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Billie Eilish Says She Goes ‘Absolutely Insane’ When She Has a Crush on Someone

It’s a craving, not a crush — but either way, Billie Eilish tends to spiral whenever she develops feelings for someone.

On the latest episode of Chicken Shop Date posted Friday (July 12), the 22-year-old pop star opened up to host Amelia Dimoldenberg about her tendency to fly a little off the handle when a new love interest enters her life. “I become insane when I have a crush,” Eilish said. “I get absolutely insane. When I was growing up, no one I had a crush on ever had a crush on me back — that I know of. It’s very demoralizing. It’s sad.”

For the record, it doesn’t seem like the “Bad Guy” singer — who’s been linked to Jesse Rutherford and Matthew Vorce in the past — has any trouble finding requited love now. When Dimoldenberg asked whether Eilish still has the same problem today, the latter merely gave a suggestive smirk.

“All I do is crush on people,” she shared. “It’s all I do. When I don’t have a crush, life feels so empty.”

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The interview comes about two months after the nine-time Grammy winner dropped her third studio album, Hit Me Hard and Soft, which debuted at No. 2 on the Billboard 200. All 10 of its tracks charted on the Billboard Hot 100 upon its release, including flagship single “Lunch,” which reached No. 5.

On one of the album’s fan-favorites, “The Greatest,” Eilish laments how she “just wanted passion” from her ex, a topic that also came up in her Chicken Shop Date interview. “What turns me on? I don’t know, passion, dude,” she told Dimoldenberg. “It’s all about passion.”

Eilish, who has her own fragrance line, also said that a person’s scent is important to her. “[It’s] kinda No. 1,” she said. “I can get around it, but I’m definitely, like, that’s the first thing I notice. I have a very strong nose, so if somebody smells good, I like them more.”

Watch Eilish’s full Chicken Shop Date interview above.

UEFA Euro Championship Final 2024: How to Watch the England vs. Spain Match Online

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

The semifinals are over and the last two teams standing in the UEFA Euro Championship 2024 soccer tournament will have the honor to hoist the Henri Delaunay Trophy at the very end of play.

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The UEFA Euro Championship Final features England vs. Spain, and takes place at Olympiastadion in Berlin, Germany, on Sunday, July 14.

What Time Is the UEFA Euro Championship Final?

The UEFA Euro Championship Final broadcasts live on Sunday, July 14, at 3 p.m. ET/12 p.m. PT. The soccer match airs on Fox.

Where to Watch the UEFA Euro Championship Final for Free

If you’re a cord-cutter, there are a number of ways to watch the UEFA Euro Championship Final: England vs. Spain without cable — especially if you want to watch for free. DirecTV Stream has a five-day free trial to try it out, while other streaming services, such as Hulu + Live TV and Fubo, also offer free trials, so you can watch Fox without spending a dime up front.

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Keep reading for more details on how to watch the UEFA Euro Championship Final on Fox with DirecTV Stream, Hulu + Live TV and Fubo.

How to Watch the UEFA Euro Championship Final on DirecTV Stream

A subscription to DirecTV Stream — which comes with Fox — gets you access to live TV, local and cable channels, starting at $69.99 monthly. The service even offers a five-day free trial to watch for free, if you sign up now.

You can watch local networks such as ABC, NBC, CBS and PBS, while you can also watch many cable networks, including ESPN, FS1, VH1, Fuse, CNN, Food Network, Lifetime, FX, AMC, A&E, Bravo, BET, MTV, Paramount Network, Cartoon Network, CNBC and many others.

How to Watch The UEFA Euro Championship Final on Hulu + Live TV

Fox is available to watch with Hulu + Live TV too. Prices for the cable alternative start at $76.99 monthly, while each plan comes with Hulu, Disney+ and ESPN+ for free.

Hulu + Live TV might be best for those who want all of these streaming services together in one plan. It also features many other networks, including CBS, NBC, ABC, ESPN, Hallmark Channel, BET, CMT, Disney Channel and more.

How to Watch the UEFA Euro Championship Final on Fubo

To watch Fox, Fubo starts at $79.99 monthly with nearly 200 channels — including local and cable — that are streamable on smart TVs, smartphones, tablets and on web browsers. And with a seven-day free trial, you can watch for free, if you act fast and sign up now.

The services gets you live access to local broadcast networks including ABC, NBC and CBS, while it also has dozens of cable networks, such as TLC, ESPN, E!, FS1, MTV, FX, Bravo, CMT, ID, TV Land, VH1, Ion, OWN, Paramount Network and much more.

UEFA Euro Championship Final: England vs. Spain broadcasts on Fox, but it’s also available to livestream with DirecTV Stream on Sunday, July 14. The match starts at 3 p.m. ET/12 p.m. PT.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

J Balvin & SAIKO Release ‘Gaga’ & More Best New Music Latin

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard’s Latin and Billboard Español editors. Check out this week’s picks below.

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J Balvin & SAIKO, “Gaga” (Sueños Globales/UMG Recordings)



J Balvin’s second single from his upcoming album is a total departure from the first single “Polvo de Tu Vida,” with Chencho Corleone, which was powered by a hypnotizing reggaetón drum. The Colombian hitmaker’s new offering, titled “Gaga,” is a club-ready track that thrives on electronic head-bobbing beats. For this new single, Balvin recruits Spanish reggaetón and trap singer SAIKO. The song encapsulates the vibe that Balvin is going for in his new album, Rayo — set to drop Aug. 9, as announced by Billboard. The set, he teased, will sound more like a house party than a collection of songs, and “Gaga” is definitely a party-starter. — GRISELDA FLORES

Omar Montes & Rels B, “YOTULOKO” (Sony Music Latin)

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Omar Montes and Rels B — two of Spain’s breakthrough stars — have joined forces on “YOTULOKO” (which means “yo tu loco,” “I’m your crazy” in English). Produced by Tunvao and co-penned by Montes, Rels, and Estefano Berciano Garduño, “YOTULOKO” is a conceptual tune that takes listeners to an imaginary island. The sensual reggaetón track fuses captivating flutes and the melodic voices of both Spanish acts. “Yo tu loco, mami yo tu loco” (“I’m your crazy, baby, I’m your crazy”), they chant in a repetitive chorus that could potentially go viral on social media. An accompanying music video directed by David Fernández, a.k.a. “Mowlihawk” in Marbella, Spain, features the two stars’ bromance, as well as the captivating sceneries of their native country. — JESSICA ROIZ

TIMØ, “Superpoder” (Universal Music Latino)



Colombian band TIMØ releases “Superpoder,” its new pop-rock single that invites us to believe again with the purity and naivety of when we were children. The melody begins as an acoustic ballad with soft guitar chords, and gradually transforms into a vibrant Latin pop. The lyrics, nostalgically recall the time of childhood when life was simpler, and easier to believe that many things are possible. “I want to believe again in fairies, in heroes and in giant dreams / that there will never be anything more important/ than being with family on a Sunday afternoon.” TIMØ shares an emotive video of the song accompanied by images of the Colombian soccer team on their social media. — LUISA CALLE

Jasiel Nuñez, “Made in Paris” (Double P Records)



Following his successful collaborations with Peso Pluma (“Me Activo,” “Rosa Pastel”), Jasiel Nuñez returns with “Made in Paris,” where he showcases his meteoric rise and penchant for Parisian fashion. Co-produced with Ernesto Fernández, the track infuses traditional corrido elements with an urbano flair, reflecting  the Guadalajara newcomer’s lifestyle transformation to the top. Marking a significant shift from the stark visuals of “0 Sentimientos,” which featured the singer atop a desolate snowy mountain, the music video for “Made In Paris,” in contrast, captures his luxurious life — complete with high-stakes poker and rides in private helicopters, underscoring his high-flying status. — ISABELA RAYGOZA

Listen to more editors’ Latin recommendations in the playlist below:

Billy Joel Talks Wrapping Up Decade-Long MSG Residency: ‘I Didn’t Want to Outstay My Welcome’

Two weeks from now Billy Joel will wrap up one of the most legendary residencies in music history. The Long Island native will play his 150th and final show at Madison Square Garden on July 25 when he plays the last note of a run that officially kicked off in January 2014 and has had the “Piano Man” playing the historic venue once a month on his way to setting the record for the most lifetime MSG performances by any artist.

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Joel, 75, sat down with Willie Giest for an interview slated to air on Sunday TODAY (July 14) in which the Rock and Roll Hall of Famer opens up about his feelings on the eve of the anticipated finale. “Well, I’m kind of sad that it’s ending,” Joel says of the series that has sold more than 1.6 million tickets to date. “You know, 10 years in Madison Square Garden is beyond my dreams as a musician. We were the house band for 10 years at the Garden, which I think is the best performance venue in the world.”

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And Joel would know, since he’s been pounding the white and blacks on his baby grand all around the world for more than five decades. “I’ve played all kinds of stadiums, arenas, coliseums, theaters, the Garden is the best sound,” he says of the 19,500-capacity arena. “And it’s in New York, which is usually a crazy audience and they make a lot of noise and we have fun.”

Now, to be clear, Joel says that the end of the run doesn’t mean he’ll never play MSG again, just that this seemingly unbeatable record string of shows is reaching its natural end. Plus, Joel says, 150 feels like a “good round number” to bow out on. When he kicked the residency off more than a decade ago, Joel tells Geist he never imagined it would last this long, assuming there would be a peak and then a slow eventual decline.

“But that hasn’t happened, they’re buying more tickets recently than they were at the beginning,” he says of the sold-out shows, noting that he could have easily kept going, but that after a decade he felt like it was “all right already.”

With Geist noting that Stub Hub says the final show is one of the hottest tickets in town this summer, he wondered if Joel is having second thoughts about hanging it up. “Yeah, a lot of second thoughts,” Joel says. “It’s kind of sad because we could have kept going but I didn’t want to outstay my welcome.”

Joel — who released his first new pop song in 17 years, “Turn the Lights Back On” in February — has a stadium gig in Denver on Friday night (July 12) before his final MSG curtain call, followed by stadium shows in the UK, Cleveland, St. Louis, Los Angeles, San Antonio and Las Vegas that will keep him busy through November.

Check out a preview of the interview here and watch the full chat on Sunday Today on Sunday.

Valentino Merlo & The La Planta’s ‘Hoy’ Adds Second Week at No. 1 on Billboard Argentina Hot 100

Valentino Merlo and The La Planta hold steady atop the Billboard Argentina Hot 100 chart as “Hoy,” their first partnership, rules the July 13-dated ranking for a second week. As the song rose 2-1 the week prior (list dated July 6), Argentinian Merlo became the youngest act to score a No. 1 since the chart launched in 2018.

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Trueno claims his highest debut among 22 career entries thanks to “Cuando Te Vi (Big One Crossover #5),” with Maria Becerra and Big One, as the tripartite debuts at No. 3 with the Highest Debut of The Week honors.

The new debut places Big One back on the chart and in the top 10, after “Lágrimas (Big One Crossover #4),” with BM and Tini, reached No. 6 on the Nov. 4, 2023-dated list. The Argentinian record producer also takes home the Greatest Gainer trophy as “Un Finde | Crossover #2,” with Ke Personajes and FMK, climbs from 21 spots from No. 66 to No.45.

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Further, as “Cuando Te Vi (Big One Crossover #5)” launches at No. 3, Maria Becerra extends her top 10 record, with 28 total career top 10s.



Classic Argentinian rock band Los Abuelos de La Nada celebrates its first chart entry with the 1983’s hit “Mil Horas” at No. 75. The song ejects Cachorro Lopez and Lali’s new version of the song, which debuted at No. 70 in June.

While it was a slow week in terms of new debuts on the chart, two other songs make their first appearances: “feelslikeimfallinginlove” at No. 94, for Coldplay’s 11th entry, and Plan B’s “Es Un Secreto” at No. 98.



Anna Is Italy’s ‘Real Baddie’ of Hip-Hop

A few nights ago, while I was driving home, the shuffle chose “BBE” by Anna and Lazza. The chorus is one of those that immediately get stuck in your mind, the lyrics are a statement of empowerment, a sort of manifesto of a strong and determined girl who never has to ask.

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In the time I spend with her for the interview I discover two things in particular. The first is that behind that tough image there is a very sweet girl in her early twenties who, overwhelmed by a success that has taken away a piece of her adolescence, sometimes dreams of exchanging her famous life for a normal one for one day, like any of her peers. The second is that also “real bad bitches cry,” as she raps in “Una Tipa Come Me,” undoubtedly the best of the 18 tracks on Vera Baddie, her debut album, released on June 28.

It’s strange to think that it is only her first album, given that from 2020 to today – between singles with tens of millions of streams and collaborations with the heavyweights of the Italian rap scene – the rapper has constantly dominated the Italian charts and in 2023 was the most listened to female artist in Italy. But she wanted to do things well and in her own way, taking the time necessary to mature and make a project that wasn’t something ephemeral but that will make her proud when she listens to it again in ten years.

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After having met the “Real Baddie,” in this interview we discover the real Anna: from the fragility of her twenties to the desire for sincere human relationships, from the most important goal she has achieved to music as therapy to exorcise anxiety, from the little girl she was to the woman she is now.

Anyone who listens to this album will be amazed at how you opened up about your fragilities, something you hadn’t done yet.

I think so, too. I hadn’t dug into myself yet. It took me time to do it. For me it’s much easier to make a song to entertain and have fun rather than delve into the things that hurt me, into my relationships with people. This album unlocked me from this point of view.

Was there something that made you realize that you were ready to show a different side of yourself?

Certainly the fact that many girls told me that they see themselves in me made me feel the need to explore other sides of being a girl today. I wanted to address more facets of this thing, even the negative ones. I’m proud to have brought out another part of me and I’ve matured a lot as a person to be able to do this, to unite my feelings with music.

The album arrives four years after your first singles. In an interview you said that you didn’t want to become famous as it happened but to work your way up. Did taking time also help you sort out what was happening in your life?

Yes, it took me a few years to stabilize my life, also because success came when I was still very young, in a particular moment like quarantine. These four years also helped me grow as an artist. I feel like I’ve really raised the bar in my songs. I want my name to have a certain value and depth, and that it be understood that I take music seriously, because it is what I live for.



Can we say that this has nothing to do with being a woman in a male-dominated world?

Absolutely yes! I’m here because I’ve never felt a difference between me and my male colleagues. The more this is emphasized, the more girls feel discouraged from being rappers. When they say that I’m the best in Italy I would respond: “I’m not the best, I’m simply the only one who let herself go and who never gave a damn about being a woman among only men. Even at the cost of receiving insults.” I didn’t bring “female rap,” I brought my music, period.

If female rap existed, male rap should also exist…

Right! Do you know how many times I get told that I am proof that women can rap too? Rap is rap, period. There is no gender, the important thing is to do it well. Many times, girls feel disadvantaged because they don’t feel supported, but when I started, who supported me? Nobody. It was me, alone. Little by little I built my own path and asserted myself.

Anna for Billboard Italia

Anna for Billboard Italia

Andrea Ariano

The concept of “baddie” means more than it seems, right?

Being a baddie doesn’t just mean being a girl who has fun: the baddie is the one who transmits determination to other girls, who helps them in times of need. Girls understood this, and that’s enough for me.

You said you suffered a lot from criticism in the past. Now that you’ve grown up, how do you deal with this?

I have a lot less hating than before because people have gotten to know me. They see me in concert and appreciate the person I am. Over time I learned not to care. Bad things no longer affect me as they used to because I take them as something negative towards those who say them, not towards me who receive them.

You also said that the criticism had tripled the moment you exploded, so much so that the internet had given an image of you that didn’t correspond to the real one. Were you ever afraid that after your debut single “Bando” everything could end?

More than anything, people put the fear in me. I knew very well what I wanted to do in life, but many people can’t wait to destroy you. I remember when they told me: “In a month she will already be gone.” But damn it, I’m still here, and I’m here because I have a lot to give, because I’ve always been convinced about this, because I felt that this was my path.

I often see videos of you with your fans and you still seem like a very humble girl.

I think this has a lot to do with the fact that I haven’t enjoyed a normal life. From the age of 16 onwards, all the things I did were inherent to my job. So outside of that I want to be as normal as possible and enjoy life. My simplicity is not to do others a favor or to make me say, “Oh, look how humble Anna is.” I love being like this, I love having a normal chat with someone, why should I be a snob?

Is the fact of including so many references to your adolescence in the album also a way to recover a moment of your life that you didn’t experience as you wanted?

Maybe. Often at night I dream of my old school, my old classmates, the environment I frequented before. I miss those things because I haven’t enjoyed them at all. I’m not even someone who has made many friends in an organic way in life because I haven’t had the time or the way to do it. I suffered a lot for this. Young girls often tell me that they envy my life, but I envy theirs and they don’t even imagine it.

For this album you also worked in the U.S. and one could tell it. It’s a very international sound.

Yes, for example I wrote “Una Tipa Come Me” there, but most of the songs were born in my bedroom at home. In my head there is no such thing as having someone write something to me. If I make songs, it is to say something, and that must come from me. I could never get other people to put their words in my mouth. Music for me is such an intimate and personal thing that I couldn’t let someone change it. It bothers me when they say: “Oh, Anna has improved, I wonder who writes her lyrics.” Well, nobody!

In your producers, however, you have complete trust.

Absolutely. They are fundamental, without them this album wouldn’t be what it is. I do my thing, I write the lyrics, but if there isn’t a good backing track none of this is possible. I’m happy that such fresh and cool young people are finally making their way in Italy.



Earlier you mentioned “Una Tipa Come Me,” which for me is one of the songs that will most surprise those who listen to the album.

Yes, it’s definitely the most introspective song on the entire album. I had started working on it in the studio with an American producer while I was in the USA, but I was too tense and couldn’t finish it, so I picked it up again while I was alone in my room. Last summer was a bit of a tough time for me. I lost a lot of kilos due to stress. I had a very fluctuating mood and therefore I needed to throw these feelings out and talk even more about myself, about my character. It freed me a lot.

In the intro you say: “Doing this stuff helps more than a psychologist.”

For me music has always been a cure. I suffer a lot from anxiety which also manifests itself in a psychosomatic way, and when I feel like I’m starting to feel bad I put on my headphones, listen to music and I swear I feel better. It’s really my therapy, my life revolves around music.

We talked about criticism. Can you tell me what is the nicest thing a fan has said to you?

It makes me proud that many girls tell me that I give them the determination to face everyday life and the dark times. Once a girl wrote to me that her dad had had a heart attack, and listening to my music relieved her. For me it was a wonderful thing to know that I was making life a little less burdensome for a person who was going through a difficult time.

What is the most important milestone you have achieved so far?

From a personal point of view, it would be being able to help my mother have financial stability. I have always seen her work hard, so allowing her to no longer work and giving her a serenity that she never had is the greatest joy. For me, the relationship with my parents is everything: when they are well and have no worries, life changes you completely. In terms of career, however, I would say working with Sfera Ebbasta. When I was a young girl it would have seemed impossible, but in a few days I will be singing at the San Siro stadium in Milan with him. If I had told this to my past self, she would probably never have believed it!

And what would younger Anna say to Anna today?

She would say that she’s proud of who she has become because that is exactly who she always wanted to be. If Anna as a child could travel in time and see me now, she would get excited, she would say that I’m really cool, that she got to where she is on her own and because she believed in it so much. Well, perhaps the greatest achievement is simply being me.

Post Malone & Morgan Wallen Need No ‘Help’ Ruling Country Airplay for Fourth Week

Post Malone’s “I Had Some Help,” featuring Morgan Wallen, commands Billboard’s Country Airplay chart (dated July 20) for a fourth week, becoming the first song to lead that long among the 15 singles that have scored their initial weeks atop the tally in 2024.

The collaboration increased by 1% to 33 million audience impressions July 5-11, according to Luminate.

The song became Post Malone’s first Country Airplay No. 1 (and Wallen’s 13th), after he notched 10 leaders on Rhythmic Airplay and five on Pop Airplay beginning in 2016. His new album, F-1 Trillion, is due Aug. 16; second single “Pour Me a Drink,” featuring Blake Shelton, ranks at No. 34 on Country Airplay (3 million, up 37%).



Post Malone “deserves to be a superstar in country music, primarily because he is being real,” WJVC Nassau-Suffolk, N.Y., program director Phathead tells Billboard. “He’s put together a team that created one of the best songs we’ve heard, while singing it with the biggest act in the format. And he has a monster to follow with Shelton. A good boss in any business is only as good as the people around them. Great to see Post put his ego aside.”

Wallen 1, 2 for 3rd Week

For the first time in Country Airplay’s 34-year history, an act has ranked at Nos. 1 and 2 simultaneously for three weeks, as Wallen’s “Cowgirls,” featuring Ernest, holds at its No. 2 high (31.6 million, up 4%). Luke Bryan locked up the top two spots for two weeks in May-June 2014, while Luke Combs landed such a double-up for a week in September 2023.

Speaking of Combs, he earns his 21st consecutive career-opening top 10 single on Country Airplay as “Ain’t No Love in Oklahoma” pushes 11-10 (17.5 million, up 8%). The song introduces the soundtrack to the film Twisters, with both due July 19.

Baldridge Makes History

Drew Baldridge’s “She’s Somebody’s Daughter (Reimagined)” rises 10-8 on Country Airplay (19.3 million, up 5%). After becoming only the second self-released single ever to reach the top 10, it’s now the sole highest-charting, passing Aaron Watson’s “Outta Style,” which peaked at No. 10 in 2017.

Nelly Furtado Has a Song Ready for Taylor Swift to Collaborate On: ‘Let’s Get It Popping’

Nelly Furtado just teased that she has an idea for a Taylor Swift collaboration that’ll undoubtedly have a lot of fans begging “Give It to Me.”

But before anyone gets too excited, the 45-year-old singer-songwriter did clarify that the “Anti-Hero” musician hasn’t even heard the pitch yet, although she has an idea on how she can make it happen. “I have a song for Taylor,” Furtado said in an interview with Extra Thursday (July 11) before noting her connection to Swift’s boyfriend. “Dom Dolla produced it … I think Dom’s friends with Travis [Kelce], so let’s get it popping. We want Taylor on it!”

The topic of Swift first came up when Furtado was asked about a viral moment from the VMAs last year. In a clip from the awards show posted on the latter’s TikTok, the former raves that she had just been “screaming” Furtado’s 2001 hit “I’m Like a Bird.”

“Versatility, dude, you can do anything!” the 34-year-old pop star added at the time, to which Furtado replied, “Every time you write another amazing song, I’m like, ‘She did it again!’”

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Reflecting on the moment, the “Promiscuous Girl” musician told the outlet, “It’s kind of surreal for me.”

“I take these long breaks away from music, and sometimes I feel like a music librarian trapped in a pop star body,” she added. “And I meet other artists and they like my music, like Taylor Swift. It’s kind of like, ‘Oh, f–k, that’s cool. Oh really? You were singing my song at a party? That’s amazing.’”

The interview arrived one day ahead of Furtado’s new single “Corazón,” which features Bomba Estéreo. The track followed March’s “Gala y Dalí” with Juanes and May’s “Love Bites” with Tove Lo and SG Lewis.

Meanwhile, Swift has been sitting at the top of the Billboard 200 for nearly three months since dropping The Tortured Poets Department in April.

Watch Furtado open up about her desire to collaborate with Swift below.

Flee Club Co-Owner Busted In $2.4M Sneaker Bust

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Cook County Stolen Sneakers

Source: @CookSheriffIL / x

The sneaker reselling game definitely isn’t what it used to be, but that’s not keeping people from continuing to flip somewhat sought after merchandise, even if it means running afoul of the law.

Unfortunately, for one particular hustler and his right-hand man, authorities caught on to their operation and now the two men are facing some serious consequences.

According to WGN TV, the Cook County Sheriff’s Office of Maywood, Ill., uncovered a retail theft operation led by Flee Club owner Darris Kelly and his employee Jerry Walker, which they say led to authorities recovering $2.4 million worth of stolen sneakers, designer clothes and even some guns. Amongst the stolen merchandise were numerous pairs of the unreleased Air Jordan 4 “Paris Olympics” (which aren’t going for much on the resale market as no one’s really checking for these), the Louis Vuitton x Air Force 1s, and some other Air Jordan 11s that were sure to brick.

Still, a buck’s a buck. Unfortunately, for Kelly and Walker, the jig is up.

WGN TV reports:

The Sheriff’s Office says sheriff’s police executed a search warrant at a store in the 2200 block of West Taylor Street on Chicago’s Near West Side. According to authorities, employees of the store purchased stolen items and resold them to customers.

Dart explained Thursday how authorities set up the bust.

“This was, as they say, an undercover operation where we were sending people in to sell things that we told them was stolen,” he said. “We would then go back in with a different undercover officer and buy the stolen stuff we had just sold them.

“So we were recovering the stuff that everyone knew was stolen. We were getting tips from the people that operated (the theft operation) — the two people charged — on what they wanted us to steal, and they directed us in that way, as well.”

If Kelly and Walker are maintaining their innocence in the operation, that can only mean they’ll be flipping on someone else sooner or later and with the investigation still active, don’t be surprised if they start naming names.

The news comes almost a year after thieves crashed an SUV into Chicago’s Flee Club and made off with $100,000 worth of exclusive merchandise. Maybe Darris Kelly wanted to recoup what he had lost in that jux? Just sayin’, allegedly.

What do y’all think about this latest sneaker bust? Let us know in the comments section below.

Fonseca Reveals Terrifying Moment on Latest Tour: ‘Air Would Come Out & Not Voice’

Fonseca‘s 2023 Viajante Tour was an “ambitious” and “incredible” celebration of his 20-year career, spanning across Latin America, the United States and Europe. But the intensity of the trek also led to one of the most distressing moments he has ever experienced.

The Latin Grammy-winning Colombian singer-songwriter, whose vocal quality has been described by maestro Juan Luis Guerra as that of a “nightingale,” faced a terrifying moment when he began having problems with his voice.

“It was very crazy because I would start to sing and when I went high, I would hit a certain note where air would come out and not voice,” Fonseca shared publicly for the first time during a Q&A with Billboard‘s Leila Cobo at the Latin Alternative Music Conference (LAMC) on Thursday (July 11) in New York City. “And what’s worse is that I realized this in the middle of the tour — we still had about 18 shows to go in the U.S. and then 10 more in Europe.”

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During a visit to a laryngologist in Miami, he said, a polyp was found on his vocal cords. With insufficient time to treat it due to the imminent continuation of the tour, he had to make changes to the arrangements of his songs and take as much care of himself as possible.

“I did the tour. It was tough. I did exercises. I lowered the key of the higher songs, but the feeling of knowing that you have that, feeling it when you are singing, and also thinking, ‘Is this something that will affect me? Will this not go away?’ Oh, that was crazy!” he continued. “When I finished the tour, I went for another check-up in Bogotá, and the polyp had grown.”

With rest and with therapy, Fonseca and his doctors finally managed to make the polyp disappear. Now, he takes more care of his voice, among other things by using a nebulizer and doing warm-up and cool-down exercises before and after each performance.

“[The Viajante Tour] was very ambitious, it was incredible, but it also left me with the lesson that, at the end of the day, it’s about going to sing. So when you put so much intensity into the voice, there is wear,” the artist said.

On the eve of the Q&A, Fonseca had given a concert at SummerStage in Central Park, where he showed total control of his voice. He also celebrated Colombia’s goal against Uruguay in the Copa América semifinal from the stage. (Colombia won and will now face Argentina in the final this Sunday.)

On Thursday, during the conversation with Cobo at the 25th edition of LAMC, the creator of hits such as “Te Mando Flores,” “Eres Mi Sueño” and “Arroyito” also indulged the audience with a snippet of “Ven,” first a cappella and later accompanied by his guitarist Jairo Barón.

The Latin Alternative Music Conference is taking place this week in Manhattan with panels, interviews, concerts, and more. For a full calendar of events, click here

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