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Tito Double P Goes From Penning Hits for Peso Pluma to Forging His Own Path

As Peso Pluma‘s main songwriter, Roberto Laija penned some of the Mexican star’s early hits, including “El Belicon,” “Siempre Pendientes,” “PRC” and “AMG,” all of which helped catapult the artist to the top of the global charts.

Now, after writing multiple corridos-turned-anthems, and becoming a bonafide hitmaker, Laija — who is also Peso’s cousin — is forging his own path as a singer. While he’ll continue to write songs for Peso, he’s laser-focused on honing his performing skills and developing his career as an artist. Today, he’s no longer just Peso’s cousin or “the guy who writes songs for Peso,” as he says people would identify him, he’s Tito Double P.  

“I never thought I’d be a songwriter, much less an artist, but music was something that was always on my mind,” says Tito Double P over a Zoom interview. “As a kid, I was good with rhymes — and when I got to high school, I learned to play the guitar, because you either chose to do sports, learn chess or take guitar classes. I chose guitar, then chess — but never sports,” he adds with a laugh.  

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Born and raised in Culiacán, Sinaloa, the first song he ever wrote came in the way of a corrido, as a favor to a friend, although he didn’t thinking anything of it. “I took the info he gave me to write the lyrics, created a guitar tune and it wasn’t a bad song. I got excited and I wrote another corrido. But these were always just for me, I never showed them to anyone or had anyone record them for me, until Hassan (Peso’s real name) came along.”  

By then it was 2021 and Peso was looking to start his career. He had seen Tito singing in videos he uploaded to social media, so he hit his cousin up. “I told him to come over to Culiacán,” Tito remembers. “I had some corridos written, he asked me to sing one and I was so shy, but I sang ‘El Belicon’ for him. He liked it and said, ‘Let me sing it.’ We recorded it that same day, and it was the first song that I had given to someone to record — it was a boom.” 

The song entered Billboard’s Hot Latin Songs chart in April 2022, becoming Peso’s big first hit. Initially, Tito thought it was just beginner’s luck. But by the second hit “Siempre Pendientes” and then the third “El Gavilán,” he started to really believe it; he was a songwriter. “This is what I’m meant to do,” he says he realized.  

While collecting hit after hit, Peso and other artists encouraged Tito to sing. He was hesitant, but taking that “let’s see what happens” mentality that went into writing songs, he’s applying it to this new era in his career. He was set to make his debut as a músican mexicana artist on Peso’s Génesis with “Gavilán II” and “La People,” but an audio of a dembow-inspired song he had written and recorded leaked and went viral on TikTok. He released it as a single in June 2023, in collaboration with Luis R Conriquez and Joel De La P. Since, he’s released a handful of songs, including team-ups with other acts like Gabito Ballesteros and Jasiel Nuñez.  

Tito Double P scored his very first entry on the Hot 100 earlier this month, thanks to “La People II,” with Peso Pluma and Joel De La P, which debuted at No. 69 on the all-genre tally. “I was afraid to sing at first, and it wasn’t like I was looking to be a singer — but it happened, and it happened well, and now I enjoy it,” Tito says today. “It’s been a process, but after singing on a stage, I want to keep going.”  

With his commanding hoarse vocals, a distinctive sound (powered by a trombone and an accordion) and a record deal with Double P Records (launched by Peso last summer), Tito Double P is already on his way to making a name for himself in a crowded field of a new generation of regional Mexican hitmakers. He’s currently working on his debut album, which he says will be a mostly regional Mexican album and will include duets. “Everything has come in a very natural way for me,” Tito says. “At the label we work as a family, we support each other’s ideas, and that makes you feel really confident, like you can’t miss.”  

Below, learn more about April’s Latin Artist on the Rise:

Name: Roberto Laija 

Age: 26 

Recommended Song: “’La People,’ because that’s when everything changed. Before I was Peso’s cousin, the guy who writes songs for Peso. ‘La People’ was everywhere and that’s when I became Tito Double P.”  



Major Accomplishment: “I feel part of Peso Pluma, and that’s the biggest accomplishment, in a nutshell. It’s something that we are all very proud of. And well now also kicking off my career as Tito Double P.”  

What’s Next: “This year I started working on my upcoming album. I’m more focused, the production quality will be another level, it’ll be a totally different Tito Double P.”  

Peggy Gou Talks Debut Album ‘I Hear You,’ How Her Fans Inspire Her & More | Billboard Cover

Superstar DJ Peggy Gou talks about her debut album ‘I Hear You’ coming out in June, working with artist Olafur Eliasson on the album cover, her collaboration “I Believe In Love Again” with Lenny Kravitz, how much she loves her job and traveling all over the world, how her fans inspire her and more!

Peggy Gou
Hi guys, this is Peggy Gou here. Welcome to my Billboard cover shoot. We’re in Mexico. Right now we’re doing a shoot with Billboard. And I was playing at the festival on Sunday as well.

Peggy Gou
I believe that Koreans are very hard workers. They don’t like to waste their time. And they’re very efficient. And my team always says that about me: When efficiency is a person, it will be you. I don’t like f—ing around. I don’t like wasting my time. And that comes from Korean blood. I love this job. I take my job very seriously. And one of the things that I love about my job is that I get to tour many countries every weekend. Every weekend, I feel like I’ve learned a lot from not only the tour by meeting people, by going to the country, cities. And of course, sometimes I wake up thinking, Where was I? But I’ve been doing this since, like, 2014. So I think traveling is a big part of my life now. Someone asked me recently, what is luxury to you? And my answer was sleeping in your own bed with your own pillow. So that’s the hardest part of this job. I feel like I can’t stay in one place. Just I get bored super fast. I have so much energy. So staying in one place wouldn’t suit me. Even if I wasn’t a DJ or producer, I would still be doing something that travels. I’m back in London. We are on our way to Sydney. I’m a very visual person. Doing this job, I get to see, hear a lot of things and that inspires my visuals, colors. And also I get inspired by my supporters.

Watch the full video above!

Elliott Wilson Named Editorial Director At HipHopDX, UPROXX & Dime Mag

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The Vince Staples Show, Premiere, Los Angeles

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Elliott Wilson aka YN is back leading a Hip-Hop media outlet. The longtime Hip-Hop music journalist and media executive has been named the Editorial Director of HipHopDX, UPROXX and Dime magazine.

On Wednesday (April 24), UPROXX founder and CEO Jarret Myer and Rich Antoniello, a founder and former CEO of Complex Networks along with will.i.am of Black Eyed Peas fame announced they had formed a company called UPROXX Studios, after its purchase of HipHopDX, UPROXX and Dime magazine, and other entities from Warner Music Group.

Music Business Worldwide reports that Antoniello will serve as a Partner and Executive Chairman and will.i.am will serve as a Partner/Investor.

“We’re pleased to return Uproxx to a team led by the brand’s founder Jarret Myer, along with other vibrant brands including HipHopDX,” said Maria Weaver, President of Warner Music Group, in a statement.

For keen Hip-Hop heads, the name Jarrett Myer should be familiar since he is one of the founders of Rawkus Records, the initially independent record label that in the 1990’s helped spark the careers of rappers including Talib Kweli, Company Flow and Yasiin Bey fka Mos Def.

As for Wilson, Billboard reports the Queens, NY native has been named editorial director of Hip-Hop journalism for UPROXX Studios. Some of Wilson’s past notable Hip-Hop mag gigs include holding down the Music Editor position at The Source magazine before becoming Editor In Cheif of XXL magazine in 1999—enjoying an influential tenure before his departure in early 2008. Soon after leaving XXL he formed Rap Radar with Eminem’s manager Paul Rosenberg. Most recently, Wilson was at TIdal and he will continue to host the Rap Radar podcast with Brian “B. Dot” Miller.

“I’m thrilled for this new chapter of my illustrious career and to work with proven winners like Jarret, Rich and will,” Wilson told Billboard. “My focus is on elevating the three rising brands — UPROXXHipHopDX and Dime — to greater heights and to help shape the future of media and culture. The fun begins.”

Peggy Gou: Photos From the Billboard Cover Shoot

In addition to our Peggy Gou cover story, check out this Q&A with Aaron Sinclair, who photographed Gou for Billboard‘s AAPI issue.

Tell us a little about your own background. 

I was born and raised in L.A. and spent most of my life growing up in downtown. I spent a lot of time with my Korean grandmother who moved around a lot, so I got to experience different parts of the city. When I became a teenager, I really dove into music making, photography and filmmaking. This led me to pursue photography at Art Center, where I continued to explore my interests and also took film classes.

During those years, I was really into the local music scene, going to shows almost every other night to watch my friends’ bands. These experiences heavily influenced my creative interests. Now, at 30, I’m still deeply engaged in these pursuits, always striving to improve.

What did you know of Peggy Gou before the shoot?  

I actually DJ as well, and I think I was looking for new songs to add to my set when I came across her song “Starry Night.” I found the music video right after, and I was immediately blown away. The shots, the colors, and the way it worked so well with the song, it made me wish I had made it. The Korean element struck a chord with me too.

What was the vibe like on set? 

The vibe on set was cool. I think Peggy and I are both pretty particular when it comes to our work, so doing the shoot together was a great match.

Peggy mentioned how happy she was to see “so many of my Asian brothers and sisters here” on set. What did that feel like for you? Is it rare to have that kind of representation on a shoot?

It’s not something you see often, but when it happens, it’s noticeable. I’ve only experienced it one other time, and each time, it’s a reminder of the importance of diversity in our industry.

This is Billboard‘s first AAPI issue. What does it mean to you to be part of it?

Being part of Billboard‘s first AAPI issue means a lot to me. It’s an opportunity to showcase the diversity and talent within the AAPI community on a prominent platform. It’s not just about representation; it’s about celebrating our stories and contributions in the music industry and beyond. I feel honored to be part of this historic moment and hope it paves the way for more recognition and visibility for AAPI artists and creators.

‘Rap 4 Peace’ to Honor Chuck D and Hip Hop 4 Peace Founder Tina Marie Tyler

Public Enemy co-founder Chuck D and Hip Hop 4 Peace founder Tina Marie Tyler are among the honorees for the upcoming Rap 4 Peace: A Hip-Hop Gun Violence Awareness Conference & Gala. The event will be held on National Gun Violence Awareness Day (June 2) at Shutters on the Beach in Santa Monica, Calif. 

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For their volunteerism and peacebuilding contributions, the evening’s honorees will receive the President’s Volunteer Service Award for lifetime achievement. Hip Hop 4 Peace (HH4Peace) is launching the conference and gala in partnership with the UNESCO Center for Peace and the United States Federation of UNESCO Clubs, Centers and Associations. 

In comments given to Billboard, Tyler says in part, “The racial disparity in gun homicides has plagued Black and Hispanic communities for decades, Change starts with dialogue to better identify the causes of gun violence and how we as a community can effectuate meaningful change. This award is truly humbling as many folks are doing amazing things in communities across America. This conference will examine the issue of trauma as an underlying cause of gun violence in Black, Hispanic and vulnerable communities. Hip-hop was born from historic and systemic trauma and serves as both a mechanism for healing and a catalyst for change. Peace is the foundation of hip-hop culture.”

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Echoing Tyler’s sentiments, Chuck D tells Billboard, “I’m just one of many people in this movement and all of them should be recognized for their contributions. For me, awards are like notches on a yardstick showing us how far we’ve come and how much more we have to go. This nation’s normalized behavior of gun violence is not normal. Hip-hop can, and should, lead the way to bring peace into our neighborhoods.”

According to a recent study published by Brady United, Black people represent 14% of the U.S. population but account for 60% of those killed by gun homicide each year. Firearm violence is also the leading cause of death for Black teens.

“As we work to lessen gun homicides, especially in Black and vulnerable communities, we use this occasion to discuss issues, solutions and to honor those who are making peace a priority,” stated Guy Djoken in a press release announcing the forthcoming Rap 4 Peace: A Hip-Hop Gun Violence Awareness Conference & Gala. Djoken is president of the United States Federation of UNESCO Clubs, Centers and Associations and executive director of the UNESCO Center for Peace.

Jelly Roll Pulls Madeline Merlot on Stage in Detroit to Sing Her Uncredited ‘Kill a Man’ Verse: ‘Such a Fan of Hers’

Jelly Roll “righted a wrong” to a fellow performer and offered up a brand new song during a concert Wednesday night (April 24) on the eve of the NFL Draft in Detroit.

Fresh off his three CMT Music Awards earlier in the month, Jelly veered from the night’s planned setlist at the Fillmore Detroit to add “Kill a Man,” a track from his chart-topping 2023 album Whitsitt Chapel. He explained to the crowd that the night’s opening act — Canadian singer-songwriter Madeline Merlot — had sung backup on the recording but wasn’t credited because, “I didn’t know if she’d want to be associated with my white trash ass.” The two are on the same label (BBR Music Group), and Jelly Roll pronounced himself “such a fan of hers and her voice. I love everything about you, Miss Madeline Merlo.” 

He then invited her on stage to perform the song with him, letting her take lead on the second verse. 

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Merlo, who’s been releasing music since 2014, was a second season contestant on NBC’s writing competition show Songland. Her most recent EP, Slide, came out during 2022, while a new single, “Time + Faith,” was released last September and reached No. 6 on Billboard Canada’s Country Songs chart.

Jelly Roll also used the special small-venue show — dubbed The Night Before, but not an official NFL Draft event — to preview a brand new song, “Liar,” a muscular rock track that he said was destined for his next album. He and his eight-piece band muffed the opening — “We’ve never done this before, so… we’re figuring it out,” he noted — but started over and made their way through on the second attempt. “Should I put it on the new album or what, Detroit?,” thes singer teased afterwards, to unanimous approval from the 3,000 fans in attendance. 

He also urged those fans to post videos of him performing the song online immediately so that his wife, Bunnie XO, who was on the West Coast taping episode of her Dumb Blonde podcast, “will see it before I get off stage.”

The rest of Wednesday’s show — which was introduced by Public Enemy hype man Flavor Flav — included Jelly Roll hits such as “Dead Man Walking,” “Halfway to hell,” “Smoking Section,” “Son of a Sinner,” “Bottle and Mary Jane,” “She,” “Wild Ones,” “Same Asshole” and “Need a Favor,” plus a rendition of Toby Keith’s “Should’ve Been a Cowboy” in tribute to the late country icon. It also featured his usual medley of rap favorites by Eazy-E, Eminem, Outkast and Biz Markie. 

The Detroit concert presented by Audacy’s WYCD served as a warm-up for Jelly Roll’s Stagecoach festival performance on Friday (April 26). He also has dates currently booked into October, including his own Beautifully Broken Tour with Warren Zeiders and Alexandra Kay and a pair of stadium shows with Morgan Wallen in Tampa on July 11-12.

Saweetie, Cynthia Erivo, Lucy Liu, Hello Kitty to Honored at 2024 Gold Gala Event

The third annual Gold Gala event will take place at the Music Center in downtown Los Angeles on May 11 and feature appearances from Saweetie, Lucy Liu, Cynthia Erivo, Padma Lakshmi and the cast of Beef.

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The definitive annual gathering of top Asian Pacific and multicultural leaders will bring together more than 600 guests to celebrate the 2024 A100 list — which will be announced on May 1 — which counts down the 100 most impactful Asian Pacific changemakers in culture and society over the past year.

With 2024’s theme of A Gold New World, the event will imagine “a tomorrow for all, built by all,” according to a release announcing the event’s details, with award-winning fashion designer Prabal Gurung bringing the theme to life as the event’s first-ever creative director. Guests will dine on a Michelin-level three-course dinner from OpenTable, with a menu designed by Lakshmi and Gold Gala executive chief Vijay Kumar and his team from the Michelin-starred New York restaurant Semma.

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The night will close out with a performance from 2023 A100 honoree Saweetie, who will receive the first-ever Billboard Gold Music Honor recognizing her boundary-pushing musical accomplishments at the event. In addition, the cast and creators of Emmy-winning Beef will receive the Gold Icon Honor for their groundbreaking representation of the Asian American experience, while Wicked star Erivo will be given the Gold Ally Honor for her work to advance inclusive representation in front of and behind the camera.

“Gold House and Gold Gala have become a beacon for the Asian Pacific community to unite, invest in, and celebrate our inventiveness and impact. This year, I’ve focused on making Gold Gala look truly global while feeling local, balancing the breadth of our expansive diaspora with its bold, unified heart,” said Gurung in a statement. “From the organic and towering arboreal growths to our centerpiece spheres that shape us — the sun, the moon, our Earth — we envisage a new, more holistic, more centered world that enables all of us to bloom.”

HYBE founder and chairman bang Si-Hyuk will be bestowed with the lifetime achievement Gold Legend Honor and Hello Kitty’s 50th anniversary will be celebrated with the Gold Generation Award.

The Gold Gala will be followed by the inaugural Billboard x Gold House Founders Party, which will feature a headlining set from producer/DJ Steve Aoki, as well as a special performance from RuPaul’s Drag Race season 16 winner Nymphia Wind, a karaoke room presented by Rakuten Viki and an additional set from DJ Hu Dat.

TikTok Promises to Sue Over Potential U.S. Ban: ‘We Expect to Prevail’

President Joe Biden signed into law a national security bill on Wednesday that would force TikTok to be sold by its owner, ByteDance, or face a possible ban in the United States. Minutes later, TikTok CEO Shou Zi Chew responded with a video posted to the platform, declaring that “rest assured, we aren’t going anywhere.”

“Make no mistake, this is a ban, a ban on TikTok and a ban on you and your voice,” Chew says in the video. “Politicians may say otherwise. But don’t get confused.”

The legislation signed by Biden gives ByteDance nine months to sell TikTok, with a possible three-month extension if a sale is in progress. It would also keep ByteDance from controlling TikTok’s algorithm, which is credited with helping the app rocket in popularity.

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In his video, Chew suggests that freedom of speech will be the company’s argument against the ban, saying that the bill becoming law is “a disappointing moment, but it does not need to be a defining one.

“It’s actually ironic because the freedom of expression on TikTok reflects the same American values that make the United States a beacon of freedom,” he continues. “TikTok gives everyday Americans a powerful way to be seen and heard.”

To that end, Chew also seeks to reassure users that the app is not going anywhere anytime soon and to rally its users to weigh in publicly on how important TikTok is to them:

“You will still be able to enjoy TikTok like you always have, in fact, if you have a story about how TikTok impacts your life, we would love for you to share it to showcase exactly what we’re fighting for,” he says.

With the legislation now law, it is only a matter of time before TikTok sues to stop it, and the countdown clock has officially started. As of writing, barring a court-issued delay, ByteDance will have until Jan. 24, 2025, to find a buyer, or risk having the app wiped away from U.S. users.

“We are confident, and we will keep fighting for your rights in the courts,” Chew says in the video. “The facts and the Constitution are on our side and we expect to prevail.”

This article was originally published by The Hollywood Reporter.

Andra Day, The War & Treaty and More Set to Perform at Inaugural Grammy Hall of Fame Gala

Andra Day, The War and Treaty, Shinedown and Ravyn Lenae are the first performers announced for the inaugural Grammy Hall of Fame Gala. The gala, co-presented by the Recording Academy and the Grammy Museum, will take place on May 21 at the Novo Theater in downtown Los Angeles. Veteran CBS broadcast journalist Anthony Mason will serve as host.

Day won a Grammy two years ago for best compilation soundtrack for visual media for The United States vs. Billie Holiday. The War and Treaty received two Grammy nods late last year, including best new artist.

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The annual gala will celebrate the 10 recordings being added that year to the Grammy Hall of Fame. This year’s inductees, announced on March 20, are De La Soul’s 3 Feet High and Rising, Guns N’ Roses’ Appetite for Destruction, Buena Vista Social Club’s Buena Vista Social Club and Lauryn Hill’s The Miseducation Of Lauryn Hill, as well as singles by Donna Summer, the Doobie Brothers, Charley Pride, Wanda Jackson, William Bell and Kid Ory’s Creole Orchestra.

The annual gala will also honor a label, with the first being Atlantic Records, which is celebrating its 75th anniversary.

“We’re honored that the Recording Academy and Grammy Museum have chosen Atlantic to be the first label celebrated at what promises to be an exciting annual event,” said Atlantic Music Group chairman & CEO Julie Greenwald and Atlantic Records chairman & CEO Craig Kallman. “The Grammy Hall of Fame includes many of the most groundbreaking recordings in our company’s 75-year history, and it will be great to hear some of our outstanding current artists bring their unique voices to these timeless songs.”

The event will include a red carpet and VIP reception on the Ray Charles Terrace at the Grammy Museum followed by a concert at the Novo.

This year’s show will be produced by Ken Ehrlich, along with Chantel Sausedo and Ron Basile. Greg Phillinganes will serve as musical director.

Ehrlich served as producer or executive producer of the Grammy Awards telecast for 40 years. He received a trustees award from the Recording Academy in 2020, his last year as executive producer, honoring his service. Phillinganes has won two Primetime Emmys as musical director on previous Ehrlich productions – Stevie Wonder: Songs in the Key of Life – An All-Star Grammy Salute and Library of Congress Gershwin Prize for Popular Song: Joni Mitchell.

The Grammy Hall of Fame was established in 1973, with the first five selections announced on the Grammy telecast in March 1974. The original intent was to honor recordings released before the inception of the Grammys in 1958, but it long ago shifted to any recordings that are at least 25 years old. The inducted recordings are selected annually by a special member committee, with final ratification by the academy’s national board of trustees. Counting the 10 new titles, the Hall currently has 1,152 inducted recordings. Recipients will receive a certificate from the Recording Academy and Grammy Museum, but not a Grammy trophy. Here’s the full list of past inducted recordings.

Tickets go on sale to the general public on Saturday, April 27 at 12 p.m. PT at this link.

Drew Carey Saw His First Phish Show at Sphere and It Beautifully Destroyed His Brain: ‘Bro, I Met God Tonight For Real’

You couldn’t throw a juggling stick in Las Vegas last week without hitting a Phish phan who was totally phreaking out about the band’s mind-melting run of shows at the Sphere. Definitely count comedian and The Price Is Right host Drew Carey among those whose minds were pried open by the visual and musical spectacle the veteran Vermont jam band brought to the one-of-a-kind venue.

How do we know Carey really, really enjoyed his first Phish-sperience? Well, he described it in vivid, strangely sexual detail in a bonkers rant on fellow comedian Taylor Tomlinson’s late night show After Midnight on Tuesday night. During the talky portion of the show where contestants typically answer the host’s jokey questions, Tomlinson asked Carey “if you weren’t being filmed right now, what would you say?”

That was all the runway Carey needed to launch into a psychedelic monologue that had the typically unflappable host looking amusingly shocked.

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“Gimme a minute. So, I saw Phish at the Sphere this weekend. Never saw Phish, didn’t know a Phish tune, and they f–king blew my mind off so hard,” Carey said as he hustled to center stage and began walking around animatedly and gesticulating like a religious convert as Tomlinson said “oh” and fellow guest “Weird” Al Yankovic looked delightedly confused. “I had a bunch of girls with me, and I thought to myself is this what it’s like to…” Carey said, as censors stepped in to bleep what appeared to be a graphic sexual description.

Carey definitely didn’t stop there. “It was like being edged for four days straight. And then right before the face-melting climax at the end of the fourth day, an angel comes down from heaven, Gabriel, and he shoots f–king heroin in your arm, and he says, ‘Good luck now motherf–er!’ And he leaves, and you have an orgasm for 15 minutes while your eyeballs fall out of your head!”

Cut to a shot of Tomlinson looking, well, amusingly phreaked out while the next five minutes of her show were totally, and hilariously, derailed by the Carey crack-up as Thomas Lennon (Reno 911!) could not stop making jokes about the rant. “Next time they play the Sphere, you better not miss it,” Carey counseled. “That was so great and we can definitely use all of it, absolutely, absolutely we can.” Tomlinson joked.

“HR wants to talk to all of you,” Lennon said.

What she couldn’t have used was an earlier from Carey on Monday, in which he got even more graphic. “I swear I just talked to God I would give you all my money, stick my d–k in a blender and swear off p—y for the rest of my life in exchange for this,” Carey wrote along with video of the show he saw. “Bro I met God tonight for real. I feel like I just got saved by Jesus no lie.”

Watch Carey’s Phish tale below.