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Raphael Saadiq Signs With Forward Artist Management: Exclusive

Raphael Saadiq has signed with Forward Artist Management, Billboard has learned exclusively. The new agreement with the Los Angeles-based firm follows in the wake of the Grammy Award-winning singer-songwriter-producer’s latest success: co-writing and co-producing Beyoncé’s first Hot 100 No. 1 country single, “Texas Hold ‘Em.”

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Forward Artist Management head Tyler Childs tells Billboard, “Raphael is one-of-one. He’s been making history, creating some of the biggest musical moments of the last 30 years. He continues to write and rewrite the playbook on what an elite artist, producer, songwriter and creative is. The entire FAM team is thrilled to support him and excited to get to work.”

In addition to “Texas Hold ‘Em,” Saadiq co-wrote and co-produced Beyoncé’s concurrently released country single “16 Carriages.” He also won the best R&B song Grammy last year for Beyoncé’s “Cuff It,” which he co-wrote and produced for her most recent album Renaissance. A founding member of seminal R&B trio Tony! Toni! Toné! — which reunited in 2023 for a sold-out national theater tour, its first in 25 years — Saadiq has worked with a diverse slate of superstar artists during his lengthy career. That roster includes Stevie Wonder, Whitney Houston, Usher, Erykah Badu, Mary J. Blige and Solange.

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His latest project as a solo artist was 2019’s Jimmy Lee. He also co-wrote the Academy Award-nominated song “Mighty River,” from the film Mudbound, with Blige and Tara Stinson. Saadiq is represented by Tim Mandelbaum of Fox Rothschild.

Forward Artists’ Childs also manages RZA and The Wu-Tang Clan, who launched the first-ever hip-hop residency at The Theater at Virgin Hotels Las Vegas last month with two more dates scheduled for March 22-23. Additional Forward Artist clients include Benjamin Booker (managed by Jacob Greene), Tyler Cole and Sarah Cothran.

Prior to Forward Artist Management, Childs served as vp of A&R/creative at Sony ATV Music Publishing. While there, he worked with artists and songwriters such as Ilsey Juber (Panic at the Disco’s “High Hopes,” Shawn Mendes’ “Mercy” and Mark Ronson and Miley Cyrus’ “Nothing Breaks Like a Heart”), Walk the Moon (“Shut Up and Dance”), Imagine Dragons (“Whatever it Takes”) and Pitbull featuring Ne-Yo (“Time of Our Lives”). Other artists that Childs collaborated with include Clairo, James Blake and Tegan and Sara.

Apple Fined Nearly $2B European Union Over Music Streaming Competition

The European Union leveled its first antitrust penalty against Apple on Tuesday, fining the U.S. tech giant nearly $2 billion for breaking the bloc’s competition laws by unfairly favoring its own music streaming service over rivals.

Apple banned app developers from “fully informing iOS users about alternative and cheaper music subscription services outside of the app,” said the European Commission, the 27-nation bloc’s executive arm and top antitrust enforcer.

That is illegal under EU antitrust rules. Apple behaved this way for almost a decade, which meant many users paid “significantly higher prices for music streaming subscriptions,” the commission said.

The 1.8 billion-euro fine follows a long-running investigation triggered by a complaint from Swedish streaming service Spotify five years ago.

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The EU has led global efforts to crack down on Big Tech companies, including a series of multbillion-dollar fines for Google and charging Meta with distorting the online classified ad market. The commission also has opened a separate antitrust investigation into Apple’s mobile payments service.

The commission’s investigation initially centered on two concerns. One was the iPhone maker’s practice of forcing app developers that are selling digital content to use its in-house payment system, which charges a 30% commission on all subscriptions.

But the EU later dropped that to focus on how Apple prevents app makers from telling their users about cheaper ways to pay for subscriptions that don’t involve going through an app.

The investigation found that Apple banned streaming services from telling users about how much subscription offers cost outside of their apps, including links in their apps to pay for alternative subscriptions or even emailing users to tell them about different pricing options.

The fine comes the same week that new EU rules are set to kick in that are aimed at preventing tech companies from dominating digital markets.

The Digital Markets Act, due to take effect Thursday, imposes a set of do’s and don’ts on “gatekeeper” companies including Apple, Meta, Google parent Alphabet, and TikTok parent ByteDance — under threat of hefty fines.

The DMA’s provisions are designed to prevent tech giants from the sort of behavior that’s at the heart of the Apple investigation. Apple has already revealed how it will comply, including allowing iPhone users in Europe to use app stores other than its own and enabling developers to offer alternative payment systems.

The commission also has opened a separate antitrust investigation into Apple’s mobile payments service, and the company has promised to open up its tap-and-go mobile payment system to rivals in order to resolve it.

Troye Sivan Among Nominees for 2024 Rolling Stone Australia Awards

After cleaning up at the 2023 ARIA Awards, Troye Sivan is in the box seat heading into the 2024 Shure Rolling Stone Australia Awards, set for March 26 in central Sydney.

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The Aussie pop singer Sivan is in the hunt for best record with Something to Give Each Other, his ARIA Chart-topping 2023 album, and the Rolling Stone Global Award. Sivan dominated the ARIAs with four wins, extending his career collection of pointy trophies to six.

Almost nominated for multiple RS Awards categories are Dom Dolla, Peach PRC, Teen Jesus and The Jean Teasers, The Teskey Brothers and Fisher.

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For the first time, the Ivy Sydney will host the ceremony, with winners in five categories announced on the night: best record, best single, best new artist, Rolling Stone Global Award and and the Reader’s Choice Award.

Also announced today (March 4), Kylie Minogue has a chance to add more silverware to her treasure chest with a nod for the Global Award, for which the brand’s international editorial teams, including editors from Rolling Stone U.S. and Rolling Stone U.K., cast their votes.

Kylie is riding a hot streak. The “princess of pop” received the global icon honor at the weekend during the 2024 Brit Awards in London; recently signed with United Talent Agency (UTA) for live representation in the U.S. and Canada and acting roles worldwide; her More Than Just a Residency show in Las Vegas has been extended through May; she won her second Grammy last month; and she’ll receive Billboard’s Women in Music Icon Award at a ceremony March 6.

“Throughout 2023, Australian artists continue to surpass expectations both domestically and on a global stage, and we’re excited to recognize the ongoing growth of our local music scene,” comments Poppy Reid, editor-in-chief at Rolling Stone Australia publisher The Brag Media. “Our fourth annual Rolling Stone Awards will recognize the outstanding work and exceptional artists emerging from this country. We are also stoked to welcome back our headline partner Shure, who have a longstanding commitment to showcasing and supporting local music. We look forward to celebrating with the music industry on March 26.”

Rolling Stone Australia’s average issue readership is up 10.5% to 243,000 for the 12 months to September 2023, according to the latest Roy Morgan Australian Magazine Readership Report. That result represents a sixth consecutive quarter of double-digit growth for the domestic print edition of Rolling Stone.

2024 Shure Rolling Stone Australia Awards Nominees:

Best Single
Dom Dolla ft. MK – ‘Rhyme Dust’
Budjerah – ‘Therapy’
Amy Shark – ‘Can I Shower At Yours’
Fisher ft Kita Alexander – ‘Atmosphere’
Peach PRC – ‘Perfect For You’
Teen Jesus and the Jean Teasers – ‘I Used to be Fun’
Lime Cordiale – ‘Colin’
Tkay Maidza ft. Flume – ‘Silent Assassin’

Best New Artist
Royel Otis
Dom Dolla
Oliver Cronin
The Rions
Teen Jesus and the Jean Teasers
GrentPerez
Blusher
Old Mervs

Best Record
Teenage Dads – Midnight Driving
G Flip – DRUMMER
The Amity Affliction – Not Without My Ghosts
The Teskey Brothers – The Winding Way
Troye Sivan – Something to Give Each Other
Brad Cox – Acres
Dope Lemon – Kimosabè
Peach PRC – Manic Dream Pixie

Rolling Stone Global Award
Kylie Minogue
Tones And I
Troye Sivan
The Teskey Brothers
Dom Dolla
DMA’S
Fisher
Vacations
Tame Impala

Brit Scarlett Lee Brings The ‘Vibe,’ Wows Judges on ‘American Idol’: Watch

Go west, they said. Scarlett Lee did just that with an audition on American Idol, for a glittering result.
Raised in London, the Brit stepped into auditions Sunday night (March 3) and showcased her warm tones and extensive range, performing a cover of Emeli Sandé’s “Clown.”

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The three judges lapped it up.

“Oh, my goodness,” was Lionel Richie’s immediate response. “You do know that your trip was worth it. It was so well executed. I really enjoyed what you did.”

Luke Bryan chimed in: “What I do love is you have a neat personality. You have a neat little aura and vibe going on.”

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Katy Perry admitted she was hesitant when she heard the song choice. “Are we being pranked here,” was her initial thought. No, no it wasn’t. “That is one of my favorite songs,” the “Firework” singer continued. “It’s so vulnerable.”

It’s not the 26-year-old’s first rodeo. In 2018, Lee competed in the 15th season of the U.K.’s X Factor, finishing in second place, behind winner Dalton Harris; and participated in the 14th season, reaching the six-chair challenge.

Wearing a red dress, heels and bringing a “vibe” to the Idol auditions, Lee immediately won fans. “You’re fun and a little bit funky,” Perry continued. “Your personality is so big, and sometimes people don’t take you seriously. But when you sing a song and you sing a song like that, then you cut through all of the layers. It doesn’t matter the makeup, it doesn’t matter the outfit. You become Scarlett Lee the artist. The possible next American Idol. You become serious. So I’m taking you seriously. Your soul is shining through.”

It’s three yeses for Lee. And a golden ticket to Hollywood.

Judges Richie, Perry and Bryan and host Ryan Seacrest have all returned for the current, 22nd season of American Idol, which will be Perry’s last, she revealed in an interview with Jimmy Kimmel Live! ahead of the season premiere on Feb. 18.

The talent show airs on Sundays at 8 p.m. ET on ABC.


https://youtube.com/watch?v=f8Yr9Rnv62I&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Rod Stewart and Jools Holland Storm to U.K. No. 1 With ‘Swing Fever’

Swing Fever whips through the U.K. as Rod Stewart and Jools Holland claim their first collaborative album title.

The leader at the midweek point, Swing Fever (via EastWest/Rhino) outpaces its closest rival by almost two-to-one, the Official Charts Company reports, to debut at No. 1 on the national tally, published Friday, March 1.

Swing Fever is the first solo leader for Holland, the TV host, bandleader and Squeeze keyboardist, and Stewart’s 11th – a feat that sees the British icon draw draw level with David Bowie, Taylor Swift and U2 on the all-time list of acts with the most No. 1 albums in the U.K.

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Slotting in at No. 2 on the Official Chart is the Snuts’ Millennials (Happy Artist), the Scottish band’s third studio LP. It’s the band’s third successive appearance in the top 3, following 2021 leader W.L. and 2022’s No. 3-peaking Burn The Empire (the Snuts’ debut EP Mixtape maxed-out at No. 14 in 2020).

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Noah Kahan’s former leader Stick Season (Republic Records) holds at No. 3, to complete the podium.

Also landing a top 10 berth this week is British rapper and songwriter Potter Payper, with Thanks For Hating (36TL), new at No. 5. That’s a fourth top 10 appearance on the albums tally for Potter (real name: Jamel Bousbaa) following 2020’s Training Day 3 (No. 3), 2021’s Thanks For Waiting (No. 8) and 2023’s Real Back In Style (No. 2).

Liverpool six-piece Red Rum Club bag a first-ever top 10 with their third studio album Western Approaches (Modern Sky), new at No. 8. That’s strides ahead of the group’s previous best, a No. 34 peak for 2021’s How To Steal The World.

Also enjoying top 40 debuts on the latest Official U.K. Albums Chart are titles from Nadine Shah (Filthy Underneath at No. 25 via EMI North) and Ghetts (On Purpose, With Purpose at No. 29 via Warner Records).

Beyoncé Retains U.K. Chart Crown With ‘Texas Hold ‘Em’

Stranger things are happening on the U.K. singles chart as Djo cracks the top five for the first time with “End of Beginning,” while Beyoncé lassos a second week at No. 1 with “Texas Hold ‘Em”.

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Djo is the musical project of Joe Keery, the U.S. actor who portrays Steve Harrington in the popular Netflix sci-fi series Stranger Things.

“End of Beginning” is housed on Djo’s 2022 studio album Decide (AWAL/Djo), but was never released as a single proper. Now, thanks to a viral trend on TikTok, “End of Beginning” rockets up the chart, flying 100-11-5 in the past three weeks. For the latest cycle, the dreamy indie pop single enjoyed a 50.7% week-on-week gain, according to the Official Charts Company.

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This isn’t the first time a Stranger Things-adjacent tune has enjoyed an unexpected viral turn. In 2022, powered by season four syncs, Kate Bush’s 1985 release “Running Up That Hill (A Deal With God)” climbed to No. 1 for the first time, setting records along the way, while Metallica’s “Master of Puppets” cracked the top 40 following Eddie Munson’s guitar solo scene – becoming a hit for the first time some 37 years after its release.

Meanwhile, Beyoncé extends her reign over the Official U.K. Singles Chart, published Friday, March 1, as her country-tinged hit holds at No. 1 for a second week. “Texas Hold ‘Em” (via Columbia/Parkwood Ent) became Bey’s sixth U.K. leader, and her first in 14 years.

Teddy Swims’ “Lose Control” (Atlantic) lifts 3-2 for a new peak position, while Benson Boone’s “Beautiful Things” (Warner Records) dips 2-3.

Further down the tally, Kanye West and Ty Dolla $ign crash the top 10 with “Carnival” (YZY), up 13-9, a new peak position. That’s Ye’s 22nd U.K. top 10 appearance and Ty’s fourth.

Finally, SZA snags a top 20 debut with “Saturn” (RCA/Top Dawg), new at No. 15 for the U.S. R&B star’s 13th U.K. top 40 appearance, while British rapper Central Cee scores his 24th top 40 with “I Will” (Columbia). It’s new at No. 18.

‘Barbie’ Wins Big at 2024 Guild of Music Supervisors Awards: Full Winners List

The Barbie ballad “What Was I Made For?” by Billie Eilish and Finneas won best song written and/or recorded for a film at the 2024 Guild of Music Supervisors Awards, which were held at the Wiltern Theatre in Los Angeles on Sunday (March 3). The awards, now in their 14th year, celebrate the craft of music supervision in film, television, documentaries, advertising, trailers and video games.

“What Was I Made For?” is the front-runner to win the Oscar for best original song on March 10. If it does, it will be the third GMS winner to go on to win the Oscar, following “City of Stars” from La La Land and “Shallow” from A Star Is Born.

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Eilish and Finneas accepted the award in person and thanked music supervisors for placing their songs in films and TV, dating back to Eilish’s first hit, “Ocean Eyes.” Finneas said, “If we owe our careers to any group of people, it really in all honesty is music supervisors.”

This being the GMS Awards, the award for best song written and/or recorded for a film also went to Barbie music supervisor George Drakoulias, who won a second award for his work on that blockbuster: best music supervision for a film budgeted over $25 million. Drakoulias thanked many people, including executives at Atlantic Records. “If you have a chance to make a soundtrack, make it with Kevin Weaver, because he’s a pitbull. We would do these weekly calls and [it] was like ‘this was an embarrassment of riches.’ Everybody said yes.”

Other double winners on the night were Toko Nagaro (Joy Ride, Totally Killer), Frankie Pine (Daisy Jones & The Six) and Alex Hackford (Marvel’s Spider-Man 2 video game).

Two months after winning a Primetime Emmy for outstanding music supervision for The White Lotus, Gabe Hilfer received a GMS Award for best music supervision, television drama for his work on the HBO Max series.

The Icon Award was presented posthumously to Robbie Robertson, who is nominated for an Oscar for best original score for his work on Killers of the Flower Moon. Rocco DeLuca and Johnny Sheppard performed the hushed “They Don’t Live Long” from Killers. Margo Price, Robert Randolph and Jairus Mozee performed Robertson’s “Evangeline,” which Emmylou Harris introduced in the 1978 film The Last Waltz. Robertson’s award was accepted by his three grown children, Alexandra, Delphine and Sebastian, all of whom have built successful careers in the music field. Previous recipients of the Icon Award include Paul Williams, Diane Warren, Quincy Jones, Burt Bacharach, Kenny Loggins and Marc Shaiman.

The Legacy Award went to music supervisor Allan Mason, who has worked on more than two dozen films, including several that were directed by Barry Levinson, among them Good Morning, Vietnam, Rain Man and Bugsy. Some of the vintage songs Levinson found for movies later became major hits, including Louis Armstrong’s “What a Wonderful World” from Good Morning, Vietnam and The Proclaimers’ “I’m Gonna Be (500 Miles)” from Benny & Joon. Mason took to the stage wearing a Strawberry Alarm Clark T-shirt and carrying his beloved dog, Benny. (“I feel without a doubt he’s here and I’m his +1,” Mason said of Benny.) Previous recipients of the Legacy Award include Pilar McCurry, Mitchell Leib, Maureen Crowe, Bob Hunka, Joel Sill, Gary Lemel and Chris Montan. 

Jonathan Finegold won best music supervision for a documentary for Little Richard: I Am Everything. “The king of rock’n’roll is Black and he’s gay, and we need to realize that,” Finegold said. He also fessed up that when he was 11 and 12 and was supposed to be listening to instructional cassettes to study for his bar mitzvah, he was actually listening to Barry White’s Greatest Hits, Abbey Road and Hot Rocks

Dan Wilson performed his nominated song “It Never Went Away” from the film American Symphony, which he co-wrote with Jon Batiste. Batiste is set to perform it on the Oscars, where it is nominated for best original song. India Carney performed her nominated song “I Found You” from the Showtime series The L Word: Generation Q. Spotlight Performer d4vd, signed to Interscope/Darkroom, performed “Romantic Homicide.” Tia P performed a rap song, “Stay Ready,” which served as a thank-you to the event’s sponsors, each of whom got a name-check in the song.

Presenters included Mark Ronson, Tyrese Gibson, Nia Vardalos, Ben Platt & Noah Galvin, Luca Guadagnino, PJ Morton, RuPaul’s Drag Race’s Crystal Methyd, Freddy Scott, Ryan Lott of Son Lux and Volker Bertelmann.

The event was produced by the Guild of Music Supervisors Awards production committee – president Lindsay Wolfington (who won an award as the music supervisor of Theater Camp), vice president Heather Guibert, plus Joel C. High and Janet Lopez. Show production is handled by Angelia Bibbs-Sanders from ABS Collective with talent producer Julie Donsky and technical production by Nick Urbom from Big Push Media Group. 

Here’s a complete list of nominations for the 2024 Guild of Music Supervisor Awards, with winners marked.

FILM

Best music supervision for film budgeted over $25 million

Matt Aberle – The Holdovers

Deva Anderson, Rachel Lautzenheiser – My Big Fat Greek Wedding 3

Stephanie Diaz-Matos, Philippe Pierre – They Cloned Tyrone

WINNER: George Drakoulias – Barbie

Steven Gizicki – Maestro

Kirsten Lane – Saltburn

Kier Lehman – Spider-Man: Across the Spider-Verse

Frankie Pine – Are You There God? It’s Me, Margaret.

James A. Taylor – Wonka

Andrea von Foerster – Air

Best music supervision for film budgeted $25 million and under

Lucy Bright – The Iron Claw

Kevin Edelman – Jesus Revolution

Connie Farr – All of Us Strangers

Carly Hildebrand, Natalie Hayden – Polite Society

Vanessa Jorge Perry – Flamin’ Hot

WINNER: Toko Nagata – Joy Ride

Best music supervision for film budgeted $10 million and under

Adam Bennati – Aristotle and Dante Discover the Secrets of the Universe

Jody Colero – Brother

Meghan Currier – Past Lives

Tracy McKnight – Somewhere in Queens

Howard Paar – Eileen

Andy Ross, Ben Sokoler – War Pony

Michael Turner – Paint

WINNER: Lindsay Wolfington – Theater Camp

Best music supervision for a non-theatrically released film

WINNER (TIE): Angela Asistio – Chang Can Dunk

Linda Cohen – Please Don’t Destroy: The Treasure of Foggy Mountain

David Fish – Rye Lane

Liz Gallacher – Sitting in Bars with Cake

Rob Lowry, Tracy McKnight – Family Switch

WINNER (TIE): Toko Nagata – Totally Killer

Javier Nuño, Joe Rodríguez – A Million Miles Away

Wyler Sanca – Heist 88

Derryck “Big Tank” Thornton – Praise This

Best song written and/or recorded for a film

“Am I Dreaming” – Spider-Man: Across the Spider-Verse; Songwriters: Mike Dean, Peter Lee Johnson, Rakim Mayers, Roisee, Leland Wayne, Landon Wayne; Performers: Metro Boomin, A$AP Rocky, Roisee; Music Supervisor: Kier Lehman

“Camp Isn’t Home” – Theater Camp; Songwriters: Noah Galvin, Molly Gordon, Nick Lieberman, Ben Platt, Mark SonnenblickPerformers: Alexander Bello, Bailee Bonick, Donovan Colan, Noah Galvin, Molly Gordon, Luke Islam, Madisen Lora, Kyndra Sanchez, Jack Sobolewski, Quinn TitcombMusic Supervisor: Lindsay Wolfington

“Can’t Catch Me Now” – The Hunger Games: The Ballad of Songbirds & Snakes; Songwriters: Dan Nigro, Olivia Rodrigo; Performer: Olivia Rodrigo; Music Supervisor: Hillary Holmes

“I’m Just Ken” – Barbie; Songwriters: Mark Ronson, Andrew Wyatt; Performer: Ryan Gosling; Music Supervisor: George Drakoulias

“It Never Went Away” – American Symphony; Songwriters: Jon Batiste, Dan WilsonPerformer: Jon BatisteMusic Supervisor: Priya Autrey

“JUICY” – Joy Ride; Songwriters: Isak Alvedahl, Kirubel Swedin, Sandra WikstromPerformer: RamengvrlMusic Supervisor: Toko Nagata

“Little Bit ‘O Soul” – Totally Killer; Songwriters: John Carter, Kenneth HawkerPerformer: The Linda LindasMusic Supervisor: Toko Nagata

“Quiet Eyes” – Past Lives; Songwriters: Zachary Dawes, Sharon Van EttenPerformer: Sharon Van EttenMusic Supervisor: Meghan Currier

“Road to Freedom” – Rustin; Songwriter: Lenny KravitzPerformer: Lenny KravitzMusic Supervisor: Barry Cole

WINNER: “What Was I Made For?” – Barbie; Songwriters: Billie Eilish O’Connell, Finneas O’ConnellPerformer: Billie EilishMusic Supervisor: George Drakoulias

TELEVISION

Best music supervision – television drama

Ed Bailie, Abi Leland, Toby Williams – Top Boy Season 3

Zoë Ellen Bryant, Pete Saville – I Hate Suzie Too Season 2

Rick Clark – Dark Winds Season 2

Nora Felder – Yellowjackets Season 2

WINNER: Gabe Hilfer – The White Lotus Season 2

Jonathan Leahy, Manish Raval, Tom Wolfe – Welcome to Chippendales Season 1

Janine Scalise – The L Word: Generation Q Season 3

Best music supervision – television comedy or musical

Matt Biffa – Sex Education Season 4

Leah Harrison – I’m a Virgo Season 1

Mike Moreno – Mariachis Season 1

Javier Nuño, One Six, Joe Rodríguez – Neon Season 1

WINNER: Frankie Pine – Daisy Jones & The Six Season 1

Robin Urdang – The Marvelous Mrs. Maisel Season 5

Justine von Winterfeldt – Pitch Perfect: Bumper in Berlin Season 1

Laura Webb, Lindsay Wolfington – XO, Kitty Season 1

Best music supervision – reality television

Greg Danylyshyn – Teen Mom: The Next Chapter Season 1

Peter Davis – Are You the One? Season 9

Jon Ernst – Love Is Blind Season 5

WINNER: Carrie Hughes – Love & Hip Hop: Miami Season 5

Sara Torres, Jordan Young – Love Island USA Season 5

Best song written and/or recorded for television

“A Beautiful Game” – Ted Lasso; Songwriters: Max Martin, Ed Sheeran, Foy Vance; Performer: Ed Sheeran; Music Supervisors: Christa Miller, Tony Von Pervieux

“City On Fire” – City on Fire; Songwriter: Zach Ellis; Performer: Ex Post Facto; Music Supervisor: Jonathan Leahy

“Esperando Pelitos” – Big Mouth; Songwriter: Lin-Manuel MirandaPerformers: Robin De Jesús, PJ Sin SuelaMusic Supervisor: Amanda Krieg Thomas

“I Found You” – The L Word: Generation Q; Songwriters: Annalia Marie Mallory, Viv Parker, Lexxi Taylor SaalPerformer: India CarneyMusic Supervisor: Janine Scalise

WINNER: “Look At Us Now (Honeycomb)” – Daisy Jones & The Six; Songwriters: Jason Boesel, Blake Mills, Marcus Mumford, Johnathan Rice, Stephony SmithPerformer: Daisy Jones & The SixMusic Supervisor: Frankie Pine

“The Manster (Dr. Hunkenstein’s Theme)” – Welcome to Chippendales; Songwriters: Dan Bern, Siddhartha Khosla, Robert Siegel, Mike Viola; Performer: Welcome to Chippendales cast; Music Supervisors: Jonathan Leahy, Manish Raval, Tom Wolfe

“Pussy Don’t Lie” – Big Mouth; Songwriters: Megan Pete, Mark RiversPerformer: Megan Thee StallionMusic Supervisor: Amanda Krieg Thomas

“Staplehead” – Poker Face; Songwriters: John Darnielle, Jamey JastaPerformer: DoxxxologyMusic Supervisor: Thomas Golubić

Documentaries

Best music supervision for a documentary

Justin Feldman – All Up in the Biz

WINNER: Jonathan Finegold – Little Richard: I Am Everything

Joel C. High – Maxine’s Baby: The Tyler Perry Story

Susan Jacobs – Wild Life

Aminé Ramer, Andrea von Foerster – Peter Case: A Million Miles Away

Amani “Burt Blackarach” Smith – Stamped from the Beginning

Allison Wood – Last Stop Larrimah

Best music supervision in a docuseries

Janet Billig Rich, Lisa Moberly – Dear Mama Season 1

James Cartwright – Muscles & Mayhem: An Unauthorized Story of American Gladiators Season 1

Kyle McKeveny, Joe Rudge – The Super Models Season 1

WINNER: Andrea von Foerster – Welcome to Wrexham Season 2

Willa Yudell – Arnold Season 1

Advertising

Best music supervision in advertising (synch)

Jeremy Daw, JT Griffith – Nike: A Feel for Every You

Andrew Kahn, Morgan Thoryk – Check ‘Em Out

Sunny Kapoor, Mike Ladman, Mara Techam – Going Out in Style in the Greatest Story Ever Worn

Sunny Kapoor, Mike Ladman, Brandy Ricker, Mara Techam – One Fair Exchange in the Greatest Story Ever Worn

Mike Ladman, Mara Techam – Rumble

Sara Matarazzo, Stephanie Pigott, Danielle Soury – American Gothic

WINNER: Scott McDaniel – Run This Town – The Road to Halftime Starts on Rihanna Drive

Lilah Obregon-Wilson – Wear Your Shine – The Coach Shine Collection

Jonathan Wellbelove – iPhone 14 – Action Mode

Best music supervision in advertising (original music)

Abbey Hendrix, Mika Sheerin, Jonathan Wellbelove – iPhone 15 Pro – On with the Show

Mike Ladman, Mara Techam – Unshattered

Mike Ladman, Mara Techam – More of Life Brought to Life – Sneakers

Sara Matarazzo, Stephanie Pigott, Danielle Soury – Xbox Series X|S – Wake Up and Dream

WINNER: Nicole Palko, Jonathan Wellbelove – iPhone 15 Plus – Miss You

Trailers

Best music supervision in a trailer – film

Maggie Baron – Problemista – Official Trailer

Deric Berberabe, Jordan Silverberg – Killers of the Flower Moon – Official Trailer 2

Calum Brice-Stevens – All of Us Strangers – Official Trailer

Danny Exum, Derek Liner – Sisu – Official Trailer

Bobby Gumm – Damsel – Official Trailer

WINNER: Angel Mendoza – Killers of the Flower Moon – Official Teaser Trailer

Scenery Samundra, Gregory Sweeney – Priscilla – Official Trailer

Best music supervision in a trailer – series

Isaac Allaway, Eduardo Fontes Williams – The Crown Season 6 – Part 2 Trailer

Maggie Baron – The Idol – Official Teaser Trailer

Deric Berberabe, Jordan Silverberg – Monarch: Legacy of Monsters – Official Trailer

Deric Berberabe, Jordan Silverberg – Swarm – Official Trailer

Bobby Gumm – The Witcher Season 3 – Official Trailer

WINNER: Rochelle Holguin Cappello, Katie Pool – Yellowjackets Season 2 – Official Trailer

Sanaz Lavaedian, Marina Polites – Griselda – Official Trailer

Best music supervision in a trailer – video game & interactive

Jonny Altepeter, Peter Li – VALORANT – Iso Agent Trailer – MYTHS

WINNER: Rebecca Bergman, Brian Murphy – Suicide Squad: Kill the Justice League – Official Justice League Trailer – “No More Heroes”

Chris Fox, Kyle Hopkins – South of Midnight – Announce Trailer

Lindsey Kohon, Naaman Snell, Ryan Tomlin, Brandon Young – Call of Duty: Modern Warfare III – Gameplay Reveal Trailer

Raphaella Lima, Michael Sherwood – Apex Legends: Ignite Launch Trailer

Nick Maker – Marathon – Official Announce Trailer

Ryan Tomlin, Brandon Young – Call of Duty: Modern Warfare III – Makarov Reveal Trailer

Video Games

Best music supervision in a video game (synch)

WINNER: Alex Hackford – Marvel’s Spider-Man 2

Alex Hackford, Sophie Levine, Monty Mudd – MLB ’23: The Show

Maya Halfon Cordova – Forza Horizon 5: Rally Adventure

Raphaella Lima, Cybele Pettus, Steve Schnur – EA SPORTS FC 24

Raphaella Lima, Cybele Pettus, Steve Schnur – F1 23

Raphaella Lima, Cybele Pettus, Steve Schnur – Madden NFL 24

Ryan Tomlin, Brandon Young – Call of Duty: Modern Warfare II, Season 2-6

Best music supervision in a video game (original music)

WINNER: Alex Hackford, Scott Hanau, Keith Leary – Marvel’s Spider-Man 2; Composer: John Paesano

Simon Landry, Alex Riviere – Avatar: Frontiers of Pandora; Composer: Pinar Toprak

Steve Schnur – Star Wars Jedi: Survivor; Composers: Stephen Barton, Gordy Haab

Jaren Tolman – Hogwarts Legacy; Composers: Peter Murray, Chuck E. Myers, J. Scott Rakozy

Austin Wintory – Stray Gods: The Roleplaying Musical; Composers: Montaigne, Tripod, Austin Wintory

Brandon Young – Call of Duty: Modern Warfare III; Composer: Walter Mair

U2’s Bono Dedicates ‘All I Want Is You’ to First Lady Jill Biden During Final Sphere Performance

U2 wrapped the inaugural residency at Las Vegas‘ $2.3 billion technical and visual marvel Sphere this weekend, closing out a 40-show run that started in September. Fittingly, the legendary band did so by bringing things full circle.

The shows commemorated one of U2’s most successful records, the chart-topping 1991 release Achtung Baby, played in its entirety with selected tracks from other U2 efforts over the years. To further honor the album, U2 bandmates Bono, The Edge, Adam Clayton and Bram van den Berg (sitting in during the residency for an ailing Larry Mullen Jr.) welcomed Achtung Baby producer Daniel Lanois to the stage on Saturday night to play guitar and sing backup on the track “One.”

“There would be no Achtung Baby without Daniel Lanois,” Bono said in welcoming him up the back stairs with a request to the audience. “Show him your light,” and they did by holding up smartphone flashbulbs in a beautiful scene. And there would be no U2 without Mullen, who was given a special shout-out from the band during both the Friday and Saturday night performances at Sphere, located at The Venetian Resort. But it was on Friday when the following happened.

“The rumors that Larry will be playing with us tonight are not true, sadly. But he is here with us,” Bono said of the drummer, who spent 2023 recuperating from surgery and injuries he sustained over a career rocking out. “That is the man who pinned the note on the notice board at Mount Temple Comprehensive School all those years ago. We are very grateful that he did, and that he’s here with us tonight. We wish him a speedy, speedy, speedy recovery. We love you, Larry Mullen Jr.”

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Cameras then cut to a VIP box where Mullen was seen beaming in front of the capacity crowd close to 20,000, as the audience erupted with cheers and chants of “Larry!” There were other VIPs on the scene for the final weekend of Sphere shows starring U2. Fellow rocker Lenny Kravitz checked out Friday’s show and on Saturday night, when The Hollywood Reporter was in attendance, rock star Dave Grohl and Brett Ratner were spotted. On the microphone, Bono also offered happy birthday wishes to Coldplay’s Chris Martin and Mick Jagger’s daughter, Elizabeth Jagger, both of whom turned a year older on March 2 birthdays and presumably celebrated inside Sphere.

But there was one more extra special VIP in attendance. Ahead of performing “All I Want Is You,” a song from their 1988 album Rattle and Hum, Bono had a few words to say and some news to break about that boldfaced name in the building.

“This song, when we wrote it, I tried to write the lyrics from the point of view of the woman or the bride, in this case, which is pretty arrogant, I suppose. That was a trick for me to get to the lyric I was playing on myself,” explained Bono. “Tonight, I want to dedicate it to all the great women in our lives — our partners, our mothers, our daughters, all the women on the U2 crew, all the great women in our audience that we feel we know, and all the great women in parts of the world going through very difficult circumstances that we could never know. And one woman in particular who is with us tonight, she’s a teacher. She’s your First Lady, so this is for Jill Biden.”

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The audience cheered, and the woman seated next to THR whispered, “That explains all the extra security and bomb-sniffing dogs at the VIP drop-off and in the garage.” According to local reports, Biden touched down in Las Vegas on Saturday for a campaign event for her husband President Biden’s re-election efforts in the important swing state of Nevada. No word on whether she experienced any issues, though countless Vegas visitors faced massive delays and canceled flights due to heavy winds in the area.

Saturday night’s show, which kicked off at 9 p.m. following an opening DJ set from Pauli Lovejoy aka Pauli the PSM, also featured other notable moments. U2 closed out the concert by playing “40,” a 1983 tune from War that they previously leaned on to close many gigs during the 1980s. In another fitting moment, it was the 40th show. “It’s been 40 days and 40 nights in the desert,” Bono noted. “What’s a fellow with a messianic complex going to do? Here’s a song we wrote in 40 minutes. I opened up the sacred text of the Psalm of David. I just kind of read it out. That was the lyric.”

Closer to the top of the show, Bono explained how the band was feeling at the end of this groundbreaking run. “Look where we get to go to work. Welcome to the last night of Achtung Baby at the Sphere. This evening we are not just getting married in an Elvis chapel, we are getting married in an Elvis cathedral. We are feeling very much alive. Grateful to be alive, and in quite a flirtatious mood actually.”

The mood also got profoundly political later in the night when Bono and the band turned their attention to Alexei Navalny, something they’ve been doing during the shows since the death of the Russian opposition leader on Feb. 16. They’ve dedicated performances of the Crowded House hit “Don’t Dream It’s Over,” and the song was included on Saturday’s setlist once again but became brand new thanks to Crowded House founding member Neil Finn.

“This is a tightly constructed show, but as it’s our last night, we wondered if it might be OK to experiment on you a little bit. The idea is to record something special to honor Alexei Navalny’s widow, Yulia, who is continuing a fight against Vladimir Putin for a free, free Russia, which is what we want for the Russian people,” Bono announced in setting up the special moment. “The other day we got a beautiful email from Neil Finn, who wrote this bewildering beautiful song and he attached to the email a version of this song that he said we could play on or whatever we wanted. It’s a new version that he did, and we thought if we are going to record it, well, maybe if you would be on that recording and we could make that session the last night recording session and dedicating it to Yulia.”

He called the track “a song about freedom,” and before they got going, he made a request of the audience. “Let’s try and record this if we might. Neither parties have spoken to our record labels, so this might be the only recording that ever exists so please take out your phones and send it to whoever loves freedom that you know,” Bono said of the recording, seen in its entirety below. “And maybe send it to some people that don’t — there’s a few of them around.”

Following the U2: UV Achtung Baby residency, the Irish rockers are said to be focusing their attention on a rock heavy album. As for Sphere, U2 will be replaced on the schedule with upcoming dates by Dead & Company, Phish and other special events like Darren Aronofsky’s immersive film experience Postcard From Earth.



This article originally appeared in THR.com.

Taylor Swift Shares Family Connection to Singapore, Where Mom Andrea ‘Spent a Lot of Her Childhood’

Taylor Swift has some family ties to Singapore, the pop star said at her concert at the Singapore National Stadium on Saturday (March 2).

“My mom actually spent a lot of her childhood with her mom and dad and her sister growing up in Singapore,” Swift, seated at her Evermore piano, shared with the crowd of Andrea Swift’s upbringing.

Swift had just finishing singing “Marjorie,” the emotional song she wrote about her grandmother, Marjorie Finlay, and was taking a moment to speak to her fans at the first of six Eras Tour shows at the stadium.

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“A lot of the time when we would come here on tour, my mom would take me and drive me past her old house, and where she used to go to school,” she said from the stage. “I’ve been hearing about Singapore my whole life.”

Swift added, “To get to come here and play a show this big with so many beautiful, generous people who were just essentially honoring my family with what you just did with that song [“Marjorie”], it means the world.”

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The musician mentioned her mother’s history with Singapore several years ago, in a 2016 interview for Singaporean newspaper The Straits Times. Swift told a reporter that her grandfather, who worked for an engineering company, had to move there for work, so her mom “grew up in Singapore. Her parents were traveling around for my grandfather’s job.”

On Sunday, Swift made an announcement about her upcoming album, The Tortured Poets Department, unveiling a fourth and final variant of the project that features a bonus track titled “The Black Dog.” Each of the other three Tortured Poets versions include a different bonus song: “The Manuscript,” “The Bolter” and “The Albatross.” The album arrives on April 19.

Check out Swift’s speech about her mom growing up in Singapore below. Her remaining concert dates at the venue are March 4, 7, 8 and 9.

Justin Bieber’s Mom Shares Sweet Baby Photos for Son’s 30th Birthday

Justin Bieber‘s mom dug out the family photo album for the pop star’s 30th birthday.

“30 YEARS! Just like that. Happy birthday Justin,” Pattie Mallette, Bieber’s mother, wrote on Friday (March 1) in a caption on Instagram, where she posted several personal pictures from Bieber’s childhood.

The photos cover a wide timeline, beginning with her pregnancy. Adorable pictures of Bieber as an infant and toddler lead the way to a current image of the singer with his birthday cake.

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“I’m not going to lie I’ve had a few good cries this week looking back through photos reminiscing,” she said. “Time goes by so fast.”

The note continued: “It’s been amazing to see you become the man you are today @justinbieber. I’m so honored to be your mom. I love you more than you know. I can’t wait to see the great things God has planned for you ahead. You ain’t seen nothing yet!”

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Bieber’s wife, Hailey, also took to Instagram to celebrate her partner’s birthday on Friday.

“30!!!!!!!????!!????!!!!” she exclaimed on Instagram, posting various pictures of the pair kissing, smiling and cuddling up to each other. “That was fast. words could never truly describe the beauty of who you are. Happy Birthday to you… love of my life, for life.”

To celebrate the big 3-0, Bieber fans also got to see the unveiling of a new wax figure of the star, which is on display now at Madame Tussauds’ Hollywood Boulevard location. The wax look is modeled after how Bieber appeared in his 2021 “Peaches” music video, with a white beanie, ombre puffer jacket, pink pants and sneakers.

Take a walk down memory lane with the cute family snapshots from Bieber’s mom below.