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Ye FKA Kanye West Celebrates “Carnival” Going No. 1 By Dissing Drake & Adidas

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Ye, formerly known as Kanye West, is currently celebrating hitting the top of the Billboard Hot 100 charts with the track “Carnival” from his joint album Vultures with Ty Dolla $ign. In a now-deleted post, Ye unloaded on Drake and adidas while also shouting out his collaborators.

Ye, FKA Kanye West, took to Instagram on Monday (March 11) and thanked Ty Dolla $ign, Playboi Carti, and Rich The Kid, who all feature on the “Carnival” track. According to Billboard, this is the first time Rich The Kid and Playboi Carti have hit the top of the Hot 100 chart.

However, despite this achievement, Ye had some choice words for several people in his deleted Instagram rant.

“Rich Ty Carti and the supporters that stood by us through everything This number #1 is for you. It’s for the people who won’t be manipulated by the system,” began the rant. “And f*ck adidas and everybody who works there or with them. Anyone who goes to school with anyone who’s parents work at adidas. Just know they tried to destroy me and here we are with the number 1 song in the world.”

The post ended with the shot at Drizzy.

“That’s how I feel And it’s f*ck Drake for taking Durk right at the beginning of the Vuktures [Vultures] role out I’ll come back to yall if I think of more f*ck you’s,” the post ends.

Drake, known for taking subtle and direct jabs at the Chicago superstar in times past, has not responded.

Photo: Getty

Former Mar-a-Lago Valet aka “Trump Employee 5” Declares Trump Unfit For Office

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Former President Trump Speaks At His Bedminster Golf Club After Being Arraigned On Federal Charges

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Former Mar-a-Lago valet Brian Butler came forward to reveal being a source for the indictment against Donald Trump and why he feels he is unfit for office.

On Monday night (March 11), CNN aired an exclusive interview with Brian Butler, a former valet at the Mar-a-Lago estate of former president Donald Trump in South Florida. Butler spoke about his role as the key source of information for Special Counsel Jack Smith’s indictment of Trump, saying that his former boss is unfit to be president again.



Butler, who’s referred to as “Trump Employee 5” in the indictment, worked at the estate as a club valet, manager, and chauffeur along with valet Walt Nauta and property manager Carlos De Oliveira (Both men are currently facing criminal charges along with Trump). Butler spoke to CNN’s Kaitlin Collins about Trump sharing classified information about submarines with Australian billionaire Anthony Pratt, and how Pratt repeated that information to his chief-of-staff as Butler was driving them. He also told Collins he had no idea he was helping to move sensitive information. “For me, I’m just thinking, eh, the former president, he has a lot of stuff he likes to lug around with him,” Butler said, referring to moving the “10 to 15” white bankers boxes of information stored in various places at Mar-a-Lago which Smith cites in the indictment.

Collins asked Butler if he felt Trump was a security risk, to which Butler responded: “I personally would just say I just don’t believe that he should be a presidential candidate at this time. I think it’s time to move on.” When pressed on if he was “concerned”, the 41-year-old replied, “Yeah, absolutely. I think we can do better.” Butler also criticized Trump’s defense in the case as “bogus”.  “To me, you have the ‘law and order’ president attacking agents, the special counsel on almost a daily basis, when these people are just taking their sworn oath—they took a sworn oath to basically follow the laws of this country. And now you have somebody attacking them. I don’t think that’s right.”

Butler also spoke about the end of his and De Oliveira’s 20-year friendship, blaming Trump for that division. “Nobody should have to go through that. And for him (Trump) to get up there all the time and say the things he says about this being a witch hunt and everything. … He just can’t take responsibility for anything,” he said.

Beyoncé Announces ‘Country Carter’ Album: Here’s When It Arrives

Park your Lexus and throw your keys up, because Beyoncé’s country era is officially upon us.

The superstar’s Parkwood Entertainment company took to social media on Tuesday (March 12) to reveal the title of her upcoming album will be Country Carter, and it’s slated to arrive on March 29. The post also showed an image of an empty saddle with a red, white and blue sash draped across with the album name sewn onto it. However, upon pre-ordering the limited edition drops for the album on Bey’s website, it indicates that the image is not the final cover art.

Beyoncé teased her new album era — and the second act of her 2022 album Renaissance — during Super Bowl LVIII last month, dropping two singles, “16 Carriages” and her Hot 100 chart-topper, “Texas Hold ‘Em.” The song has notched three weeks at No. 1 on the Hot Country Songs chart, which earlier became Bey’s historic first No. 1 on the ranking; prior to its ascendance, no Black woman, or female known to be biracial, had previously led the list.

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Earlier this week, Dolly Parton told Knox News about whispers that Beyoncé collaborated with Parton or at least covered one of the country icon’s most beloved songs on her upcoming eighth studio album. “Well, I think she has! I think she’s recorded ‘Jolene’ and I think it’s probably gonna be on her country album, which I’m very excited about that,” she said. At press time a spokesperson for Beyoncé had not responded to Billboard‘s request for comment on Parton’s claim.

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Vanessa Hudgens Can Thank Pregnancy & This $7 Bronzer Stick for Her Oscars Red-Carpet Glow

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Vanessa Hudgens dropped some major news at the 2024 Oscars as she walked the red carpet, debuting her pregnancy. The “Sneakernight” singer was practically glowing as she posed for photographs, and while some of that glow can be credited to her pregnancy, it’s also thanks to ColourPop’s Bronze Stix in La Jolla Cove, which is on sale for $7.

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To complete her red-carpet glam, Hudgens relied on ColourPop to give her a radiant look that, along with the bronzer, included the Super Shock Highlighter in Churro and ColourPop’s Bare Necessities eyeshadow palette. Her makeup was further enhanced paired with her form-fitting turtleneck gown designed by Vera Wang.

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Right now, the makeup brand is hosting some of the best beauty deals online, offering 30% off practically everything on the site. You can buy the exact Bronze Stix used by Hudgens online, including other makeup used to create her red-carpet look.

Keep reading to shop the exact beauty products.

Bronzer Stix

$7

$10

30% off

$10

The Bronzer Stix is not only 30% off for a limited time, but will help provide a sun-kissed glow using a creamy formula you can glide straight onto your skin. The brand suggests swiping the product onto your cheekbones, forehead, jawline and chin, then blending it out with your fingertips or a beauty blender for the best results.

Super Shock Highlighter

$6.30

$9

30% off

Add some shimmer to your look with ColourPop’s beloved highlighter. The makeup features a powder texture mixed with pearly, bronze shades that’s buildable so you can easily swipe it on over your foundation.

Bare Necessities Shadow Palette

You day and night looks can be crafted using ColourPop’s Bare Necessities palette. It comes with 30 different shades to mix and match, or you can use the shade Complicated, which Hudgens chose for the red carpet.

The “Breaking Free” singer isn’t the only star to have sported ColourPop, either. The makeup brand has been swiped across the faces of artists including Haim and Becky G. Its popularity has expanded past celebrities and into the entertainment sphere, where ColourPop has collaborated with major franchises including Twilight, Sailor Moon and Naruto.

And, if you’re looking to stock up on more of the brand’s viral products, make sure to snag some freckle pens, which have garnered a cult following for its natural and long-lasting formula.

For more product recommendations, check out our roundups of the best press-on nails, refillable lipsticks and powder foundation.

Marcus Mumford Is ‘Just Ken’ to Carey Mulligan in Adorable Video From the 2024 Oscars: Watch

She’s an Academy Award nominee. He’s just Ken. In a sweet video from the 2024 Oscars Sunday (March 10), Marcus Mumford swept Carey Mulligan — whose performance in Maestro was nominated this year for best actress — off her feet in an adorable ode to Greta Gerwig’s Barbie.

The clip finds the Mumford & Sons frontman carrying his wife through what appears to be the backstage halls of Dolby Theatre, where the Jimmy Kimmel-hosted awards were held. Mulligan repeatedly throws her head back in laughter as her husband trudges along, making sure her black-and-white gown didn’t touch the floor.

The “I Will Wait” singer paired the video with a snippet of “I’m Just Ken,” a song in which Ryan Gosling’s male lead sings of his unreciprocated worship of Margot Robbie’s character in Barbie.

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Both Barbie and Maestro were up for awards at Sunday’s ceremony, although Mulligan lost out to Poor Things‘ Emma Stone for best actress. Gosling was bested by Oppenheimer‘s Robert Downey Jr. in the best supporting actor category, while Christopher Nolan’s atomic bomb thriller won over Gerwig’s film about the Mattel empire.

And while “I’m Just Ken” was also beat out by Billie Eilish and Finneas’ fellow Barbie hit “What Was I Made For?,” the song unofficially won the award for most show-stopping moment of the 2024 Oscars, thanks to Gosling’s over-the-top performance of the track. Joined by Mark Ronson, Guns N’ Roses’ Slash, Wolfgang Van Halen and a couple of his fellow Ken actors, the Notebook star delivered a Kenergetic showcase featuring choreography, backup dancers, Barbie-head cutouts and hilarious crowd work.

Mumford and Mulligan have been married since 2012. The couple shares three children: 8-year-old Evelyn Grace, 6-year-old Wilfred, and a daughter born last year.

See their cute TikTok below.

Three Six Zero Recordings Links With Gamma for Distribution, Marketing

Larry Jackson‘s year-old media company gamma announced a global partnership with independent label Three Six Zero Recordings on Tuesday (March 12). Under this new agreement, gamma will handle the label’s music distribution, marketing and multimedia production needs.

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The companies also announced that Three Six Zero management clients Jaden and WILLOW will be taking on partnership roles within TSZR as part of its new relationship with gamma. The label, whose roster includes Dom Dolla, 1010 Benja SL and Eats Everything, among others, boasts “talent that bridges the gap between music, film and tv” and aligns with gamma’s “ecosystem,” they said.

Commenting on the partnership, Three Six Zero CEO Mark Gillespie said “cutting edge artists want a modern way of distributing their content,” adding, “I feel strongly that is what Larry is building at gamma.”

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“Mark Gillespie and his team have established a remarkable and progressive business with Three Six Zero Recordings,” added Jackson, gamma’s co-founder and CEO. “We’re philosophically aligned and I know working together with a kindred spirit will help us further advance the work of their innovative artists, exactly the type of creative talent we launched gamma. to support.”

In its first year, gamma has aligned with Snoop Dogg’s Death Row for distribution, partnered with Rick Ross’ Maybach Music Group and expanded into Africa and the Middle East. On that last front, it recently partnered with Billboard Arabia on a new initiative to help showcase music from the region.

Trial Date Is Set For Lone Adult Charged In Pop Smoke Murder

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Pop Smoke Portrait

Source: Rolling Stone / Getty

It’s been four years since up-and-coming rap star Pop Smoke was murdered during a home robbery in Hollywood Hills. And now one of the men involved in the killing will have his day in court this summer.

According to Vulture, a Los Angeles judge has just set a June 25 trial date for Corey Walker, who’s accused of taking part in the robbery that led to the shooting of Pop Smoke (born Bashar Barakah Jackson) on Feb. 19, 2020. Walker (who was 19 years old at the time) was the only suspect charged as an adult in the murder and has pleaded not guilty to one count of murder and three counts related to the home robbery.

Walker’s defense in the matter is that he wasn’t a part of the actual planning of the home robbery and was nothing more than the getaway driver who waited outside of the home while the entire scenario unfolded. Prosecutors, on the other hand, paint Walker as the mastermind in the case and have said as much in the charges they’re lobbing at the defendant.

Per Vulture:

Prosecutors argue that Walker “Facilitated the crimes by not only surveilling the crime scene before the crimes were committed but serving as the researcher, getaway driver, weapons provider and planner of this home invasion robbery.”

The trial date comes almost a year after three other minors involved in the killing settled their cases with one pleading guilty to voluntary manslaughter, another confessing to killing the rapper, and the third settling his case at an “undisclosed time.”

What are your thoughts on the case? Let us know in the comments section below.

SXSW ‘Deeply Saddened’ by Death of Pedestrian in Hit-and-Run Incident in Austin

The SXSW festival issued a statement on Tuesday morning (March 12) about a deadly incident that took place earlier in the day in downtown Austin on the first night of this year’s annual gathering of bands and music industry folks.

“We are deeply saddened to learn of the passing of an individual in downtown Austin following an auto-pedestrian accident that took place shortly after 1:00 am this morning,” read the statement. “Our thoughts are with all affected by this tragic accident.”

A spokesperson for the Austin Police Department said that no additional information was available yet about the incident, including whether the alleged driver or the victim in what local reports described as a hit-and-run were attending SXSW. The Austin-American Statesman also reported that it was unclear if the people struck were affiliated with SXSW

Local station Fox 7 reported that police were still looking for the unnamed driver in the crash that left one unidentified pedestrian dead and another injured after they were struck while walking through the intersection of 7th Street and Red River, which is within the festival’s wide footprint. Fox 7 said one of the pedestrians was taken to a local hospital with critical, life-threatening injuries, while the other died at the scene.

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In 2014, a deadly hit-and-run killed four people and injured 20 during SXSW in an incident that resulted in increased security and stronger barricades around official events. The driver in that incident was convicted of capital murder and sentenced to life in prison. The Statesman reported that a lawsuit filed by one of the families of the deceased claimed the festival could have done more to secure the event, noting that 153 pedestrians had been hit by vehicles during previous SXSWs.

This year’s SXSW is expected to draw 300,000 attendees to downtown Austin during the event that runs from March 8 to 16.

See the festival’s statement below.

Eagles Stolen Notes Trial Collapse, Bad Bunny Concert Lawsuit, Linkin Park Case & More Top Legal News

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.

This week: A stunning early end to the criminal trial over Eagles frontman Don Henley’s allegedly stolen notes; a copyright case filed by Bad Bunny against fan who posted concert footage to YouTube; Linkin Park hits back at a lawsuit filed by a man briefly in the band; and much more.

THE BIG STORY: The Curious Case of Don Henley’s Stolen Notes

Weeks into a blockbuster trial over accusations that three men conspired to sell stolen pages of notes created by Eagles frontman Don Henley while writing “Hotel California,” Manhattan prosecutors dropped a bombshell last week: Maybe the stolen notes had … never been stolen in the first place?

Of course, that had been the primary refrain of the defendants all along. Glenn Horowitz, a rare books dealer, Craig Inciardi, a former curator at the Rock & Roll Hall of Fame, and Edward Kosinski, a memorabilia auctioneer, argued from the start that the notes had simply been given to a journalist in the 1970s as he was writing a book about the Eagles. At the start of the trial last month, one of their lawyers said prosecutors had “distorted the history” to charge three “innocent men” and would be “apologizing at the end of this case.”

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At a stunning hearing on Wednesday — midway through the trial, after Henley and longtime manager Irving Azoff had already testified — the district attorney’s office didn’t quite apologize, but did alert the judge that it would drop the charges against the three men. What sparked the sudden reversal? A trove of new evidence that Henley had previously withheld under attorney-client privilege, some of which dealt directly with the core question about whether the notes had been stolen.

The judge was none too pleased, saying that Henley and Azoff had chosen to “obfuscate and hide information that they believed would be damaging to their position that the lyric sheets were stolen.” He also chided prosecutors for having been “manipulated” into bringing the charges, though he praised them for “eating a slice of humble pie” once new evidence had come to light.

Following the stunning collapse of the case and the judge’s statements, Henley’s attorney responded on his behalf, saying the rock star been “victimized by this unjust outcome” and would “pursue all his rights in the civil courts.” A spokesman for Manhattan District Attorney Alvin Bragg declined to comment.

For all the details, go read our full story — featuring the backstory of the case, all the key quotes from the judge, and what defense attorneys had to say about the sudden dismissal.

Other top stories this week…

TWITTER MUSIC CASE SURVIVES – A federal judge ruled that music publishers could move forward with a copyright lawsuit filed against X Corp. over allegations of widespread copyright infringement on the social media platform formerly known as Twitter. The judge dismissed major portions of the case, but allowed some of lawsuit’s core allegations — that X essentially enabled illegal behavior by its users by refusing to crack down on them — to move ahead.

SONY RESPONDS TO BIAS SUIT – Sony Music hit back hard at a lawsuit filed by a former assistant to Columbia Records chief executive Ron Perry over allegations that the company discriminated against white job applicants, arguing that the claims were “contradictory and false” and merely designed to “harass her former employer.” The new case came amid increased scrutiny of race-conscious corporate diversity practices in the wake of a U.S. Supreme Court ruling that outlawed so-called affirmative action in college admissions.

LIZZO CASE ON ICE FOR NOW – The bombshell sexual harassment lawsuit filed against Lizzo by three of her former backup dancers is going to be on pause for the immediate future, after a Los Angeles judge halted all proceedings while the star appeals a recent ruling. Lizzo is challenging a decision earlier this year that refused to dismiss the case under California’s anti-SLAPP law.

BAD BUNNY’S CONCERT CASE – The superstar Puerto Rican rapper filed a lawsuit against a concertgoer who posted videos from a recent show to YouTube, arguing that he was essentially forced to sue after the alleged bootlegger demanded that YouTube keep the clips online. The case highlights the takedown process under the Digital Millenium Copyright Act, which allows an accused infringer to get their content reposted if they so choose – but also exposes them to a lawsuit like the one Bad Bunny filed this week.

IS YOUTUBE ‘UNION-BUSTING’? – There’s a dispute brewing over the sudden dismissal earlier this month of more than three dozen YouTube Music contract workers, who had voted last year to unionize. The staffers, who oversaw content for the music-streaming service’s 80 million subscribers, have called the move “union-busting” and illegal retaliation against their right to collectively bargain. But Google and subcontractor Cognizant say that “nobody was laid off” and that simply the contract with YouTube had “expired at its natural end date.”

HAGAR’S CANTINA CLASH – Sammy Hagar won a preliminary injunction barring an allegedly unauthorized Hollywood location of his Cabo Wabo Cantina from continuing to use the chain’s name and branding while their dispute plays out in court. The judge barred the alleged rogue franchisee from “representing to the public, in any way, that the restaurant is an authorized Cabo Wabo Cantina restaurant.”

TIME IS A VALUABLE THING – Linkin Park asked a federal judge to end a lawsuit that accuses the band of refusing to pay royalties to an ex-bassist who briefly played with the band in the late 1990s, arguing that the lawsuit is “rife with defects.” Chief among them? That such allegations have been repudiated for “over two decades” and the statute of limitations on it has thus “long since passed.”

Fran Boyd, Longtime Academy of Country Music Executive Director, Dies at 84

Fran Boyd, former executive director of the Academy of Country Music, died March 9 at 84.

Boyd played a key role in shaping and advancing the ACM from its early years in California in the late 1960s, through the start of the millennium.

Boyd joined the ACM as an executive secretary in 1968, as the organization’s first paid employee. She rose through the ranks over the years; in 1995, following the passing of her husband Bill, who himself led the Academy, Fran was named executive director. Boyd oversaw year-round operations and also served as talent producer for the ACM Awards, and oversaw nearly every aspect of the annual awards presentation.

The ACM Awards’ signature “hat” trophy was created the same year Boyd joined the ACM. Among the winners that year were Glen Campbell, Lynn Anderson and Bobbie Gentry.

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During her tenure, Boyd saw the organization open its first office in Hollywood, and rebrand its name from the Academy of Country and Western Music to the Academy of Country Music in the 1970s. During her time at the ACM, the organization also moved the awards show to major California venues including Disneyland, Universal Amphitheatre and Knott’s Berry Farm.

Boyd retired from the ACM in 2002, after more than three decades of service. She said at the time, “I continue to be proud of all the Academy of Country Music has accomplished in my time. It has given me great joy to see so many young country artists rise from newcomers to having great careers. The Academy has helped music fans acknowledge country music as the enduring genre it deserves to be.” 

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“Her tireless work and years of dedication to this organization, the country music industry and its artists cannot be overstated, and her legacy with the Academy will forever live on,” Damon Whiteside, CEO of the Academy of Country Music, said in a statement.

“Fran Boyd played an essential part in the Academy’s history, stretching way back to the earliest days in the 1960s and steering the ship through decades of change, innovation, and growth, all while fostering an incredible passion for country music,” added Gayle Holcomb, ACM Board Sergeant-At-Arms and longtime board member. “Fran will always be remembered as a champion for our industry, its artists, and this organization. On behalf of the ACM Officers and Board of Directors, I send our gratitude, prayers, and condolences to the Boyd family.”

In lieu of flowers, donations can be made to Alive Hospice Nashville or the Alzheimer’s Association in Boyd’s honor.