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6 Must-Hear New Country Songs: Post Malone & Blake Shelton, Kashus Culpepper, Ella Langley & More

This week’s crop of fresh tunes includes a Post Malone/Blake Shelton collaboration, as well as a sterling barroom country collab from Ella Langley and Riley Green, and a bluesy, heartache-fueled song from newcomer Kashus Culpepper.

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Post Malone and Blake Shelton, “Pour Me a Drink”

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Post Malone currently continues his reign atop Billboard’s Hot Country Songs chart with his Morgan Wallen duet “I Had Some Help,” and from the sound of his new party-ready Blake Shelton collaboration, he looks ready to repeat his chart-topping trajectory. This radio-friendly track finds him ready to shrug off various tribulations, from work stresses to speeding tickets, in favor of Friday night plans with a barstool and a stiff drink. Their voices pair mightily, and it doesn’t hurt that, amid country music’s current nostalgia tilt, the song feels reminiscent of Shelton’s mid-aughts songs that lit up country radio. “Pour Me a Drink” is from Post Malone’s debut country album, F-1 Trillion, out Aug. 16.

Kashus Culpepper, “After Me?”



Newly signed to Big Loud Records, this Alabama native meshes blistering guitar and eruptive vocal talent on this bruising testimonial, as he sings of helplessly watching his ex-lover wed someone else. He inhabits a country-blues amalgam in similar musical terrain as country/Americana stalwarts such as Marcus King and Chris Stapleton, while infusing his work with his signature muscular, sandpapery growl. In the process, he towers in a lengthy list of artists finding enduring success with sounds expanding beyond the boundaries of mainstream country.

Ella Langley and Riley Green, “You Look Like You Love Me”



Langley takes the lead on this flirtatious barroom situation, launching into a spoken-word verse about spotting a potential lover on the dance floor and boldly stepping up to him and making a coquettish offer. Green follows by eying the situation from a male perspective, before Langley takes the lead again, advising listeners to take their own romantic risks. Winding guitar and saloon-tinged piano further fuel the song’s barroom vibe, while Langley and Green’s country drawls, confidence and humor make for an ace pairing. Green and Langley also wrote this country ditty with Aaron Raitiere.

Chase Rice, “Go Down Singin’”



In 2023, Rice reminded listeners that his songwriting capabilities extend beyond penning massive radio hits such as the Florida Georgia Line hit “Cruise” or his own “Eyes on You” when he released his remarkably introspective project I Hate Cowboys & All Dogs Go to Hell. Now newly independent after previously being signed with BBR Music Group, he distills his journey from his early days in Nashville, to finding success, to setting out on his own, into just over three minutes of detailed story arc. He traces his journey and the years he “left blood and sweat and tears up and down 16th Avenue,” before turning to his decision to strike out on his own as an independent artist, offering a clear-eye comprehension of the risks and rewards, but as he sings, “If I go down, at least I go down singin’.”

Tina Adair, “Let It Fall”



Following her time spent as part of bluegrass family band The Adairs, in addition to issuing solo albums and previously co-founding bluegrass group Sister Sadie, Tina Adair returns with her latest from her upcoming solo set. This Sarah Siskind-written song showcases Adair’s dynamic, gospel-soaked vocal inflections, while underpinning her versatile, powerful vocals with churning instrumentation from guitarists Cody Kilby and Pat McGrath, banjoist Scott Vestal, mandolinist Seth Taylor, fiddler Ron Stewart, reso-guitarist Rob Ickes and bassist Byron House, along with tightly-woven harmonies from Wes Hightower. Her upcoming album follows 2023’s Here Within My Heart.

Priscilla Block, “Bad Guy”



“Just About Over You” hitmaker Block turns the tables on typical heartbreak anthems with this new song, acknowledging that sometimes, “the dagger gets thrown by painted nails.” Block has a flair for a well-crafted turn of a phrase, and here she muses that there are times when the relational offender “is a bombshell blue-eyed, do you dirty blonde.” This uptempo track also makes use of Block’s polished yet conversational vocal tone. Block teamed with David Garcia, Cole Taylor and Trannie Anderson on the song, which is from Block’s new five-song EP, PB2.

Fresh Prince Back: Will Smith To Perform New Song At 2024 BET Awards This Weekend

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Will Smith and his slow but steady return to public life after the stirring Oscars incident has largely been received well by fans and the media and now there is a new development. Will Smith aka the Fresh Prince, will make a return to music by performing a new song at the 2024 BET Awards this coming weekend.

Details are scant but as Variety reports, Will Smith will deliver a new track to the masses but there isn’t much known about the sound or direction. Further, it isn’t known if DJ Jazzy Jeff will be on the 1s and 2s behind him as he hits the stages.

With the recent success of Bad Boys: Ride or Die and a run of press tours in support of the movie, Smith seems to be at ease with being back in the spotlight although the topic of the Chris Rock slap will always hover over him. Variety added in its post that Smith is reportedly working on new music, and mentioned Smith appearing alongside J Balvin at Coachella earlier this year.

The 2024 BET Awards will air live on Sunday, June 30 at 8 PM ET/PT. Taraji P. Henson will resume hosting duties and Usher will be given the Lifetime Achievement BET Award.

Learn more about the 2024 BET Awards here.

Photo: Getty

Killer Mike Blessed With The Inaugural Rico Wade Game Changer Award At Birthday Bash

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The adulations for Killer Mike just keep on coming as the Grammy Award winning rapper continues to add new hardware to his trophy case with the latest honors coming straight out The A.

This past Saturday (June 22) the Michael rapper became the very first recipient of the inaugural Rico Wade Game Changer Award and was bestowed with the honor during Hot 107.9’s Birthday Bash concert in his hometown of Atlanta, GA. After taking the stage along with a few members of his Dungeon Family, Killer Mike was presented with the award for his contributions to the Hip-Hop community in Atlanta and needless to say, the man was blown away by the surprise decoration.

Killer Mike was blessed with the award by Rico Wade’s mother, Beatrice Wade, and his sons Rico Jr. and Ryder. Also on hand to present the award were the surviving members of Organized Noize Productions, Ray Murray and Sleepy Brown.

“I just wanna tell Atlanta this: y’all ain’t gotta wish to be nobody else. Who y’all are is the absolute shit,” said Killer Mike. “I don’t give a damn where in the world you at, there’s no place for Black people like Atlanta. There’s no place with this much opportunity, this much love, this many chances to do it. And I wanna thank the woman who raised Rico Wade, his mama.”

In an effort to keep Rico Wade’s legacy alive (Wade passed away this past April), Atlanta Mayor Andre Dickens announced the launch of the Rico Wade Music Executive Training Program during Wade’s funeral service this past April.

Check out video of the presentation of the award below and let us know your thoughts in the comments section.

Loft Entertainment Partners With ‘Impact Agency’ One Twenty Eight

Weeks after teaming with Oak View Group to acquire Canadian Music Week, Loft Entertainment has made another strategic partnership to expand its reach. 

The Toronto-based music company is joining forces with one twenty eight, a talent booking and cause marketing “impact agency” that focuses on connecting artists and influencers with social causes. The agency has worked with a variety of companies and celebrities including Natalie Portman, Seth Rogen and Evan Goldberg, Canadian artist Mustafa and Selena Gomez’s Rare Impact Fund Benefit. 

It’s a natural fit. One of Loft’s first initiatives was Artists for Feel Out Loud, a Canadian benefit song for Kids Help Phone co-produced by Loft co-founder Randy Lennox, the former head of Universal Music Canada and Bell Media. Kids Help Phone is also a client of one twenty eight, and both companies have also worked with innovation festival Elevate. Loft and one twenty eight both launched within the last three years, but the working relationships of the people involved go back decades. 

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“Relationships are an essential part of our business and having trusted access is the key to ensuring extraordinary results,” says Loft co-founder and partner Jeffrey Latimer

“We are in the business of impact and this partnership with Loft Entertainment is only going to multiply our efforts,” agrees one twenty eight founder David Johnson. “Loft Entertainment’s team of experts will help one twenty eight to up-source our offerings with a deeper expansion into creative and content.”

Johnson co-founded one twenty eight in 2021 with Cameron Kennedy, who left the following year to join Canada’s leading rights management organization SOCAN. Loft Entertainment also partners with Paquin Entertainment Group, Canada’s Walk of Fame and film and television studio Pinewood, among others. The company – which handles artists as diverse as Tom Cochrane, The Tenors and Rêve – straddles the music and entertainment world, uniquely combining production, management and events. 

Will Smith Set to Perform on 2024 BET Awards

Will Smith is just two years into a 10-year suspension from attending Academy Award events, a penalty for his well-documented behavior at the 2022 Oscars, but he’s being welcomed back to the 2024 BET Awards on Sunday, June 30, where he is set to debut a new original song.

Smith, 55, has a long history with the BET Awards. He and his wife, Jada Pinkett Smith, hosted the show in 2005. Smith is also a three-time BET winner for best actor — for Ali (2001), Hancock/Seven Pounds (a dual entry in 2009) and King Richard (2022).

“From his start as a rapper to The Fresh Prince to being a box office king as one of the Bad Boys, Will Smith is truly a global icon, and we are honored to welcome him back to grace the BET Awards stage,” Connie Orlando, EVP specials, music programming & music strategy at BET, said in a statement. “We look forward to Will adding to yet another defining night for the culture that is not to be missed.”

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This won’t be Smith’s first major TV appearance since the 2022 Oscars debacle. He and Jeff Townes, his partner in DJ Jazzy Jeff & the Fresh Prince, reunited to perform on A Grammy Salute to 50 Years of Hip-Hop, a two-hour CBS special which aired on Dec. 10.

Moviegoing audiences have also welcomed Smith back to their good graces. Bad Boys: Ride or Die, the fourth installment in the Bad Boys franchise, in which Smith stars with Martin Lawrence, has grossed nearly $147 million in the U.S. and Canada since its release on June 7, making it the sixth-highest-grossing film so far in 2024.

BET touts Smith’s performance as an “exclusive” and “a major addition to Culture’s Biggest Night.”

Previously announced performers are GloRilla, Ice Spice, Latto, Ms. Lauryn Hill & YG Marley, Muni Long, Sexyy Red, Shaboozey, Tyla and Victoria Monét. Additionally, Tanner Adell will perform on the BET Amplified stage.

Taraji P. Henson will host the show for the third year. Usher will receive BET’s lifetime achievement award — an award Smith has inexplicably yet to receive. The 2024 BET Awards will air live on Sunday, June 30 on BET at 8 p.m. ET/PT.

BET touts its annual awards show, which dates to 2001, as “the ultimate platform to showcase the best, brightest and most beautiful aspects of the Black experience — honoring the present and future of Black music, creativit and sportsmanship, by celebrating the culture and being a driving force for social change.”

Drake leads the 2024 nominations with seven nods. He is followed by Nicki Minaj with six; J. Cole, Sexyy Red, SZA, Victoria Monét, and Beyoncé with five each; and 21 Savage, Doja Cat, Megan Thee Stallion, Tyla and Usher with four each.

Voting for the 2024 Viewer’s Choice Award ends June 30 at 6:30 p.m. PT/ 9:30 p.m. ET.

Orlando will oversee and executive produce the annual show, with Jamal Noisette, SVP of tentpoles & music community engagement, to also executive produce for BET. Jesse Collins Entertainment is the production company for the show, with Jesse Collins, Dionne Harmon and Jeannae Rouzan-Clay also serving as executive producers.

On April 8, 2022, the Academy of Motion Picture Arts & Sciences announced that Smith will not be permitted to attend any Academy events or programs for the next 10 years in the wake of his conduct at the 94th annual Oscars ceremony on March 27 of that year.

In one of the most infamous episodes in Oscars history, Smith rose from his seat and slapped presenter Chris Rock following a joke the comedian made about Jada Pinkett Smith’s shaved head. (Pinkett Smith suffers from alopecia, which causes hair loss, though it’s unclear if Rock was aware of her condition.) After returning to his seat, Smith twice yelled at Rock, “Keep my wife’s name out your f—in’ mouth.”

Compounding the strangeness, Smith received a standing ovation when he subsequently won best actor. And he was allowed to give a nearly six-minute acceptance speech.

On April 1, 2022, just five days after receiving the biggest accolade in his profession, Smith resigned from the Academy.

“My actions at the 94th Academy Awards presentation were shocking, painful and inexcusable,” Smith said in a statement. “The list of those I have hurt is long and includes Chris, his family, many of my dear friends and loved ones, all those in attendance and global audiences at home. I betrayed the trust of the Academy. I deprived other nominees and winners of their opportunity to celebrate and be celebrated for their extraordinary work. I am heartbroken. I want to put the focus back on those who deserve attention for their achievements and allow the Academy to get back to the incredible work it does to support creativity and artistry in film.”

Why Identifying AI-Created Songs Is Crucial for Market Transparency (Guest Column)

A few weeks back, a member of the team at my company, Ircam Amplify, joined one of the multiple AI music generators available online and input a brief prompt for a song. Within minutes, a new track was generated and promptly uploaded to a distribution platform. In just a couple of hours, that song, in which no human creativity played a part, was available on various streaming platforms. We diligently took action to remove the track from all of them, but the experiment highlighted a significant point. 

It is now that simple! My aim here is not to pass judgment on whether AI-generated music is a good or a bad thing — from that perspective, we are neutral — but we think it is important to emphasize that, while the process is easy and cost-effective, there are absolutely no safeguards currently in place to ensure that consumers know if the music they are listening to is AI-generated. Consequently, they cannot make an informed choice about whether they want to listen to such music. 

With AI-generated songs inundating digital platforms, streaming services require vast technological resources to manage the volume of tracks, diverting attention away from the promotion of music created by “human” artists and diluting the royalty pool. 

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Like it or not, AI is here to stay, and more and more songs will find their way onto streaming platforms given how quick and easy the process is. We already know that there are AI-generated music “farms” flooding streaming platforms; over 25 million tracks were recently removed by Deezer, and it is reasonable to speculate that a significant proportion of these were AI-generated. 

In the interest of transparency, consumers surely deserve to know whether the music they are tuning into is the genuine product of human creativity or derived from computer algorithms. But how can AI-generated tracks be easily distinguished? Solutions already exist. At Ircam Amplify, we offer a series of audio tools, from spatial sound to vocal separator, that cover the full audio supply chain. One of the latest technologies we have launched is an AI-generated detector designed to help rights holders, as well as platforms, identify tracks that are AI-generated. Through a series of benchmarks, we have been able to determine the “fingerprints” of AI models and apply them to their output to identify tracks coming from AI-music factories.  

The purpose of any solution should be to support the whole music ecosystem by providing a technical answer to a real problem while contributing to a more fluid and transparent digital music market. 

Discussions around transparency and AI are gaining traction all around the world. From Tokyo to Washington, D.C., from Brussels to London, policymakers are considering new legislation that would require platforms to identify AI-generated content. That is the second recommendation in the recent report “Artificial Intelligence and the Music Industry — Master or Servant?” published by the UK Parliament. 

Consumers are also demanding it. A recent UK Music survey of more than 2,000 people, commissioned by Whitestone Insight, emphatically revealed that more than four out of five people (83%) agree that if AI technology has been used to create a song, it should be distinctly labeled as such. 

Similarly, a survey conducted by Goldmedia in 2023 on behalf of rights societies GEMA and SACEM found that 89% of the collective management organizations’ members expressed a desire for AI-generated music tracks and other works to be clearly identified. 

These overwhelming numbers tell us that concerns about AI are prevalent within creative circles and are also shared by consumers. There are multiple calls for the ethical use of AI, mostly originating from rights holders — artists, record labels, music publishers, collective management organizations, etc. — and transparency is usually at the core of these initiatives. 

Simply put, if there’s AI in the recipe, then it should be flagged. If we can collectively find a way to ensure that AI-generated music is identified, then we will have made serious progress towards transparency. 

Nathalie Birocheau currently serves as CEO at Ircam Amplify and is also a certified engineer (Centrale-Supélec) and former strategy consultant who has led several major cultural and media projects, notably within la Maison de la Radio. She became Deputy Director of France Info in 2016, where she led the creation of the global media franceinfo.

Rimas Entertainment Announces New Corporate Appointments

Rimas Entertainment has announced new corporate appointments, adding two key executives to its leadership team, Billboard has learned.  

Rodrigo Prichard has been named general manager of Rimas Entertainment, and will begin July 1, reporting directly to the company’s chief operating officer, Jorge Bracero. Kristen Quintero-Garriga has been named vice president of brand partnerships under RIT.MO, Rimas’ new division that acts as a creative consultancy and sales force.

“I am thrilled to welcome Rodrigo Prichard and Kristen Quintero-Garriga to our corporate leadership team,” Bracero said in a press statement. “Their deep knowledge and experience in the music industry and in creating strategic alliances are invaluable to us at this time of growth and evolution. I am confident that their leadership will be crucial in further driving Rimas’ success in the future.” 

Prichard, who was vp of legal and business affairs at Universal Music Latin before joining Rimas, will oversee all departments of the record labels within the Rimas conglomerate (Rimas Music, Sonar, Nain Music) in Puerto Rico, the United States and all other markets. 

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Prior to joining Rimas, Quintero-Garriga was market manager at Puma Energy LATAM, Burger King and Advice Global. In her new role, she will lead brand partnerships, offering her expertise to Rimas, Habibi, Rimas Sports, Fundación Rimas and Rimas Nation, among others.

“Rimas is what all other brands aspire to be right now: agile, smart and passionate,” Prichard expressed. “I am honored to join this family of visionary professionals and look forward to contributing to the brand’s success.”

Quintero-Garriga added: “The speed and efficiency with which each business line under Rimas Entertainment has developed have created great opportunities to forge strategic alliances with local and international brands, which we will capitalize on. We are focused on creating unparalleled collaborations with brands and our world-class artists, athletes and events that we are bringing to Puerto Rico.”

Carín León Partners With Virgin Music Group and Island Records in Double Whammy Deal

Carín León, the soulful yet big-voiced regional Mexican singer who ended 2023 as the 10th highest-grossing Latin touring act of the year on Billboard’s Boxscore charts, has announced a new partnership between his label, Socios Music, and Virgin Music Group and Island Records.  

The deal is unique in that both Virgin and Island will distribute and market León’s product under Socios Music, the label León formed in partnership with his manager, Jorge Juárez. Virgin will distribute and market everywhere for the U.S. Latin market as well as global markets, while Island will work the U.S. mainstream market. The agreement encompasses parts of León’s back catalog as well as new material, including León’s most recent album, Boca Chueca, Vol. 1 (released May 30), which debuted at No. 5 on Billboard’s Regional Mexican Albums chart and No. 8 on Billboard’s Top Latin Albums chart.

To date, León has placed 16 songs on Billboard’s Hot Latin Songs chart, including three in the top 10, and six No. 1s on Billboard’s Regional Mexican Airplay chart. The hits include numerous collaborations with major Mexican music acts like Grupo Firme, as well as pop acts like Maluma, Camilo and Kany García. León has also raised eyebrows (in a good way) with his forays into the country music market. “The One (Pero No Como Yo),” his bilingual collab with country star Kane Brown, peaked at No. 46 on Billboard’s Hot Country Songs chart, and he played Stagecoach this spring in addition to making his debut at the Grand Ole Opry in Nashville.

“Carín León has established himself as one of the most exciting and creative artists in the world today,” said JT Myers and Nat Pastor, co-CEOs of Virgin Music Group, in a statement. “He has also assembled around him a world-class team and together we are already building upon the amazing work they’ve done throughout Carín’s incredible career.”

“Carín León is a true outlier,” said Justin Eshak and Imran Majid, Co-CEOs of Island Records.  “He transcends not only stylistic and sonic boundaries, but also cultural boundaries. We’re thrilled to work with Carín and manager Jorge Juarez via this new partnership with Virgin Music Group and Socios Music.”

León first appeared on Billboard’s Regional Mexican Airplay chart as a soloist in 2019 with “Me la aventé” and, during the pandemic, scored a major hit with his cover of Latin pop song “Tu,” recorded as a live session during lockdown. Initially signed to indie Tamarindo Rekordsz, in December 2022 he began working with Juárez, a veteran concert promoter and manager.

Juárez negotiated last year’s tour with AEG Live and León’s publishing deal with Universal Music Publishing Group, as well as the new deal with Virgin and Island.

“We are proud to have assembled an incredibly collaborative team at both Virgin Music Group and Island Records to work alongside us to take Carín’s career to even greater heights,” said Jorge Juarez, Leon’s manager and business partner at Socios Music. “We are already seeing huge benefits from this new partnership and are excited for the future.”

In support of the new music, Carín’s forthcoming Boca Chueca Tour 2024 kicks off July 22 in Paso Robles, California, with stops in Chicago, Washington, D.C., Los Angeles, Nashville, Houston and Toronto, as well as a landmark performance at New York City’s Madison Square Garden. See the complete list of dates and tickets here.

Taylor Swift Reigns Over U.K. Chart With ‘Tortured Poets’

When Taylor Swift filled up Wembley Stadium for three consecutive shows over the weekend, she did so as the undisputed Queen of the national albums chart.

Swift’s The Tortured Poets Department (EMI) enters a seventh non-consecutive week at No. 1 on the Official Chart, published Friday, June 21, coinciding with the first of her eight scheduled concerts at London’s Wembley Stadium.

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Tortured Poets is Taylor’s 11th studio album, and her longest-running chart-topper in the U.K., the Official Charts Company reports, eclipsing 2022’s Midnights which sat at the top for five non-consecutive cycles.

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TayTay leads a podium of female solo artists. Coming in at No. 2 is Billie Eilish’s former leader Hit Me Hard and Soft (Interscope), up two places, while Charli XCX’s Brat (Atlantic) dips 2-3.

The top new debut on the latest tally belongs to British rock outfit Sea Girls, as Midnight Butterflies (Alt) flaps its wings at No. 5. That’s a third-consecutive top 5 appearance for the group, dating back to 2020’s Open Up Your Head (No. 3 peak) and 2022’s Homesick (No. 3).

Chappell Roan landed her first entry on the Billboard Hot 100 earlier this year with the new single “Good Luck, Babe!” The Missouri-born pop artist is enjoying a breakthrough on the other side of the Atlantic, too, where her 2023 debut The Rise and Fall of a Midwest Princess (Island) lifts 15-9, for her first appearance in the U.K. top 10.

Paul McCartney & Wings’ live studio album One Hand Clapping (Capitol) bows at No. 10. The LP, recorded at London’s iconic Abbey Road Studios in August 1974, becomes McCartney and Co.’s first top 10 album since Back To The Egg peaked at No. 6 in 1979 — 45 years ago.

Finally, North Carolina country star Luke Combs bags his fourth top 40 LP with Fathers & Sons (Sony Music CG), his fifth studio album. It’s new at No. 14. Combs’ career tally includes U.K. top 10 spots for 2022’s Growin’ Up (No. 9) and 2023’s Gettin’ Old (No. 5).

Our ‘Huckleberry Friend’: 6 Highlights From Henry Mancini Centennial Celebration Concert at Hollywood Bowl

Every composer hopes their music outlives them – and Henry Mancini’s music certainly has. Thirty years after Mancini died of pancreatic cancer at the too-young age of 70, his music came to life in a star-studded, season-opening concert at the Hollywood Bowl. The event, commemorating the 100th anniversary of Mancini’s birth (the actual date was April 16) featured special guests Michael Bublé, Cynthia Erivo, Dave Koz and Henry’s daughter Monica Mancini and was conducted by Thomas Wilkins leading the Hollywood Bowl Orchestra.

Mancini, who conducted at the Bowl 29 times between the 1960s and the ’90s, made plenty of history in his day. He won album of the year at the inaugural Grammy Awards in 1959 (for The Music From Peter Gunn) and was, for many years, the all-time top Grammy winner with 20 awards. (Beyoncé currently holds that distinction, with 32 awards.)

In 1962-63, Mancini became the first composer to win back-to-back Oscars for best original song – for “Moon River” and “Days of Wine and Roses,” both written with lyricist Johnny Mercer.

Mancini was inducted into the Songwriters Hall of Fame in 1984. He received a posthumous lifetime achievement award from the Recording Academy in 1995. His songs have been covered by a broad range of artists, including Beyoncé, Carpenters, Frank Ocean, Lizzo, Stevie Wonder, Aretha Franklin, Elton John and R.E.M.

Jon Burlingame’s book Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir was published earlier this month. A seven-track album, The Henry Mancini 100th Sessions – Henry Has Company, was released Friday June 21 via Primary Wave Music. The collection was produced by Gregg Field, winner of three Grammys and a Primetime Emmy (and the husband of Monica Mancini.)

Here are six highlights from the Henry Mancini 100th Celebration at the Hollywood Bowl on Sunday (June 23) – and a final frame with details on upcoming celebrations of the centennial.