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Diddy Sells Stake In REVOLT, Employees to Become Part Owners

Revolt announced on Tuesday (June 4) that its employees will become the company’s largest group of shareholders. 

The announcement follows a report in March that Sean “Diddy” Combs, who founded the company in 2013, sold his shares to an anonymous buyer. Combs is facing multiple sexual abuse lawsuits, with two more complaints filed against him in May; he has denied any wrongdoing.

In a statement on Tuesday, Revolt CEO Detavio Samuels said “we succeed because we have a dedicated team who has been committed to advancing our purpose, our community, and our culture every single day.” 

“Without question, they deserve participation in our growth,” he added, “and I could not be more honored to continue on this journey with them, leveraging our collective strength, pushing boundaries, and achieving new heights together.”

Speaking to The New York Times, Samuels also noted that “One-hundred percent of Sean Combs’s shares have been redeemed and retired” and “we have completely separated and dissociated from each other.”

Combs stepped down as the chairman of the Revolt board in November, not long after he was accused of sexual and physical abuse by his former girlfriend, Cassie Ventura, who performs as Cassie. (The suit was settled a day later.) Earlier this year, Combs’ Miami and Los Angeles homes were raided by federal agents, part of what Homeland Security described as “an ongoing investigation.” 

Samuels told The Hollywood Reporter that Revolt has been unaffected by the allegations against its founder. “Since [his departure], there’s been no interaction or anything in terms of leading or driving the brand,” he said in March. “We lost no clients, we lost no employees, we didn’t lose a dollar. Q4 was the largest quarter in the history of Revolt, and 2023 was the best advertising year we’ve had in the history of Revolt. In all ways it was record-breaking, even in the middle of a crisis.” 

It’s become more common for new media companies to offer employees a stake in their success. Publications like Defector, Hell Gate, and 404 Media are worker-owned. The start-up Puck also offers employees “a small ownership stake in the company,” according to The New York Times.

Cher Supports Her Boyfriend Alexander “AE” Edwards After Cannes Fight Footage Leaks

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Cannes Film Festival 2024 Red Carpet

Source: Mondadori Portfolio / Getty

Cher is standing by her man no matter what. She has broken her silence after footage of AE fighting at Cannes leaked online.

As reported by TMZ, the pop music icon is holding her head high even though her significant other is being dragged through the mud in the media and on social media. Last week, footage showed a brawl break out at a party hosted by promoter Rich Akiva during the Cannes Film Festival. It appears that the crews of Tyga and Travis Scott started brawling. During the melee AE, born Alexander Edwards, got into it with 808 Mafia producer Southside. Video taken by onlookers show that Cher’s boyfriend held his own and landed several clean punches on him before Cactus Jack pulled him off Southside. Tyga’s camp and AE stayed at the party after the fight was broken up and lived their best life like nothing occurred

Given that this was such a high profile incident, it wasn’t long before the Moonstruck actress spoke on the matter. On Saturday, June 1, she took to X, formerly Twitter, to defend AE. “I’m Proud of Alexander. He Didn’t Start The fight Against 2 Men,… He finished it, Gotta Love Him,” she wrote.

Cher and AE originally went public with their relationship back in November 2022. She is 40 years his senior. During a visit to The Kelly Clarkson Show, she acknowledged the age difference. “On paper, it’s kind of ridiculous,” she explained. “But in real life, we get along great. He’s fabulous. And I don’t give men qualities that they don’t deserve.”

You can see AE discuss the brawl below.



Rich the Kid Talks New Album ‘Life’s a Gamble,’ Working With Ye, Peso Pluma & More | Billboard News

After four years of not releasing a solo album, Rich the Kid is back with his latest work, Life’s a Gamble. He shares what it was like to work with Ye (formerly known as Kanye West), Peso Pluma, Ty Dolla $ign, Chief Keef and many more. He also talks about how he has been able to perfect his craft during his hiatus, exploring different genres of music and recounts stories of his various collaborations and more!

Rich the Kid: 
Especially when people doubt you and they don’t think you’re going to do it, you come back with it. Oh, hit them with that oh. Yo, what up! It’s Rich the Kid, and you’re watching Billboard News

Catrise J:
I’m so excited to have you here. We’re talking about Life’s a Gamble, your fourth album. How are you feeling about that?

Rich the Kid: 
I feel extremely blessed. I’m excited, super excited.

Catrise J:
What is your mind like, you know, as you’re preparing for a big drop like this? 

Rich the Kid: 
Steady in the studio, tweaking stuff and still creating to the last minute, so I’m just working on just making stuff perfect right now.

Catrise J:
Talk about the title of your album. Are you a gambling man? Do you like to gamble?

Rich the Kid: 
No, I’m not a huge gambler, but over the weekend, I had a show and I was I was messing around a little bit. But no, I’m not a big gambler.

Catrise J:
What’s the risk you have taken along the way that makes the album title so important?

Rich the Kid: 
Going back to the beginning of my career, taking chances on myself, investing in myself. Handing out CDs to DJs and staying outside in front of the club all night. So I invested in myself. I took those top two chances to get here, so.

Keep watching to learn more!

Chartbreaker: Tommy Richman Says ‘It Was a Blessing’ to Drop ‘Million Dollar Baby’ Amid Kendrick-Drake Feud

Before R&B-leaning singer Tommy Richman vaulted into the mainstream conversation, he recorded music in his mom’s basement. An ardent supporter of her son’s career, she’d often tell him her favorite songs — but oddly enough, his breakthrough hit hardly cracks the list. “‘Million Dollar Baby,’ that’s the one everybody likes?” Richman playfully teases during our Zoom conversation in late May, mirroring his mom’s reaction. “She likes a lot of older songs way more and [other] stuff off the album, too.” But while his parents may not be captivated by the ‘80s funk-inspired track, the rest of the country has been infatuated, giving him a steady top-5 Billboard Hot 100 hit.

A native of Woodbridge, Va., Richman, 24, grew up listening to 50 Cent and Lil Wayne. Though the small town near the nation’s capital lacked an active music scene, he earned some of his musical sensibilities from his father, a drum teacher. And despite many residents working government jobs, his musical aspirations trumped the idea of a traditional 9-to-5 career. He self-released the somber single “Pleasantville” on YouTube as a freshman in college; then, he spammed various YouTube pages linking to it and urging listeners to “be brutally honest with the last song I posted.”

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The positive feedback he received online encouraged Richman to chase music as a full-time career, and in 2022, he met Darren Xu, COO of Brent Faiyaz’s imprint, ISO Supremacy, and his now-manager. Before long, Xu felt Richman was ready to take the next step and connected him with Faiyaz. By last August, the two artists were in business as well, with Richman signing a record deal with ISO Supremacy in partnership with PULSE Music Group. He also joined Faiyaz on his F*ck the World, It’s a Wasteland Tour that summer, and in October, they collaborated on Faiyaz’ Larger Than Life album standout “Upset” alongside FELIX!, which reached No. 12 on Billboard’s Hot R&B Songs chart.

“[My team] values me as a person,” Richman says. “A lot of people look at you as an object: ‘We have to stay around this guy because he makes good songs.’ This sh-t wouldn’t have really transpired like that if we didn’t get along as people.”

He adds that “Drake reached out super early when I put out [2023 single] ‘Last Nite.’” And as the A-list cosigns began to accumulate, Richman’s confidence grew. He released two grooving singles in 2024 before his breakthrough, first with “Soulcrusher” and then “Selfish.” On April 13, Richman uploaded a teaser of another track — what would ultimately become “Million Dollar Baby” — to social media, shot in a grainy VHS style and featuring the artist and his friends dancing to the beat in the studio. It went viral, garnering over 12.5 million views on TikTok alone, as his falsetto in the infectious chorus quickly struck a chord with fans: “Cause I want to make it so badly/I’m a million dollar baby, don’t at me,” he sings.

“It was the combination of the sound of the VHS camera, the vibe of the people in the studio, how short the snippet was and how in your face the audio was,” says Richman. “The audio is really loud. I compare the audio to my other TikToks, and the one snippet is in your face. I think that’s why it caught on.”



He followed it with a few more clips, and according to PULSE Music Group vp of marketing Sara Ahmed, they made the decision to drop the song just four days before its ultimate April 26 release. Richman turned in the master recording at 1:00 a.m. on April 23. “I built him a rollout [plan to] build into the hype of the song,” she says. “We didn’t have much lead time to [create] a campaign.”

Nevertheless, “Million Dollar Baby” had a seismic debut, netting 38 million official U.S. streams in its first full tracking week (April 26-May 2), according to Luminate. It entered at No. 2 on the Hot 100, and atop Billboard’s Streaming Songs, Hot R&B/Hip-Hop Songs and Hot R&B Songs charts — a particularly notable feat given the track was released amid the vicious hip-hop battle between Drake and Kendrick Lamar. Lamar’s “Euphoria” arrived as “Million Dollar Baby” was gaining momentum; in the same weekend as its release, Drake’s “Family Matters” and Lamar’s “Meet the Grahams” and “Not Like Us” dropped, elevating the culture-defining feud. But even as the heavyweights threatened to stymy his opening week numbers, Richman remained unfazed.

“It was a blessing, low-key,” Richman relays. “I was reading a lot of comments like, ‘Damn, this is like the worst time to drop your song.’ It was kind of funny. A lot of people looked at us like we were the palate cleanse.”

“There’s nothing out there like this,” Ahmed adds. “I think people are looking for something new, exciting and different, and Tommy is it. This great song coupled with sharp strategy and Tommy’s determination really carried the song through — and we have barely scratched the surface.”

Chartbreaker, Tommy Richman photographed on May 23, 2024 in Los Angeles

Gustavo Soriano

In five weeks on the Hot 100, “Million Dollar Baby” has remained a fixture in the top 10, and according to Richman, the song’s music video will arrive ahead of summer. As for a potential remix, fans shouldn’t get their hopes up. “There’s no remix, man,” he says. “A couple people [have reached out]. It’s cool, but for the integrity of the track, let’s keep it by itself.”

As Richman savors his newfound success, he’s already chipping away at his debut album, Coyote. Though he doesn’t have a release date, Richman believes his project will showcase his artistry beyond being a one-hit wonder.

“This is a big record, but this s–t doesn’t define me,” he says. “I’m using this as ‘We’re here. We arrived.’ Not as ‘We made it!’ This is the start of a run.”

A version of this story will appear in the June 8, 2024, issue of Billboard.

Justin Timberlake Stops Austin Show to Check on Distressed Fan: ‘Are We Okay?’

Justin Timberlake was in the middle of a hyped up run through his signature 2002 solo hit “Cry Me a River” on Saturday night at the Moody Center in Austin, Texas when he spotted someone in the audience who appeared to be in distress. As the band continued to play, a TikTok video of the moment showed JT repeatedly looking to the side and pointing with urgency to a spot on the floor as audience members motioned to someone about 25 feet from the stage who was seemingly in need of help.

As the band kept vamping, security waded into the crowd and Timberlake requested that the house lights be brought up so they could see where the issue was. “House lights up, thank you. Sorry everybody, one second, one second. We need some assistance here about five rows back,” Timberlake said looking concerned.

“Are we okay?” he asked after a brief pause before giving a thumbs up and saying, “no, no problem” and clapping it up for a crisis seemingly averted. The TikTok of the moment featured a note that read, “do you have the full video? That was the lady in front of me. She is okay. Thankfully ppl near to us were drs and attended to her while we got Justin’s attention.”

Trending on Billboard

Timberlake launched the Forget Tomorrow 2024 world tour in Vancouver on April 29 and has played 14 more dates so far, with the next scheduled show slate to take place tonight (June 4) at Dickies Arena in Fort Worth, Texas.

Kanye West Hit With Sexual Harassment Lawsuit From Former Assistant

Kanye West is facing a lawsuit from his former assistant over allegations of sexual harassment and wrongful termination, including claims that he masturbated in front of her.

In a complaint filed Monday in Los Angeles court, Lauren Pisciotta claims that she faced a “systematic” onslaught of “unlawful harassment” during her year of working for the embattled rapper, first as an executive assistant and later as chief of staff for his companies.

Pisciotta says West frequently sent her sexually explicit texts, including photos and videos of him having sex with other women, and that he repeatedly propositioned her for sex.

“Defendant would often tell plaintiff that he always wanted to have sex with her, and that he held these feelings for a very long time,” Pisciotta’s lawyers write. “Defendant also falsely boasted that he had sex with plaintiff or would insinuate to his friends, business partners and music and fashion collaborators that he was having sex with plaintiff.”

In one particularly graphic allegation, Pisciotta claims that West locked her in a room during a private jet flight and laid down in a bed in front of her: “Plaintiff sat in a chair across from defendant; he masturbated under the covers until he fell asleep. Plaintiff was unable to leave as the door had locked and jammed behind her.”

A rep for West, who now legally goes by the name Ye, did not immediately return a request for comment.

According to the lawsuit, West hired Pisciotta in July 2021 after they met while she was working in connection with his fashion line. She says she agreed to work for him as a “full time employee”  in return for a $1 million salary.

At the time she was hired, Pisciotta says she maintained a successful page on OnlyFans – a social media site in which subscribers can pay to access sexually explicit content from individual creators. Pisciotta says the page was generating more than $1 million per year, and West “did not have any issue or objection to it” when she was hired.

But a year later, she says West told her that he wanted her to be “God like” and asked her to delete the page in return for a promise of a $1 million payment. Though she agreed to do so, her lawyers claim she didn’t see any of that money: “Ye never paid plaintiff as promised.”

Pisciotta’s lawsuit came with pages of texts allegedly sent by West, many of them sexually graphic. In one, he allegedly sent a video of him having sex and then asked “What u think of this vid.” In another, he referenced an earlier outing at a bowling alley: “I just thinking back to the bowling alley thinking of what the headline could have been,” the rapper wrote in one of the alleged texts. “Ye arrested for fucking the shit out of his assistant on the bowling alley floor.”

In another incident, the lawsuit says West told a male guest that he could have sex with Pisciotta in exchange for allowing West to have sex with another woman.

In October 2022, Pisciotta says she was terminated, shortly after she had been promoted to chief of staff and offered a huge raise. Though she was allegedly offered a $3 million severance payment, she claims West and his companies later “reneged on their commitment to pay the severance.”

In technical terms, the lawsuit includes claims of breach of contract, wrongful termination, sexual harassment, retaliation, gender discrimination, fraud and various other employment law violations.

Cardi B Thanks Fan for Defending Her ‘Multimillion Dollar Accent’: ‘I Will Never Change the Way I Talk’

Cardi B has always been her most authentic self since bursting onto the rap scene in 2017 with “Bodak Yellow.” She quickly was able to ingratiate herself to the Bardi Gang, and it’s a testament as to why her fans ride so hard for her.

One fan came to Cardi’s defense on X when wondering whether the continuous bashing of the rapper’s speech patterns could be deemed racist.

“At what point does making fun of cardi b’s speech patterns become racist,” they asked on Sunday (June 2).

Cardi B appreciated the sentiment and thanked the fan for defending her on Monday (June 3), while explaining that she’s not changing for anybody.

Trending on Billboard

“wwwww thanks for defending me FCK THEM I will never change the way I talk… I became famous from that just being myself! Then I started making music and became a millionaire out of it,” she wrote. “THIS IS A MULTIMILLION DOLLAR ACCENT BABBYY OKKKKRRR.”

The heartfelt exchange seemed to be in response to bars sniping Cardi B from Bia on her “Sue Meee?” diss track taking aim at The Bronx native, which arrived over the weekend.

“You should be home with your kids ’cause b—h, you speak like second grade,” she raps while jabbing Cardi’s speech.

The Cardi-Bia feud ratcheted up a few levels in the last week when Cardi put the rapper on blast in an Instagram Live and threatened to file a lawsuit against her if she keeps allegedly slandering the Grammy winner.

“You could come at me at any angle. You gonna lie on my f–kingg pussy. B—h, you lying on my f–king p—y. When you lie about my p—y, I’ma sue you and you better come with receipts,” Cardi said.

She seemed to also subliminally diss Bia with her verse on Megan Thee Stallion and GloRilla’s “Wanna Be (Remix),” which was released on Friday (May 31).

Bia didn’t waste much time when firing back with “Sue Meee?” over the weekend. In the track she accused Offset of cheating on Cardi, called out the “WAP” rapper for allegedly having ghostwriters and dissed her body.

See Cardi’s tweet thanking a fan for defending her accent below:

Method Man Says He’s Never Doing Summer Jam Again: “Generation Gap Is Too Wide”

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Hot 97 Summer Jam 2024

Source: Johnny Nunez / Getty

This past Sunday night (June 2), Hot 97’s annual Summer Jam concert rocked the house at the USB Arena in Belmont, N.Y. While acts like Sexyy Red and Doja Cat got things lit with their performances, Method Man didn’t feel the energy from the crowd when he took the stage and feels like his Summer Jam days are officially over.

Taking to the stage with his Blackout! running mate, Redman, one of the cuts Meth and Red performed was their classic cut “Da Rockwilder” for the thousands of fans in attendance. Though the OG fans loved what they saw, Method Man felt the new generation of Hip-Hoppers have left his era far in the rearview mirror.

In a post that Hot 97 put on their official Instagram page showcasing his and Redman’s performance, Method Man left a comment that raised many eyebrows as it showed his displeasure with the experience and included a hashtag that hinted he’d never return to Summer Jam again.

“Not our crowd at all.. thanks again, New York and the whole tri-state (that showed up to the event) plus Pete and Ebro I got love for you guys, but never again.. at this point the generation gap is just too wide for me.. #nevercomingback

Y’all damn kids ruin everything!

Unfortunately, a lot of this year’s Summer Jam attendees were probably newborns or weren’t even conceived yet when Method Man and Redman were flying high off their marijuana-inspired cuts back in the late 90s. So it’s no surprise that they didn’t know they were in the presence of legends when Meth and Red took the stage. The lack of love and energy was enough to convince the Ticallion Stallion to throw the towel in when it comes to these kind of events.

The dynamic rap duo was also at the Roots Picnic, and the energy was much better.

Check out Method Man and Redman at Summer Jam below, and let us know your thoughts on Method Man’s comment in the comments section below.

Brother Marquis Of 2 Live Crew Dead At 58

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2 Live Crew Performs At Pure Nightclub

Brother Marquis of 2 Live Crew fame was not a founding member of the controversial Hip-Hop outfit but was integral to its success. While the cause of death has not been announced, the group’s official Instagram page announced the passing of Brother Marquis with fans expressing shock.

Brother Marquis was born Mark Ross on April 4, 1966, and was raised in Rochester, N.Y. before moving to Los Angeles, Calif. with his mother as a teenager. While in Los Angeles, Marquis immersed himself in the music scene and put out music with fellow rapper Rodney-O as The Cautious Crew.

The first version of the 2 Live Crew was founded in Riverside, Calif. with DJ Mr. Mixx, the late Fresh Kid Ice (Christopher Wong Won), and Amazing Vee. After Amazing Vee vacated the group, Marquis joined the group and they helped establish the early roots of the Miami Bass sound before moving to Florida and subsequently signing to Luke Skywalker Records with the label boss Uncle Luke joining the group as its hypeman and manager.

The group saw a string of successful releases in the 1980s through the early 1990s built on the back of the raunchy raps of Brother Marquis and Fresh Kid Ice while Uncle Luke served a prominent role on wax. The group disbanded and reunited several times over, and before Fresh Kid Ice’s passing in 2017, there were talks of new music.

Condolences are in order towards the family and friends of Mark “Brother Marquis” Ross.

Photo: Getty

Jamie xx Announces His First New Album In 9 Years: ‘I Am So Unbelievably Happy’

The long-awaited followup to Jamie xx‘s debut album is now a reality. On Tuesday (June 4), the British producer announced that his sophomore studio LP, In Waves, will be released via his own Young label on Sept. 20.

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The 12-track album will follow xx’s debut solo album, In Colour, which was released in May of 2015 to broad critical acclaim. Containing classics including the Young Thug and Popcaan collab “I Know There’s Gonna Be (Good Times)” and “Loud Places” with his bandmate from The xx, Romy, the album spent five weeks on the Billboard 200, peaking at No. 21 in June of 2015.

The album announcement comes in tandem with a new single, “Treat Each Other Right.” The cerebral dance-floor heater comes with a music video directed by Rosie Marks. This is the second single from In Waves, following May’s “Baddy on the Floor” with Honey Dijon.

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Jamie xx shared on Instagram Tuesday the indeed very wavy album artwork and wrote, “My new album, In Waves will be out on September 20th. I am so unbelievably happy. It’s been a while…and a lot has happened in that time. Ups and downs, growing up, figuring stuff out and then forgetting it all many times over. Life changing events and world changing events. These waves that we have all experienced together and alone.

“I wanted to make something fun, joyful and introspective all at once. The best moments on a dance floor are usually that for me. I can’t wait to share it with you.”

To that end, the producer’s summer and fall tour schedule includes festival sets at Glastonbury, Pitchfork Music Festival in Chicago, HARD Summer in Los Angeles, Portola in San Francisco and III Points in Miami.

Check out “Treat Each Other Right” below: