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Just days after the death of Limp Bizkit co-founder bassist Sam Rivers at age 48 of undisclosed causes, TMZ is reporting that a spokesperson for St. Johns County, Florida Fire Rescue said they responded to a call on Saturday (Oct. 18) for a “nonresponsive person in cardiac arrest.”
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At press time no official cause of death had been announced and the gossip site added that a spokesperson for the St. Johns County Sheriff’s office said that deputies responded to what is referred to as an “attended death” at Rivers’ address, meaning a call in which the deceased was a patient under medical care for a serious or life-threatening illness likely to result in a near-term death.
Billboard reached out to the St. Johns Country Fire Rescue and Sheriff’s offices — as well as Limp Bizkit’s spokesperson — for comment, but had not heard back at press time.
Rivers, 48, was diagnosed with liver disease in 2011 due to excessive drinking and received a liver transplant in 2017 after taking a temporary leave from the nu-metal band in 2015, before returning in 2018.
Singer Fred Durst posted an emotional tribute to Rivers on Monday saying, “it’s so tragic he’s not here now” and admitting that he’d gone through “gallons and gallons of tears since yesterday and I’m thinking, ‘my God, Sam’s a legend,’ you know? He did it. He lived it.” Earlier, the band — which also features guitarist Wes Borland, DJ Lethal and drummer John Otto — released a joint statement paying tribute to their beloved compatriot.
“Sam Rivers wasn’t just our bass player — he was pure magic,” the group said. “The pulse beneath every song, the calm in the chaos, the soul in the sound. From the first note we ever played together, Sam brought a light and a rhythm that could never be replaced. His talent was effortless, his presence unforgettable, his heart enormous.”
At press time it appeared the band planned to carry on with its planned late 2025 Gringo Papi South American tour dates, which will resume on Nov. 29 at Explanada del Estadio Banorte in Mexico City before moving on to Costa Rica, Colombia, Peru, Chile and Argentina before winding down on Dec. 20 in Sao Paulo, Brazil; no replacement for Rivers has been announced yet.
Billboard’s Live Music Summit will be held in Los Angeles on Nov. 3. For tickets and more information click here.
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The government has been shut down for more than three weeks, the president just took a wrecking ball to the White House and more than 40 million Americans are potentially a month away from losing their food assistance unless Congress acts soon. Those scenarios, and many more, are why frequent Donald Trump antagonist and punk prodder Ken Casey says we need to focus on the real problems in the country, not who is performing the halftime show at next year’s Super Bowl.
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The Dropkick Murphys lead singer is the latest artist to fully back Bad Bunny‘s booking for what is traditionally one of the most-watched televised musical performances of the year, telling Rolling Stone that he hadn’t really listened to the global superstar’s music, but became a fan after watching Benito chew up the scenery in Happy Gilmore 2.
“I will go to the mat for that guy,” Casey said of his support for Bad Bunny in the wake of his hilarious turn in the cameo-packed Adam Sandler sequel. “God bless his heart. He is a true, true American” he added of the Puerto Rican singer who is an American citizen. The latter comment was a pointed asterisk seemingly aimed at the many MAGA supporters and Trump administration figures who have bashed the Benito booking, including Sec. of Homeland Security Kristi Noem, who has threatened a heavy ICE presence at the Feb. 8 game in Santa Clara, Calif.
“[This administration] just wants to control everything, every narrative,” Casey said of Trump 2.0. “There’s way bigger problems in the world than who is at the halftime show at the Super Bowl,” warning that, “if you don’t get involved now, you might lose your chance to get involved.” The latter comment came after an estimated seven million Americans turned out over the weekend for massive “No Kings” protests across the country decrying the authoritarian actions of the current administration.
Casey was also speaking out to shine a light on his drive to mobilize the punk community to join him in supporting Home of the Brave, a nonprofit founded by former Republicans to speak out against the Trump administration and lend a voice to those whose lives have “been directly harmed” by its actions.
The singer will join the org’s advisory board, taking his place alongside board members including frequent Trump antagonist George Conway, former Capitol Police officer Harry Dunn and D.C. Metro Police Dept. officer Michael Fanone (who was injured in the Jan. 6, 2021 assault on the Capitol by Trump supporters), former Obama National Security Advisor Susan Rice and former Trump 1.0 deputy press secretary Sarah Matthews.
In a video announcing his board membership, Casey says, “I’m so outspoken about what Trump’s doing to America because I have a platform, the band has a platform,” noting that the Murphys’ message of support for worker’s rights and social injustice has been consistent over 30 years. “If we’ve been outspoken even in times nowhere near as drastic as this, why would we not step up our level of activism as the stakes raise?”
Casey admits that speaking out against Trump has probably cost the band fans, but expressed hope that maybe things will “come around” some day, adding that he’s not afraid to call out the silence from other bands because if the Murphys can influence one band, or 10 fans, or 100 fans, to change their minds the movement could gain critical mass.
The Murphys have definitely not been shy about their feelings about their dislike for Trump, dedicating their single “First Class Loser” to the former reality star in July during a Warped Tour show in Long Beach, Calif. where they played videos tying the President to teen sex trafficker Jeffery Epstein. Earlier this year the singer also called out a fan for waving around a “true Nazi edition” MAGA hat at one of their St. Patrick’s Day shows in Boston in March, then slamming “rat and a coward” Trump against just weeks later.
The right-wing mediasphere and the Trump White House have been lashing out about the Bunny booking, with former Trump campaign manager Corey Lewandowski calling the pick “shameful,” and Trump dubbing it “absolutely ridiculous.” Amidst the ongoing government shutdown, Republican House Speaker Mike Johnson took time to say that tapping Benito was a “terrible decision,” while claiming that the reggaeton megastar who is tied with Taylor Swift for having the most No. 1s on the Billboard Global 200 of any solo artist as lacking appeal to a “broader audience.”
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After a 2025 edition was called off six months to go , the Sick New World festival will be back in 2026 with two huge one-day concerts in Las Vegas and Fort Worth, Texas, with System of a Down headlining both events.
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The Vegas show will take place on April 25 at the Las Vegas Festival Grounds, and in addition to SOAD, the show will feature Korn, Bring Me the Horizon, Ministry, AFI, Evanescence, Acid Bath, Underoath, Coal Chamber, Knocked Loose, Cypress Hill, KMFDM, the Melvins, Filter, Clutch, Danny Elfman, Marilyn Manson and others.
Fans can sign up now for a pre-sale for the Vegas date that kicks off on Thursday (Oct. 23) at 10 a.m. PT.
The Forth Worth show will take place at Texas Motor Speedway on Oct. 24 with SOAD at the top of the bill, along with Deftones, Slayer — celebrating 40 years of Reign in Blood — Evanescence, Ministry, AFI, Underoath, The Prodigy, Mastodon, Knocked Loose, Power Trip, Down, Melvins, Orgy, Filter, Kittie, Snot, P.O.D. and many more.
Fans can sign up now for a pre-sale that starts on Friday (Oct. 24) at 10 a.m. CT.
Sick New World debuted in 2023 at the Las Vegas Festival Grounds with SOAD as its headliner along with fellow hard rockers Korn, Deftones and Incubus and a similar mix of metal, industrial, hardcore and goth rock. It returned the next year with SOAD again at the top, joined by Alice in Chains, A Perfect Circle, Swans, Primus, Code Orange and Knock Loose, among others.
The 2025 edition, which was to feature Metallica and Linkin Park, was slated to take place in April of that year, but was cancelled in Nov. 2024 due to “unforeseen circumstances.”
Check out the full lineups below.
Billboard’s Live Music Summit will be held in Los Angeles on Nov. 3. For tickets and more information click here.
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If Charlie Puth is nervous about becoming a dad, he’s not showing it.
The pop artist was the musical guest Tuesday night on The Tonight Show Starring Jimmy Fallon, where he performed his new song “Changes” and sat for a chat with the late-night show’s host.
At the top, Puth confirmed what many of his fans already. “I’m gonna be a dad,” he told Fallon.
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We’re aware of the good news because Puth used the music video for “Changes” as the platform for his big reveal. Around the 2:30 mark in the Charlotte Rutherford-directed clip, Puth and his wife Brooke Sansone both place their hands on her belly, a sign that changes are coming.
“I didn’t leave much up to the imagination there,” he admitted to Fallon. “But yeah, we’re expecting a baby in March.”
He’s not giving away the gender just yet, but it’s safe to say the bub will be immersed in music. Puth plans to revisit what him mom did for him, by placing headphones on Sansone’s pregnant tummy.
“I hope baby likes music, because it’s the only thing I’m good at,” he quipped. “I think I listened to James Taylor and Luther Vandross, I got a wide array of music. So I’ll do the same thing, whether Brooke likes it or not.”
This will be the first child for the Puth and Sansone, who began dating in 2022 and were married in September 2024.
Puth stuck around the NBC studios for a performance of “Changes,” lifted from his forthcoming fourth studio album Whatever’s Clever!, also due out next March, for what will be a busy month for the growing family.
Whatever’s Clever!, will be Puth’s fourth album and a follow-up to 2022’s Charlie, which yielded the Billboard Hot 100 top 40 singles “Light Switch” and “Left and Right” (with BTS’ Jung Kook).
Watch Puth’s performance of “Changes” and his goofy Hundred Percent sketch with Fallon.
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Robert Irwin tangles with snakes during the day, nails dolphin dives at night. And based on his latest performance on Dancing With The Stars, the Australian wildlife conservationist should go far in the competition.
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On Tuesday night (Oct. 21), the DWTS celebrities celebrated the forthcoming sequel to Jon M. Chu’s Wicked with routines set to songs from the popular musical-turned-film. Chu even stopped by to join regular judges Carrie Ann Inaba, Derek Hough and Bruno Tonioli.
Irwin gave it his best shot with a jazz performance of “Dancing Through Life”. The 21-year-old and his professional partner Witney Carson completed an energetic, free-flowing performance with smiles glued to their faces. Irwin gave viewers a little more than they bargained with a perfect dolphin dive early in their routine, and pulled off a floor slide that’d make Bruce Springsteen proud.
When the votes were counted, 39 out of a possible 40 points went to the pairings of Jordan Chiles and Ezra Sosa, and Whitney Leavitt and Mark Ballas, while Irwin and Carson nabbed nines from all four of the judges, for 36/40.
Irwin, the son of the late “Crocodile Hunter” Steve Irwin, will be hoping to emulate the success of his older sister Bindi, who won the 21st season of DWTS, in 2015.
The remaining contestants in this 34th season of Dancing With the Star includes TV personality Dylan Efron and influencer Jen Affleck. However, Pentatonix’s Scott Hoying and Rylee Arnold are no longer competing for the Len Goodman Mirrorball Trophy, following their elimination on Tuesday evening.
Dancing with the Stars airs live Tuesdays on ABC and Disney+, and streams the next day on Hulu. The finale will be on Nov. 25.
See the full list of scores from “Wicked Night” (week six) of DWTS season 34 below.
Alix Earle and Val Chmerkovskiy: 35/40
Robert Irwin and Witney Carson: 36/40
Whitney Leavitt and Mark Ballas: 39/40
Dylan Efron and Daniella Karagach: 32/40
Andy Richter and Emma Slater: 27/40
Elaine Hendrix and Alan Bersten: 36/40
Jen Affleck and Jan Ravnik: 32/40
Danielle Fishel and Pasha Pashkov: 36/40
Jordan Chiles and Ezra Sosa: 39/40
Scott Hoying and Rylee Arnold: 28/40 (ELIMINATED)
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John Williamson, the Australian “bush music” legend, has criticized a nationwide anti-immigration protest where his signature song, “True Blue,” was reportedly played without his approval.
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Thousands gathered in several Australian capital cities last Sunday, Oct. 19 for the “March for Australia” rallies, which formed as a collective voice against the federal government’s immigration policies, and for counter protests. Williamson, not for the first time, has called out the unauthorized use of his music.
Turning to Facebook, Williamson writes: “‘True Blue’ is a song for all Australians and should not be hijacked by any group that seeks to use the song to sow division. I believe in a multicultural society – one where all Australians come together in unity to celebrate our unique multicultural nature and freedoms.”
A decade ago, the ARIA Hall of Famer put conservative event organizers on blast for attempting to weaponize his famous song. Back in 2015, he shared a post on Facebook in which he noted that “True Blue” was reportedly being used at rallies by various groups including the Reclaim Australia movement, and “did not have my approval to use it.” On that occasion, he wrote, “I would prefer the song be used to celebrate togetherness in our great country. How about holding a rally for ‘Love’ and see who turns up. Hatred never solves anything.”
A musician and conservationist, Williamson’s career spans more than 50 years. The 79-year-old has sold more than 5 million albums and accumulated upwards of one billion streams. Over time, he has collected 28 Golden Guitar awards, four ARIA Awards, and on Australia Day 1992, was made a Member of the Order of Australia (AM) “for service to Australian country music and in stimulating awareness of conservation issues.” Williamson performed at the opening ceremony of the 2000 Sydney Olympic Games and in 2010 he was inducted into the ARIA Hall of Fame.
Since its release in 1982, “True Blue” song has become part of the fabric of Australian culture, and is regularly played at sporting events and ceremonies, including Steve “Crocodile Hunter” Irwin’s public memorial service, where he performed it twice on acoustic guitar.
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Broke Records is facing a lawsuit from ATLXS, the 18-year-old Italian artist behind the hit dance track “Passo Bem Solto,” who alleges the indie label is refusing to release him from a distribution deal he signed as a minor.
Broke, co-founded by Andre Benz and Brandon De Oliveira in 2023 in partnership with Create Music Group, has carved out a niche identifying viral songs and turning them into streaming hits. This is precisely what the label did with “Passo Bem Solto,” which is currently No. 6 on Billboard‘s Hot Dance/Electronic Songs chart and has more than 450 million Spotify streams across various remixes.
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But the artist behind “Passo Bem Solto,” 18-year-old ATLXS (Diego Basile), is now suing Broke to get out of his contract. ATLXS’ attorney, Douglas Johnson, writes in a Monday (Oct. 20) federal complaint that he signed over the “Passo Bem Solto” masters to Broke in January, and Johnson tells Billboard that the agreement also included publishing rights.
The lawsuit alleges the deal was “predatory,” and that a provision of California’s family code allows a contract signed by a minor to be later “disaffirmed” — that is, made void. ATLXS, who was only 17 when he signed with Broke, sent a legal notice to the label terminating his contract under this provision last month.
According to the lawsuit, Broke refused to honor the termination notice and is continuing to monetize “Passo Bem Solto” on streaming platforms. ATLXS is seeking a court order requiring his masters and publishing rights to be reverted back, as well financial damages for copyright infringement.
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“Defendant has retained revenues, royalties and profits derived from the exploitation of the subject works after disaffirmance,” reads the complaint. “Defendant has continued to exploit the works through all of its streaming distribution channels, including continuing to stream the subject works on several streaming services, including but not limited to YouTube and Spotify.”
Speaking with Billboard on Tuesday (Oct. 21), Johnson says California law is clear that minors can rebuke their contracts and that an artist like ATLXS can regain his copyrights. “I find it to be a straightforward case,” he says.
Reps for Broke declined to comment on the lawsuit Tuesday.
Trending on Billboard The sheer number of artist signings announced on a weekly basis makes it difficult to keep up, no matter how closely you pay attention to the industry news cycle. That’s why every other Tuesday, Billboard compiles the latest signings to labels, distributors, agencies, management companies and more, in an effort to provide […]
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