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Kanye West Likens Himself To R. Kelly & Diddy At Chicago Show

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BET Awards 2022 - Show

Source: Variety / Getty

Ye aka Kanye West compared himself to disgraced singer R. Kelly, Diddy, Bill Cosby and Jesus Christ in a new song at his Chicago show.

According to XXL, on Thursday (Feb. 8), Kanye West and Ty Dolla $ign took the stage at the United Center in Chicago for a preview listening experience for their album, Vultures Volume 1. One of the songs from the anticipated release, “Carnival,” featured what potentially could be one of the rapper’s most eyebrow-raising verses ever.

“This that Game of Thrones, Yeezy not the clones,” Ye raps. “Elon, where my rocket ship, it’s time to go home/They served us the corn since the day we was born/Anybody pissed off, gotta make them drink the urine/Now, I’m Ye Kelly, b—h/Now I’m Bill Cosby, b—h/Now I’m Puff Daddy rich.”

His verse on the song (which features Playboy Carti and Rich the Kid) continued:

“That’s ‘Me Too’ me rich/First she say she suck my d—k/Then, she say she ain’t suck my d—k/She ’gon take it up the a— like a ventriloquist/I mean, since Taylor Swift, since I had the Rollie on the wrist/I’m the new Jesus, b—h, I turn water into Cris’/This for what they did to Chris/They can’t do s—t with this,” Ye raps.

Ye performed this track and others dressed up in what’s now his customary all-black attire, wearing a white hockey mask similar to the one worn by Friday the 13th villain Jason Voorhees. It fit the scene as fans had entered the United Center while smoke machines began to emanate fog. The show also featured surprise appearances by his daughter, North West, and Bump J along with YG.

The listening event comes after Kanye West stated in an Instagram video that he was having trouble booking venues, alluding to his past controversial behavior and antisemitism. The album also has not dropped as expected. However, Ye is now set to hold another listening event, this time at the UBS Arena in Elmont, New York, Friday (Feb. 9). The venue announced a ticket pre-sale on the night of the United Center show with tickets beginning at $182 per seat. The album, which was expected to have been released at midnight on Friday, has not yet materialized. 

Zach Bryan’s Super Bowl Weekend Concert Turns Into Epic Sing-Along, Toby Keith Tribute

This may be one of the best weeks ever in the career of country music’s cult hero Zach Bryan.

It began on Sunday (Feb 4), when the 27-year-old singer-songwriter took home his first Grammy Award for best country duo/group performance for “I Remember Everything,” featuring Kacey Musgraves. The following day (Feb. 5) he released a viral video cover of Bon Iver’s “Emma,” which showed his intense musical range, along with a strategically placed American Spirit and Bud Light can. On Tuesday (Feb. 6), the Oklahoma native dropped the video for “Nine Ball,” starring Matthew McConaughey. The next day, his self-titled 2023 album “Zach Bryan” went platinum. And on Friday (Feb. 9), at the Bud Light Backyard Tour, he launched his partnership with Anheuser-Busch during Super Bowl LVIII weekend. The company will sponsor his North American Quittin’ Time arena tour, which starts March 6 at Chicago’s United Center.

In his first live appearance since the Grammy win, Bryan portrayed every bit the gracious, grit–and-drive frontman that his fanatics crave, while endearing himself to the uninitiated who came through to see what the hype is about.

Taking the stage at 11 p.m. on the nose, after a swinging soulful set from Leon Bridges, Bryan electrified the sold-out crowd at The Chelsea inside The Cosmopolitan with his powerful growling chorus on “Open the Gate,” from 2022’s American Heartbreak.

The can-drinking crowd of cowboy hats and boots blended with the leather-jacket-clad emo-country lovers and those geared-up in Chiefs/49ers merch — just as Bryan’s brand of Americana, indie-rock country appeals to all those groups.

From there the setlist bounced between his independent roots and his commercial success. Addressing the sold-out audience for the first time before 2019’s “Godspeed,” he said, “It is such an honor to be after [Leon Bridges]. Thank you so much to Bud Light for having us. You’ve been so kind to us. I do this at every show but I am going to do it. Cheers to Las Vegas, having a good time,” raising his can to the crowd.

During “Overtime,” Bryan got everybody going with a sing-along to the rock-and-roll-driven bluegrass jam session where he took a trip around the stage and ended up with the drum kit. Then, the question of the hour popped up: “Is everyone ready for the Super Bowl?”

Bryan’s energy on stage, his Oklahoma roots — and his ambassadorship into a “new wave of country” — draws recollection to a late ’80s Garth Brooks. And while undoubtedly he is more red dirt in his genre, the showmanship, storytelling and love of varying musical styles runs complementary. It’s also impossible to not get a Bob Dylan nod from the spoken-word riffs on some of his deepest lyrics.

Moving through his recent, yet deep autobiographical catalog, Bryan openly addressed the imprint that his U.S. military background has both on his art and his psychology.

“I was in the Navy for a really, really long time and I wrote this song ‘Tishomingo’ about going home, and I hope you guys don’t hate it,” Brayn said as the stage, awash in red lighting, reminded everyone of the backyard concert vibe that Bud Light wants to evoke.

He then lit the crowd up with a string of new classics “Nine Ball,” “Eastside of Sorrow,” “Dawns” (which elicited the most audience participation of the night), “Highway Boys” and “Quittin’ Time.”

It’s not uncommon for a Zach Bryan show to get a good percentage of the backing track from the audience. Band member Reed “Two Show” Connolly’s banjo solo on “Quittin’ Time,” was one of the highlights of the night as was Bryan’s message to the “Highway Boys,” also known as the band “these guys behind me are my best friends in the entire world … been to about every state together.”

After a five-minute pause, between main set and encore, Bryan and his eight-member band returned for a double-song encore, addressing as country music’s biggest news of the week, a tribute to the late Toby Keith with “Courtesy of the Red, White, and Blue,” with the words, “America lost a really important Oklahoma boy this week,” before closing out the almost 90-minute show with “Revival.”

The event marked Bud Light’s expansion into country music and serves as the launchpad for Bud Light Backyard Tour shows throughout 2024 at country music events and festivals across the country, including Stagecoach, CMA Fest and more. In an emotional moment, Bryan shared, “I was in the Navy for eight years … we’ve donated $27 million to Folds of Honor [a nonprofit organization that provides educational scholarships to the families of fallen and disabled service members and first responders]. Starting March, part of every Bud Light sold on tour will be donated to Folds of Honor, and I am going to match it.”

See Bryan’s full setlist below.

“Open the Gate”
“Godspeed”
“Overtime”
“Fifth of May”
“Tishomingo”
“Nine Ball”
“Eastside of Sorrow”
“Dawns”
“Highway Boys”
“Quittin’ Time”
“Condemned”
“Oklahoma Smokeshow”
“Heading South”
“Hey Driver”
“Something in the Orange”
“Burn, Burn, Burn”
“Courtesy of the Red, White and Blue” (Toby Keith cover)
“Revival”

Dr. Clarence Jones, Advisor To Dr. Martin Luther King Jr., Stars In Super Bowl Commercial

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Dr. Clarence B. Jones

Source: Foundation to Combat Antisemitism / FCAS

The Foundation to Combat Antisemitism (FCAS) has announced it will be running a Super Bowl LVIII commercial that will feature Dr. Clarence B. Jones, a confidante of the late, great Dr. Martin Luther King, Jr.

Jones helped King draft his historic “I Have a Dream” speech which he delivered at March on Washington back on August 28, 1963. Now a lawyer, entrepreneur, and investment banker, Jones was also King’s legal counsel and one of his strategic advisors. Currently, Jones is the Chairman of the Spill the Honey Foundation, which was founded by New England Patriots owner Robert Kraft and acts to fight against racism and antisemitism via art and education.

The commercial’s goal is to foster unity between Black and Jewish groups in the face of hate.

“I know I can speak for Dr. Martin Luther King Jr. when I say without a doubt that the Civil Rights movement (including the passage of the Civil Rights and Voting Acts) would not have occurred without the unwavering and largely unsung efforts of the Jewish people,” said Dr. Jones in a statement. “With hate on the rise, it is as important as ever that all of us stand together and speak out. Silence is not an option. I’m glad that I have lived long enough to partner with Robert Kraft and FCAS to continue to spread the message to the widest possible audience – the Super Bowl.”

Added Robert Kraft, “The work Dr. Jones has done over the course of his entire life and career is the embodiment of FCAS’ mission to build bridges and stand up to Jewish hate and all forms of hate. In the time we have spent together and through his work, I have become a huge fan of Dr. Jones, and I am proud to spotlight all that he has done for our nation.”

Watch Kraft give Jones the news below. Super Bowl LVIII kicks off Sunday, February 11 at 6:30PM ET.



Taylor Swift Expected to Make Journey From Tokyo to Super Bowl

Will she make it in time?

Taylor Swift’s last song was still ringing in the ears of thousands of fans at the Tokyo Dome on Saturday night (Feb. 10) when the singer rushed to a private jet at Haneda airport, presumably embarking on an intensely scrutinized journey to see her boyfriend, NFL star Travis Kelce, play in the Super Bowl in Las Vegas.

“We’re all gonna go on a great adventure,” Swift earlier told the crowd. She was speaking of the music, but it might also describe her prospective race against time, which was to cross nine time zones and the international date line.

With a final bow at the end of her sold-out show, clad in a blue sequined outfit, the crowd screaming, strobe lights pulsing, confetti falling, Swift disappeared beneath the stage — and her journey to the other side of the world began.

Her expected trip to see Kelce’s Kansas City Chiefs play the San Francisco 49ers in Las Vegas on Sunday, U.S. time, has fired imaginations, and speculation, for weeks.

“I hope she can return in time. It’s so romantic,” said office worker Hitomi Takahashi, 29, who bought matching Taylor Swift sweatshirts with her friend and was taking photos just outside of the Tokyo Dome.

It wasn’t immediately clear late Saturday if Swift’s plane had left. About an hour after the end of the concert, Associated Press journalists were near Haneda’s private jet area when minivans drove up and someone went inside the gate area as four to five people carrying large black umbrellas obstructed the view of the person.

At Saturday night’s concert, there was plenty of evidence of the unique cultural phenomenon that is the Swift-Kelce relationship, a nexus of professional football and the huge star power of Swift. In addition to people wearing sequined dresses celebrating Swift in the packed Tokyo Dome, there were Travis Kelce jerseys and hats and other gear celebrating the Chiefs. Some in Tokyo spent thousands of dollars to attend the pop superstar’s concerts this week.

“Romeo, take me somewhere we can be alone,” Swift sang Saturday.

She won’t find that Sunday in Las Vegas when a sold-out crowd, not to mention millions around the world, will be watching her.

If she makes it, that is.

Foreigner’s Mick Jones Reacts to Band’s Long-Overdue Rock Hall Nomination

Foreigner’s Rock and Roll Hall of Fame nomination feels like the first time indeed for the veteran rock band.

The group’s appearance on this year’s ballot is its first ever, despite being eligible since 2002. With worldwide record sales of more than 80 million and nine top 10 hits on the Billboard Hot 100 (including “Feels Like the First Time,” Cold As Ice,” “Hot Blooded,” “Urgent” and “I Want to Know What Love Is”), Foreigner has long been considered one of the Rock Hall’s biggest snubs by critics and commentators as well as fans.

“I deeply appreciate the recognition from the Rock and Roll Hall of Fame (nominating) committee,” Mick Jones, who founded Foreigner during 1976 in New York, tells Billboard via email. “It is wonderful that Foreigner has maintained its presence all these years and brought the music to our fans. Getting this news is an incredible endorsement of what we have achieved over time.” Jones and original Foreigner vocalist Lou Gramm were inducted into the Songwriters Hall of Fame in 2013.

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Phil Carson, an executive at Atlantic Records when it signed Foreigner and the band’s manager since 2004, calls the nomination “fabulous” — and overdue. “Oh, of course it’s been frustrating, and I do know that many of the nominating committee members have put Foreigner on the list, but we just never got in,” Carson says, noting that the late Rock Hall co-founder Seymour Stein was an ardent supporter. This year, Carson says, “the usual suspects who have always been in our court voted, and I guess there was just that little bit of extra credibility of people that surround Foreigner, surround Mick, helped.”

Since the release of the Foreigner debut in 1977, the group has logged six multi-platinum albums and 22 songs on the Billboard Hot 100, including one chart-topper in 1985 (“I Want to Know What Love Is”). The band, which has gone through lineup changes throughout its career, went on hiatus during the early 2000s but re-formed during 2004 with Kelly Hansen as frontman and former Dokken bassist Jeff Pilson. Several of the original and principal members have participated in sporadic reunions and guest appearances, while founding bassist Ed Gagliardi passed away in 2014 and multi-instrumentalist Ian McDonald died in 2022.

Jones has stopped touring with the group due to health reasons but continues to oversee and participate in its operations.

Foreigner fans have waged campaigns to get the band onto the Rock Hall ballot for many years, though Jones has stayed out of the fray while quietly lamenting the snub. He previously told Billboard that, “I’m not thinking about it much. I know we’re getting a lot of support from a lot of places; obviously the fans who are kind of, ‘Let’s induct Foreigner to the Hall of Fame’ and all those kinds of things. And lots of other people seem to think we should be in there. I think it’s down to the panel and whatever mood they happen to be in and whatever style of music they award…. But I’m quite happy with what I’ve achieved and the songs speak for themselves. Whether it happens or not, I’m still a happy man.”

Carson says Foreigner will promote the nomination via its website and social media to encourage fans to participate in the public vote. The current incarnation of Foreigner, meanwhile, launched a farewell tour last year that will resume with a second leg this year. It’s scheduled to finish in North America during the summer of 2025, but Carson says demand from other territories may push the end date into 2026.

2024 Rock & Roll Hall of Fame Nominees: Induction Odds From Least to Most Likely

Here’s how we handicap this year’s Rock & Roll Hall of Fame class and their chances of induction.

It’s February 2024, and the time has come once again to debate which part of the Rock and Roll Hall of Fame’s name is more important to artists’ qualifications — the Rock and Roll part, or the Hall of Fame part?

This year’s crop of nominees for the Rock Hall are once again largely divided along those lines. There are the obvious all-time music industry legends (Cher, Mariah Carey, Mary J. Blige) whose resumés are only questionable in their lack of major overlap with the more traditionally guitar-based rock artists whose presence still — for the most part — forms the institution’s core. And then there are the unquestionable rockers (Jane’s Addiction, Oasis, Dave Matthews Band) whose perhaps slightly less-expansive pop cultural impact — in this country anyway — leave them at a slight disadvantage in any kind of popularity contest with such mononymically recognizable pop icons.

And of course, it’s not entirely that simple a binary: In this year’s nomination class, we also have legendary bands whose success was more in the pop sphere than the rock one (Kool & The Gang), esteemed rap duos and groups without massive crossover hits but with a ton of rock-world respect (Eric B. & Rakim and A Tribe Called Quest) and singularly genre-blurring, industry-defying greats whose Rock Hall cases are somewhat puzzling just based on the lack of obvious precedents for them (Sade, Sinéad O’Connor.) Lastly, we have the classic-rock holdovers, Foreigner and Peter Frampton, who would’ve likely been laughed off the ballot 20 years ago for being rock-crit anathema, but whose songs have endured, and who are now close to the only credible boomer-rock representatives left to be inducted.

Confusing stuff, to be sure, but we’re here to help you try to make sense of it. Here’s how we break down the nominees’ chances to be inducted, from least to most likely, with approximate odds of their chances to actually get in.

Rock & Roll Hall of Fame Unveils 2024 Nominees

Here we go again. On Saturday (Feb. 10) morning, the Rock & Roll Hall of Fame announced this year’s nominees, unveiling 15 artists who are in contention to join the Rock Hall’s Class of 2024.

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The 2024 Rock Hall nominees are: Queen of Hip-Hop Soul Mary J. Blige; powerhouse singer-songwriter Mariah Carey; half-century-plus pop icon Cher; roots rock jam band Dave Matthews Band; hip-hop pioneers Eric B. & Rakim; stadium rock hitmakers Foreigner; arena-filling guitar (and talk box) pro Peter Frampton; alt hard rockers Jane’s Addiction; funky R&B legends Kool & the Gang; rock standard bearer Lenny Kravitz; Britpop poster boys Oasis; alt pop iconoclast Sinéad O’Connor; metal god Ozzy Osbourne; sophisticated R&B purveyors Sade; and alt hip-hop progenitors A Tribe Called Quest.

Two thirds of the names on the 2024 Rock Hall ballot are first-timers, despite years of eligibility (particularly in the cases of Cher, Frampton and Foreigner). This marks the second nomination for Mary J. Blige, Eric B. & Rakim, Jane’s Addiction and Dave Matthews Band, and the third for A Tribe Called Quest.

Surprisingly, The White Stripes – who appeared on the 2023 ballot and raised eyebrows when they failed to clinch induction – aren’t even on this year’s ballot. Cyndi Lauper is another name from the 2023 ballot not up for induction this year.

The 2024 nominees will be decided by a voting body of 1,000+ “artists, historians and members of the music industry,” per a press release. The Rock Hall’s Class of 2024 will be announced in late April.

This year’s induction ceremony returns to Cleveland, home of the Rock & Roll Hall of Fame headquarters, this fall. For the second consecutive year, the 2024 Rock & Roll Hall of Fame induction ceremony will live stream on Disney+. It will air on ABC at a later, to-be-announced date, and be available on Hulu the following day.

These 2024 Rock & Roll Hall of Fame Nominees Have Already Been on the Rock Hall Stage – As Presenters

The Bible tells us it’s more blessed to give than to receive, but when it comes to awards and honors, most artists would rather be the inductee than the inductor.

Five of this year’s nominees for the Rock & Roll Hall of Fame have helped to induct other honorees at past ceremonies. Three did the honors twice.

Dave Matthews of the nominated Dave Matthews Band inducted Traffic in 2004 and Willie Nelson in 2023. While Matthews may not be the most obvious choice to induct Nelson, he did have a top 10 hit on Hot Country Songs in 2008 as a featured artist on Kenny Chesney’s “I’m Alive.”

Mary J. Blige inducted Solomon Burke in 2001 and Nina Simone in 2018. Neither of those artists enjoyed the crossover pop stardom Blige has attained, but they helped paved the way for her.

Mick Jones of the nominated Foreigner inducted a pair of 1950s rock pioneers – Eddie Cochran in 1987 and Duane Eddy in 1994.

Mariah Carey inducted Gladys Knight & the Pips in 1996. Both artists have won Grammys in both pop and R&B. Knight & the Pips won in both genres the same year (1974).

Lenny Kravitz inducted Lionel Richie in 2022. Both artists are four-time Grammy winners, though Kravitz’s honors all came in rock, while Richie’s only genre-specific Grammy was in pop.

There is recent precedent for artists who had previously inducted other artists into the Rock Hall coming back later as inductees in their own right. Sheryl Crow inducted Pat Benatar in 2022 before being inducted the following year. Simon LeBon and John Taylor of Duran Duran inducted Roxy Music in 2020, before their own band was honored in 2022. Trent Reznor of Nine Inch Nails inducted The Cure in 2019 before NIN got the nod in 2020. Artist and activist Harry Belafonte inducted Public Enemy in 2013 before he was inducted as an early influence in 2022. Dave Grohl and Taylor Hawkins of Foo Fighters inducted Rush in 2013 before their own band was honored in 2021.

Super Bowl Synch Report: Universal Music Publishing Group Scores a Leading 18 Ads

At the end of BMW’s new Super Bowl ad, actor Christopher Walken sits down to dine at a restaurant and finds Usher at the next table. They (and a waiter) wind up saying “yeah!” to each other a few times, and for this, publishers for each of the six songwriters on Usher’s 2004 smash “Yeah!” get to split a huge sync payment — even though not another word or any melody from the song is performed during the one-minute spot.



“We, of course, smiled, and said, ‘You bet, we’ll license this to you guys,’” says Brian Monaco, president/global chief marketing officer for Sony Music Publishing (SMP), which represents James Phillips, one of six writers on “Yeah!” “It was a full fee, like they were using the entire song.” Pamela Lillig, vp of sync licensing for BMG, which represents co-writers J. Que, LaMarquis Jefferson and Sean Garrett, adds that BMW wouldn’t have had to pay the fee if random actors were saying “yeah” in an ad, but “because Usher’s in it, they felt they probably should.”

“Yeah!” — as well as Charles Wright & the Watts 103rd Street Rhythm Band’s 1970 soul classic “Express Yourself,” which plays throughout the BMW spot — is one of many big, easily recognizable tracks used in Super Bowl advertisements this year. Dove soap licensed “It’s the Hard-Knock Life” (from the Annie soundtrack); Budweiser brought back its Clydesdales for a spot containing The Band‘s “The Weight”; Volkswagen celebrated its 75-year history in the United States set to Neil Diamond‘s “I Am . . . I Said”; and a Popeyes ad includes “Also Sprach Zarathustra” and DJ Snake and Lil Jon‘s “Turn Down for What.”


https://youtube.com/watch?v=BjLzH8qj0gQ&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

“The majority of songs used for us this year are catalog songs,” says Tom Eaton, senior vp of music for advertising for Universal Music Publishing Group (UMPG), which represents the Band and Diamond catalogs. “They create an immediate impact.” Adds Patrick Joest, head of sync for Hipgnosis, which owns stakes in Heart‘s “Barracuda,” used in a Hyundai commercial, and “Turn Down for What”: “What you’re seeing this year is people are going for the sure shots.”

Super Bowl ads are one of the most lucrative showcases for publishers’ nearly $1.5 billion-per-year synch business each year. According to synch sources, 2024 fees have ranged anywhere from $150,000 to more than $1 million. Last fall, when Hollywood writers and actors were still striking and placing songs for TV and film was paused for the foreseeable future, the beginning of the Super Bowl song-licensing season came as a welcome relief. “It was looking a little shaky,” says Scott Cresto, executive vp of synchronization and marketing for publisher Reservoir, which has a stake in Coi Leray and David Guetta‘s “Make My Day,” used in an E-Trade spot for this year’s game. “In the last quarter, all of our top 20 synchs were ads. It definitely helped our numbers.”

UMPG (whose catalog includes The O’Jays‘ “Love Train,” used in a Coors Light spot, and Perry Como‘s “Round and Round,” for Lindt Chocolate) has 18 synchs during this year’s Super Bowl. Sony landed 14 and Warner Chappell Music had 12 (including “Express Yourself”), while BMG had five, Kobalt four, Reservoir three and Hipgnosis two. (Billboard tallies in-game, national ads that appear during the CBS broadcast.)



For recent Super Bowls, according to Rich Robinson, Warner Chappell’s executive vp of global synchronization and media, multiple ads used original “sound-design” instrumentals, as opposed to traditional song synchs that generate robust licensing fees for publishers. This year, the pendulum has swung back to the familiar. “It feels like a return,” Robinson says. “Almost every one we’ve licensed is a version of a really well-known hit.”

Still, a minority of Super Bowl LVIII ads showcase newer songs and stars: Ice Spice‘s “Deli” (UMPG) soundtracks an ad for Starry soda and Maizie’s 2021 track “Dumb Dumb” (BMG and SMP) is in an Uber Eats spot. And prolific songwriter Ryan Tedder of OneRepublic received a request this past Monday (Feb. 5) from a T-Mobile contact and wrote a new song, “Try,” in an hour, then submitted it as a voice memo. The ad will broadcast during the Super Bowl. “He works fast,” says Sony’s Monaco.

“There’s a mad rush sometimes. It’s super last-minute,” adds Lisa Bergami, vp of creative sync for Kobalt, whose Super Bowl placements include Flo Rida‘s “Good Feeling,” used in a Veozah menopause medication spot. “Some [advertisers] have gone a million rounds and ended up going with the song they wanted at the beginning. There isn’t much of a rhyme or reason.”

Feid Announces 2024 World Tour & More Uplifting Moments in Latin Music

From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

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Feid’s Going on Tour 

Feid became a trending topic this week after announcing his 2024 world tour. Dubbed the Ferxxocalipsis Tour in honor of his latest studio album, the Colombian artist revealed that the first confirmed dates will be out Monday (Feb. 12) with ticket sales to the U.S. leg available as of Tuesday (Feb. 13). He also let his fans know that he will be sharing more info on Valentine’s Day. “How cool and how crazy that music has brought us here,” he expressed on Instagram. “I hope you do a lot of cardio and get prepared because we’re going to scream, sing, dance, and jump.” 

Maluma’s Super Bowl Weekend

Maluma is ready for Super Bowl weekend, and to celebrate, he teamed up with SiriusXM and Pandora for a special concert held Thursday night (Feb. 8).  During the intimate set, the Colombian act performed some of his biggest bangers including “Borro Cassette,” “Coco Loco,” and his Carin Leon-assisted viral hit “Según Quién.” The performance will air on SiriusXM’s exclusive Latin music channels Hits Uno (ch. 151) and Caliente (ch. 152).

This weekend, Billboard’s latest cover star, Usher, will headline the Super Bowl LVIII halftime show. The Kansas City Chiefs and San Francisco 49ers will face off in this year’s Super Bowl, which will be held on Sunday at Allegiant Stadium in Las Vegas.

Carnegie Hall Presents “Nuestro Sonidos”

“Nuestros Sonidos” is coming to Carnegie Hall for its 2024-2025 season. The season-long festival will be “celebrating the vibrant sounds, pioneering rhythms, diverse traditions, and enormous influence of Latin culture in the United States, including the vital contributions of the Caribbean,” according to a press release. Beginning October 8, 2024 at the coveted New York-based concert venue, the festival concerts will feature musical styles from the 1930s to today, including Latin jazz, reggaeton, salsa, bachata, tejano, and many more. Confirmed artist for “Nuestros Sonidos” include Gustavo Dudamel, Natalia Lafourcade, Gabriela Ortiz, La Santa Cecilia, and more. For the full programming, click here

Billboard’s Women of the Year

This week, Billboard unveiled Karol G as its 2024 Woman of the Year—following her Billboard history-making album Mañana Será Bonito, successful stadium tour, and her first Grammy win. “With her immense talent, Karol G has created a movement for women across the globe due to her empowering lyrics and inspiring confidence,” said Hannah Karp, Billboard’s editorial director. “The release of her groundbreaking album Mañana Será Bonito has proven her a force to be reckoned with in both the English and Spanish charts. We are so excited to honor her as Woman of the Year.” 

The Colombian artist will be honored with the Woman of the Year award, and perform, at the 2024 Billboard Women in Music event presented by Marriott Bonvoy on Wednesday, March 6, at the YouTube Theater at Hollywood Park in Los Angeles, and streaming March 7.