big what you see, that they may not understand your day-to-day basis has actually become.

Dom Dolla
Yeah, like to uncles and aunties at the Christmas dinner … like oh, okay, it’s like actually, ‘you’re doing pretty good with the music production and songwriting stuff.’ So anyway.

Watch the full video above!

Dom Dolla Talks First Grammy Nomination, Hopes to Bring His Mom to the Ceremony: ‘I Enjoy Sharing These Moments With Family’

After a breakthrough year, Dom Dolla received his first-ever Grammy nomination for best remix recording of his remix of “New Gold” by the Gorillaz and Tame Impala, and to celebrate, he sat down with Billboard‘s Katie Bain to discuss how he found out about the nod.

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“I was in bed, I woke up, checked my phone and started swearing,” he recalls with a laugh. “It was a weird morning. Honestly, back home in Australia, it’s the only award that all of my Australian friends and family understand is the highest national honor of music. It’s been the coolest part. I was back home in Australia and all my friend and family were bugging out.”

He continued, “I was thinking of inviting my mom over and bringing her to the Grammys. I enjoy sharing those moments with family.”

As for where he gets inspiration to create music, Dom says that it’s very personal. “A lot of the time, it’s turning my phone off, having a coffee, going through — I have a folder of inspiration of things that I love, whether that’s moods or vocals that I like or certain tones or sounds that I really enjoy,” he explains. “It’s just every song that I ever listened to that I was a fan of growing up put into a blender that in my brain and spat out the other side.”

The 66th annual Grammy Awards will air live on Sunday (Feb. 4) on CBS at 8 p.m. ET. Watch Billboard‘s full interview with Dom Dolla above.

Embassy of Japan Says Taylor Swift Can Make it to Super Bowl After Tokyo Concert

The Embassy of Japan is assuring fans that Taylor Swift will have time to attend the Super Bowl after her Eras Tour concert in Tokyo.

As part of her massive global Eras Tour, the pop superstar will perform sold-out concerts at Japan’s Tokyo Dome from Feb. 7-10 before taking the blockbuster trek to Australia later in the month.

On Friday (Feb. 2), the Japanese Embassy in Washington, D.C., issued a statement on X (formerly Twitter) that Swift will indeed be able to make Super Bowl LVIII to support her boyfriend Travis Kelce as his Kansas City Chiefs take on the San Francisco 49ers at Las Vegas’ Allegiant Stadium on Feb. 11.

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“The Embassy of Japan in the United States is aware of recent media reports concerning the steps Taylor Swift will need to take to travel from Tokyo after her concert on February 10th to Las Vegas in time to watch the Kansas City Chiefs play in Super Bowl LVIII,” the statement begins.

“Despite the 12-hour flight and 17-hour time difference, the Embassy can confidently Speak Now to say that if she departs Tokyo in the evening after her concert, she should comfortably arrive in Las Vegas before the Super Bowl begins,” the message continues, referencing Swift’s album title. “We know that many people in Japan are excited to experience Taylor Swift’s Eras Tour, so we wanted to confirm that anyone concerned can be Fearless in knowing that this talented performer can wow Japanese audiences and still make it to Las Vegas to support the Chiefs when they take the field for the Super Bowl wearing Red.”

In a sweet viral moment after the Chiefs won the AFC Championship on Jan. 28, Swift and Kelce kissed on the field in celebration of the team’s triumph — and in a clip shared by the NFL, the tight end says “I love you” to the pop star. Swift has been there for much of the Chiefs’ outstanding season, becoming a mainstay at Kansas City’s Arrowhead Stadium ever since going public with her and Kelce’s relationship in September.

See the full statement from Japan’s Embassy about Swift’s travels on X below.

Who Should Win Record of the Year at the 2024 Grammy Awards? Vote!

Record of the year is one of the most superstar-packed categories at Sunday’s (Feb. 4) 2024 Grammy Awards — but who do you think should win?

We have five previous Grammy winners in the mix: 12-time winner Taylor Swift with “Anti-Hero”; seven-time winner Billie Eilish with her Barbie soundtrack contribution “What Was I Made For?”; five-time champ Jon Batiste with “Worship”; three-time winner Olivia Rodrigo with “Vampire”; and one-time winner SZA with “Kill Bill” (SZA took home best pop duo/group performance with Doja Cat in 2022 for “Kiss Me More” and leads all nominees this year with nine nods).

Then we have three potential first-time winners: boygenius (the trio of Julien Baker, Phoebe Bridgers and Lucy Dacus) with “Not Strong Enough”; Miley Cyrus with “Flowers”; and Victoria Monét with “On My Mama.”

As defined by the Recording Academy, the record of the year Grammy goes to the “artist(s), producer(s), and engineer(s) involved in crafting the specific recording of a song,” so the artists named would be honored alongside the behind-the-scenes players involved in the making of the song, should they win.

Last year’s winner in the category was Lizzo’s “About Damn Time,” which competed in a field of 10 nominees and topped some stiff competition, including Harry Styles’ “As It Was,” Beyoncé’s “Break My Soul” and Adele’s “Easy On Me.”

But who will take the prize this year? Below, vote in Billboard‘s poll to pick your personal record of the year. And tune in to Sunday’s 2024 Grammy Awards at 8 p.m. ET/5 p.m. PT on CBS to see who emerges the winner.