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Jack Harlow Highlights His Hometown in New Balance 550 Campaign

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Jack Harlow is showing off new colorways of the New Balance 550 sneaker dropping exclusively at Foot Locker on Thursday (Feb. 22).

The “Lovin on Me” rapper stars in a new campaign for the New Balance 550 sneaker now available in tan, olive and green and blue, gray and white colorways. The campaign was shot in Harlow’s hometown of Louisville, Ky.

The New Balance 550 first debuted in 1989. The classic sneaker made a name on the basketball courts back in the ’80s, but these days, you’re more likely to see celebrities sporting the latest colorways of the New Balance 550.

In 2020, New Balance reintroduced the 550 by releasing limited-edition designs before dropping a full lineup the following year.

Harlow signed on as a New Balance ambassador the following year and has appeared in multiple campaigns. “I have been rocking New Balance since I was a kid, so to officially join the brand in this way is really exciting,” he said at the time. “I’ve always loved the 990 and recently the Joe Fresh Goods 990v3 and collabs with the 550’s have been fire. I’m excited to peek behind the curtain and work with the brand more.”

Stars such as Justin Bieber, Taylor Swift and Adele have been photographed in the stylish and affordable New Balance 550, which retails for $110.

The new colorways will be available online and in stores at Foot Locker, Kids Foot Locker, and Champs Sports.

See more photos of Harlow’s New Balance 550 campaign below.

Shoe Palace Launches Bob Marley Collection to Celebrate ‘One Love’: Shop the Limited-Edition Pieces Here

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Bob Marley fans can fully immerse themselves in the Jamaican musician’s life through his new biopic One Love, and now, a limited-edition collection from Shoe Palace is also allowing fans to upgrade their wardrobe with new Marley merch.

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The movie has been reigning at the box office, bringing in over $50 million on opening day, according to The Hollywood Reporter. You can still get tickets to One Love, but before you head to the theater, Shoe Palace wants to make sure you do it in style with an exclusive collection inspired by the film.

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The Shoe Palace x Bob Marley collaboration includes T-shirts, hoodies, sweatpants and sweatshorts, each decorated with quotes, graphics and exclusive photographs of the “Sun Is Shining” singer. It’s a chance to upgrade your hoodies and crewnecks or loungewear, while paying tribute to the reggae king.

The exclusive Bob Marley merch collection won’t be around forever and it’s likely that once it sells out, there won’t be more made. We recommend adding to cart while you still can.

Keep reading to shop our picks from the Shoe Palace collaboration below and see more details at ShoePalace.com.

Amazon

SP x Bob Marley Smoke T-Shirt

At the heart of this Bob Marley T-shirt is the iconic photo of he singer smoking, while the front features his name embroidered in smaller script. Shoe Palace aims to be an eco-friendly brand, which means the materials used to create the top are all sustainable.

Shoe Palace

SP x Bob Marley Montage Sweatshirt

In need of a layering piece? This Montage sweatshirt includes a mix of graphics and photos inspired by Marley. You can also enjoy showing off inspiring quotes from the reggae star.

Shoe Palace

SP x Bob Marley Montage Pants

Complete your loungewear layers with the matching sweatpants that’ll allow you to show off a cozy monochromatic look. The style is designed to be unisex and comes with two side pockets and a drawstring waistband to customize to your liking.

Shoe Palace

SP x Bob Marley Shining T-Shirt

Embody “The Sun Is Shining” rather than just listen to the song with this black T-Shirt.
The material is made from 100% cotton material for added comfort that you can pair with jeans or sweatpants.

Shoe Palace

SP x Bob Marley Montage Shorts

Ditch the full-length look and opt for these Montage shorts, which come with vibrant graphics and quotes — without sacrificing comfort. The waistband is made from a stretchy material topped with a drawstring waist to tighten or loosen to your liking.

That’s not where the Bob Marley merch ends either, with the release of One Love, a multitude of brands have been dropping tech, apparel and more inspired after the “Redemption Song” singer including a turntable from House of Marley as well as headphones and speakers.

For more product recommendations, check out our roundups of the best running shorts, leggings and Ugg slipper dupes.

Los Dos Carnales’ ‘Gracias a Ti’ Rules Regional Mexican Airplay Chart

Los Dos Carnales achieved its fourth No. 1 on Billboard’s Regional Mexican Airplay chart as “Gracias a Ti” climbs from No. 6 to rule the list dated Feb. 24.

“Gracias A Ti” advances with a 47% gain in audience impressions, to 7.9 million, earned in the U.S. during the Feb. 9-15 tracking week, according to Luminate.

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The Poncho Quezada-composed track dethrones Gerardo Ortiz’s “Ahí No Era,” which falls 1-3 with a 12% decline in impressions, to 6.6 million, after one week in charge. (Los Dos Carnales is led by Poncho and his brother Imanol.)

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Cementing the strength of both songs at radio, “Gracias” and “Ahí” hold a spot in the top 10 on the overall Latin Airplay chart. While the former rallies 17-3 — Los Dos Carnales’ highest rank since “Se Me Soltó El Hocico” peaked at No. 2 in April 2023 — the latter dips 4-7. It’s still a strong performance for Ortiz in the 50-deep tally.

Back on Regional Mexican Airplay, with “Gracias a Ti,” the Quezada brothers log their fourth No. 1 there. They first reigned with “El Envidioso” for one week in charge in September 2020. The norteño act notched its second and third champs through “Yo Soy Rico” (Nov. 2021) and “Se Me Soltó El Hocico” (April 2023), like their predecessor, both for one week atop.

Miley Cyrus’ 20 Biggest Chart Hits, From ‘Wrecking Ball’ to ‘Flowers’

It feels like Miley Cyrus has lived a thousand lives since she first found global fame as a pre-teen.

Undoubtedly one of the Disney Channel machine’s most successful alums, she’s consistently written off the world’s expectations for her life and career, reinventing herself again and again while remaining the fierce, ever-hilarious star her fans have loved from the beginning. The versatile singer-songwriter has clocked dozens of entries on the Billboard Hot 100, and is one of a rare few to enter the ranking multiple times under two different aliases: herself, as well as the fictional Disney Channel pop star she got her big break playing, Hannah Montana.

The Tennessee native scored her first-ever No. 1 during one of the most controversial eras of her career, with “Wrecking Ball” shooting up 22 slots on the Hot 100 in 2013 right after she released her then-shocking music video for the song. (Though people would hardly flinch now at the iconic visual, which has since accumulated over a billion views on YouTube, Cyrus swinging naked from a demolition ball was cause for many dropped jaws back in the day.)

A decade later, she would once again reign on the chart with “Flowers,” which spent a whopping eight weeks at No. 1 in 2023. The empowering track went on to earn Cyrus her very first Grammy at the 2024 awards — best pop solo performance — followed shortly afterward by her second, with the star taking home record of the year later that night.

From her blonde-wig days to her later forays into pop rock, the star has maintained a steady presence on the Billboard charts. Keep reading to see Miley Cyrus’ 20 biggest Hot 100 hits — so far, at least — below.

Miley Cyrus’s Biggest Billboard Hot 100 Hits ranking is based on weekly performance on the Hot 100 through the charts dated Feb. 24, 2024. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at lower spots earning the least. Due to changes in chart methodology over the years, eras are weighted differently to account for chart turnover rates during various periods.

Dolly Parton Brings ‘Tenderness’ to ‘Midnight Blue’ Duet with Melissa Manchester: Video Premiere

For 50 years, Grammy-winning singer-songwriter Melissa Manchester has been making timeless music that has resonated with fans. 

On her 25th album, RE:VIEW, out tomorrow (Feb. 23), Manchester celebrates the golden anniversary by reinterprets some of her biggest hits, with an assist from some special friends. Dolly Parton joins her on majestic ballad “Midnight Blue,” which Manchester took to No. 6 on the Hot 100 in 1975. Kenny Loggins collaborates with her on “Whenever I Call You Friend,” which the two wrote in the mid-‘70s and Loggins and Stevie Nicks had an enduring hit with in 1978. 

The album includes remakes of several of her hits, including “You Should Hear How She Talks About You,” for which she won a Grammy for best pop vocal performance, female, in 1983, as well as “Through the Eyes of Love,” “Don’t Cry Out Loud” and “Come in From the Rain.”

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Manchester, who got her start as a member of the Harlettes, Bette Midler’s raucous back-up singers — and created the role of Maddy, Blossom’s mom on the hit ‘90s NBC sitcom, Blossom — is now playing Mrs. Brice in the North American touring company of Funny Girl.

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In an email interview with Billboard, she discussed what it was like to work with Parton, whom she calls “instantly charming and intimate,” why she re-recorded her part on “Midnight Blue” and how happy she was to finally record “Whenever I Call You Friend” with Loggins. 

When “Midnight Blue” first came out in 1975, it was about a romantic relationship. You and Dolly reinterpret it as a song about a longtime platonic friendship. Why did you make the switch? 

When Carole Bayer Sager and I wrote “Midnight Blue,” it was addressing our young marriages, our young husbands and our much younger selves, and how to navigate through some stormy waters. When Dolly asked me to find us something we could sing together, it occurred to me that re-framing the inner world of “Midnight Blue” as a song between two longtime friends might expand the heart of the song. I think it did.

How did Dolly get involved? 

I had reached out to Dolly [and] told her that Kenny Loggins, Dave Koz and Gerald Albright would be on the album, so she’d be in very good company. She agreed. 

What does she bring to the song? 

Dolly brought an almost indescribable tenderness to the song. Her singing is haunting and beautiful. It touched me so much that when I first heard her performance, I was moved to go back into the studio to re-sing my part so as to match her intimate and tender quality.

You first met Dolly when she came to see you decades ago at Universal Amphitheater. What do you remember about that meeting?

Dolly came with Lily Tomlin to see a concert of mine. They came backstage — we exchanged some pleasantries, I’m sure — but truthfully, after a performance I’m a bit out of it for a while. I’m just happy someone took photos of that moment. I must say we were a fine-looking trio.

You’ve said that collaborating with Dolly “marks a special chapter in my musical  journey, embodying decades of friendship, respect and artistic collaboration.” What does it mean to have her on this album as you commemorate your 50th year releasing music? 

I think one of the last things one owns is the muscle of discernment, owning what you know, trusting your instincts, understanding that people will always have their opinions about what you do or what you should be doing — but, in this moment, I know what I know and I act when my spirit whispers to me. I know Dolly has that muscle times a million. She’s a professional, a creative and she trusts her instincts in a major way. That’s why it was thrilling when she said “Yes” to “Midnight Blue.

There’s a wonderful shot in the video when you pull up alongside a sightseeing bus in Nashville, and they realize it’s you two and go crazy. What was that like?

OMG! Trust me, it was all about Dolly! The busload of tourists saw her and basically drooped over the side of the bus screaming her name! Folks in cars pulled over and screamed her name! Dolly is a true and well-deserving queen.

There’s another shot where you two are drinking wine and eating. Dolly is a notoriously excellent cook. Is that her kitchen? Did she cook for you? 

The studio kitchen served nicely as our kitchen. It was sweet how she so enjoyed the packaged pot roast. But she is so tiny, I thought maybe she hadn’t eaten in a while and was ravenous for anything.

Next year will mark the 50th anniversary of the song’s release and reaching No. 6 on the Billboard chart? Why do you think it struck such a chord and has lost none of its resonance? 

For me, what’s woven into “Midnight Blue,” between the words, is the subtle weariness of life. How we were able to capture that in our twenties still touches me. Often when I’d be in Nashville, invited to a songwriter’s night at the Bluebird Cafe, and invited into the circle to perform a song, and start singing “Midnight Blue,” the audience would roar in appreciation. It struck a chord in the country music world and for that I’m grateful. And I am very grateful for how many people have told me it’s helped them through their own stormy waters over the years.

How has your relationship with the song changed over the years? 

“Midnight Blue” has grown with me. I hope that I infuse the lyrics with more worldly experience and knowledge. It’s become more of an offering than a song.

As you note, the album also includes you, Kenny Loggins and Dave Koz on “Whenever I Call You Friend,” which Kenny and an uncredited Stevie Nicks took to No. 5 on the Hot 100 in 1978. Have you been waiting all this time for you and Kenny to record it together? What did you think of Kenny’s original version with Stevie?

I thought the original version of “Whenever I Call You Friend” was fine. I waited for freaking ever to re-record it with Kenny. 

This is a more elaborate, jazzy arrangement. How did it come about? 

I wanted to put my own stamp on it. As much as I admired his vocalese at the top of the song, I needed to find my way into the song. Once I found that phrase ‘Whenever, whenever when oh when, whenever…” I knew how to build the arrangement, with the help of my co-arranger/producer Stephan Oberhoff and associate producer Johnny Schaeffer. When Kenny heard the track, loved it and agreed to sing on it, and I reached out to my darling friend Dave Koz. I knew something great was bound to happen … and it did!

Dorinda Clark-Cole, Jonathan McReynolds to Be Honored at 2024 BMI Trailblazers of Gospel Music Awards

Gospel legend Dorinda Clark-Cole of The Clark Sisters will receive the Trailblazer of Gospel Award at the 2024 BMI Trailblazers of Gospel Music Awards. The awards will be held at Flourish Atlanta on Thursday, March 28.

Jonathan McReynolds will receive the BMI Champion Award for his artistry and impact on gospel music, marking the first time this accolade has been presented at this ceremony.

The private event will be hosted by BMI president and CEO Mike O’Neill, and Catherine Brewton, BMI vice president, creative, Atlanta. Throughout the ceremony, BMI will recognize the songwriters, producers and music publishers of the past year’s 25 most-performed gospel songs in the U.S.

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“The Clark Sisters are among the legends of gospel, and Dorinda’s distinctive jazzy sound lends a unique brilliance to the group,” Brewton said in a statement. “I’m so proud to be honoring her work and highlighting the impact she’s made on the genre and community through her music and evangelism. We’re also paying tribute to one of the most incredible voices in gospel, Jonathan McReynolds, whose music is often referred to as ‘life’ songs, speaking to the hearts of all.”

Clark-Cole and McReynolds are both Grammy winners. With The Clark Sisters, Clark-Cole won two Grammys in 2008 – best traditional gospel album for Live – One Last Time and best gospel performance for “Blessed and Highly Favored.” Earlier this month, The Clark Sisters received a lifetime achievement award from the Recording Academy. McReynolds won a Grammy for best gospel performance/song three years ago for “Movin’ On.”

Clark-Cole, known as the “Rose of Gospel Music,” is a singer-songwriter, talk-show host and evangelist. Born and raised in Detroit, Clark–Cole is the daughter of pioneering choral director Mattie Moss Clark. In addition to her two Grammys, Clark-Cole has won two GMA Dove Awards, three BMI Awards, 13 Stellar Gospel Music Awards and a Lady of Soul Award. The sisters’ lifetime achievement award from the Recording Academy followed a James Cleveland Lifetime Achievement Award at the Stellar Awards in 2020. That same year, The Clark Sisters: The First Ladies of Gospel biopic, produced by Mary J. Blige, Missy Elliott and Queen Latifah, premiered on Lifetime to millions of viewers.

In addition to his Grammy, McReynolds has received four BMI Awards and was named BMI’s Gospel Songwriter of the Year in 2023. He has also been honored at the Stellar Awards and the GMA Dove Awards. He has had seven top five albums on Billboard’s Top Gospel Albums chart, including two that reached No. 1: Life Music: Stage Two (2015) and Make Room (2018). He has also had 10 top 10 hits on Hot Gospel Songs, including “Movin’ On” (a collaboration with Mali Music) and “Not Lucky, I’m Loved.”

New Kids on the Block Set New Album With BMG: ‘New Label, Big Tour’

New Kids on the Block are back. The legendary boy band is all grown up and ready for another release cycle, this time through a new global recording agreement with BMG.

Through the new deal, which Billboard can exclusively confirm, NKOTB will release an eighth studio album, their first new studio LP in more than a decade, and support it with a “big” tour.

“We’re super excited to partner with our new label home BMG,” the pop group enthuses in a joint statement. “We promise 2024 is going to be a big year for NKOTB and our blockheads. New label, big tour, we are just getting started! Much more to come. Very soon. And we couldn’t have asked for a better partner than BMG to usher in this new era.”

The label deal follows a buzz of activity, which included the announcement of NKOTB’s Summer Tour 2024, a trek that features guests Paula Abdul and DJ Jazzy Jeff and serves as a re-imagination of the Boston group’s sold-out 1990 tour of the same name.

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Soon after, the quintet celebrated the 15th anniversary of their reunion album, The Block, with special edition The Block Revisited, including remixes and guest collaborations.

Blockheads were left wondering if fresh music was on the horizon. With today’s announcement, that question is answered.

The as-yet untitled album is the followup to 2013’s 10, which peaked at No. 6 on the Billboard 200, one of the group’s six top 10 appearances on the tally, a list that includes two leaders, 1988 sophomore effort Hangin’ Tough and 1990’s Step By Step. Career album sales top 80 million, according to BMG.

Formed in 1984 and featuring Boston natives Jonathan and Jordan Knight, Joey McIntyre, Donnie Wahlberg and Danny Wood, NKOTB has landed 13 songs on the Billboard Hot 100, including nine top 10 appearances and a hattrick of No. 1s: 1989’s “I’ll Be Loving You (Forever),” 1989’s “Hangin’ Tough” and 1990’s “Step By Step.”

“New Kids on the Block are trailblazers in the music world – creating a blueprint for not only pop music, but pop culture,” comments Cyndi Lynott, BMG senior VP, marketing, in a statement unveiling the new recording deal.

“It is an honor to be able to work with this iconic group and deliver brand new music to their passionate fanbase. BMG is full of blockheads, and we could not be more thrilled.”

The Deals: Spotify Integrates With Bandsintown; Mötley Crüe Links With Super7 for Action Figure Line

Event discovery platform Bandsintown will be directly integrated into Spotify via a new partnership with the streaming service. The agreement allows artists to directly reach fans through the Spotify app in order to drive stronger engagement and more robust sales for events around the globe. According to Bandsintown, in 2023, the platform increased the number of concerts listed in its database by more than 150,000 year-over-year, while Spotify says it has increased impressions for live events across its platform by 10 times in the last 12 months. – Dave Brooks

Motley Crue action figures

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Collectibles, toys and apparel company Super7 secured the rights to create a new set of Mötley Crüe action figures featuring all four members of the iconic metal band: Vince Neil, Nikki Sixx, Tommy Lee and Mick Mars. The “ReAction Figures” are 3.75″ tall and retail for $20 each. Super7 has previously designed, manufactured and distributed officially licensed products for artists including Iron Maiden, the Misfits, Ol’ Dirty Bastard and Beastie Boys.

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Music financing platform Duetti announced $90 million in new funding, including $15 million in new equity and a new $75 million credit facility. The equity financing is led by Nyca Partners alongside Viola Ventures, Duetti’s lead seed equity investor, and Cohen Circle. The credit facility comes from Northleaf Capital Partners. Duetti allows a wide range of artists to sell master catalogs, individual tracks or parts of tracks, opening up opportunities for those who wouldn’t ordinarily have access to such deals. The new funding will be used to accelerate the growth of Duetti’s catalog acquisitions, the development of the company’s prediction and analytics technology and the expansion of its catalog marketing capabilities. Duetti recently opened offices in New York, Los Angeles and Miami.

Warner Chappell Production Music (WCPM) and Warner Chappell Music (WCM) partnered to launch a new label, Run4Cover, which will pair WCM’s catalog with WCPM’s production expertise to deliver new arrangements of songs in order to minimize licensing complexities for productions and content creators. Run4Cover’s repertoire includes new versions of songs by artists including Radiohead (“Exit Music (For A Film),” “Karma Police”), Curtis Mayfield (“Move On Up”), Kool & The Gang (“Celebration”) and Donna Summer (“Hot Stuff”). The songs are rendered in “diverse styles,” according to a press release, from big band to nu-disco; Run4Cover will also offer custom covers. All Run4Cover compositions are controlled by WCM while the original master recordings are owned by WCPM. Clients will benefit from a streamlined clearance process through a single point of contact. Licensing inquiries can be sent to licensing@warnerchappellpm.com.

AXS and CTS Eventim were appointed the official ticketing services providers for the 2028 Summer Olympic and Paralympic Games in Los Angeles. The two companies will form a joint venture to combine their tech and marketing assets to promote, sell and distribute LA28 tickets globally. Their online storefronts will be made available for the global distribution of Olympics 2028 tickets, which will also be sold through the LA28 website.

ADA Worldwide struck distribution deals with Charlotte, N.C.-based label South Coast Music Group and Valley Entertainment, an indie label with a focus on singer-songwriters, modern Irish artists and World music. Founded by Arnold Taylor, South Coast’s roster includes emerging hip-hop artists including Dustystaytrue, DeeYounginn, Luclover and Big Mali. Valley Entertainment’s catalog includes tracks by David Darling and Jonn Serrie and new recordings from frontline acts including Lisbeth Scott and Squeeze.

OneLand Music Group announced a deal with Create Music Group that encompasses Create’s acquisition of OneLand’s music catalog and a joint venture to release new music, beginning with Atomic Otro Way’s new EP, Dembow 5. “This is a full circle moment for both the Create and OneLand teams,” said OneLand Music Group co-founder Hector Morales in a statement. “In 2019 we partnered with Create to help them sign their first Latin artist. Ever since then, we’ve worked closely with Jonathan [Strauss] and Alex [Williams] to build opportunities for OneLand artists. This venture is a celebration of our shared musical vision and we’re thrilled to be in business with Create’s growing team.”

Music promotion platform Groover announced an $8 million Series A funding round led by investors OneRagtime, Trind, Techmind and MozzaAngels and supported by earlier backers Partech, Bpifrance‘s Tech & Touch fund, Verve Ventures and Frenchfounders. The new funding will help Groover integrate additional services into the platform including promotion, marketing, coaching and career development while supporting the expansion of Groover’s presence in the North American, European and Latin American markets. Launched in 2019 by Dorian Perron, Rafael Cohen and Romain Palmieri, Groover provides artists with the opportunity to network with music industry players to receive feedback on their work. According to a press release, Groover has so far drawn nearly 350,000 independent artists from more than 180 countries and generated more than 4 million personalized reviews.

Music collaboration platform ENGINEEARS closed a $7.5 million seed round led by Drive Capital, with participation from 645 Ventures, Slauson & Co. and FLUS Investment Group, the venture arm of SALXCO. The platform is designed to streamline music collaboration, make payment and project management processes easier and more.

Atlantic Records UK partnered with London-based agency EYC LTD, which specializes in talent and brand management and event planning. Under the deal, Atlantic UK will work closely with EYC to sign and develop artists under a new imprint, EYC Records, while serving as a connection between Atlantic UK’s roster and EYC LTD’s global client base, which includes Louis Vuitton, Prada, Dior, Bentley and Samsung. EYC Records will sign early-stage acts “aligned with the progressive, culture-first ethos of EYC LTD,” according to a press release, working with Atlantic UK and ADA to develop them. The first artist signed to the imprint is Betty, who has already released two singles under the deal: “Mum Says” and “Take Me Under.” EYC Records is also developing the artist project of poet, model and activist Kai-Isaiah Jamal, who will begin releasing music early this year. “I am extremely happy about the launch of EYC Records — a platform to develop the acts we believe in, facilitate brand partnerships in our field of expertise and push our creative visions to the next level,” said EYC LTD director Cora Delaney in a statement.

The Clive Davis Institute of Recorded Music at the NYU Tisch School of the Arts is collaborating with Atlantic Records on a semester-long series of career development workshops and sessions with Atlantic executives, including A&R president Pete Ganbarg. Eight events held at the institute’s Brooklyn location and Atlantic’s Manhattan offices will offer students access to Atlantic executives to learn about opportunities on both the business and artistic sides of the label. It will end with a weeklong songwriting camp led by Atlantic staffer and institute alum Stefan Accardo that will match select students and alumni with Atlantic artists. The partnership kicked off on Feb. 13 with the first of two field trips to Atlantic Records’ New York offices.

Cloud-based end-to-end music rights and royalties administration platform RyteBox acquired SR1, a digitally-native royalty calculation suite, from Exactuals. Joe DeCanio, president/CEO of SR1, along with his team will join RyteBox following the acquisition. SR1 helps to streamline royalty management for its clients, including mechanical licenses and reporting; expense processing; royalty statement generation; deal management; sales and income processing; master licensing and invoicing; and neighboring rights. Those capabilities will serve to complement RyteBox’s current services, which include contract and catalog management; revenue and royalty calculations, statements, and analytics; and relationship management for recorded music and publishing.

NeueHouse, a private workspace and social club for creative workers, has teamed up with the Save the Music Foundation to become the official partner of NeueHouse’s Sunset Sounds live music series. The partnership will kick off with the next Sunset Sounds event on Feb. 22: a listening experience hosted by MGMT where guests will have the opportunity to listen to the band’s new album, Loss of Life, one day prior to release. Going forward, NeueHouse will tap Save the Music for programming opportunities for its various shows, with a portion of the proceeds from each going to fund Save the Music’s various student initiatives.

ASM Global has been contracted to manage and operate Thunder Ridge Nature Arena, a new 18,000-capacity venue in Ridgedale, Mo. ASM has partnered with Live Nation to produce live music events at the outdoor amphitheater, which is slated to open in May.

Oak View Group (OVG) acquired the Stadium Club division from Invited, a leading owner-operator of private golf, country and city clubs in North America. Under the deal, OVG will own and operate Stadium Club properties at universities across the United States; OVG and Invited have also struck a long-term partnership focused on “enhanced membership benefits and uniquely curated experiences for both Invited and OVG club members,” according to a press release. Stadium Club properties include Arizona Sands Club at University of Arizona, Baylor Club at Baylor University, Ken Garff University Club at University of Utah, Texas Tech Club at Texas Tech University, University Club of Virginia Tech at Virginia Tech and the Carolina Club at the University of North Carolina.

Big Machine Label Group and W!ZARD Radio Media entered an agreement to develop and launch a slate of new podcasts. Under the partnership, the two companies will handle production, distribution, marketing, promotion and ad sales functions of the podcast slate. The partnership launches with the sports-comedy podcast A Game of No Halves, hosted by British broadcasting legend “Whispering” Bob Harris and his son Miles Myerscough-Harris. The partnership also encompasses the re-launch of the podcast Songwriter Soup, hosted by songwriter Laura Veltz (“Speechless,” “I Could Use a Love Song”), financial advisor Tracy Hackney and producer Kevin Sokolnicki. – Jessica Nicholson

Primary ticketing and event commerce marketplace Tixr struck a deal with Eden Nightclub Ibiza making Tixr the club’s official ticketing partner. “Tixr’s advanced technological solutions provide a transformative answer to the longstanding challenges faced by nightclubs. From optimizing online ticket sales to implementing unique selling strategies and unlocking revenue streams beyond traditional ticketing, Tixr’s innovation resonates with our commitment to redefining the clubbing experience,” said Rinco Soesman, owner/director of Eden Nighclub Ibiza, in a statement.

Amuse struck an automated integration with YouTube for official artist channels (OACs). Users on Amuse’s Boost and Pro tiers can now request their OAC in a quicker, more streamlined process under the integration, merging all of their subscribers and content from different areas of YouTube into one channel. The YouTube OAC integration will now show as an option within an artist’s profile on the Amuse web app. Additionally, eligible Amuse artists will be granted access to supporting YouTube tools involving analytics, merch, ticketing and more.

Mesita, Nicki Nicole, Emilia & Tiago PZK Add Sixth Week Atop Billboard Argentina Hot 100 With ‘Una Foto’

Mesita, Nicki Nicole, Emilia and Tiago PZK‘s “Una Foto” adds a sixth week at No. 1 on the Billboard Argentina Hot 100 chart as the song leads the Feb. 24-dated list.

Luck Ra and Khea’s “Hola Perdida” holds strong at No. 2 for a fifth week. Trap singer Luck Ra also places two other songs in the ranking’s top 10, starting with “Que Me Falte Todo” with Abel Pintos, which rises 4-3, while nine-week ruler “La Morocha” featuring BM remains at No. 7 for a third week.

Meanwhile, Bizarrap and Young Miko’s “Bzrp Music Sessions, Vol. 58” dips 3-4 after four weeks at No. 3.



Uruguayan Fer Vázquez and Argentinian Flor Álvarez earn their first top 10s on the 100-deep tally as “Sin Querer” rises 11-10. While Vázquez reached a No. 70 high through his featured role in Marama’s “Una Noche Contigo” (chart dated Feb. 17), Álvarez scored a No. 57 peak through “Con Vos,” with Rusherking (Feb. 10-dated list).



Further, FloyyMenor takes home the Greatest Gainer trophy of the week as “Gata Only,” featuring Cris MJ, climbs 51 places from No. 73 to No. 22.

Lastly, three songs re-enter the tally: Trueno and Nicki Nicole’s “Mamichula” featuring Bizarrap, Taiu and Tatool, re-enters at No. 82; Harry Styles’ “As It Was” at No. 99; and Andrés Calamaro’s “Flaca” bounces back at No. 100.

Morgan Wallen Performs an Unreleased Song During Nashville Show: Watch

Morgan Wallen has been on the road all year on his One Night at a Time tour, but he’s also been working on new music.

During a pop-up concert for iHeartRadio at Nashville’s SoHo House, Wallen was performing an acoustic set alongside his long-time collaborators and Big Loud labelmates Ernest and HARDY, offering up a mix of hits such as “More Than My Hometown,” and slipping in a new song.

Judging by a video snippet of the performance that has been circulating online, this new track, which features lines such as “90 proof is telling me lies, lies, lies,” and “nothing I wouldn’t do for you,” this tune is one of heartbreak and possible romantic reconciliation.

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Of course, these kinds of heartbreak songs could be considered Wallen’s musical sweet spot, as many of his biggest hits — including “Wasted on You” and “Sand in My Boots” — revolve around romantic shakeups.

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Wallen, of course, previously collaborated with Ernest on the Billboard Country Airplay top 20 hit “Flower Shops,” while Ernest and HARDY have been key writers on many of Wallen’s hits, including “More Than My Hometown,” “You Proof” and “Up Down.”

Wallen recently announced the upcoming launch of his six-story venue on Nashville’s Lower Broadway, This Bar and Tennessee Kitchen, and teamed with fellow country artist Eric Church to reveal they are purchasing the Field & Stream brand, with plans to relaunch the print magazine and start an outdoor music festival.

See a snippet of his set with the new song below: