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Trending on Billboard As the charts have remained dominated all November by Taylor Swift — now in her second month of pop-world eclipsing — a number of long-beloved underground stars who’ve never quite played on her commercial level have made their return. Within the space of eight days, we received new releases from Rosalía, Charli xcx, Robyn […]
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For the first time, Colombia has its own Billboard chart of the 100 most-listened-to songs. Billboard Colombia Hot 100 debuted on Oct. 29 and has been receiving weekly updates on the Billboard Colombia website and its social media platforms ever since.
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The new ranking is based on data collection ranging from radio airplay to streaming, sourced from Luminate — the world’s most reliable data collection service — along with support from ACR Decibeles, Colombia’s leading radio monitoring service that analyzes in real time the most listened-to music on radio, television, and digital platforms.
This week, two hits from Blessd alongside other international stars are leading the top spots: “YOGURCITO REMIX (feat. Kris R., ROA)” with Anuel AA, Yan Block, Luar La L, Kris R. and ROA, at No. 1, and “Como Oreo” featuring Fuerza Regida and Ovy On The Drums, at No. 2. Following are “Quédate” by Beéle (No. 3), “Dónde” by Kapo and Ryan Castro (No. 4), and “Ba Ba Bad Remix” by Kybba, Sean Paul, Ryan Castro, and Busy Signal (No. 5).
The Billboard Colombia Hot 100 chart marks a historic milestone by shining a global spotlight on the major contributions of Colombian icons such as Karol G, Maluma, and J Balvin, while celebrating the country’s rich musical heritage. The chart appears partially on Billboard‘s official website, where the top 25 positions can be viewed, while the full list is exclusively available on Billboard Colombia‘s site.
“In a nation celebrated for its diverse array of genres, from cumbia, salsa, and vallenato to música popular, joropo, and pop, the new chart will not only highlight the most popular hits but also provide meaningful analysis of the cultural phenomena shaping Colombia’s music industry,” the publication said in a statement. “With the Hot 100, Billboard Colombia will provide an invaluable tool for artists, producers, managers, executives, entrepreneurs, industry professionals, and fans, further strengthening the country’s vibrant music scene.”
Save StorySave this storySave StorySave this storyTogether for Palestine, the humanitarian operation that put on a massive benefit concert in September, has announced a benefit single featuring Brian Eno, Neneh Cherry, and many more. “Lullaby,” a version of the traditional Palestinian song “Yamma Mweel El Hawa,” will be released on December 12, with designs on the coveted UK Christmas No. 1 slot. Others in the ensemble include Nadine Shah, Mabel, Celeste, and Bastille’s Dan Smith. Peter Gabriel wrote an English-language lyric for the cover, and the Palestinian musician Nai Barghouti arranged and recomposed the song alongside Shards’ Kieran Brunt.Eno said in a press release, “After a year defined by unimaginable loss, grief and injustice, we want to end with an act of love for Palestine’s children. Lullaby reflects their beauty, their longing and their hope. If we rally together and download it, we have a real shot at landing Christmas No. 1—and turning that moment into vital life-saving support for Gaza’s families.”Barghouti adds, “This lullaby from our Palestinian musical heritage has been with me since early childhood. Today, it returns at a much-needed time as a reminder of what Palestinians will never lose: hope, defiance, beauty, and dignity.”Kieran Brunt co-produced “Lullaby” alongside Benji B and Henri Davies. Also featured on the track are Amena, Lana Lubany, Leigh-Anne, London Community Gospel Choir, Sura Abdo, Tyson, Yasmeen Ayyashi, and Ysee. Together for Palestine’s T4P label will release the song, via distributor Empire. All proceeds go to Choose Love’s Together for Palestine Fund, which supports the Palestinian-led organisations Taawon, Palestine Children’s Relief Fund and Palestine Medical Relief Service.In Los Angeles, meanwhile, another benefit concert, Artists for Aid, has been detailed ahead of its January 10 staging. Organized for the second year by Mustafa, the concert will feature Geese, Blood Orange, Alex G, Clairo, Faye Webster, Noname, Ravyn Lenae, Daniel Cesar, and more, with hosts Bella Hadid and Pedro Pascal.A new batch of artists has also signed up to geoblock their music from streaming in Israel. My Bloody Valentine, Saba, Shygirl, YHWH Nailgun, and Denzel Curry are among the additions to No Music for Genocide.The Together for Palestine Concert Was Gutting but Necessary
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Mumford & Sons fans, rejoice. The band will return to BST Hyde Park next summer for a huge homecoming show, a decade since their last headline performance there.
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The trio will headline the event on July 4, joined by their friends, the U.S. alternative rock outfit The War On Drugs. Additional acts on the bill will be revealed at a later date.
Tickets will go on sale on Dec. 4 via BST Hyde Park’s official website, while an artist presale will take place earlier in the week for those signed up to the Mumford & Sons mailing list.
“Hyde Park is woven into our story, it’s where so many memories were made. Coming back a decade later, with all this new music, feels incredibly special,” the band said in a statement. “London is and always will be the band’s home. We can’t wait.”
AEG Presents CEO Jim King added: “Mumford & Sons’ last Hyde Park show was a milestone for BST. Having them return at this moment in their career is something we’re incredibly proud of.”
Mumford & Sons graced BST Hyde Park stage, which returns to London’s Hyde Park each year, back in 2015 in support of their third record Wilder Mind. Prior to that show, they had supported Arcade Fire and played alongside The Vaccines at previous iterations of the event.
For 2026, the band are set to join a stacked BST Hyde Park line-up, which kicks off with country supernova Garth Brooks playing his first U.K. show in nearly 30 years on June 27. The summer classic will also see headline sets from Maroon 5 (July 3), Pitbull and Kesha (July 10), and Lewis Capaldi (July 11 and 12).
In the meantime, Mumford & Sons are gearing up their winter U.K. arena tour, which commences with a show in Newcastle this weekend (Nov. 29). They’ll hit up Leeds, Glasgow, Manchester, Sheffield, Birmingham and Cardiff along the way, before rounding out the leg with a double header at The O2, London (Dec. 10-11). The band are slated to release their sixth studio album Prizefighter on Feb. 13, 2026 via Island Records. The record will feature collaborations with Hozier, Gracie Abrams, Chris Stapleton and Gigi Perez, and follows their U.K. chart-topper Rushmere, released this past March.
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Franz Ferdinand and Donald Trump share almost nothing in common, apart from their Scottish heritage, and an unexpected interaction on social media.
The alternative rock outfit is currently in Australia for a national tour, kicking Wednesday, Nov. 26 at Red Hill Auditorium in Perth, Western Australia, and visiting Brisbane, Thirroul and Melbourne, before wrapping up in Sydney.
As the “Take Me Out” singers bang the drum for those dates, frontman Alex Kapronos stopped by Triple M for a chat with WA-based breakfast show hosts Robbie & Carly.
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Conversation, naturally, turned to the weather — where the band has come from, and the blazing heat they’ve arrived in — and the political climate.
The band penned the 2016 track “Demagogue” when Trump was still a candidate for the presidential election, which he went on to win, against most political observers’ predictions.
With “Demagogue,” Franz Ferdinand proved once more that Scots don’t mince their words.
“From the wall straight to la cuenta/Those pussy grabbing fingers won’t let go of me now,” the sing early on. And later, “From the mob to chapter eleven/Those tiny vulgar fingers on the nuclear bomb.”
When asked the band had heard from Trump’s camp, Kapronos quipped: “He’s a sensitive chap, isn’t he? When we wrote that song, he was only just going forward as a candidate. We were writing from the perspective of, ‘Oh God, imagine if…’ And here we are… we don’t need to imagine anymore.”
Kapronos “didn’t hear anything back from him personally, although years ago he replied to a tweet of mine, which was bizarre,” he reveals. Also, one of Trump’s daughters “crashed backstage at one of our shows back in 2004,” he recounts. “It was like, ‘Who’s this woman in our dressing room?’”
The band has begun their tour down under at the best possible time. “We left a very rainy, cold, dark Europe to come to a beautiful springtime Australia — and you feel that energy,” Kapronos remarks. “It lifts you up. Even if you’re hungover or jet-lagged, the energy of the crowd is transformative.”
Also, Kapranos notes, the group’s Perth show will something of a family affair. “My sister’s husband is a Perth boy, so we know quite a few folk here. I think we’ve got a guest list of 60! Perth feels like nowhere else on earth: the trees, the plants, the wildlife, it’s so unique.”
Formed in Glasgow in 2002, Franz Ferdinand has landed seven U.K. top 10 albums, including a No. 1 with 2005’s You Could Have It So Much Better, and scooped best British group and best rock act at the BRIT Award in the same year.
Their U.S. chart story includes two hits on the Billboard Hot 100, and five appearances on the Billboard 200, including two top 10s.
Stream the Triple M interview here.
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Olivia Dean spoke, Ticketmaster has taken action.
Last Friday, Nov. 21, the English artist took a moment out of her busy scheduled to lay one on Ticketmaster, Live Nation and AEG Presents for the resale ticket prices to her 2026 North American tour.
Tickets to her The Art of Loving Tour went on sale to the general public that day, and sold out in minutes. Though, with some resale prices climbing into the thousands of dollars, Dean had some harsh words.
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“@Ticketmaster @Livenation @AEGPresents you are providing a disgusting service,” she wrote on Instagram Stories. “The prices at which you’re allowing tickets to be re-sold is vile and completely against our wishes. Live music should be affordable and accessible and we need to find a new way of making that possible. BE BETTER.”
Ticketmaster is trying to “do better,” by capping all future ticket resale prices for the tour on its platform and refunding fans for any markup they already paid to resellers on Ticketmaster.
According to a statement from Ticketmaster, which merged with Live Nation in 2010, Ticketmaster has activated its Face Value Exchange for the tour, with immediately effect, and without transfer restrictions. That move should ensure that any future ticket sales on its site are capped at the original price paid — with no added fees, the message continues.
Refunds will be processed by Dec. 10, the company insists, though may take additional days to post, depending on individual banks.
“We share Olivia’s desire to keep live music accessible and ensure fans have the best access to affordable tickets,” comments Michael Rapino, CEO, Live Nation Entertainment. “While we can’t require other marketplaces to honor artists’ resale preferences,” Rapino adds, “we echo Olivia’s call to ‘Do Better’ and have taken steps to lead by example. We hope efforts like this help fans afford another show they’ve been considering—or discover someone new.”
The ticketing giant shared some insights into sales for the tour, for which demand was so “high,” the artist added three additional nights at the Madison Square Garden.
After reviewing all sales, reads Ticketmaster’s message, less than 20% of primary tickets were listed for resale –“showing that Olivia’s demand was driven by genuine fans who intend to go to the show rather than resellers out for profit.”
Dean had been opening for Sabrina Carpenter on the final leg of the U.S. singer’s Short n’ Sweet Tour, and announced her own North American headlining trek earlier in November.
A London native, Dean’s star has been on the rise of late, thanks in part to her Saturday Night Live debut Nov. 15, and her subsequent trip to Australia, where she performed an exclusive open-air show in Sydney and at the 2025 ARIA Awards.
That whistlestop trip down under translated immediately into a No. 1 on the ARIA Chart, as “Man I Need,” lifted 2-1 for the very first time. Dean currently has four tracks on the Billboard Hot 100, including “Man I Need” at No. 5. The 26-year-old’s The Art of Loving album is also slotted at No. 5 on the Billboard 200 dated Nov. 22.
Dean’s 2026 tour kicks off in the U.K. and Europe, beginning with Glasgow, Scotland, in April, and wraps June 20 in Dublin. Her U.S. summer trek is slated to kick off in San Francisco on July 10, and she’ll be making stops in Los Angeles, New York City, Atlanta, Toronto, Las Vegas, Boston, Houston and finish up in Austin on Aug. 28.
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Sydney hardcore punk band SPEED has collected the NSW Music Prize, Australia’s most lucrative music awards, presented for the first time this week, while BARKAA and Ninajirachi continued their respective winning streaks.
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Established by the Minns Labor government of New South Wales to “celebrate and inspire local musicians” and strengthen the music industry “in the face of increasing competition from overseas,” the A$160,000 ($104,000) prize pool is split among three categories.
SPEED nabbed top honors for Only One Mode via Last Ride Records (AANZ) and Flatspot Records (worldwide), their debut album from 2024, which impacted the top 10 on the ARIA Albums Chart, debuting at No. 10.
The group, led by Jem Siow (vocals), Aaron Siow (bass), Josh Clayton (guitar), Dennis Vichidvongsa (guitar), and Kane Vardon (drums), has since released the three-track EP All My Angles, with live shows rocking across Australia this December.
An expert panel decided Only One Mode was the release that had “the most significant impact” during the voting period.
“Respectfully,” reads a statement from the band, which bags the A$80,000 ($52,000) winner’s check, “our culture has never been a game nor a competition. But we are honored to receive this recognition and see this as acknowledgment of the values cultivated by the passionate souls around us.”
Meanwhile, BARKAA was awarded the NSW First Nations Music Prize for Big Tidda (Big Apples Music/Island Records Australia/Universal Music Australia). Just last week, BARKAA scooped best hip hop/rap release at the 2025 ARIA Awards, becoming the first Indigenous female artist to do so.
After bagging a hattrick of pointy trophies last week at the ARIAs, Ninajirachi backed it up with the NSW breakthrough artist of the year award for “girl EDM” (NLV Records), a salute to an emerging NSW-based artist or act who has had “a groundbreaking 12 months”. The homegrown EDM producer, songwriter and artist has been shining on the awards circuit in recent weeks and months, winning the Australian Music Prize, triple j’s J Award for album of the year, and more.
Recipients of the First Nations and breakthrough artist prizes are each awarded A$40,000 ($26,000).
“These talented and hard-working NSW musicians deserve this recognition,” comments NSW Minister for Music and the Night-time Economy John Graham. “These awards are about putting the spotlight on NSW, so fans have a chance to celebrate the local music scene. This will give these artists a big career boost, and I also hope it will inspire the next generation to aim high.”
Adds Graham, “the streaming revolution is pushing more American music to Australian listeners. This award is part of our effort support local musicians to cut through and build a fan base.”
All told, 15 acts were nominated for the prize, delivered by Sound NSW, with winners announced Monday, Nov. 24 at the Museum of Contemporary Art Australia in Sydney.
NSW Music Prize 2025 finalists and winners:
3% – Kill the Dead
BARKAA – Big Tidda
Kobie Dee – Chapter 26
Ninajirachi- girl EDM
ONEFOUR- Look At Me Now
Party Dozen- Crime in Australia
RÜFÜS DU SOL – Inhale / Exhale
Shady Nasty – Trek
SPEED – Only One Mode (WINNER)
Vv Pete & Utility – Varvie World
NSW Breakthrough Artist of Year 2025
Don West
Ninajirachi (WINNER)
Royel Otis
Shady Nasty
SPEED
NSW First Nations Music Prize 2025
3% – Kill the Dead
BARKAA – Big Tidda (WINNER)
Djanaba – Did I Stutter?
Stiff Gins – Crossroads
Ziggy Ramo – Human?
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While many of us are kicking back, feet up and chomping down on roast turkey with all the trimmings, Bunnie Xo is on a different type of mission this Thanksgiving.
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Bunnie is knuckling down to help women escaping domestic violence.
The podcaster and her team are providing Thanksgiving dinner and care packages for women in transitional housing at the Mary Parrish Center, in search of a fresh start, a safer life.
“Thanksgiving is about giving back. And that’s exactly what we’re doing today,” Bunnie tells Extra.
Bunnie tells Extra she knows from experience how tough it can be out there. “Going through a situation personally around 2013 to 2016 with my own domestic violence relationship has just made this mission for myself,” she remarks, “even more of wanting to give back and wanting to be there for the women and the children that are going through this because I know how hard it is to get out.”
Now happily married now to country star Jelly Roll, Bunnie hasn’t forgotten those harrowing days, which she recounts in her new book “Stripped Down.”
As Thanksgiving approaches, Bunnie shared a stark image of spousal abuse — a photo of her with a swollen black eye. The intention of posting the shocking photo, she says, is “that women could see like, ‘Okay, she’s been where I’m at and she gets it.’ I want somebody that I can relate to, and I hope that these women know that I have been exactly where they are and I just want to lift them up and just make them feel so good and loved and know that they’re doing the right thing.”
She adds, “I just want them to keep going. Don’t ever look back. Smash the rearview mirror.”
Just a week ago, Bunnie put up her hand and confessed to some past errors of her own, which could result in jail time. Speaking on her Dumb Blonde podcast, the host admitted that she has to turn herself in to serve time for unknowingly driving for years with a suspended license, those issues apparently tying back to a minor driving incident from half a decade ago.
“I got my lawyer on it, whatever,” she explained. “It looks like your girl is gonna have to go book herself in. If I do — you guys have seen all my past mug shots — I’m going in glammed the f–k up, baby, and I’m going to vlog it.”
Watch the full piece on Bunnie’s Thanksgiving mission below on Extra, now in its 32nd with host Derek Hough.
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Billboard News went straight to the rides with some of the coolest artists at Camp Flog Gnaw 2025. Hang out with Malcolm Todd, Paris Texas, AG Club, Alemeda, PARTYOF2 and Deb Never as they joined us on the ultimate CFG adventure. Get a taste of those limited-edition burgers, watch the gravity-defying rides, and check out the best festival fashion. Which ride was the wildest? Watch to find out!
Jerah Milligan:
Who are you excited to see?
Alemeda:
I literally told my team, “Once Geezer goes on, I’m out.”
Partyof2:
Definitely Doechii, and I gotta see my fashion icon, bro, A$AP Rocky.
AGClub:
Childish Gambino for me. I’m so used to seeing him, but I never seen him live. I loved his music for a long time, like. I’m tryna see T-Pain.
Jerah Milligan:
Yo, I’m ready for both. And you know he has so much joy when he performs. He’s about to be spinning and s–t.
Partyof2:
After this interview I’m gonna run and see Teezo. I saw him walking out of his trailer with a like a BBL thing goin’ on with a, with a surge, like, I don’t know what he’s about to do. I’m so interested to see that.
Jerah Milligan:
What’s up, folks? It’s your boy Jerah here. I’m at Camp Flog Gnaw. I’m hype. It’s my first time being here. We’re talking to artists, your favorite artists’ favorite artists. We’re going on rides. We getting snacks. I’mma win this bear right now and I’m super hype. Let’s go. Yeah, y’all got me out here at Camp Flog Gnaw. Y’all had a good year, two albums a week apart. What was the idea behind that?
Paris Texas:
Uh, you know, just moving different.That’s it, is just moving different, that’s all we wanna do.
Jerah Milligan:
Now let me ask y’all though, that’s two albums. That’s a lot of songs. Y’all got, like, your favorite child on one of the albums?
Keep watching for more!
Beni
Image Credit: Billboard Korea
You’re the youngest in the group, yet you trained the longest. But in the documentary, you said your trainee years weren’t only difficult.
I became a trainee when I was 11, so I don’t have many “typical” school memories. While other kids went to playgrounds or cram classes, I went to the company. But I think that’s why going to the company felt like going somewhere fun. I was so young, and everyone took good care of me — I received a lot of love.
After debuting, what changed in your mindset?
Before debut, I was terrified of making mistakes. But when I actually got on stage, I realized what matters isn’t whether you make a mistake, but how much you enjoy the moment. Because of that, I feel less pressure now — I think I’ve learned how to enjoy it.
For your comeback “I DONT CARE,” you open the stage with a powerful intro performance that instantly grabs attention. What was it like taking on that role?
I’ve always loved dancing so I’m very ambitious when it comes to choreography. When I was assigned the intro, I practiced just that part for three to four weeks with our performance director. The movement was different from the style I usually danced, so I had to study every detail and figure out exactly where to add emphasis.
How do you usually handle moments where you have to try something completely new?
Seeing my weaknesses during practice is a bit stressful, but the final result is usually not bad at all. When I see the outcome, I feel proud — like, I got through that. Of course, even when I gain confidence, when a similar situation comes again, I sometimes go back to blaming myself.
It’s funny — you’d never know that from watching you on stage. You almost seem like the member who embodies BDC’s message most naturally.
I try to be like that in real life too — to carry myself with confidence, just like the message we want to share.
What feedback gives you confidence?
Recently I heard something that made me so happy. I’ve been focusing a lot on my facial expressions, but when I watched myself, I felt like they were all kind of similar. Then someone complimented me, saying my expressions were actually really diverse — and that surprised me so much.
What kind of music were you dancing to when you first started?
When I was little — even before elementary school — it was all K-pop. I watched and listened to Apink and GFRIEND a lot. Then when I started dreaming of becoming a dancer, I focused more on hip-hop and locking, and listened mostly to pop. After that, I fell deeply back into K-pop again.
How would you describe yourself?
I have big ambitions and I really want to do well. Even though I look confident on stage, I have a shy side in real life. I feel like I’m still getting to know myself.
Is there something you learned about yourself only after debut?
That I’m better at expressing myself than I thought. I originally dreamed of becoming a K-pop idol because I loved dancing and singing and wanted to be on stage — but after debuting and having people who support me, I realized I can communicate with them and genuinely express my feelings.
What’s the moment in your life when you were the bravest?
There were times at school when the teacher asked a question, and even if I knew the answer, I wouldn’t raise my hand because I was scared of being wrong. Afterward I always regretted it — I could’ve answered that. One day, I decided to be brave. I raised my hand, got the answers right, and realized, If you want to gain something, you have to try. It’s better to act than to regret not acting.
If you could redefine the “F” in “F Girl”, as a new word that represents you — what would you choose?
“Famous.” Because… we’re going to be famous girls! [Laughs]
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