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Black Sabbath’s ‘Paranoid’ Enters Spotify’s Billions Club

More than five decades after its release, Black Sabbath’s “Paranoid” joins Spotify’s Billions Club – an elite collection of works that have accumulated more than one billion streams.

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Recognized as a classic of the heavy metal genre, “Paranoid” is the title track from the band’s 1970 LP, peaking at No. 4 on the Official U.K. Singles Chart and No. 61 on the Billboard Hot 100.

Though it continues to rock hard on Spotify and other streaming platforms, “Paranoid” was written in the studio “in five minutes,” Black Sabbath bass player Geezer Butler told Guitar World in 2004. The song was “written as an afterthought. We basically needed a three-minute filler for the album, and Tony (Iommi) came up with the riff. I quickly did the lyrics, and Ozzy (Osbourne) was reading them as he was singing.”

“Paranoid” is one of the essential songs in a Black Sabbath catalog that has racked up over 75 million records sold, including more than 24 platinum albums in the U.K. alone and over 15 million albums in the U.S., according to BMG, which represents the band’s recordings outside North America.

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Black Sabbath was inducted into the Rock And Roll Hall of Fame in 2006, with members of Metallica doing the honors.



“Black Sabbath’s ‘Paranoid’ breaking 1 billion streams on Spotify proves great music will always live beyond the year it was recorded,” remarks James Farrelly, BMG vice president, streaming U.K.

“New generations of rock and metal fans are continuing to discover Birmingham’s finest, in particular, we are thrilled to see the continued growth of the band’s streaming business in LATAM. When someone connects with a great song for the first time they don’t care if it’s fifty years or five days old, and ‘Paranoid’ sounds as fresh and vital as ever, ensuring a bright future for the U.K.’s darkest band.”

Since its commercial launch in 2008, Spotify has welcomed 581 tracks into its Billions Club.

Landon Barker Reveals He Has Tourette Syndrome

Landon Barker is opening up about his experience with Tourette Syndrome.

The rocker took to TikTok this week to reveal that he has a “very, very minor” case of the neurological disorder that causes a person to have involuntary physical or verbal tics. “I’ve had it for as long as I can remember, like pre-school,” he recalled. “I remember exactly because the teacher used to accuse me of rolling my eyes at her because one of my ticks was [moves eyes around] that. It was, like, a weird thing I do with my eyes.”

He added that nowadays, his tics manifest in movement of heck or jaw. “It really just acts up in nervous situations or nerve wracking environments for me,” he shared.

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Barker joins a slew of celebrities who have opened up about having Tourette Syndrome, which affects about one in every 162 children, according to the Center for Disease Control and Prevention. Billie Eilish has shared her experience with the disorder throughout her career, telling David Letterman on his popular in-depth interview series, My Next Guest Needs No Introduction that she was diagnosed when she was 11 years old. “I never don’t tic at all, because the main tics that I do are constantly, like, I wiggle my ear back and forth and raise my eyebrow and click my jaw and flex this arm here and this arm there,” she says. “These are things you would never notice if you’re having a conversation with me, but for me, they’re very exhausting.”

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While Eilish admitted that she use to “damn” her symptoms, she now feel like they are “part” of her. “I have made friends with it, so now I’m pretty confident in it,” she explains.

Lewis Capaldi revealed last year that his experience with Tourette Syndrome has an affect on his performing. “My tic is getting quite bad on stage now,” Capaldi said in an interview with The Times. “I’m trying to get on top of that. If I can’t, I’m f–ked. It’s easier when I play guitar, but I hate playing guitar. I know, I’m a walking contradiction.”

He also previously spoke about his struggles with Tourette’s in an Instagram Live. “The worst thing about it is when I’m excited I get it, when I’m stressed I get it, when I’m happy I get it,” he said at the time. “It happens all the time.”

Ice Spice On Advice From Taylor Swift, BLACKPINK’s Lisa at Eras Tour & More | Billboard News

Ice Spice opens up about her friendship with Taylor Swift, being inspired by Lana Del Rey and Rihanna, her four Billboard Hot 100 Top 10 Hits and more. BLACKPINK’s Lisa attended Taylor Swift’s show in Singapore and Rosé was front row at the Chanel fashion show in Paris. AESPA’s Karina shared a heartfelt apology to fans after news broke that she is dating actor Lee Jae Wook. The legendary girl group, Spice Girls celebrated the 30th anniversary of their first audition. And more!

Tetris Kelly
Ice Spice talks Lana and Taylor, the latest on Lisa, Jennie and Karina, a girl power throwback from the Spice Girls. We sit down with 5sos’ Luke Hemmings and look at Women In Music honoree PinkPantheress’success. Happy Tuesday March 5, I’m Tetris and this is Billboard News. It’s no secret it is the week of Women In Music, and we’re giving out all the flowers. Let’s kick things off with our interview with Ice. Ice Spice gets advice from Taylor Swift as she discusses Lana Del Rey and some other inspirations that may shock you, Billboard chatted with the princess let’s dive in. Fact is that Taylor Swift and Ice Spice have been proven to be new besties and Taylor is a good friend telling Ice, “No matter what just keep making music and everything’s going to be fine.” And it is Ice scored four Billboard Hot 100 top tens in 2023 saying her favorite was “Princess Diana” with Nicki Minaj. And she hit up the Super Bowl with Tay and Lana Del Rey who was real inspo, our Women In Music honoree talked about her favorite hitmakers. “I would say Lana Del Rey, I’m obsessed with her and I feel like all of her songs are hits even the ones that aren’t as big as the others, Rihanna too. I have both her and Del Rey’s vinyls, Taylor Swift, of course. Nicki Minaj. Drake, the list is long.” And we can add you right to the top of our lives, Ice Spice.

Watch the full video above!

Drake Bell Speaks Out About Sexual Abuse as a Child Actor

Drake Bell is coming forward about the sexual assault he says he experienced as a 15-year-old child star.

The Drake & Josh actor opened up on the upcoming four-part Investigation Discovery series Quiet on Set: The Dark Side of Kids TV, set to air March 17 and 18, where Bell alleges that he was abused by a dialogue coach named Brian Peck, who worked on popular series like All That and The Amanda Show, the latter of which Bell starred in from 1999 to 2002.

Peck was arrested in August 2003 and charged with lewd acts with a child. According to a press release from the Los Angeles Police Department, the abuse occurred approximately two years prior at Peck’s residence, and that Peck was coaching the unnamed victim. He was sentenced to 16 months in prison and ordered to register as a sex offender in late 2004.

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In 2021, Bell was sentenced to two years’ probation on child endangerment charges and 200 hours of community service for his conduct with a young fan, whom he met online and then in person, that spanned years. According to the victim, the former Drake and Josh star began contact with her via online chats when she was 12, with those communications escalating to exchanges that were “blatantly sexual” by the time she was 15. 

Bell initially pleaded not guilty to the charges but ultimately reached a plea deal with prosecutors. He was convicted in June of felony attempted child endangerment, with a misdemeanor charge of disseminating matter harmful to juveniles.

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In his response video, Bell stated that “I’m not perfect, and I make mistakes” and called his behavior “reckless and irresponsible” but disputed that he maintained communication with the victim over a sustained period of time or that he knew who she was during in-person encounters.

“I responded to a fan whose age I didn’t know. When I became aware of their age, all conversation and communication stopped,” he said. “This individual continued to come to shows and pay for meet-and-greets, and although I was unaware that this was the same person I was communicating with online, that’s what I pled guilty to.”

Watch the full Quiet on Set: The Dark Side of Kids TV trailer below. The docuseries is directed by Mary Robertson and Emma Schwartz.



If you or someone you know has experienced sexual violence and need support and/or resources, reach out to RAINN and the National Sexual Assault Hotline (800-656-HOPE) for free, confidential help 24/7.

Twitter Music Lawsuit: Judge Allows Publishers’ Copyright Case Against X To Move Forward

A federal judge is allowing music publishers to move forward with a copyright lawsuit filed against X Corp. over allegations of widespread copyright infringement on the social media platform formerly known as Twitter.

In a split ruling Tuesday (Mar. 5), Judge Aleta A. Trauger tossed out major parts of the case, like the accusation that X itself directly infringed any music. But she allowed some of the lawsuit’s core allegations — that X essentially enabled illegal behavior by its users by refusing to crack down on them — to move ahead.

In one example, the judge ruled that the music companies could pursue their “particularly striking” allegation that Twitter had been less willing to crack down on users who had paid for “verified” status.

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“If X Corp. truly did allow some users to effectively purchase the right to be able to infringe with less severe consequences, then that was plausibly an instance of promoting X/Twitter’s use to infringe copyright,” the judge wrote.

The case against Twitter was filed in June by dozens of music publishers, who claim that users on the Elon Musk-owned site had infringed over 1,700 songs from writers like Taylor Swift and Beyoncé — a claim that, if proven, could put the social media giant on the hook for $255 million in damages.

The case was organized by the National Music Publishers’ Association, which has long argued that Twitter is the last major social media service that refuses to license music. TikTok, Facebook, Instagram, YouTube and Snapchat have all allegedly entered into such deals with publishers, providing a library of licensed music for users to legally add to their posts. The lawsuit claimed that Twitter had, instead, effectively allowed its users to supply such music illegally.

The case was filed by Concord, Universal Music Publishing Group, peermusic, ABKCO Music, Anthem Entertainment, Big Machine Music, BMG Rights Management, Hipgnosis Songs Group, Kobalt Music Publishing America, Mayimba Music, Reservoir Media Management, Sony Music Publishing, Spirit Music Group, The Royalty Network, Ultra Music Publishing, Warner Chappell Music and Wixen Music Publishing.

Twitter moved to dismiss the lawsuit in August, arguing that social media sites clearly do not directly infringe copyrights when users upload illegal material. And they argued that digital services also cannot be sued for so-called secondary infringement unless they take active steps to aid the illicit behavior: “In this case, plaintiffs do not allege that X encouraged, induced, or took affirmative steps with the intent to foster the infringement of plaintiffs’ works,” the company’s lawyers wrote at the time.

In Tuesday’s ruling, Judge Trauger partly agreed with Twitter’s arguments. She easily dismissed the allegations of direct infringement, citing recent Supreme Court precedents, and also ruled that the company could not be held liable for “vicarious infringement” — meaning it profited directly from allowing illicit materials on the site. She also ruled that the music companies could not accuse X of so-called contributory infringement simply by offering tools that could sometimes be abused by infringers.

“Many of the supposedly problematic practices that the plaintiffs identify are unremarkable features of X/Twitter generally that X Corp. has simply failed to fence off completely from infringers,” the judge wrote. “The plaintiffs have not identified any basis for concluding that X Corp. was obligated to make its service worse for everyone, just to punish the people who misuse it.”

But Judge Trauger said other alleged conduct, if ultimately proven, could put Twitter on the hook for damages. One such claim, she said, is the allegation that X committed contributory infringement by failing to crack down on “severe serial infringers” who “openly and obviously used the service as a tool for repeatedly posting infringing content.”

“If … there was a class of X/Twitter users who were brazenly using the platform as an infringement tool, and X Corp. made the decision to unreasonably withhold enforcement of its own policies against those users … then X Corp. could plausibly be held contributorily liable,” the judge wrote.

Another claim Judge Trauger allowed to move forward was that X took too long to respond to takedown notices from copyright owners: “If X Corp. engaged in egregious delays in responding to valid takedown notices, or outright ignored some notices that were both facially and actually valid, that could support liability.”

Notably, Tuesday’s ruling did not address the thorny issue of the Digital Millennium Copyright Act (DMCA), a federal law that provides sites like Twitter with immunity — a “safe harbor” — from litigation over material uploaded by their users, so long as they promptly remove it when asked. The music publishers say X clearly failed to do so; the site strongly denies that point.

Though X’s initial motion to dismiss the case did not invoke the DMCA, the company’s lawyers will undoubtedly do so at a later stage of the case now that some of the claims are moving forward. When they do so, the statute will provide X lawyers with another avenue for defeating the allegations that Judge Trauger refused to dismiss on Tuesday.

An attorney for X did not return a request for comment on Tuesday evening.

In a statement to Billboard, a spokeswoman for the NMPA said the group was “pleased” with the ruling: “The spread of rampant music piracy on the platform is obvious and unacceptable, and we look forward to securing just compensation for the songwriters and music publishers whose work is being stolen.”

Frankie Ruiz Returns to Top 10 on Tropical Airplay With Victor Manuelle Collab ‘Otra Noche Más’

The legendary late Frankie Ruiz returns to the top 10 on Billboard’s Tropical Airplay for the first time since 1998 — the year he died — thanks to his featured role on Victor Manuelle’s “Otra Noche Más,” which debuts at No. 9. It’s Ruiz’s seventh top 10, and Manuelle’s record-extending 65th.

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“Otra Noche Más,” a tribute to the legacy of one of salsa’s biggest artists, integrates excerpts of Ruiz’s 1989 single, “Deseándote,” and musical arrangements by Junito Dávila.

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“Otra” is Ruiz’s first entry on the chart since 2012, and debuts with 2 million audience impressions earned in the U.S. in the week ending Feb. 29, according to Luminate. The song was released Feb. 22 via Sony Music Latin.



The time-traveling collaboration previews Victor Manuelle’s upcoming album Retromántico, a project that pays homage to classic salsa of the 1990s.

“Otra Noche” becomes Ruiz’ seventh top 10 on Tropical Airplay. He was a prolific presence on the chart during the 90s, scoring six top 10s, including two No. 1s: his last being the seven-week champ “Ironía” in 1996.

Victor Manuelle, meanwhile, extends his record for the most top 10s on Tropical Airplay since the charted launched in 1994, with 65 top 10s. “Otra Noche” follows the Puerto Rican’s last chart hit, the No. 9-peaking “Esta Noche Te Conviene” in April 2023.

Watch Tate McRae Put Her Own Spin on ‘Someone Like You’ by ‘Queen Adele’

Tate McRae is one of pop music’s brightest rising stars, but she’s making sure to pay her respects to the genre’s greats on her way to the top.

In a Monday TikTok video, the 20-year-old singer-songwriter covered a snippet of Adele‘s “Someone Like You,” which ruled at No. 1 on the Billboard Hot 100 for five weeks back in 2011. For her take on the ballad, McRae opted for soft, breathy vocals rather than trying to emulate the “Easy On Me” singer’s famous belting, and inverted parts of the melody while singing over slowed-down piano.

“Don’t forget me, I beg/ I remember you said/ Sometimes it lasts in love, but sometimes it hurts instead,” crooned the Calgary, Alberta, native.

“Forgot how good this song is,” she wrote in text over the self-filmed video, adding in her caption: “queen adele.”

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The “You Broke Me First” musician dropped her sophomore album Think Later in December, debuting at No. 4 on the Billboard 200. The 14-track LP features the singles “Exes” and “Run For the Hills,” as well as “Greedy,” which reached a new peak of No. 3 on the Billboard Hot 100 in mid-January.

McRae is fresh off performing at the 2024 Brit Awards, where she was nominated for best international song (“Greedy”), as was her pal Olivia Rodrigo. The prize ended up going to Miley Cyrus’ “Flowers,” which scooped record of the year at the Grammys earlier this year.

Watch McRae sing “Someone Like You” by Adele below.

JID, 21 Savage & Baby Tate’s ‘Surround Sound’ Hits No. 1 on Rhythmic Airplay Chart

In another win for TikTok’s ability to revive older songs and bring them to renewed prominence, JID’s “Surround Sound,” featuring 21 Savage and Baby Tate, powers to No. 1 on Billboard’s Rhythmic Airplay chart. The song, released in January 2022, became popular on TikTok in late 2023 through the “ceiling challenge,” in which creators tie their phones to ceilings to produce a birds-eye view effect as they dance. Thanks to the corresponding rise in streams, “Surround Sound” was re-promoted to radio and has outperformed its original run.

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“Surround Sound,” released on Dreamville/Interscope Records, jumps from No. 3 to rule Rhythmic Airplay. Despite the song remaining virtually even in its play count during the latest tracking week, Feb. 23 – 29, according to Luminate, it advances after last week’s champ, Nicki Minaj’s “Everybody,” featuring Lil Uzi Vert, slides to No. 4 from a 13% decline in plays and the runner-up, Jack Harlow’s “Lovin on Me,” fell 6% in plays.

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With “Surround Sound,” Atlanta natives JID and Baby Tate each capture a first Rhythmic Airplay leader with a first visit to the chart. 21 Savage, meanwhile, adds a sixth leader to his ledger. Of his five prior No. 1s, three came via lead or co-lead billings: “A Lot” (two weeks at No. 1 in 2019), “Rich Flex,” with Drake (two, 2023) and “Creepin’,” with Metro Boomin and The Weeknd (three, 2023). The remaining two were through featured appearances – assisting Post Malone on “Rockstar” (six, 2017-18) and helping Drake on “Jimmy Cooks” (one, 2022).

When it debuted in 2022, “Surround Sound” was a minor hit, reaching No. 90 on the Billboard Hot 100 in January of that year and climbing to a No. 29 best on Mainstream R&B/Hip-Hop Airplay. The song picked up viral steam in late 2023 on TikTok, however, when users adopted it as the main choice for the ceiling challenge. Thanks to the virality, “Surround Sound” ruled the TikTok Billboard Top 50 chart for two weeks in December, while it returned to the Hot 100 and improved upon its original performance, reaching No. 40 in January in its second run.

Elsewhere, “Surround Sound” keeps at No. 6 on Rap Airplay for a third straight week, though it added 5% more in audience for the tracking week. Similarly, it repeats at No. 40 on the all-genre Radio Songs chart in its fourth week on the list, where it likewise added 5% in audience, to reach 18.3 million for the tracking period.

5 First-Timers on Billboard’s Charts This Week: Lady London, Redferrin, Glass Beams & More

Billboard has more than 200 different weekly charts, encompassing numerous genres and formats.

While established artists often compete for a spot on the Billboard Hot 100 songs chart and Billboard 200 albums ranking, which track the most popular songs and albums of the week, respectively, up-and-coming talents typically start off on genre-specific lists.

Here’s a look at five artists who appear on surveys for the first time on the March 9, 2024-dated charts.

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Lady London



The New York City-based rapper, from the Bronx, is officially a Billboard­­-charting artist for the first time thanks to her collaboration with Jeremih, “Do Something.” The song, released in November on her zodiac-themed debut LP S.O.U.L, debuts at No. 37 on Mainstream R&B/Hip-Hop Airplay (up 15% in plays Feb. 23-29, according to Luminate). The song samples Mya’s 2000 hit “Best of Me,” featuring Jadakiss.

In a November interview with Billboard, London explained that S.O.U.L. is a concept album detailing her love for astrology. “Do Something” is a Cancer track, she said, and in keeping with the theme, London ensured that Jeremih was a Cancer before recruiting him to appear on the song. Along with Jeremih, the album features collaborations with Capella Grey, Dreezy, Tink and Brooke Valentine, among others.

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Before pursuing music, London planned on becoming an orthopedic surgeon. She graduated from Howard University with a bachelor’s degree before attaining her master’s from the University of Southern California. She told Billboard that graduating was one of her proudest accomplishments: “I was the first in my family to go to college. It was really a big deal. My father didn’t even finish high school. I handed my mom my degree both times when I got my degree. I think that’s why she supports so much — because ‘you said what you were gonna do’.”

London made inroads with “Lisa’s Story,” which samples Foxy Brown’s 1996 single “Get Me Home,” and her 2023 track “Pop Ya Shit,” a viral freestyle (produced by The Neptunes) that samples Birdman and Clipse’s 2002 song “What Happened to That Boy.”

London signed to High Standardz/Def Jam Recordings in March 2023. In a statement following her signing, Def Jam chairman/CEO Tunji Balogun said, “There are artists who challenge you to disregard everything you know and just follow them into the future. Lady London is one of those artists.” Ahead of her signing, Billboard named London one of the Hip-Hop/R&B Artists to Watch in 2022.

Redferrin



Redferrin (full name: Blake Redferrin), from White House, Tenn., notched his first entry on Billboard’s charts with his debut seven-track EP, Old No. 7. Released Feb. 16 on Warner Music Nashville/WMN, the set entered the March 2-dated Heatseekers Albums chart (which ranks the most popular albums of the week by new or developing acts) at No. 24 with 3,000 equivalent album units earned Feb. 16-22. The set garnered 2,000 units in the latest tracking week.

While the project marks Redferrin’s first chart entry as a recording artist, he has already charted as a songwriter, notably having co-penned Nelly and Florida Georgia Line’s “Lil Bit,” which reached No. 3 on Hot Country Songs in 2020 and No. 23 on the Billboard Hot 100 in 2021. He has also written songs for Dean Brody, Kidd G and the Reklaws.

Redferrin – who before beginning his music career was a motocross racer – has a string of dates lined up through August, including supporting roles on Billy Currington, Kip Moore and Niko Moon’s tours.

Glass Beams



The masked trio, from Melbourne, Australia, reached Billboard’s charts for the first time with its 2021 debut four-song EP Mirage. Released via Research Records, the set opened at No. 14 on the March 2-dated Contemporary Jazz Albums chart. The all-instrumental set blends elements of psychedelic jazz, classical, disco and pop. Glass Beams is led by Rajan Silva, who was influenced by Western musical styles and traditional Indian music.

The group’s follow-up EP, the five-track Mahal, is due March 22. The act released its first single from the set, “Mahal,” Feb. 20. The band has a run of European and North American tour dates scheduled through June.

ATARASHII GAKKO!



The Japanese group lands its first Billboard chart appearance with its single “Hello.” Released Feb. 9 on 88rising Records, the song debuts at No. 37 on Pop Airplay (up 58% in plays). It appears on the soundtrack to the new animated fantasy film The Tiger’s Apprentice, which premiered on Paramount+ Feb. 2. The film stars Lucy Liu, Sandra Oh, Michelle Yeoh, Henry Golding and Bowen Yang.

ATARASHII GAKKO! (which translates in English to “new school”) has been releasing music since 2015, including two studio LPs: Maenarawanai (マエナラワナイ) in 2018 and Wakage Gaitaru (若気ガイタル) in 2019. The group comprises members Kanon, Mizyu, Rin and Suzuka.

Jet Trouble



The singer-songwriter achieves his first entry on Billboard’s charts with his single “I Need You.” Released in July 2023 on TroubleHasbun Publishing, the track debuts at No. 27 on Hot Christian Songs with 472,000 official U.S. streams.

The artist, from Dallas, has been releasing music since 2017, including three studio albums: Warren Park (2017), Son of ’61 (2018) and Though None Go (2022).

Offset & Don Toliver’s ‘Worth It’ Tops Mainstream R&B/Hip-Hop Airplay Chart

Offset and Don Toliver each score a career milestone on Billboard’s Mainstream R&B/Hip-Hop Airplay chart as their collaboration “Worth It” reaches No. 1 on the list dated March 9. With the new champ, Offset achieves his first solo chart-topper in a leading role, while Don Toliver visits the summit for the first time in any capacity.

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“Worth It,” released on Motown/Capitol Records, ascends from No. 2 to the top slot after a 9% increase in plays that made it the most-played song on U.S. monitored mainstream R&B/hip-hop radio stations in the tracking week of Feb. 23 – 29, according to Luminate. The new No. 1 unseats Jack Harlow’s “Lovin on Me,” which spent four nonconsecutive weeks in charge.



With “Worth It,” Offset checks into the penthouse for the first time as a lead solo act. He’d previously taken the throne in a featured role on Tyga’s “Taste,” a two-week leader in 2018. As a member of Migos, Offset was part of two champs – the trio’s own “Bad and Boujee,” featuring Lil Uzi Vert, which dominated for nine weeks in 2017, and as a guest on Gucci Mane’s “I Got the Bag,” with one-week at No. 1 later that same year.

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Toliver, meanwhile, claims his first No. 1 – before “Worth It,” the Houston-bred rapper/singer previously managed a No. 6 best through his and NAV’s supporting spots on Internet Money and Gunna’s “Lemonade” in 2021.

Elsewhere, “Worth It” steps 9-8 on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop stations. There, the track registers 11.9 million in audience at the formats, a 6% gain from the prior week. On Rhythmic Airplay, it rises 7-6, with a 4% play increase, while it holds at its No. 4 high for a fifth consecutive week on Rap Airplay, though it added 3% in audience in the latest tracking window.

“Worth It” appears on Offset’s Set It Off album, which was released in October 2023. The set debuted at No. 2 on the Top R&B/Hip-Hop Albums chart and No. 5 on the all-genre Billboard 200, his third top-five project on both lists.