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Chaos Erupts At Versace Sample Sale In New York City [Video]

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Bond Street In London

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The logo that The Notorious B.I.G. made famous is still in high demand. Chaos erupted at a Versace sample sale in New York City.

As reported by Gothamist the brand that Gianni built recently attempted to host a pop up shop where consumers could buy sample pieces. On Wednesday, March 27 hundreds of individuals lined up early at 125 West 18th Street hoping to score designer at a discount. Unfortunately the overwhelming demand took the staff by surprise and bedlam ensued upon the doors opening to the public.

The crowds pushed their way in causing a bottlenecking at the entry. Video taken on site shows that tensions were already high at that point with some individuals yelling and shoving others out the way in an effort to squeeze in. Eventually a fight broke out prompting the store staff to call NYPD for assistance. Upon arriving at the scene the local badges temporarily shut down the event in an effort to control the crowds. The Strategic Response Group can be seen ordering everyone off the block.

One woman took to TikTok saying “It’s ghetto here. It’s ghetto. It got shut down. They even broke the glass of one of the doors” she said. “They’ve been fighting each other, some girl had to leave out in the ambulance because she got trampled.” Another man gave further details on the origins of the commotion. “People ran to the front and then they stayed at the front, and then the people in the second batch argued about it and then total chaos ensued” he added.

The sample sale was scheduled to run until Saturday, March 30 but has since been cancelled. Versace has yet to comment on the matter. You can watch footage of mayhem below.



Fans Think Taylor Swift Is on Beyoncé’s New Album ‘Cowboy Carter’ — But Is She Really?

In the lead-up to Beyoncé‘s new album Cowboy Carter, rumors swirled that a certain country-turned-pop star may be a featured collaborator on the project. When it finally dropped at midnight Friday (March 29), however, Taylor Swift‘s name was nowhere in sight on the credits.

But wait. Who’s that singing in the background on track eight?

After listening, many fans were immediately convinced that Swift actually did have a cameo, albeit a small one, on Bey’s Renaissance sequel, potentially providing a few complementary vocals for the song “Bodyguard.” (The person behind those repeating “Ahh” counter melodies does sound remarkably like the “Anti-Hero” artist.)

“THAT IS 100% TAYLOR SWIFT ON BODYGUARD BY BEYONCÉ NOW GIVE ME A FULL COLLAB,” one Swiftie tweeted shortly after Cowboy Carter dropped.

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“wait i can really hear taylor singing the ahhs in bodyguard…,” wrote another person, while a third fan added, “IS TAYLOR DOING THE BACKGROUND VOCALS FOR BODYGUARD OR NOT SOMEONE TELL ME.”

But no, Swift’s voice is not included in “Bodyguard.”

That may be a disappointing fact for fans of the two women, who have been in each other’s corners since Bey supported Swift at the 2009 VMAs after Ye (formerly known as Kanye West) interrupted the “Karma” musician during her best female video acceptance speech. Last year, the Ivy Park founder attended the premiere of Swift’s Eras Tour concert film premiere, soon after which the Pennsylvania-born pop star showed up to the Houston native’s Renaissance movie debut in London.

“I’m so glad I’ll never know what my life would’ve been like without @beyonce‘s influence,” Swift wrote of Bey on Instagram after the Eras event. “The way she’s taught me and every artist out here to break rules and defy industry norms. Her generosity of spirit. Her resilience and versatility. She’s been a guiding light throughout my career and the fact that she showed up tonight was like an actual fairytale. ???”

See tweets from fans theorizing about Bey, Tay and “Bodyguard” below.

Black GOP Politician Bashed Beyoncé In Past Online Rants

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Donald Trump Holds Rally For North Carolina Midterm Candidates

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A Black Donald Trump backed-candidate running to be governor of North Carolina had more extremist comments about Beyoncé online revealed recently.

The incendiary North Carolina Republican politician Mark Robinson is running to be governor of the state, and another set of comments unearthed from his social media accounts find that he went on a rampage bashing Beyoncé. According to reports, the extremist candidate backed by Donald Trump had kept up an ongoing commentary on the superstar on his Facebook account. In one post back in 2017, Robinson wrote: “Person; Beyoncé is a role model!” Me; “The only person that butt shakin’, devil worshipping, skank is a role model to is people who want a fast track to Hell.”

Robinson – the current Lieutenant Governor of North Carolina who is Black – went even further, claiming that Beyonce was teaching “young women how to be hyper-sexual w—-s.’” In another uncovered post made two years later in 2019, he claimed that the “Cuff Em” singer’s music sounded like “Satanic chants.” “Seriously, her songs sound like they say stuff like “satan laughs as you rot in hell” if [you] play them backwards. SUPER WEIRD,” he wrote in the caption. 

He even threw a jab at Jay-Z, claiming that the rap mogul “teaches our young men how to be foul-mouthed thugs and his wife teaches our young women to be hyper-sexual whores… I guess y’all are okay with that and so is Hilary Clinton,” Robinson wrote in another Facebook post from 2016. The posts fall in line with other outrageous posts that he has made in the past such as quoting Adolf Hitler and calling the Parkland school shooting survivors pushing for gun control “spoiled, angry, know-it-all all children.” The former furniture worker is actively courting the state’s evangelical population, which comprises a good part of the right-wing-leaning state.

Robinson has saved a lot of ire for African Americans, claiming that the community “celebrates the very lawlessness and violence that is killing its future right in front of them.”He is currently set to face the state’s attorney general, Josh Stein in November. Stein, who is running as a Democrat, referred to him as “bleak and divisive, consumed by spite and hate,” in a recent interview. The 55-year-old has also gone on record as supporting Trump’s false claims of the 2020 presidential election being stolen from him.

Rumi Carter, Beyoncé’s Youngest Daughter, Makes Musical Debut on ‘Cowboy Carter’

Rumi Carter, first of her name, younger sister of Blue Ivy, niece of Solange and granddaughter of Tina Knowles, has officially made her debut as a recording artist.

Beyoncé‘s youngest daughter, who is 6, scored a featured artist credit on “Protector,” the fourth track on Cowboy Carter — the second act in Queen Bey’s sprawling Renaissance trilogy. A tender, guitar-plucked ballad, “Protector” finds Beyoncé singing of the challenges that come with shifting your approach to parenthood as your children get older. “And I will lead you down that road if you lose your way/ Born to be a protector/ Even though I know someday you’re gonna shine on your own / I will be your projector,” she croons.

Rumi’s appearance occurs at the very beginning of the track when she adorably asks, “Mom, can I hear the lullaby? Please?”

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Her contributions to the track echo the earliest of Blue Ivy’s appearances on her parents’ music. Back in 2012, Jay-Z included Blue’s cries — she was just 10 days old when the song dropped — on “Glory,” which reached No. 23 on Hot Rap Songs, making the eldest Carter child the youngest person in history to have a charted song on any Billboard tally.

Of course, “Glory” kicked off what has become a Grammy-winning career for Blue Ivy, who is now 12. She won her first Grammy for best music video thanks to her contributions to her mom’s The Lion King: The Gift single “Brown Skin Girl” (with Wizkid and SAINt JHN), picking up honors at the BET Awards, Soul Train Music Awards and NAACP Image Awards in the process. That song also became Blue’s very first Billboard Hot 100 hit, peaking at No. 76. Blue has also appeared on several other songs, including Beyoncé’s “Blue” (2013), “Daddy Lessons” (2016), “Lift Ev’ry Voice and Sing (Blue’s Version)” (2019), Jay-Z’s “Blue’s Freestyle / We Family” (2017) and Coldplay‘s “Up&Up” (2016). On her parents’ 2018 joint album Everything Is Love, Blue appears on “Boss” and “Salud,” on which she shouts out her younger twin siblings, Rumi and Sir Carter.

Time will tell if Rumi continues to appear in the studio, but for now, she can enjoy her official musical debut on one of the most buzzed-about albums of the year.

Listen to “Protector” below.

Big Sean Rocks NPR’s Tiny Desk Concert

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Rolling Loud California 2024

Source: Scott Dudelson / Getty

For the past week and change Big Sean has been back on his grizzly as he gears up for the release of his next LP, and while the Hip-Hop world continues to buzz about Kendrick Lamar’s pending battle with Drake and J. Cole, Big Sean keeps on doing his thing hoping everyone remembers he’s a pretty damn good rapper too.

On Wednesday (March 27), the Detroit representative became the latest artist to partake in NPR’s Tiny Desk Concert and did not disappoint. Rocking the library for what felt like a quick 25 minutes, Sean went into his bag. And with the help of a live band and some backup singers, the Sean Don artists broke out some of his biggest hits including “IDFWU,” “Marvin & Chardonnay,” and even some mixtape cuts such as “Supa Dupa Lemonade.”

Taking the opportunity to give fans a taste of what they can expect from him going forward, Big Sean treated listeners to a new never-before-heard cut, “On Up,” which was dedicated to the son he shares with Jhené Aiko, Noah.

Bravo, sir. Bravo.

Check out Big Sean’s Tiny Desk Concert, and let us know which song in the series is your favorite performance in the comments section below.



Louis Gossett Jr., Famed Film & TV Actor, Has Died

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Lou Gossett Jr Onstage At The Meditation Museum

Louis Gossett Jr., a celebrated actor who became the first Black man to win a Supporting Actor Academy Award, has died. Louis Gossett Jr. was also an Emmy Award winner for his appearance in the Roots miniseries.

The Associated Press reports that Louis Gossett Jr. died early Friday morning (March 29) in Santa Monica, Calif., with the news confirmed by the actor’s first cousin, Neal L. Gossett.

Gossett was born on May 27, 1936, in the Coney Island section of Brooklyn in New York City. At the age of 16, a teacher encouraged Gossett to try out for an acting part on Broadway and won the part. Gossett starred in Take A Giant Step, although he had no formal training.

Acting became Gossett’s passion despite having athletic skills as a basketball player and was offered a scholarship at New York University. Instead, Gossett turned his attention to theatre and never looked back.

According to his cousin, Gossett was more than his riches and fame; he used his position to address racism and was aligned with the likes of Nelson Mandela and others.

“Never mind the awards, never mind the glitz and glamor, the Rolls-Royces and the big houses in Malibu. It’s about the humanity of the people that he stood for,” his cousin told the AP.

Gossett won the Supporting Actor Academy Award in 1983 for his role in An Officer and A Gentleman. That same year, Gossett also took home the Best Supporting Actor Golden Globe. He also was a star in television, winning his lone Emmy Award in 1977 for his role in Roots. Gossett also won a Best Supporting Actor – television Golden Globe in 1992 for his role in The Josephine Baker Story.

Gossett is survived by his son Satie and daughter Sharron.

Louis Gossett Jr. was 87.

Photo: Howard Ruffner / Getty

How Oak View Group Became the Live Leader in Building Sustainability: ‘We Should All Be Doing This’

When Co-op Live, the latest arena from developer Oak View Group (OVG), opens in Manchester, England, in April, it will look a bit different from most similarly sized British venues.

Inside, it will serve up an eminently modern offering: the United Kingdom’s largest arena concert capacity, an acoustically efficient infrastructure and a star-­studded concert lineup including Stevie Nicks, Olivia Rodrigo and Nicki Minaj. But outside, the venue’s innovations will be most visible. Situated on the Manchester Ship Canal, Co-op Live is surrounded by a “biodiversity ring” — over 29,000 square feet of lush greenery offering a natural habitat for local wildlife and a surrounding green wall to attract bees. A mile-long pedestrian path partially along the water will encourage more environmentally friendly travel to and from the 23,500-capacity venue.

Since OVG broke ground on Co-op Live in 2021, chairman/CEO Tim Leiweke has frequently walked that route to the arena, which was built by local suppliers to reduce the transportation of materials, is entirely powered by electricity to eliminate the use of gas on site and even collects rain to water its plants and flush its toilets. “Co-op Live is going to be the most sustainable arena in the U.K. and one of the most in the world,” he tells Billboard. “It is our intent, our ambition and our commitment to be carbon neutral, but it takes a year to be certified” with an “excellent” rating from the Building Research Establishment Environmental Assessment Method, run by U.K. accreditation service BRE Global.

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A veteran of the live sector — and of innovation in arena construction, specifically — who once served as president of AEG, Leiweke is known for his enthusiasm for ambitious new projects like Co-op Live and Green Operations & Advanced Leadership (GOAL), a sustainability program developed by founding members OVG; State Farm Arena and its NBA sports tenant the Atlanta Hawks; Fenway Sports Group; and green building expert Jason F. McLennan for arenas, stadiums, convention centers and other venues. “I love GOAL. It’s the most important thing we’ve done toward sustainability,” Leiweke says. “It’s hugely important that we get other people in the industry committed to GOAL. That’s one of [OVG’s] highest priorities.”

Building Co-op Live is only the latest milestone in OVG’s commitment to creating more sustainable concert spaces that began with its billion-dollar, four-year renovation of Seattle’s Climate Pledge Arena (formerly Key Arena), which reopened in late 2021. Now OVG is working to bring sustainability to each of the more than 400 buildings it owns, operates or partners with.

“As an industry, we are a lightning rod of attention,” Leiweke says. “Can we use that platform that has such a big profile to be an example of tackling this issue and doing the right thing?”

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A rendering of U.K. venue Co-op Live, where a pedestrian path encourages foot travel to the arena.

Courtesy of Oak View Group

During Climate Pledge Arena’s renovation, OVG floated its iconic roof in the air for conservation — Seattle designated Key Arena’s exterior a municipal landmark in 2017 — and overhauled the 60-year-old building to consume zero fossil fuel, use solar panels for 100% renewable energy power and employ a “Rain to Rink” system harvesting water off the roof to help create the ice for NHL tenant the Seattle Kraken. Naming-rights partner Amazon chose the new arena’s moniker, basing it on its Climate Pledge with environmental advocacy group Global Optimism. Today, it’s a zero-waste venue without single-use plastics — and was the first arena to achieve International Living Future Institute Zero Carbon Certification, meaning it’s energy-efficient, combustion-free and powered entirely by renewable sources.

After working with OVG on Climate Pledge, Amazon provided its web services software to track venue performance for sustainability measures such as energy and water use, greenhouse gas emissions and waste management. In October 2021, OVG and fellow founding members launched GOAL to provide resources to venues exploring how to operate more sustainably.

“You don’t have to be Climate Pledge Arena and chances are you won’t be, at least not at first,” says Kristen Fulmer, OVG head of sustainability and director of GOAL. “It’s important that we meet operators where they are and make incremental improvements over time.”

Take OVG’s newly built Acrisure Arena in Palm Desert, Calif., as an example. It’s surrounded by drought-resistant plants, uses electric Zambonis to maintain the ice used by AHL team the Coachella Valley Firebirds, runs on solar panels covering its parking lot and is sunk 25 feet below grade to limit exposure of its exterior facade and thus reduce its HVAC dependence. Parking lot lights are on dusk-to-dawn sensors, the venue composts, and prepaid parking reduces the time cars spend idling.

“When you open a venue that has all these elements already designed into it, [sustainability] becomes part of your daily procedure,” Acrisure senior vp John Page says. And GOAL provides a “tracking system that allows us to evaluate on an ongoing basis how we can lower our carbon footprint” and reach a target of carbon neutrality by 2025.

As with Acrisure, GOAL’s approach to sustainability often utilizes creative solutions to regional issues, a practice made easier by the data it collects from its now 50 members. (Leiweke intends to double that number by the end of 2024.) “No one does a better job than State Farm Arena on recycling,” Leiweke says. “We brought them in and said, ‘Great, write the playbook.’ And then we bring in all of the other people in our industry that we see as best in class on green and sustainability and say, ‘Great, write that playbook.’ ”

Even with its collected best practices, Leiweke says, “Amazingly, many people turn down [GOAL] because they say it will cost too much money, which is ridiculous. How much do you think it’s going to cost to replace the Earth?” It’s true that upfront costs are higher at OVG’s tricked-out-for-sustainability venues — but, Leiweke insists, GOAL’s energy tracking and operational data will prove they’re saving money in the long term. “It’s usually about how long you’re looking at the budget,” Fulmer says, “and usually it will pay for itself.”

In the meantime, there are ways to defray costs. Corporate partners, Fulmer explains, are often eager to contribute funding for environmental causes, promote their own sustainability agendas or both. GOAL helps those that want to back specific measures — say, funding a venue’s switch from plastic to compostable cups — to team up with venues in exchange for on-site branding or activations.

As artists calculate their carbon footprint for upcoming tours, GOAL venues and partners can provide numbers, as well as initiatives and proposals, to lessen a tour’s impact.

“Do I think it makes a difference that Billie Eilish is going to play my venue when she has a choice because she knows how committed we are to sustainability? 100%,” Leiweke says. “But that’s not the only reason we did it. We did it because we should all be doing this.”

This story will appear in the March 30, 2024, issue of Billboard.

Tomorrowland Is Considering a Thailand Edition, But ‘There Is No Confirmation Yet’

Despite reports that Tomorrowland will be launching a Thai edition of the festival in 2026, organizers say this event is not yet a reality.

Last week, the English language Thai news site The Nation published a story quoting Thai government spokesperson Chai Wacharonke, who said the festival was coming to Thailand and could be hosted there for 10 consecutive years.

But in a statement provided Friday (March 29) to Billboard, festival representative Debby Wilmsen says that while “Tomorrowland has a real interest in Thailand and is seriously exploring the possibility of a festival in Thailand … at this stage, there is no confirmation yet on an actual festival taking place.”

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But that’s not to say this event won’t happen, with the statement noting that currently, “Tomorrowland is investigating the feasibility of the project, and has signed an exclusive MOU agreement with a Thai private sector partner to conduct this study together.”

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This memorandum of understanding is a legal agreement indicating an intended common action, with the feasibility study intending to make clear whether or not Tomorrowland Thailand can occur. The statement concludes, “Tomorrowland is very honored that the authorities are eager to welcome us.”

If launched, the event would mark the fourth edition of Tomorrowland to happen outside of its home in Belgium, with the company hosting TomorrowWorld in Georgia from 2013 to 2015, Tomorrowland Brazil in 2015-2016 and again in 2023, and Tomorrowland Winter in the French Alps annually since 2019.

Meanwhile, the mothership edition will happen in Boom, Belgium, July 19-21 and 26-28, with a genre-spanning lineup of dance artists including Swedish House Mafia, Tale of Us, Alesso, Amelie Lens, Bonobo, Dom Dolla, The Blessed Madonna, Rezz and Deadmau5 performing as REZZMAU5, David Guetta, Solomun b2b Four Tet, Eliza Rose and hundreds of others.

Tomorrowland co-founder Michiel Beers will also deliver a keynote speech at IMS Ibiza 2024, happening next month on the conference’s namesake island.

Breaking Down Every Featured Artist on Beyoncé’s ‘Cowboy Carter’: Dolly Parton, Miley Cyrus & More

Queen Bey dropped her highly anticipated sequel to Renaissance March 29.

Beyoncé‘s pivot to country — starting with the Billboard Hot 100-topping “Texas Hold ‘Em” and fellow lead single “16 Carriages” followed by the announcement of her latest album Cowboy Carter — shocked many listeners. But the the surprises didn’t stop there.

After the record dropped at midnight Friday (March 29), marking the beginning of the second act to Bey’s 2022 album Renaissance, fans were elated to see that the tracklist was packed with featured artists. The guest roster features legendary country pioneers — including a Dolly Parton-introduced new spin on Parton’s classic “Jolene” — as well as a handful of modern stars holding down the genre in 2024, plus a couple fellow pop titans who’ve also dabbled in the world of cowboy boots and fiddles. (Spoiler alert: That description includes, but isn’t limited to, a certain “Hoedown Throwdown” singer.)

The level of involvement each collaborator has on Cowboy Carter ranges from clever voice notes modeled after on-air disc-jockey transitions — in service of Bey’s KNTRY Radio concept — to full-on duets. It’s probably best to get one thing out of the way now, though: Neither Lady Gaga nor Taylor Swift are official contributors to the LP, though both of them were highly rumored to be. Sorry, “‘Telephone’ Pt. 2” truthers, as well as fans who loved seeing Beyoncé and Taylor show up to each other’s concert film premieres last year. Maybe next time.

From Dolly P to Miley C, keep reading to see a breakdown of all the artists Honey B included on her staggering new body of work, listed in alphabetical order below.

Climate Change Has Caused Event Insurance Prices to Triple — and Indie Promoters Are Bearing the Brunt

In early September 2022, organizers of the Harvest Moon festival in Miramar, Fla., were forced to cancel their three-day country music event for an unusual reason: They could not find affordable cancellation insurance for the festival, which was scheduled to take place Oct. 27-29, little more than a month away.

Executives with destination-festival producer Topeka thought they had a policy in place when they announced Harvest Moon — which was to feature headliners Eric Church and the Turnpike Troubadours — and had had no problem getting coverage in the past; the festival fell outside the official hurricane season. But approximately six weeks before the event, weather forecasts indicated that Miramar could be in the path of two developing superstorms. As a result, sources close to the festival tell Billboard that Harvest Moon promoters were suddenly being quoted prohibitively high prices that led to the decision to scrap the event and refund buyers, despite being 70% sold.

While these circumstances are rare, the incident underscores how the liabilities posed by inclement weather and climate change have significantly increased financial risk for independent promoters.
The event business used to be much more competitive, which meant much lower prices for the policyholders. But a substantial increase in the number of festivals taking place yearly in North America, coupled with an increase in adverse weather, has caused event cancellation insurance premiums to triple and deductibles to balloon in recent years.

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For much of the last decade, event cancellation insurance enabled promoters to insure their expenses and forecast profits for about 80 cents per $100. So, for example, a promoter that booked an artist for $500,000 could purchase a $4,000 policy covering that expense in the event of an adverse weather cancellation.

But policy prices have risen exponentially now that “insurance companies are increasingly relying on historic data about regional weather patterns and spending more time trying to identify the statistical risk based on location and time of year,” says Paul Bassman, a broker with Dallas event coverage firm Higginbotham.

Tim Epstein, an attorney for independent festivals in North America, says rising premium costs are first felt by indie promoters and organizers. While Live Nation and AEG have begun reducing payouts for festivals that cancel 60 to 30 days in advance, prompting some artists to carry their own policies, indie promoters can’t often stipulate similar terms for their acts, and, as a result, “people are becoming more cognizant of the risks they face from weather,” he says.

This story will appear in the March 30, 2024, issue of Billboard.