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André 3000 Says OutKast Partner Big Boi Had the Best Reaction to Bars-Free Flute Album ‘New Blue Sun’

André 3000 knew he was taking a big swing when he released his rap-free, flute-forward album New Blue Sun earlier this year. So naturally he wanted to get some feedback from his longtime former partner in rhyme in OutKast, Big Boi.

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In a new cover story for High Snobiety, Three Stacks reveals that he played “some” of the instrumental jazz album for Big, whose reaction was just about perfect. “He was smiling… He was like, ‘Man…,’” André said of Big Boi’s response to the album with mouthful song titles such as the opening track, “I Swear, I Really Wanted To Make A ‘Rap’ Album But This Is Literally The Way The Wind Blew Me This Time.”

‘Dre said he also cued it up for a “lot of buddies,” as well as his son, who told him, “‘It’s the real thing. It’s not a mimic. You really did this.’” The listening sessions included an early preview for Tyler, the Creator as well.

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“I was in Tyler’s living room listening to it, and then Frank [Ocean] just shows up. And so we’re all sitting there listening to it,” he said. “I’m wondering what the young people’s opinions would be. And I’m so happy that what I’m hearing is really good feedback.”

The interview also pulled back the curtain on the early confluence of jazz and hip-hop that André found in the music of A Tribe Called Quest — including the news that he originally used the nom de rap “Jahz” in homage to Tribe’s Q-Tip.

“My first rap name was Jahz because of Q-Tip,” he explained. “We were huge A Tribe Called Quest fans. In high school, they were the pinnacle — them, Grand Puba, Souls of Mischief. I don’t think Q-Tip gets enough credit for introducing a generation of kids to a forgotten music.” Specifically, 3000 said he was super inspired by how Tribe wove jazz samples into their psychedelic hip-hop stew.

“As a kid, jazz music meant some old-people shit that’s in elevators,” André said. “Q-Tip found a way to make it actually cool. The jazz guys were actually the rap guys of that time. They were doing heroin, they were in clubs. Years from now, people are going to listen to trap music and think, ‘Oh, that’s nice.’ It happens. It happens.”

New Blue Sun hit hard when it dropped in November, with “I Swear” — which clocked in at a robust 12 minutes and 20 seconds — entering the Hot 100 at No. 90 on the Dec. 2-dated chart. That made it the longest-running song ever to have hit the chart, surpassing Tool’s “Fear Inoculum,” at 10:21 in length. André’s track – an instrumental, which is also unusual for a modern Hot 100 hit – also bested the August 2019 No. 93 peak of Tool’s track.

2024 MTV European Music Awards Set for New Co-Op Live Arena in Manchester

The 2024 MTV European Music Awards will return to the U.K. for the first time in seven years in the fall when the show touches down at the country’s newest venue on Nov. 10. The 30th anniversary edition of the EMAs will take place at Manchester’s brand-new Co-op Live — which will be the U.K.’s largest indoor arena when it opens in April — also marking the event’s first visit to that city.

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The show will be broadcast from the 23,500-capacity multi-purpose arena to more than 150 countries and air in a number of territories on Pluto TV and on-demand on Paramount+. “The MTV EMAs is one of the biggest global music celebrations, bringing together local and international artists to create iconic performances for fans around the world,” said Bruce Gillmer, president of music, music talent, programming & events, paramount, and chief content officer, music, Paramount+ in a statement. “With music at the very heart of Manchester’s rich creative heritage, this vibrant city – with the state-of-the-art Co-op Live – will guarantee a supercharged 2024 show.”

The northern English town that birthed such music legends as the Smiths, the Stone Roses, Joy Division/New Order, Oasis, the Chemical Brothers and the Verve, among many others, is the perfect choice for this year’s event according to Manchester City Council leader Councillor Bev Craig.

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“As a city that is known the world over for our legendary music scene, MTV could not have picked a better place for this year’s EMAs,” Craig said in a statement. “With the expertise, experience and reputation we also have for delivering successful, world-class events, we’re confident Manchester will provide a superb platform for the best MTV EMAs yet, and look forward to welcoming MTV and the global music community to our city for what is set to be an epic celebration of music and artists. Manchester meets MTV – we can’t wait!”

At press time a host and musical lineup for the show had not yet been announced.

Last year’s EMAs were called off just two weeks before the show was set to take place in Paris due to what MTV called the “volatility of world events” in the wake of the brutal surprise attack by Hamas militants on Israel and the subsequent war. The network later released a list of winners on the planned show date, with Taylor Swift taking home three awards and Nicki Minaj, Måneskin and BTS’ Jung Kook all doubling-up on honors.

Fans Just Want to Have Fun: Cyndi Lauper Sells Majority Share of Rights to Pophouse

The Swedish company Pophouse has been a player in the rights market since 2022. Led by former Universal Music Sweden chief Per Sundin, they backed ABBA’s Voyage show in London, and acquired rights from Swedish House Mafia and Avicii.

Now the company has announced its first deal with a U.S. artist, the rainbow-haired pop icon Cyndi Lauper. The deal includes the majority share of Lauper’s publishing as well as her royalties from her recorded music. Lauper has sold more than 50 million records worldwide, with hits including “Girls Just Want to Have Fun” and “True Colors,” and she has writing credits on some of her biggest hits, including “Time After Time” and “She Bop.” (The deal does not include her Broadway music, which includes the hit show Kinky Boots.) The share acquired by Pophouse was not disclosed.

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Pophouse, which was founded in 2014 by investor Conni Jonsson and ABBA frontman Björn Ulvaeus, is known for trying to add value to its rights acquisitions with creative productions and installations, including ABBA Voyage in London, which uses virtual “ABBAtars” in a live musical show. It also operates the “Avicii Experience” museum in Stockholm, and it is working with KISS on its next avatar show.  

The deal announcement says that Pophouse will “create new content and experiences to enrich Cyndi Lauper’s catalogue for fans old and new,” although it does not provide specific details. As an ‘80s icon, though, Lauper would be ideal for a show or a museum that could appeal to a broad audience worldwide. Fans just want to have fun, after all.  

“Pophouse has impressed me with their commitment to maintaining and developing my professional life’s work and ensuring its legacy,” Lauper said in the press release about the deal. “Their creativity and vision, combined with my continued involvement via our unique joint venture is what is most exciting to me.” 

Pophouse did not say whether the deal includes name, image and likeness rights, although it will work with Lauper on a joint venture, which presumably has the permissions it needs to create installations or experiences around the pop star’s career. “We set ourselves apart through our emphasis on artist and brand development so that we can nurture the value of our investment,” Sundin said in the press release, “and we are pleased Cyndi endorses our vision for her remarkable catalogue of work.”

Tones And I Creates History as ‘Dance Monkey’ Passes 3 Billion Streams on Spotify

Tones And I enters the history books once more, as the Australian artist’s monster hit “Dance Monkey” ticks past 3 billion streams on Spotify.

With that feat, Tones (real name: Toni Watson) becomes the first female artist to achieve that streaming milestone.

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Since its commercial launch in 2008, Spotify has entered just eight songs into the three billion streams club; with the exception of “Dance Monkey,” all of them are recorded by male artists from North America or the United Kingdom.

At the top of the tree is The Weeknd’s “Blinding Lights” (4.092 billion streams), ahead of Ed Sheeran’s “Shape of You” (3.796 billion) and Lewis Capaldi’s “Someone You Loved” (3.239 billion), respectively.

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Since “Dance Monkey” dropped in May 2019, nothing has been quite the same. The single logged 24 non-consecutive weeks at No. 1 on the ARIA Chart, an all-time record, and spent 11 weeks at No. 1 on the Official U.K. Singles Chart, a record for a solo female artist.

Konstantin Kersting produced and mixed the song, which hit No. 1 in more than 30 countries around the world.

Tones, a one-time busker, also nailed a Billboard Hot 100 hit with “Dance Monkey.” The second single from her debut EP The Kids Are Coming, “Dance Monkey” swung to No. 4 on the Billboard Hot 100, earned the artist her first top 10 hit on Billboard‘s Pop Airplay, Hot Rock & Alternative Songs and Dance/Mix Show Airplay charts, and Tones claimed top spot on the Hot 100 Songwriters Chart.

Apple, owner of music recognition app Shazam, has named “Dance Monkey” as the most-Shazamed song of all time, with users of the app identifying the track more than 44.4 million times. And in April 2023, the official music video for “Dance Monkey” clocked two billion views on YouTube.



Global streams across Tones’ catalog, which includes 2021’s “Fly Away,” which peaked at No. 11 in the U.K.

Tones is currently opening for Pink’s Summer Carnival stadium tour of Australia which, too, should bust records. When it completes its final show in late March, the trek, produced by Live Nation, is expected to pass 900,000 ticket sales for Australia and New Zealand, a box-office record for a solo female artist.

Earlier in the month, Tones shared the new single “Dreaming,” co-written with Sam Nelson of X Ambassadors and co-produced alongside Nelson and Randy Belculfine.

“Dreaming” will appear on her sophomore album, due out later this year and the followup to 2021’s Welcome to the Madhouse, which debuted at No. 1 on the ARIA Chart.

TWICE Open Up on ‘With YOU-th’ Album Themes of Growing Up & Beyond K-Pop

It takes around 30 minutes, but eventually, TWICE relaxes enough in their New York City hotel room to chitchat and laugh out loud among their nine-member huddle — a stark difference from the professionally guarded and admittedly “nervous” girl group that Billboard spoke with at their first U.S. appearance in 2016.

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Ever the humble professionals, the K-pop heroines and their loyal fans have earned the right to comfortably settle into a new, happier routine after growing for nearly nine years together.

Nearly immediately following TWICE’s entry into the K-pop scene in late 2015, members Jihyo, Nayeon, Jeongyeon, Mina, Sana, Momo, Dahyun, Chaeyeon and Tzuyu became reliable chart-toppers and commanded the industry’s attention with every release. Not only did they set the standard for their generation of K-pop acts with nine consecutive No. 1 singles on South Korea’s Circle Chart, the nontet replicated their prominence in the Japanese market (with 20 top 10 entries in the Billboard Japan Hot 100) with a next natural step in cracking the world’s largest industry, the United States.

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With a lineup from South Korea, Japan, and Taiwan, the U.S. is a trickier and far less obvious market to embrace TWICE. In K-pop’s ongoing global crossover, where more acts have fluent English speakers and Billboard-charting girl groups are trending towards six or fewer singers, TWICE remains strong with all nine of its original members. After taking over K-pop with the viral performances and dances accompanying singles like “Cheer Up” and “TT,” and solidifying a deeper connection with tracks like their biographical “Feel Special” and the encouragement anthem “Talk That Talk,” now is the moment for the group to let the material strengthen the bond with U.S. audiences.

“‘I Got You’ was influenced by TWICE,” leader Jihyo explains of their latest original English single that kicked off their new era in early February. “It’s us speaking to each other and encouraging each other, which is really great that we can do this together because there are members who can help me when I’m having a hard time, there are members who see me when I’m in a good mood — just being together is encouraging…just like how PD [producer-director J.Y. Park] first made ‘Feel Special,’ the album concept itself is putting together our story. We wanted to showcase how the fans look at our teamwork, and that’s why we chose this song.”



The JYP Entertainment founder and producer behind TWICE hits like “Signal,” “What Is Love?” and “Alcohol-Free,” Park previously told Billboard how a teary meeting discussing relying on their team mates through the hardships of K-pop idol fame inspired him to write the No. 1 single on the spot in 2019. But if “Feel Special” was birthed from TWICE’s hardships and growing pains, “I Got You” and its quick-selling accompanying mini album EP With YOU-th comes from reaching a point of happy stability.

“Up ’til now, we’ve never done a song like this before,” Jihyo adds. “We’ve always been singing songs about the theme of love, and this is more about our friendship, kind of similar to ‘Feel Special,’ and it was really comforting to us because of that…It was actually one of the songs on the album that the members reacted to really well. I thought it was new, but it also felt comfortable. We liked the lyrics [for] the fans and thought the fans would like the lyrics as well.” Momo adds, “While we were performing this song outside [in Mexico City] on tour, the weather was nice, it went so well with the song — just seeing the fans’ expressions was really great to see.”

The sentiment extends to their upbeat lead single, “One Spark,” released alongside With YOU-th on Feb. 23, originally in Korean before the English version dropped days later for maximum global consumption. Lyrics in both versions speak to a unique, undeniable ally through an effervescent tempo-hopping pop jam: “If I lose my rhythm/ Then your beat goes on and on,” Mina and Tzuyu sing on the pre-chorus, with the English version’s chorus shouting out “My favorite person, it’s our golden days/ My heart is burning, burning, burning/ Don’t lose this spark, baby.”

“Actually, we were thinking a lot about which title song [single] we should do between ‘One Spark’ and ‘I Got You,’” explains youngest member Tzuyu, sharing the group’s opinion heavily influences their musical path today, but joke they’ll take 100 percent creative control at 10 years. “We voted between the two songs of what should be the title track single. I think ‘One Spark’ is actually a great song performance-wise and we can put on quite a powerful stage performance.”



“Compared to, let’s say, ‘Set Me Free,’ the choreo is a bit more complicated with a lot more movement to consider with our stage outfits,” Chaeyoung adds about bringing the new single to life. “It’s a faster song. It’s tough, but we worked hard on this choreo and felt like we grew, so I’m glad we’re doing it. Even in the music video, once we’re together and partying, the mood explodes. Of course, people can take it in this way, and others might see it a little bit differently, but overall, we just wanted to showcase the good energy among us and how much synergy we have within the group.”

But alongside the celebratory mood, a poignant moment in the music video comes during a flashback when viewers see Dahyun crying in the dance studio with several members trying to cheer her up. While Dahyun admits she had a tear dropper on set just in case, she ultimately “really wanted to express my own emotions, so I just cried by myself without any tools.”

“The music video shows us in their past during our trainee times when we were going through a hard time,” Jihyo says. “We wanted to showcase how we push each other throughout those hard times working as a team.”

Admitting that the trip down memory lane brought back “sad emotions,” Nayeon adds how “even if this didn’t happen during that trainee time exactly, we thought about how, throughout our history, there were a lot of these kinds of moments.”

Momo says the new album process brought back her experiences with Sixteen, the 2015 singing competition show that created the group. “I was actually remembering when I was first eliminated on Sixteen and crying,” she shares. “All the members were there with me. And when we were filming, one of us had to go to the emergency room and all the members were together.”

Exploring a deeper connection with each other and their loyal fans — affectionately known as ONCE — is a central theme in With YOU-th.

A teaser video previewing all six new tracks on the EP shows what one might imagine a longtime superfan’s room may look like, with different memorabilia, imagery, and visual references from past eras accompanying the audio. With YOU-th is not just a message of togetherness but marks them moving and maturing through the years.

“Around our debut, or even a few years ago, many of our fans still went to school and now go to work. Or there may have been a few in middle school and now in high school,” Sana reflects. “We take a lot of pride in seeing them and how they grow. We’re really thankful that we have fans who have been with us throughout their time as we grew with our career.” TWICE even know two ONCEs who ended up marrying each other.

TWICE

TWICE

Courtesy of JYP Entertainment

Three B-side tracks on With YOU-th feature three TWICE members as sole songwriters sharing their experience of growing more mature and fearless in their creative processes.

‘Bloom’ is a song about asking someone to wait,” Jeongyeon shares of the track she wrote. “Referencing a flower, the last step would be when the flower blooms, meaning I will come to grab you then and hold you.”

Chaeyoung felt inspired by alt-pop star PinkPantheress while writing “Rush.” “While I was listening, I felt like a Jersey Club rhythm, kind of like PinkPantheress’ music, and thought the sound itself was quite cute and lovely, so I wanted to bring that in the emotions in the lyrics in a fun way,” the Seoul native says. “Lyric-wise, it’s about approaching something or someone, so I wrote it in a more fun way.”

Bringing the record full circle, With YOU-th closes with the Dahyun-penned “You Get Me” that connects to “I Got You” by expanding on a relationship more profound than words.

“The lyrics say how ‘even if we don’t say anything, you already know me,’” explains Dahyun. “It’s a warm, easy-listening song, and I really wanted to write the lyrics as soon as I heard it. I was able to do that, so I’m really happy about that and can’t wait for the fans to listen.”

While teasing that “ONCEs are going to be really busy this year,” there is certainly a concerted focus on ensuring TWICE can and will keep developing.

“The biggest thing is that K-pop has become so global,” reflects Mina, as TWICE moves into contention for their first No. 1 on the Billboard 200 — an arguably overdue feat as they hold the largest U.S. sales week for a female K-pop act when Ready to Be earned 153,000 equivalent album units last year. “I think that teams’ lifespans have generally been extended a lot and that we’ll be able to do much more in the future. There have been a lot more opportunities to take advantage of because of the global expansion of K-pop. If there’s something wrong, we’ll tell the company, but as long as the fans want to meet us, we want to go until the end.”

“There’s not so much meaning behind setting goals now; we put a bigger priority on promoting longer and spending meaningful time with the fans,” Jihyo adds. “Of course, the company might have a goal. But personally, we think that having a happy time with fans is the goal right now.”

Despite the warm contentment felt inside With YOU-th, and within the TWICE members’ tight-knit cluster after nearly an hour of chatting, there’s one quick glimmer of hesitancy from Jihyo after a mention of their exciting chart prospects in their latest crossover push into America.

“You know how you mentioned, ‘Isn’t it time for America to focus on TWICE?’” the group leader says quietly but firmly, as their final word. “Please do focus on us.”

Fred Again Sells-Out Surprise Arena Tour of Australia In ‘a Matter of Hours’

Fred Again has done it again, selling out all six of his Australian arena shows within hours of the tour announcement.

The Grammy Award-winning British producer and artist this week announced three-night stands at both Sydney’s 22,000-capacity Qudos Bank Arena and Melbourne’s 15,000-capacity Rod Laver Arena, and a pop-up show on the Gold Coast, south of Brisbane, at a venue yet to be announced.

Over 1 million fans virtually queued for tickets, snapping up more than 100,000 tickets in “a matter of hours” for a sell-out, according to reports for Handsome Tours, which is presented the tour with sister companies Laneway Presents, TEG Live and Astral People.

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With his forthcoming run of Australia, Fred Again (real name Fred Gibson) has taken the concept of a snap tour announcement to another level.

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On Tuesday (Feb. 27), Fred announced a surprise performance at Sydney’s Opera House for that evening via his Instagram, and sold out it “emphatically,” say reps for TEG-affiliated Handsome Tours, with over 145,000 people queuing for less than 3,000 tickets. The one-off show at the Opera House’s Concert Hall set the record for the largest on-sale demand for the iconic venue — all within a 24-hour timeframe.

Off the back of that pop-up show, the full-scale tour announce which too has sold out. All dates will feature support from JOY (ANONYMOUS), who debuted new, unreleased music at Fred’s Sydney Opera House special.

Fred Again has a special — and deep — connection with Australian music fans.

He made his live debut here in January 2023, performing sets at Laneway Festival, selling-out headline shows, and unleashing surprise DJ pop-ups that reportedly sold-out in under 5 seconds, including a set at Sydney’s 5,500-capacity Hordern Pavilion. Last year, he was the most played artist on the triple j, the national youth-focused radio network.

Fred Again Australia Tour 2024:
March 4 — Rod Laver Arena Melbourne Tickets (SOLD OUT)
March 5 — Rod Laver Arena Melbourne Tickets (SOLD OUT)
March 6 — Rod Laver Arena Melbourne Tickets (SOLD OUT)
March 9 — Gold Coast pop-up (venue TBC) (SOLD OUT)
March 12 — Qudos Bank Arena Sydney Tickets (SOLD OUT)
March 13 — Qudos Bank Arena Sydney Tickets (SOLD OUT)
March 14 — Qudos Bank Arena Sydney (SOLD OUT)

LOCASH Launches Galaxy Label Group: Exclusive

Country music duo LOCASH has launched Galaxy Label Group in partnership with Studio2Bee Entertainment, founded by veteran Nashville music executives Skip Bishop and Butch Waugh.

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BBR Music Group/BMG Nashville will distribute the label, Billboard can reveal.

LOCASH’s Preston Brust and Chris Lucas celebrated the newly-announced venture on Wednesday evening (Feb. 28) during an event in downtown Nashville, just as radio programmers descended on Music City for the annual Country Radio Seminar.

“We’re all blessed to be part of this music business and we have a chance to do what our passion is, and to have Skip and Butch back on the team with us, it’s great,” Lucas tells Billboard during a Zoom call with LOCASH and Bishop.

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In launching the label, LOCASH, who formed in 2008, draw on nearly two decades of experience as artists and writers. In 2016, they earned a top 5 Country Airplay hit with “I Love This Life,” and followed with the chart-topper “I Know Somebody,” top 20 song “Ring on Every Finger,” and in 2019, earned another top 5 Country Airplay hit with “One Big Country Song.”

“We’ve talked about doing a label for years,” Lucas says. “Some of the best success we’ve had was when were have been more hands-on with it.”

Bishop and Waugh had previously worked on the campaign for “I Love This Life,” and the full-fledged staff that Studio2Bee has with marketing and radio reps, “seemed like a perfect match,” Bishop explains.

A nod to the label’s name, Brust says the ideal artist roster will include genres beyond country, though they haven’t signed additional artists just yet. The hard lessons LOCASH has learned along the way as artists and songwriters influence the business model for the new label.

L-R: PETER STRICKLAND, GENERAL MANAGER, BMG; KATIE KERKHOVER, VICE PRESIDENT, A&R, BMG; SKIP BISHOP, STUDIO2BEE ENTERTAINMENT; PRESTON BRUST, LOCASH; CHRIS LUCAS, LOCASH; JON LOBA, PRESIDENT, FRONTLINE RECORDINGS, NORTH AMERICA, BMG; QUINN BAUDUCCO, SENIOR MANAGER, BUSINESS & LEGAL AFFAIRS, BMG; JOJAMIE HAHR, EVP, RECORDED MUSIC, BMG NASHVILLE

L-R: PETER STRICKLAND, GENERAL MANAGER, BMG; KATIE KERKHOVER, VICE PRESIDENT, A&R, BMG; SKIP BISHOP, STUDIO2BEE ENTERTAINMENT; PRESTON BRUST, LOCASH;
CHRIS LUCAS, LOCASH; JON LOBA, PRESIDENT, FRONTLINE RECORDINGS, NORTH AMERICA, BMG; QUINN BAUDUCCO, SENIOR MANAGER, BUSINESS & LEGAL AFFAIRS, BMG; JOJAMIE HAHR, EVP, RECORDED MUSIC, BMG NASHVILLE

Courtesy Photo

“The main thing that we’ve seen on some bigger labels is that sometimes some artists would be to the side because another artist was hot at that moment,” Brust says. “We’ve always talked about that and how it’s not fair, because there is so much talent in this city.”

Galaxy Label Group will also serve as home to LOCASH’s new music; BMG Nashville’s Wheelhouse imprint had previously released their albums. The duo has been in the studio working on their upcoming album, with their first single, “Hometown Home,” expected to release in the spring.

“This song just stepped into the roots of what Locash is about,” Lucas says. “It’s about hometown love and being the guy who says, ‘We could go anywhere in the world and start a new life together, but if you want to stay here in our hometown, that’s good with me too, because I just want to be with you.’ It’s one of those messages that is relatable and hits you in the heart.”

Beyond signing artists, Galaxy Label Group aims to aid songwriters. The duo says Galaxy Label Group will give songwriters a percentage of the master royalties (out of the label’s share) on every recording for the label, including Locash’s upcoming album. The commitment could mean a boost for songwriters, whose incomes have seen significant, negative impact in the steaming era. When physical albums sold regularly, songwriters would be paid on each album sold, earning a solid income regardless of whether their song was picked as a radio single. But with streams comprising the bulk of music consumption, songwriters are increasingly dependent on radio hits, losing out on the valuable income avenue physical records once provided.

The commitment follows in the footsteps of some smaller indie labels such as Facet Records and Good Boy Records, as well as individual artists such as Kip Moore, who in 2017 pledged an annual bonus for songwriters.

“We want to be fair,” Lucas says. “It’s one of those things where if we sit down and before the album comes out, we say, ‘This [percentage] seems fair.’ We could get down the road and if the single just goes into another realm, who knows? We could change a percentage at that point.”

Ultimately, Brust says, they hope to “create new revenue streams in this the industry.” He adds, “Nashville is built on the song. The best songwriters in the world—I would put us up against anyone. Nashville has it, period. There’s no one better than that. We want songwriters to have a fair chance. If someone’s getting 700 million streams and the songwriter’s barely seeing a dime, that’s not fair. We want to get a part of this ahead of the game and get a fair percentage for them. That’s what we’re most excited about right now—giving back to the community that has been there for us.”

Score 25% Off the TikTok Viral Lip Mask That Has Charli XCX ‘Addicted’

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Your skincare routine doesn’t just end with your face — your mouth also needs some love if you want to avoid dry, chapped lips. Celebrities and TikTok have deemed Laneige the beauty brand for lip-moisturizing products including Charli XCX who previously said she’s “addicted” to the Laneige Lip Sleeping Mask during her Vogue Beauty Secrets video.

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Right now, you can take advantage of some major beauty deals the K-beauty brand is hosting including up to 25% off sitewide on Amazon and Laneige.com.

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Besides being a celeb-loved beauty product, the lip mask has racked up a 4.6 star rating and more than 21,000 verified five-star reviews on Amazon. Shoppers have stated “this lip mask is no joke” and raving how the formula leaves them with “smooth, plump lips.”

Why Is the Laneige Lip Mask So Popular?

Celebrities, shoppers and TikTokers all seem to agree that the lip mask provides almost instant hydration to your lips both day and night. The formula has been described as “thick” and one TikToker even said in a video that it “melts onto your mouth” after application. It even comes in a mixture of scents and flavors — including its latest cotton candy lip mask, which already has over 18,000 reviews on Sephora.

Natural ingredients like shea butter and murumuru seeds are used to help boost your lips’ hydration and it’s also free of formaldehydes and mineral oil.

And, it’s a staff favorite at Billboard too, with one editor writing that he uses it every night before bed. “I love how nourishing it feels on my lips without leaving a sticky coating, or annoying tingly sensation,” he says. “My lips are moisturized overnight and look smoother and plumper.”

“Plus,” he adds, “the mini size makes it super easy for me to take the Laneige Lip Mask with me whenever I travel.”

What Are the Best Laneige Deals?

Rather than hunt for the best Laneige sales yourself, Billboard Shopping discovered some of the best deals including on the brand’s Lip Sleeping Mask and popular Glowy Lip Balm. Below you can shop the bestselling lip products that are reviewer-loved and travel-friendly.

Amazon

Laneige Lip Sleeping Mask

$19.20

$24

20% off

$19.20

$24

20% off

The viral Lip Sleeping Mask is being discounted for less than $20 and comes in a compact tub that you can easily store in your purse or tote bag. There are four flavors to choose from such as mango, berry, vanilla and sweet candy — or you can stock up on them all for a full makeup refresh.

Amazon

Laneige Lip Glowy Balm

$14.40

$18

20% off

$14.40

$18

20% off

The lip mask isn’t the only bestselling Laneige product that’s on sale. You can also snag the popular Glowy Lip Balm for 20% off, dropping it down to $14.40. Amazon has rated the lip balm a No. 1 bestseller for lip balms and moisturizers with over 30,000 bought in the past month, according to the retailer.

For more product recommendations, check out our roundups of the best TikTok beauty dupes, refillable lipstick and classic lipstick shades.

Larry David, Ringo Starr & More Celebrities Mourn ‘Curb Your Enthusiasm’ Star Richard Lewis

Richard Lewis, the beloved comedian and actor known for his role as himself in Curb Your Enthusiasm, has died on Tuesday (Feb. 27) after suffering a heart attack. He was 76 years old.

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“Comedian/Actor Richard Lewis passed away peacefully at his home in Los Angeles last night after suffering a heart attack,” his rep, Jeff Abraham, shared the news via a statement. “His wife, Joyce Lapinsky, thanks everyone for all the love, friendship and support and asks for privacy at this time.”

Lewis quickly became a fan favorite over 40 episodes of Curb Your Enthusiasm, including the 2000 pilot episode. In 2021, he announced that he would not return to the series in order to recover from three surgeries, though he ended up making a one-scene appearance in season 11. He ended up returning for the now-airing final season of the HBO program.

Following the devastating news, Lewis’ longtime friend and Curb co-star Larry David shared his own statement of mourning. “Richard and I were born three days apart in the same hospital and for most of my life he’s been like a brother to me,” he wrote in the statement shared by HBO. “He had that rare combination of being the funniest person and also the sweetest. But today he made me sob and for that I’ll never forgive him.”

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Lewis’ Anything But Love co-star Jamie Lee Curtis also took to Instagram to share a lengthy, emotional tribute to her late friend. “He also is the reason I am sober. He helped me,” she wrote in part. “I am forever grateful for him for that act of grace alone. He found love with Joyce and that, of course, besides his sobriety, is what mattered most to him. I’m weeping as I write this. Strange way of saying thank you to a sweet and funny man.”

Many of Lewis’ famous friends and colleagues flooded social media with messages of love and memories of the comedian. See below.

NBA YoungBoy “Boat,” Mistah F.A.B “Letter To The Jacka” & More | Daily Visuals 2.28.24

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The Benjamin Crump Awards

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All of his fans know that NBA YoungBoy’s music videos tend to be different segments of MTV Cribs as the rapper always uses his personal estate as the backdrop for his visuals, but this time around the artist from Banton Rouge actually travels outside his compound with his close friends and family in tow.

In his latest visuals for “Boat,” NBA takes his team out for a stroll through a snowy mountain with a truck stacked with bricks of cash which is counted on a money machine by his female company to make sure no one came up short on their payment. Does this man not believe in bank accounts?

Back on the Left Coast, Hip-Hop legend Mistah F.A.B pays homage to his man with his latest clip to “Letter To The Jacka” and reminices about the times they had while showing pictures of himself alongside the dearly departed.

Check out the rest of today’s drops including work from Dthang, Jay Critch, and more.

NBA YOUNGBOY – “BOAT”



MISTAH F.A.B – “LETTER TO THE JACKA”



DTHANG – “DRILL CAPPERS”



JAY CRITCH – “KICK IT”



REENI RUCCI – “LOVE YOU MORE”



MONE CORLEONE – “BARKING AT THE MOON”



RITCHIE FT. AMINE – “DIZZY”



KIDD KIDD FT. B.G. – “YELLOW TAPE”