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Sly Stone, born Sylvester Stewart, founder of the legendary, genre-bending Funk band Sly & The Family Stone, has passed away. He was 82.
“It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly and the Family Stone,” said the pioneering musician’s family via a statement released on Monday, June 9. “After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family. While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.”

Sly & The Family Stone was a multi-cultural, Soul, Funk, Rock and R&B band with roots in San Francisco, and anchored by Stone’s virtuoso musical direction. Some of the band’s classic and familiar hits include “Sing A Simple Song,”  “Dance to the Music,” “Everyday People” and “I Want To Take You Higher.” The group’s catalog of music has been sampled extensively by producers, creating new hits for Hip-Hop and R&B artists like Queen Latifah, Jungle Brothers, Janet Jackson, LL Cool J and many, many more.
Early this year, a documentary about Sly & The Family Stone called SLY LIVES! (aka The Burden of Black Genius) and directed by Questlove, was released via Hulu. The group was inducted into the Rock and Roll Hall of Fame in 1993.
Rest in powerful peace Sly Stone. See reactions to the death of this true musical icon from across social media in the gallery.
This story is developing. 

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Sly Stone, the groundbreaking funk and psych-rock pioneer who led the iconic Sly and the Family Stone group in the 1960s into the early 1980s, died Monday (June 9), according to a statement from his family. He was 82.
Stone, the guitar player, multi-instrumentalist, singer, lead songwriter and producer for the group, was known for such iconic hits as “Dance To The Music,” “Everyday People,” “Family Affair” and “I Want to Take You Higher.” The group’s 1971 album There’s A Riot Goin’ On is widely regarded as one of the best and most influential albums of all time, while its 1969 album Stand! is also widely considered a masterpiece.

According to his family, Stone suffered from “a prolonged battle with COPD [chronic obstructive pulmonary disease] and other underlying health issues.” He had largely disappeared from public life by the 1990s, amid a career decline exacerbated by drug use. He and the band were inducted into the Rock & Roll Hall of Fame in 1993, and Stone appeared at the Grammy Awards ceremony in 2006 for a tribute to the group, which was his first public performance in nearly two decades. He was also the subject of the 2025 documentary Sly Lives! (aka The Burden of Black Genius), helmed by Questlove, and had released a memoir two years ago.

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Beginning with “Dance To The Music” in 1968, which peaked at No. 8 on the chart, Sly and the Family Stone racked up 17 Hot 100 hits, including five top 10s and three number ones: “Everyday People,” which reigned for four weeks in 1968-1969; “Thank You (Falettinme Be Mice Elf Agin),” which led for two weeks in 1970; and “Family Affair,” which led for three weeks in 1971. The group also had nine albums reach the Billboard 200, including Riot, which spent two weeks at No. 1 in 1971.

Sly and the Family Stone released its first album, A Whole New Thing, in 1967, and would go on to release 10 official studio albums through 1982, and a greatest hits compilation in 1970. The classic incarnation of the band — singer/guitarist Freddie Stone, singer/keyboardist Rose Stone, bassist Larry Graham, drummer Greg Errico, trumpeter Cynthia Robinson and saxophone player Jerry Martini — was in place from the mid 1960s through the early-mid 1970s, and was groundbreaking not just for their musical prowess, but as the first prominent American group to be both racially integrated and mixed gender. By 1975, the group had largely disbanded, though Sly continued to release albums through the early 1980s.

Stone’s work had a profound effect on American rock music, particularly psychedelic rock, and, along with George Clinton’s Parliament-Funkadelic groups, helped to pioneer the guitar-driven, socially-conscious funk music that would become a major part of the 1970s music scene. Alongside Clinton, James Brown and Prince, he’s among the most important figures in funk music history, and his sound is among the influential records that underpinned much of early hip-hop music into the 1990s, influencing everyone from Dr. Dre to 2pac to The Notorious B.I.G. to OutKast and nearly everyone in between. On the popular WhoSampled site that tracks samples, covers and interpolations throughout music history, Sly and the Family Stone is credited as having been sampled more than 1,000 times.

Read the full note from Stone’s family below.

It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly and the Family Stone. After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family. While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.

Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable. In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024. 

We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music. 

Thank you from the bottom of our hearts for your unwavering support.

Ed. Note: this is a developing story.

Drake has compiled quite the t-shirt collection over the years, and he gave fans a look at his storage closet, which doubles as his Toronto estate’s indoor basketball court. In a post to his Instagram early Monday (June 9) morning, the rapper shared a photo of dozens of clothing racks covered in hundreds of shirts […]

Taylor Swift has won a temporary restraining order against an alleged stalker who the pop superstar claims showed up at her Los Angeles home numerous times over the past year to falsely claim she’s the mother of his child.
The order requires Brian Jason Wagner, a 45-year-old Colorado man, to stay at least 100 yards away from Swift and her residence. Judge Debra R. Archuleta signed the directive on Monday (June 9), three days after Swift petitioned the court for help.

In the restraining order request filed Friday (June 6), Swift said Wagner is a stalker who first showed up at her Los Angeles residence in July 2024. Wagner allegedly returned multiple times that month, at one point “carrying a glass bottle that could have been used as a weapon.”

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“During each of these visits, I am informed that Mr. Wagner made various statements about living at my property (not true), being in a relationship with me (not true), believing I am the mother of his son (not true), and needing to see me in person, all of which are untrue and disconnected from reality,” wrote Swift.

Swift said Wagner returned to the house again twice this past May, prompting her security team to run a background report. At this point, Swift’s staff discovered that Wagner had a criminal record and had sent “lengthy communications” from jail discussing a nonexistent romantic relationship with the singer.

According to the restraining order request, Swift’s team also discovered that Wagner had attempted to steal her mail and illegally obtained a California driver’s license that listed her Los Angeles address as his own.

“I do not share publicly where I reside and have never shared my address or the location of my Los Angeles residence with Mr. Wagner,” wrote Swift in the filing. “Therefore, the fact that Mr. Wagner has determined where I reside and visited the property several times, refusing to leave and claiming to need access, makes me fear for my safety and the safety of my family. The fact that both of these recent visits and Mr. Wagner’s inappropriate and threatening communications to my staff about me have escalated in recent weeks creates a fear of imminent harm.”

The temporary restraining order is set to expire on June 30, when Judge Archuleta will hold a hearing to determine whether a more permanent restraining order should be put in place.

Swift’s reps did not immediately return a request for comment on Monday. Wagner could not be reached for comment.

This is just the latest in a string of disturbing incidents that have landed Swift’s alleged stalkers in legal trouble over the past few years. Florida man Roger Alvarado was sentenced to six months in jail in 2019 for breaking into Swift’s New York home and taking a nap in her bed, and Texas resident Eric Swarbrick was sentenced to two and a half years in federal prison in 2020 for sending violent and threatening letters to her former label, Big Machine Records.

In January 2024, a man named David Crowe was charged with stalking after showing up outside Swift’s New York apartment dozens of times in just a few months. The charges were ultimately dropped, as Crowe was declared mentally unfit for trial and transferred to a mental health facility.

Taylor Swift had lots to celebrate on May 30, when the megastar announced that she had officially acquired the masters of her first six albums from private equity firm Shamrock Capital, along with videos, concert films, art and other unreleased content. The firm had acquired the catalog in late 2020 from Scooter Braun’s Ithaca Holdings, after Braun had bought Swift’s old label Big Machine Records the year before.

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The purchase marked the end of a six-year kerfuffle that resulted in Swift’s Taylor’s Version project, where she re-recorded four of her first six albums that she recorded for Big Machine. After announcing her big purchase — which Billboard estimated cost about what Shamrock initially paid in late 2020, around $360 million — Swifties were quick to buy and stream her music, resulting in a big Billboard chart week.

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Let’s break down the impact of Swift’s announcement, by the numbers (on the latest charts dated June 14 — reflecting activity May 30-June 5, the first full week after the news of the deal).

54,000

Swift’s albums catalog sold a combined 54,000 copies in the U.S. in the tracking week, up 235% from the week before, according to Luminate. This includes each of her albums, re-recordings and all. That 54,000 is the most among all artists this week.

The biggest seller in her catalog was her sixth studio LP and final Big Machine project, 2017’s Reputation, which sold 15,000 copies alone (up 1,183% week-over-week). The album is one of two (along with her 2006 debut, Taylor Swift) that the singer hasn’t re-recorded and released yet. In the letter on her website, she wrote, “Full transparency: I haven’t even re-recorded a quarter of it.” She left fans hopeful though, adding, “There will be a time (if you’re into the idea) for the unreleased Vault tracks from that album to hatch.” The gains for reputation help the album rank at No. 4 on the Top Album Sales chart and No. 10 on Top Streaming Albums, and surge 78-5 on the Billboard 200 (marking its highest placement since January 2018).

The second-biggest seller was Taylor Swift, which she wrote she has finished re-recording but didn’t announce a release date yet. That album sold 8,000 copies (up 955%) and ranks at No. 6 on the Top Album Sales chart. The set also re-enters the Billboard 200 at No. 64, marking its highest rank since 2010.

222 million

Swift’s catalog raked in a combined 222 million official U.S. streams in the week following her announcement, up 32% from the week prior.

“Cruel Summer” was her most-streamed song of the week, tallying 5.4 million U.S. streams (up 6%). Her next four-highest-streamed songs are from Reputation: “…Ready for It” (3.8 million; up 70%), “Delicate” (3.8 million; up 76%), “Look What You Made Me Do” (3.6 million; up 70%) and “Don’t Blame Me” (3.4 million; up 84%).

Those 222 million streams in the U.S. are the second-most among all artists this week, following Morgan Wallen. The country star, who just dropped his latest album, I’m the Problem on May 16, raked in 379 million streams.

11

Swift charts 11 albums on the latest Billboard 200, tying her career weekly best. Here’s a look, with re-entries noted:

No. 5, ReputationNo. 18, The Tortured Poets DepartmentNo. 30, LoverNo. 50, MidnightsNo. 52, FolkloreNo. 61, 1989 (Taylor’s Version)No. 64, Taylor Swift (re-entry)No. 73, 1989 (re-entry)No. 147, Red (Taylor’s Version)No. 170, Speak Now (re-entry)No. 185, Speak Now (Taylor’s Version) (re-entry)

This is the 31st total week that Swift has charted 11 albums simultaneously. The only artists to chart more in a single week — since the list was combined from its previously separate mono and stereo album charts into one all-encompassing ranking in August 1963 — are Prince (who charted 19 albums after he died in 2016, plus 13 the week after that) and the Beatles (14 albums simultaneously for a week in 2010 and 13 during a week in 2014).

More than three years after Young Thug, Gunna and dozens of others were indicted in Atlanta on gang charges, Thug’s last co-defendant has pleaded guilty.

A trial had been set to start Monday (June 9) in Fulton County court for Christian Eppinger, who stood accused of attempted murder for allegedly shooting an Atlanta police officer in 2022. But he instead entered a so-called Alford plea, allowing him to technically plead guilty while maintaining that he is innocent; he was later sentenced to 40 years in prison.

Eppinger was the last remaining defendant of 28 men indicted in May 2022 by Fulton County prosecutors, who claimed that Thug’s “YSL” — nominally a record label — was also a violent gang called “Young Slime Life” that had wrought “havoc” on Atlanta for years. Thug was released from jail in October after a judge sentenced him to just probation, a stunning defeat for District Attorney Fani Willis after her office had labeled him a dangerous gang boss.

Asked Friday (June 6) if the massive prosecution had been a “waste of taxpayer money,” Willis vehemently defended the case and stressed that it had resulted in 19 convictions: “What my constituents say, who just voted me by 68 percent, is she’s doing an amazing job,” Willis told Atlanta’s NBC affiliate. “We are making sure that this community is safe.”

A representative for the DA’s office did not immediately return a request for comment on Monday.

Pitting prosecutors in America’s rap capital against a chart-topping rapper who helped shape the sound of hip-hop in the 2010s, the YSL case captivated the music business for years. Most notably, it relied heavily on song lyrics as evidence, a controversial practice that has drawn backlash from the music industry and efforts by lawmakers to stop it.

The case also saw Thug sit in jail for years while the messy proceedings — the longest in state history — played out in court, turning his charges into a cause célèbre and raising big questions about procedural fairness. Gunna, a frequent collaborator and protégé of Thug, was also initially charged, though he quickly pleaded out.

The charges against Thug and the other YSL members were built on Georgia’s Racketeer Influenced and Corrupt Organizations, a state-level version of the federal RICO law used against the Mafia, drug cartels and other large criminal enterprises. Prosecutors alleged that members of the YSL enterprise had committed murders, carjackings, drug dealing and many other crimes — and that Thug was the “King Slime” crime boss running the operation from the top.

But when the trial kicked off in January 2023, that sweeping narrative proved difficult to litigate in court.

After an unprecedented 10-month jury selection process, prosecutors slowly worked through a vast list of witnesses that included more than 100 names. Last summer, the case was delayed for weeks due to a bizarre episode over a secret meeting between the judge, prosecutors and a witness — an incident that saw the judge removed from the case. Things got worse for the DA’s office in October, when botched testimony from a state’s witness sparked talk of a mistrial and prompted a wave of plea deals.

Prosecutors offered such a deal to Thug, but it would have seen him spend 25 years in prison. Thug’s attorneys rejected that offer and instead opted to simply plead guilty — a gamble that paid off spectacularly when Judge Paige Reese Whitaker sentenced him to just probation with no time served in prison.

“I know you’re talented, and if you choose to continue to rap, you need to try to use your influence to let kids know that is not the way to go and that there are ways out of poverty besides hooking up with the powerful guy at the end of the street selling drugs,” Whitaker said.

After that, just two key defendants — Deamonte “Yak Gotti” Kendrick and Shannon Stillwell — remained in the trial, facing some of the most serious charges in the case, including carrying out the 2015 murder of rival gang leader Donovan Thomas that played a central role in the prosecution’s case. But a jury largely acquitted them on those counts in December, and both were released immediately after the verdicts.

Those verdicts ended the trial, but not the case. Eppinger and several others had been separated from the case early in the proceedings to face their own trials on charges related to YSL.

Eppinger, an aspiring rapper who used the performing name “Big Bhris,” pleaded guilty to a slew of charges on Monday, including armed robbery and RICO conspiracy. Though he was sentenced to 40 years, it will be served concurrently with an existing 45-year sentence on an earlier crime, meaning he did not receive any additional prison time.

Though the Thomas killing formed a core part of the YSL case — Young Thug was alleged to have helped rent the car that was used in the drive-by shooting — no defendants were ever convicted of the murder. The last defendant alleged to have been involved, Damekion Garlington, took a plea deal last month that saw him sentenced to five years in prison for aggravated assault.

In the Friday interview, Willis argued that crime had dropped in Fulton County “because of the efforts I have done against gangs.” And she harshly criticized others — media outlets for “glorifying violence,” defense attorneys who “don’t care about the African American community,” and even Judge Whitaker — for how the YSL case has been portrayed.

“It was an amazing time. We had 19 convictions. The community is safer,” Willis said. “We made sure that we got the resolutions that we want. If they’re unhappy with sentencing, they should elect other judges.”

Gracie Abrams, Thomas Rhett, Aaron Dessner and Leon Bridges are performing at this year’s National Music Publishers’ Association annual meeting on Wednesday (June 11) at Lincoln Center’s Alice Tully Hall. The event, which acts as a state-of-the-union for music publishers, has continued to integrate more songwriters into the event in recent years to honor the talents that publishers serve every day.
Abrams and Dessner are part of a special segment of the meeting, dedicated to the Billboard Songwriters Awards, a collaboration between Billboard and the NMPA which was rescheduled from GRAMMY week due to the Los Angeles wildfires. Abrams is set to receive the Breakthrough Songwriter Award to account for her fast-growing career as an artist, and Dessner will be given Billboard‘s Triple Threat Award for his success as a songwriter, producer and musician. Though to pop fans Dessner might be best known for his work producing and writing with Taylor Swift, Bon Iver, Ed Sheeran and Abrams, he is also lauded in the indie rock space as a longtime member of the band The National. Both are set to perform.

Additionally, the NMPA is giving out awards of its own. It’s Non-Performing Songwriter Award this year is going to Rhett Akins, and as part of that honor, his son, Thomas Rhett, will perform a medley of his father’s vast country catalog, which includes songs like “Dirt On My Boots” by Jon Pardi, “Honeybee” by Blake Shelton, “I Don’t Want This Night To End” by Luke Bryan, “Small Town Boy” by Dustin Lynch, “Look What God Gave Her” by Rhett, and many more.

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The NMPA’s Songwriter Icon this year is Kacey Musgraves, and Bridges is flying in to pay tribute to Musgraves by performing a rendition of two of her songs.

The NMPA Annual Meeting, which is attended by a who’s who of the music publishing business, will also feature a keynote conversation with Oliver Schusser from Apple Music, and an address from the organization’s CEO/president David Israelite this year. Typically, Israelite’s speech includes a major announcement about new action the NMPA is taking to protect publishers and their writers. Last year, Israelite took on Spotify for cutting payments to publishers by about 40% that year through a multi-faceted attack plan, which is still on-going. He has also used the stage to announce lawsuits against Roblox, Twitter and more for using publishers’ copyrights without a license in previous years.

In 2024, the NMPA gave the Songwriter Icon award to Lana Del Rey and the Non-Performing Songwriter Icon award to Savan Kotecha, who has written hits like “Azizam” by Ed Sheeran, “God Is A Woman,” “Break Free” and “Break Up With Your Girlfriend, I’m Bored” by Ariana Grande, “I Can’t Feel My Face” by The Weeknd, “What Makes You Beautiful” by One Direction and more.