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Alicia Villarreal Performs for Female Inmates & More Uplifting Moments in Latin Music

From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

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Alicia Villarreal visits inmates in Mexico

For International Women’s Day, Mexican singer Alicia Villarreal paid a special visit to female inmates at a women’s reintegration center in Guadalajara, Jalisco. There, she spent around three hours touring new installments, including a library, a chapel and workstations, and gave an empowering speech. She also performed for the inmates two of her greatest hits: “Te Quedó Grande La Yegua” and “Te Aprovechas.”

Karol G is Woman of the Year

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The Colombian hitmaker was honored with Woman of the Year at the Billboard Women in Music event on Wednesday (March 6). After receiving the award from Colombian actor and producer Sofía Vergara, Karol went on to give a passionate acceptance speech. “In the midst of my desire, in the midst of wanting to make music even if it was just for me, I decided that if my environment did not change, I was the one who had to change and I was the one who was going to do it,” Karol said. “And that I wasn’t going to let being a woman be an obstacle or define my capabilities, but that it was going to be my strength, it was going to be my motive and my reason.”

She also performed a salsa version of her hit song “Amargura.” See her performance here.



Girl-power anthems

In the spirit of Women’s History Month, Billboard has compiled a list of the best Latin female anthems. From Jenni Rivera’s “Ovarios” to Shakira’s Bizarrap session and Paulina Rubio’s’ “Yo No Soy Esa Mujer,” these are the songs that continue to make us feel empowered. The list includes impactful songs across different music genres that may have marked a before and after in the artist’s career but also became a timeless staple for their fans. See the list here.



Carlos Vives’ special award

The Colombian singer-songwriter will be honored with this year’s ASCAP Founders Award, the American Society of Composers, Authors and Publishers (ASCAP) announced. “Carlos has led a new generation of Latin artists bringing Colombian music sounds to music fans around the world,” said Paul Williams, ASCAP chairman of the board and president, in a statement. “His talent and passion for Latin music and culture are unmatched. His accomplishments have paved the way for so many others and we are thrilled to present him with our highest honor, the ASCAP Founders Award.” 

The presentation of the award will take place April 2 at the 2024 El Premio ASCAP in Miami, an invitation-only event that celebrates this year’s ASCAP Latin Music Award winners.

The Montreux Jazz Festival Miami is a wrap

The Montreux Jazz Festival Miami — headlined and co-owned by Jon Batiste — made its grand debut at The Hangar in Coconut Grove on March 1. The three-day festival included sets by Cuban musician Cimafunk, Emily Estefan — daughter of Gloria and Emilio Estefan — Daryl Hall, Cuban piano legend Gonzalo Rubalcaba, and The Wailers, among many more. Special guest appearances included Brazilian chanteuse Lia de Itamaracá, who performed alongside Batiste marking her first-ever set outside of Brazil. And Will Smith, who had a cameo rap performance.

BLACKPINK’s Jennie Teams Up With Brockhampton’s Matt Champion for ‘Slow Motion’

The ultimate team-up arrived on Friday (March 8), when BLACKPINK’s Jennie and Brockhampton’s Matt Champion came together to release a brand new collaboration, titled “Slow Motion.”

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“If I could stop time for real/ Would make it any easier for me to love you?/ ‘Cause you know I’m shy for you still/ So bad that it kills/ And I can’t help but feel/ Like we’re moving in slow motion,” they sing on the atmospheric track’s chorus.

The new song comes a little over a year after Brockhampton released their final album, The Family, and the subsequent “parting gift”, TM. Champion took on the role of EP to finish TM after the group started the album during a two week trip to Ojai, Calif., in 2021, but never fully completed it.

Jennie, meanwhile, announced in December that she is launching a new label and company called OA. “Hi, this is Jennie. This year was filled with many accomplishments, and I’m so thankful for all the love I’ve received,” the K-pop singer wrote on her Instagram Story. “I’m also about what’s to come, as I start my solo journey in 2024 with a company that I have established called OA. Please show lots of love for my new start with OA and of course BLACKPINK. Thank you.”

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In addition to releasing long-awaited solo music in 2023, she also made her acting debut in the HBO drama series The Idol and was named an honorary Member of the Order of the British Empire. 

Listen to “Slow Motion” below.

4Batz Gets the Drake Stimulus Package, But Will It Work?

Drake making songs with up-and-coming artists is a story as old as time. The “Drake Effect” is a real thing and has been studied by music scholars across the globe. Usually it works in the artist’s favor, like when he linked up with the Migos on the “Versace (Remix).” The song went crazy on the charts and their careers took off. But then there are times when the song performs well, yet it doesn’t translate to longevity like with BlocBoy JB and “Look Alive.” Now it’s newcomer 4Batz’s turn.

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Earlier this week, social media went abuzz when the Canadian superstar teased a remix of 4Batz’s “date @ 8” on his Instagram Story. Then the mysterious R&B singer with an affinity for shiesties posted this video on his X account:

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Not gonna lie, this video had me hype. I couldn’t really make out what the song actually sounded like, but they all seemed pretty excited, so I was expecting a certified banger that Flex could drop bombs on. When the Dallas-based singer appeared out of thin air with “act i: stickerz ’99′” back in the fall of 2023 (the first upload of “act i” on YouTube was on Sept. 16, 2023), a Drake collaboration felt like a no-brainer. Some have compared 4Batz to a thugged out Brent Faiyaz or Weeknd. I’ve seen others say he makes R&B music for stick up kids. And I, too, think he makes love songs for the thugs. You know, the ones that also happen to be real lovers. The thugs with big hearts, kind of like Method Man on “All I Need”.



That’s why everyone saw the Drake stimmy coming from a mile away. He is the Certified Lover Boy, after all. Ultimately, though? I was a bit disappointed. Other than some fans on X complaining that the song wasn’t available in the U.S., this didn’t take over my timeline. Usually when Drake remixes a newcomer’s popular song, everything stops for a moment. However, last night most of X was still high on the Boston Celtics and Denver Nuggets game because on Thursday nights, my sports and music worlds collide on social media. The “act ii: date @ 8 (remix)” didn’t stop all of us in our tracks. I actually didn’t even think to listen to it until 12:30am. My timeline usually explodes around midnight when some heat drops. That was a telling sign for me. So once I finally checked it out, I was let down.

The remix as we know it has changed. There was once a time when a remix meant a different beat and new verses. Nowadays, we get a verse tacked on to the original song. The aforementioned Method Man and Mary J. Blige song is actually the remix to the original album version in which MJB doesn’t make a appearance. No one remembers the OG version. The same can be said about Craig Mack’s “Flava In Ya Ear (Remix)” where the beat was the same, but Craig Mack added a new verse to go alongside verses from Biggie, Rampage, LL Cool J, and Busta Rhymes.

This track has some of those features, but they aren’t significant enough to make a big deal about. Drake’s contribution, while good in terms of sound and bars, feels stitched on like bad patchwork. We don’t even get a new verse from 4Batz. This feels like two different songs and is essentially a home game for the Canadian rapper in that it doesn’t challenge him. It’s almost too on the nose. Drake does go into his real yearner bag, though, and delivers a good verse. “A thousand on your f—kin’ hair/Two hunnid on your f—kin’ nails,” he croons, essentially reminding 4Batz that he’s dealing with cats in different tax brackets now. It would’ve been cool if 4Batz added a verse to 40’s breakdown. These two collaborating on, say, “act iv” would’ve hit much harder, hopefully they’ll work together in the near future. I must admit, though, Drake’s addition sounds great on some good speakers, streets just needed 4Batz to go in too. That would’ve knocked this remix out of the park because these two are a match made in Thug Matrimony.

Shouts to the real lovers, the real yearners, the real tricksters, though. I’m calling it now, Thug Love is making a comeback this summer. Somebody get Ja Rule and Bobby Brown on the phone.

Quavo & Rich the Kid “Real One,” Tank ft. Fabolous “Before We Get Started” & More | Daily Visuals 3.8.24

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Quavo

Source: Bernard Smalls / @PhotosByBeanz

Last week Quavo returned to the forefront of the rap scene of The A with a brand new visual in “Himothy” and now the new age ATLien doubles back with some new work with the help of his connect from Queens, New York.

Linking up with Rich The Kid for the visuals to “Real One,” Quavo and The Kid use an old school camcorder to capture some wild times as they get lit with a gang of women in the club before hitting the streets and getting some grub as most people do after a late-night of partying. This was like a found footage film or something.

On the R&B side of things, OG crooner Tank attempts a comeback of his own and in his Fabolous assisted visuals to “Before We Get Started,” he and Fab hit a club of their own but this joint is reserved for the grown, sexy, and elegant (no shots to the club Quavo and The Kid went to).

Check out the rest of today’s drops including work from Jhene Aiko, Busta Rhymes and 5ive Mics, and more.

QUAVO & RICH THE KID – “REAL ONE”



TANK FT. FABOLOUS – “BEFORE WE GET STARTED”



JHENE AIKO – “LOVE”



BUSTA RHYMES & 5IVE MICS – “THIS AIN’T NO GAME”



JHENE AIKO FT. DR. CHILL – “SURRENDER”



BABYFACE RAY – “MONEY ON MY MIND”



KID SAIYAN FT. DOMANI – “FATHER LIKE SONS”



21 LIL HAROLD FT. BIGXTHAPLUG – “GIN & JUICE”



Believe Shares Rise (Again) on WMG Interest, Sphere Stock Jumps & K-Pop Flops

(WMG) revealed its interest in acquiring the French music company.

Believe shares rose 2.5% to 15.88 euros ($17.38) after WMG announced its interest in the owner of distributor TuneCore, publishing administrator Sentric and such record labels as Naïve and Groove Attack. Last week, Believe announced it had interest from an unnamed party, which caused the share price to exceed the 15 euro ($16.52) per share offer from a consortium led by CEO Denis Ladegaillerie and investment funds EQT and TCV. After the potential suitor was given a name, Believe’s share price rose even more. WMG, which hasn’t made an official offer, said it would pay “at least” 17 euros ($18.60) per share. WMG shares fell 4.4% to $33.93 this week. 

With Believe trading at 15.88 euros ($17.38), investors don’t appear convinced that WMG will make an offer at 17.00 euros. Not only would WMG need to pass regulatory scrutiny, the Ladegaillerie consortium has a head start and appears to be moving quickly to close the deal. Last week, the consortium said it waived the board’s condition that an independent expert weigh in on its offer’s fairness to shareholders. WMG’s announcement singled out the maneuver, stating that “WMG considers that such a waiver violates a number of rules of French securities regulations which are meant to protect shareholders (including the sellers and their investors) and the Company, and that the validity of such waiver could be challenged.” 

Sphere Entertainment Co. shares rose 10.1% this week to $48.77, adding $127 million to the company’s market capitalization and bringing its year-to-date gain to 43.5%. Three of four live music companies posted gains in an otherwise muted week for music stocks: German promoter CTS Eventim gained 2.2% to 75.10 euros ($82.19), while on Thursday (Mar. 7), Live Nation shares surpassed $100 for the first time since May 2, 2022. The concert giant finished the week up 2.7% to $99.75. 

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The 20-company Billboard Global Music Index fell 0.9% to 1,700.37 this week as half the stocks were gainers, nine were losers and one was unchanged. Streaming stocks had an average gain of 4.2% thanks to an 18.4% improvement by music streamer LiveOne. Abu Dhabi-based streaming company Anghami rose 3.2%. The bigger streaming companies lost ground, however. Spotify fell 1.6% to $259.40, a rare stumble for a stock that has gained 38.1% year to date. Deezer shares dropped 0.4% to 2.24 euros ($2.45).

K-pop stocks were down across the board this week. JYP Entertainment, home to Twice and Stray Kids, fell 8.0%. SM Entertainment, home to aespa and Girls’ Generation, dropped 6.5%. HYBE sank 2.3% and YG Entertainment, the company behind BLACKPINK, slipped 1%. The four companies have an average year-to-date loss of 22.7%. HYBE’s 16.7% decline in 2024 is the best of the group. Elsewhere, JYP Entertainment shares have fallen 33.1% and SM Entertainment and YG Entertainment dropped 20.6% and 20.4%, respectively. 

Stocks were mixed globally. In the United States, the Nasdaq composite dropped 1.2% to 16,085.94 and the S&P 500 declined 0.3% to 5,123.69. U.S. stocks reached new records on Thursday following comments by Federal Reserve chief Jerome Powell that indicated the central bank will ease interest rates. “If the economy evolves broadly as expected, it will likely be appropriate to begin dialing back policy restraint at some point this year,” Powell told the House Committee on Financial Services on Wednesday (Mar. 6).

Stocks ended the week on a down note after Friday’s U.S. jobs report offered mixed messages to investors. Total confirmed payroll rose by 275,000 in February, but at the same time, the unemployment rate rose by 0.2 percentage points to 3.9% and wages rose just 0.1% in February — not necessarily welcome indicators, but perhaps signs that the Federal Reserve can move ahead with future rate cuts without fearing the economy will overheat. 

In the United Kingdom, the FTSE 100 fell 0.3% to 7,659.74. South Korea’s KOSPI composite index rose 1.4% to 2,680.35. China’s Shanghai Stock Exchange index improved 0.6% to 3,046.02. 

King Princess Opens Up About Meeting Christina Aguilera: ‘I Love When a Pop Girl Is Mean’

King Princess appreciates the culture of pop divas.

The “1950” singer (real name Mikaela Straus) was a guest on a recent episode of the Queer the Music podcast, where they opened up about accidentally meeting Christina Aguilera in the studio.

“I love when a pop girl is mean,” Straus said, before explaining that they were working on music with their friend Teo in Mark Ronson’s studio when Xtina accidentally walked in. “She saw us and was like, ‘Oh,’ and she walked out and I was like, ‘Oh my God, that was Christina Aguilera,’” they recalled

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Straus and Teo then got up to leave, as it was time for Aguilera’s studio session with Ronson. However, the producer went on to introduce the duo to the “Genie in a Bottle” star. “Mark said, ‘Did you meet Mikaela and Teo?’ And [Aguilera] goes, ‘Yeah, I saw the children.’ That meant a lot to me,” Straus said with a laugh.

On Friday (March 8), Aguilera celebrated International Women’s Day with a powerful message on Instagram. “In 2024, we face challenges we never could have imagined. But in the face of adversity, we must stand stronger and fight harder. I look towards a hopeful future where my daughter’s voice will not just be heard, but truly valued and respected. Let’s continue to uplift and empower the women around us, on International Women’s Day and every day,” she wrote alongside black-and-white photos of herself leaning against a balcony ledge.

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Watch King Princess break down the moment with Christina Aguilera below.

Future & Metro Boomin Reveal ‘We Don’t Trust You’ Double Album Release Dates in Prodigy-Assisted Trailer

The wait is finally over. Thanks to fans’ patience, Metro Boomin and Future are giving away two albums for the price of one as the legendary duo teased their long-awaited joint effort with a trailer on Friday (March 8).

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Young Metro and Pluto revealed the double-albums will be titled We Don’t Trust You — which plays off Metro Boomin’s “If Young Metro don’t trust you, I’m gon’ shoot you” producer tag that Future coined.

Part one of We Don’t Trust You arrives on March 22 and a second offering and entirely separate album will be unleashed on April 12. “Great things come to those who wait,” Metro wrote to Instagram captioning the trailer.

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As far as the cinematic teaser goes, the clip finds Metro and Future cruising in a luxury SUV flanked by the barren desert. They hop out in Black suits as Prodigy provides the braggadocios soundtrack with the late Mobb Deep rapper dissing the rest of his undeserving hip-hop competition.

“A lot of f—ing garbage a– rappers running around,” P declares in disgust. “These n—-s ain’t supposed to be rapping, man. This game is meant for a select few. It’s a select few and that’s what it is today. Always remember that. Ain’t nothing change. F— all these n—-s.”

“We don’t trust you n—s,” Future says. 2Pac’s trust issues close out the trailer: “I don’t trust no motherf—ing body.”

It’s been a long journey getting to lift off for the anticipated joint albums from the Atlanta running mates who haven’t worked together since making magic with “Mask Off,” which reached No. 5 on the Billboard Hot 100 in 2017.

We Don’t Trust You will serve as Metro Boomin’s follow-up to the Grammy-nominated Heroes & Villains and Future’s first effort since 2022’s I Never Liked You.

Last September, Metro championed the upcoming joint LPs as the album of the year for 2024. “AOTY

loading [three battery emojis],” he wrote.

Metro Boomin has teased various records with Future during DJ sets over the last year and one unreleased song gained a ton of traction on social media, which he previewed in December at Travis Scott’s Audemars Piguet launch party in NYC.

We Don’t Trust You isn’t the only plan for a Metro release in ’24, as he’s hinted at delivering three albums this year.

Look for Metro/Future albums on March 22 and April 12. For now, watch the We Don’t Trust You trailer below.



6 Best At-Home Studio Equipment, According to Former Why Don’t We Member Corbyn Besson

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Corbyn Besson has entered his solo career with the release of his first single “Love Me Better,” which offers just a hint of what’s to come. Getting those crisp, quality sounds don’t require a professional studio though. According to the former Why Don’t We member, an at-home studio can capture professional-quality audio if you have the right equipment like studio headphones and tech similar to podcast equipment.

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“You can go jot [songs] down professionally and kind of get the hardest part of creating your idea out of the way very quickly, which is really nice and you have access to it 24 hours a day,” Besson tells Billboard.

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Plus, he adds if you have a spur-of-the-moment idea, then you can go straight to your in-house studio and put it down rather than have to wait until you can get into a professional studio.

To help you create your own quality at-home studio, the “What Am I” singer broke down how to set up your own home studio, tips on getting started and what to expect from this new chapter in his music career.

What Are the Best At-Home Studio Equipment?

Building your own at-home studio will most likely be different for everyone, Besson says.

“Music equipment is expensive,” he says. “It’s crazy, I’ve been discovering that a lot more lately after building our home studio and me and my boys have been just really trying to budget and make sure that we need these pieces.”

If you’re looking for the absolute necessities, the pop singer recommends six pieces of at-home recording equipment that he deems are absolutely essential below.

Amazon

Shure SM7B Dynamic Vocal Microphone

$399

$399.99

The Shure SM7B microphone has gained not only Besson’s stamp of approval, but pop singer LÉON as well for its quality, versatility and handheld design that allows you to take it basically anywhere.

“People use it for podcasting, live streaming, but it’s also a really amazing demo microphone — and it’s handheld, so you can walk around with it,” he explains. “You can be super casual with it, so if you do need to record a finished vocal or even a guitar or really anything, the SM7B is very processable. I’ve gotten some really great recordings out of that microphone.”

Yamaha HS8 Studio Monitor

$398.99

$572.00

30% off

$398.99

The singer also believes a good pair of monitors to be “super important because you want to be able to hear what you’re doing.”

He personally uses the Yamaha HS8 Studio Monitors, which is eight inches and comes with an eight inch cone woofer to help prevent sound distortion and has a power consumption of 60 watts. It’s also been labeled as an Amazon Choice for studio audio monitors by Yamaha.

Focusrite Scarlett 2i2 3rd Gen Audio Interface

An absolute non-negotiator is to include an audio interface. If you’re new, then the Scarlett interface is very entry level, according to Besson.

“The interface is super important because you plug the microphone, the computer and the monitor speakers into it, and it becomes the hub for all of your audio controlling,” he explains. “Without it, you have nothing to plug the microphone into or the speakers into, so you can’t do anything.”

Apple AirPods Pro (2nd Generation)

$199

$249

20% off

$199

$249

20% off

Not looking to splurge on speakers? Besson suggests investing in a pair of quality headphones as it’s important for listening to any audio your record. He personally uses AirPods, but also advises you should playback your audio on a variety of listening devices like computer speakers, headphones and monitor speakers to get a fell for how it sounds out of various music players.

“When I finish a song, I listen on my AirPods, I listen on my [AirPod Max], I listen to my car, I listen on my regular phone speakers, I do a listen on just my computer speakers and then I listen on my monitor speakers,” he says. “It just gives you a lot of perspective on how your song is going to sound to a wide variety of listeners. And if it sounds good on all of those, then you’re in business.”

Fender Squier Dreadnought Acoustic Guitar Sunburst Bundle

Aspiring singers, according to the “Let Me Down Easy” singer should also consider picking up an instrument. Besson has been playing the acoustic guitar as well as dabbling in a nylon string guitar to test out sounds and melodies. Beginners can take advantage of this guitar bundle by Fender that includes a guitar, carrying strap, guitar picks and a tuner to kickstart their instrument learning.

“I start most of my tracks on the guitar, I like playing acoustic, but I’ve just started experimenting a little bit more with nylon string guitars because they have a little bit of a different flavor, and they’re pretty cool.”

Apple 2023 MacBook Pro

$1,399

$1,599

13% off

Investing in a computer is also a must-have for Besson as that’s where song files and mixing lives. In his opinion, a MacBook is easier for iPhone users to send and transfer files with ease.

“I think the MacBooks are just super powerful and super easy, especially if you have an iPhone,” he says. “My favorite thing about working on a Mac with the iPhone is how easy it is to sync files and final bounces and final masters of stuff. I save all of my songs in my files app, and it’s all synced to my iCloud, so if I save something on my computer I can leave, go get in my car, and it’s already on my phone. I can go listen to my car, and I don’t have to do anything else. I think with PCs sometimes it gets dicey because you got to email yourself links.”

What At-Home Recording Equipment Is Worth the Splurge?

If you’re looking to really spend money on one piece of equipment, the “Fallin’” singer has two tech essentials he would recommend picking from.

“Having a powerful computer really makes it easy to create without having to worry about your computer exploding,” says Besson. “The second, for singers, is investing in a great microphone. A great microphone can make all the difference in the world for a singer, because recording is all about confidence, and if your microphone sounds great, and if you think you sound great coming through that microphone, it makes your performance so much easier.”

Where Is the Best Place to Set Up An At-Home Studio?

Besson emphasizes that anyone can set up their own studio even if you live in a small space. The

“I’ve set up studio equipment on kitchen tables, I’ve set up studio equipment on the kitchen island, I’ve set up on an outdoor pool table,” he explains. “Really anywhere that your laptop can fit because nowadays, what’s really cool about just music creation software and just technology in general is companies are doing their best to make creating music easy. We live in a time where, as musicians, we’re very lucky to have the technology that we do because a long time ago, it was not possible and it was very expensive. Nowadays, you can make really great music for pretty cheap, which is really cool.”

Any Tips for Beginners Just Starting Out?

The biggest piece of advice the singer has for both aspiring and more experienced artists is to not take your in-studio moments too seriously.

“I think the more that I create, and especially now as I create from a much more personal place than I had in [Why Don’t We], is it can be very easy to get lost in the moment,” he says. “And if lyrics aren’t coming to your mind or if you’re singing a bunch of melodies, but none of them really feel good, it can be really easy to kind of fall into this, like, ‘oh my gosh, am I even good at music? Should I keep doing this? Do I suck?’ I’ve had this kind of philosophy for a long time, and it’s that no idea is a bad idea. In my experience, some of the objectively worst ideas have turned into some of the best ideas, because you just never know what you might say or think or sing into the room.”

Who Are Your Biggest Music Inspirations Right Now?

As a pop singer, Besson has a mix of current and classic artists that continue to influence and inspire his music.

“I’ve always listened to Justin Bieber. He was, like, my biggest inspiration growing up,” he says. It’s like, how do I be that guy? I listen to a lot of Post Malone — huge influence, he’s amazing. Then I’ve been listening to some more R&B music to kind of find what’s popping these days and what people are making that’s new. The new Justin Timberlake records are really cool. Been listening to some Ne-Yo classics, even some Troye Sivon — and then SZA is one of my favorites forever. She’s just so incredibly good, it’s ridiculous.”

How Does It Feel to Have Your First Solo Single Out & What Can Fans Expect Next?

“I’ve had [‘Love Me Better’] in my vault for almost two years, so it’s just been sitting there and I’ve been waiting for the people to hear it,” Besson says. “It’s been a little nerve wracking because the project I’m building now is much more personal to me than really any of the Why Don’t We stuff was. When you’re in a group, you’re storytelling from a different perspective. It’s very tailored to be like, you’re the boy band and you’re writing love songs for your girlfriends. Although we did write from personal experience a lot, it’s just a different perspective. Now being solo and writing from a place that’s 100% just me, my opinion, my stories, my words, there’s a vulnerability to it that I hadn’t experienced in music before.”

And in terms of new music, the “Just Friends” singer teases fans can expect his songs to express his maturity as an artist and person as he shares his real-life experiences.

“There will be some love stories, there will be some stuff about feeling the pressure of the world,” he says. “I really want people to feel good when they listen to my music. A lot of this stuff is pretty positive and happy and just fun. It’s going to feel a little more mature than some of the stuff that the group had done in the past. I’m working on a couple of moments to tug on the heartstrings and also just tell the truth about growing up and feeling the weight of the world on your shoulders and trying to figure it out. I think a lot of my fans, and even the group’s fans, have gone through a lot in the last seven, eight years.”

For more product recommendations, check out our roundups of the best portable recording booths, best speakers and the best over-ear headphones.

In Canada: No to ‘Laughs’ This Year, But Yes to Women in Music

The beloved Just for Laughs festival in Montreal, a vital annual event in the comedy world, has canceled its 2024 edition and laid off about 70% of its staff.

The festival’s managing body, Groupe Juste pour rire inc. (JPR), is facing financial hardships and has sought legal measures to avoid bankruptcy. JPR said the decision is aimed at finding new investors or potential buyers to keep the festival afloat. The challenges leading to this point include the economic strain from the pandemic and other industry hurdles, including rising costs and media mergers. Despite the tough times, organizers hope to come back stronger in 2025. 

“The decision to initiate restructuring proceedings was reached after thorough consideration of all options available to the company,” a news release states, “taking into account its very difficult financial situation given the significant changes in our business landscape in recent years.” – Rosie Long Decter

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Billboard Women In Music Expands to Canada in 2024

This June, Billboard Women In Music is expanding to Canada, shining a light on the influential women and gender-diverse talents who are shaping the nation’s music scene. With this expansion, Billboard Canada aims to honor those making significant strides across the industry, from production to live performances.

The music community is invited to participate, with nominations now open. It offers a platform to recognize and celebrate the outstanding contributions of individuals in the Canadian music industry while fostering a more inclusive and diverse musical landscape.

Canadian executive Golnar Khosrowshahi, the founder/CEO of Reservoir Media, one of the biggest independent music companies in the world, is an Executive of the Year hall of famer. This year, she offered this piece of advice: “Pivot to a path that allows for growth equally across your professional and personal lives. You should not have to compromise, but rather be empowered to find the route that allows for the multitudes present in you.” – Richard Trapunski

Music Canada’s Game-Changing Update: Video Streams Now Count Toward Gold and Platinum Certifications

Earlier this week, Toronto-based Music Canada announced a significant update to its Gold/Platinum Program for Single Awards: It will now incorporate official video streams into the certification calculations.

The change celebrates the evolving ways fans engage with music, particularly through video. With this update, video streams from platforms like YouTube, Vevo and Apple Music from Jan. 1, 2020, onwards will contribute to the criteria for Gold, Platinum and Diamond certifications, ensuring that artists who engage fans through music videos receive recognition toward certifications. – David Farrell

4Batz Signs EP Deal With Drake’s OVO Label After Bidding War

4batz has signed a deal with Drake’s label OVO Sound for one EP, according to two executives familiar with the deal. The EP deal is a short-term license, the sources say.

A rep for Drake and OVO declined to comment.

Multiple labels have been wooing 4batz since his track “act ii: date @ 8” — originally released through Vydia — took off during Christmas week. (Executives say it’s one of two viral songs that the major labels have been aggressively chasing in the first few months of the year, along with Good Neighbours’ “Home.”) “act ii: date @ 8” debuted on the Hot 100 at No. 77 in January and rose as high as No. 59.

The track “was [made] more for the females,” 4batz told Billboard recently. “Nowadays, R&B is quote-unquote toxic. It’s a lot of fake toxicity going on. I don’t know about that toxicity. My momma raised me in a way like, ‘You love a girl, you do this. You open the door for her.’ I’m big on that, so that one was specifically for the females.”

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4batz released a remix of the single featuring Drake on Friday (March 8) that is certain to bring the song additional attention. While 4batz’s lawyer, Matt Buser, declined to answer questions about the singer’s deal, he said in a statement that the singer “made a calculated decision to creatively collaborate with one of the most iconic artists ever.”

“The positive energy and overall support from Team Drake/OVO was a driving factor in getting this song released,” Buser added. “We are grateful for their involvement and are excited to see what the future holds as a result of this epic creative and business move.” 

Drake founded OVO Sound with his longtime producer Noah “40” Shebib and manager Oliver El-Khatib. The company worked with Warner Records for many years before announcing a partnership with Todd Moscowitz‘s Santa Anna Label Group in January under the Sony Music umbrella. Under the deal, Santa Anna will distribute and market OVO releases.

4Batz has earned 35 million streams across his catalog as an independent artist in just the last four weeks, according to Luminate, meaning he doesn’t have to rush to release his EP. “I’m really in love with this,” he told Billboard. “This EP’s gon’ break the f—kin’ internet.”