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Kamala Harris Promises Voters ‘Freedom’ With First Campaign Video Featuring Uplifting Beyoncé Song

Looks like Kamala Harris may have found her official campaign song. After walking out to Beyoncé‘s “Freedom” at her inaugural visit to campaign headquarters earlier this week, the presidential contender has now released the first voter-rousing video of her candidacy, once again featuring the pop superstar’s 2016 hit. 

In the campaign video, which Harris shared to her social media accounts Thursday morning (July 25), the Democratic front-runner for the nomination begins by asking voters a question: “What kind of country do we want to live in?”  

“There are some people who think we should be a country of chaos, of fear, of hate,” she continues in a voice-over as warped photos of Republican opponent Donald Trump flash by. “But us? We choose something different. We choose freedom.” 

Harris continues to paint a picture of her dream future while footage of her speaking to supporters on the campaign trail cuts in between clips of working Americans. Meanwhile, Bey belts out her uplifting lyrics, “Freedom, freedom, I can’t move/ Freedom, cut me loose/ Singing, freedom, freedom/ Where are you?” 

“The freedom not just to get by, but get ahead,” Harris continues. “The freedom to be safe from gun violence. The freedom to make decisions about your own body … When we fight, we win.” 

Beyoncé dropped “Freedom” with Kendrick Lamar in 2016 as part of her critically acclaimed album Lemonade, which debuted at No. 1 on the Billboard 200. The gospel-infused track reached No. 35 on the Billboard Hot 100

Eight years later, it seems the 32-time Grammy winner has given Harris her stamp of approval by signing off on the politician’s use of the song. CNN confirmed that Bey was quick to green light the sync ahead of Harris’ headquarters speech, clearing it just hours before the candidate walked out to “Freedom.” 

The “Break My Soul” singer’s mother, Tina Knowles, has also joined dozens of figures in the entertainment world in endorsing Harris. Sharing a photo she previously snapped with the sitting VP, the businesswoman wrote, “New, Youthful, Sharp … Go Vice President Kamala Harris for President. Let’s Go ❤️❤️❤️❤️ #kamala2024” 

Watch Harris’ new campaign video featuring Bey’s “Freedom” below. 



Charlamagne Tha God Blasts CNN’s Jake Tapper Over Kamala Harris

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Charlamagne on CNN

Source: YouTube / CNN

Charlamagne tha God called out Jake Tapper over a question about Vice President Kamala Harris during an interview.

In a live interview, Charlamagne tha God took CNN correspondent Jake Tapper to task over a question about the vice president and presumptive Democratic presidential nominee Kamala Harris. Tapper asked him if America was ready to elect a former prosecutor to the presidency. “Jake, I don’t even know if that’s the right question, asking if America is ready for a prosecutor,” The Breakfast Club co-host said. “I mean, is America ready for somebody with all of the criminal charges that Donald Trump has? Most convicted felons can’t even get those kinds of jobs that Donald Trump is currently campaigning for. They can get better jobs at McDonald’s and Walmart.”



Charlamagne, who was joined by activist and writer Angela Rye, continued: “It’s weird to have to say, ‘Is America ready for a prosecutor?’ No, is America ready to elect a criminal?” Later on in the interview, Tapper read a quote concerning lying from the media personality’s book Get Honest or Die Lying and asked Charlamagne about how it ties into the “political rollercoaster” of the past few weeks. “I think the media lied to themselves for a week,” he said, referencing how outlets had called for the political rhetoric to be toned down in the wake of the attempt on Donald Trump’s life in Pennsylvania.

“I think CNN lied to themselves for a week. I think MSNBC lied to themselves for a week. And I want folks, especially the media, to understand you don’t have to willfully surrender to fascism.” He added, “You can’t talk about Trump without telling the truth. He absolutely led an attempted coup of this country. His followers were chanting, ‘Hang Mike Pence.’ [Trump] did suggest that Second Amendment supporters do something about Hillary Clinton. You can’t even begin to have conversations about dangerous rhetoric that leads to political violence without talking about Trump.”

Charlamagne tha God also stated that he was supporting Vice President Harris in her presidential run, saying that he had been reluctant to support President Joe Biden for reelection. The galvanizing of support for Harris has been remarkable, with Zoom calls held by organizations led by Black women and Black men in support of her campaign raising close to $3 million. This was part of a historic effort that saw the campaign rake in $81 million over 24 hours.

Chart Rewind: In 2009, Lady A Made Its First ‘Run’ to No. 1 on Hot Country Songs

On July 25, 2009, Lady A’s “I Run to You” sprinted to No. 1 on Billboard’s Hot Country Songs chart, awarding the trio its first of six leaders. The act – Charles Kelley, Hillary Scott and Dave Haywood – penned the song with Tom Douglas, and Victoria Shaw and Paul Worley produced it.

“I Run to You” was released as the third single from Lady A’s debut self-titled album. Lead track “Love Don’t Live Here” hit No. 3 on Hot Country Songs, becoming the threesome’s first of 15 top 10s, and “Lookin’ for a Good Time” reached No. 11. The LP arrived at the Top Country Albums summit, giving the act its first of five leaders.



Along with six No. 1s on Hot Country Songs, Lady A has sent 11 singles to the top of the Country Airplay chart, most recently “Champagne Night” in January 2021.

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The band’s hits include crossover smashes “Need You Now” and “Just a Kiss.” The former topped Hot Country Songs for a career-best five weeks beginning in November 2009, becoming the act’s second leader, and the latter led in 2011. Both reached the all-genre Billboard Hot 100’s top 10, climbing to Nos. 2 and 7, respectively.

In June, Lady A released its newest recording, a cover of “Stop Draggin’ My Heart Around,” on Petty Country: A Country Music Celebration of Tom Petty, which topped the Compilation Albums chart. Next up, the group is set to perform at the Ryman Auditorium in Nashville on Aug. 11.

Earlier this year, Lady A signaled that it is working on a new album. “We’re gettin’ our plans together,” Scott told Audacy’s Katie & Company. “We’ll just kind of see how it lays out, and then we’ll release the whole thing.”

“For us, we’re in such an appreciation spot in our career,” Kelley added. “We’re definitely going in a nostalgic direction. I think we tend to do that a lot. It’s a really warm record.”

Rihanna Gets A Bit “Cheeky” In New Instagram Post

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Rihanna Instagram Cheeky

Source: @badgalriri / Instagram

Rihanna may be a mother of two and possibly married to A$AP Rocky, but many men still daydream about her. Recently, she gave everyone something else to think about whenever fantasizing about her.

Yesterday, the bombshell from Barbados took to Instagram to post a video of her new photoshoot in which the 36-year-old was decked out in “schoolgirl” attire and flashed her panties as she walked away. Looking like she could easily walk into any high school and not be questioned about her age, Rihanna once again reminded us why she’s one of the baddest women alive and in the caption took a humbling and comedic approach to her beauty writing, “since I clearly won’t be achieving my six pack til next summer, I switched my summer goal to matching my shoes to my panties!”

The new post comes weeks after she posed as a schoolgirl in a promo clip for her FENTY x PUMA collection. No panties were shown in this video, but needless to say, fans still took notice of her schoolgirl look. Whether that leads to high schoolers actually buying the merchandise remains to be seen, but we’re not mad at her effort.

Takeover: JAY-Z’s 40/40 Club To Return At Fanatics Fest NYC

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Borussia Dortmund - Real Madrid

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JAY-Z’s 40/40 Club is set to make a return after being closed for years. The space will be reimagined at the upcoming Fanatics Fest NYC.

From August 16-18, the Javits Center in New York City will host Fanatics Fest NYC, a premier immersive sports festival. The event is being billed as the first-ever immersive sports expo where fandom, culture and collective meet. The 40/40 Club pop-up will offer a one-of-a-kind experience that captures its iconic blend of sports and luxury. This exclusive, invite-only lounge will be open to notable athletes, celebrities, and Fanatics Sportsbook VIP customers, recreating the club’s atmosphere with framed jerseys, grand chandeliers, stadium seating, and gourmet bites inspired by its original menu.
Attendees will have the chance to meet their sports heroes, hunt for rare memorabilia, score exclusive drops, and participate in interactive experiences like the NFL 40-yard dash, MLB home-run derby simulations, and WWE superstar entrances. The festival will feature appearances by legends such as Tom Brady, Derek Jeter, Kevin Durant, Peyton and Eli Manning, Carmelo Anthony, and many more. The 40/40 Club is named after baseball’s elite group of players who have hit 40 home runs and stolen 40 bases in a single season. With only five members, including Ronald Acuña Jr. (2023), the club sets a benchmark for power and speed. Cofounded by JAY-Z, Juan Perez, and Desiree Perez in New York in 2003, this premier venue features luxurious decor, iconic sports memorabilia, and large screen TVs for top sporting events. The 40/40 Club will reopen at a new venue in New York in 2025.
Fanatics Fest NYC tickets are now on sale at www.fanaticsfest.com starting at $20 for kids and $50 for adults.

How Shaboozey Took an ‘Old-Timey’ Yet ‘Modern’ Hit to No. 1: A Sonic Analysis of ‘A Bar Song (Tipsy)’

Shaboozey’s “A Bar Song (Tipsy),” at No. 1 on the Billboard Hot 100 for a second week, is a groundbreaking crossover hit that blends elements of pop, country, folk and hip-hop.

The widespread appeal of the song – the first ever to reach the top 10 on the combination of Billboard’s Country Airplay, Pop Airplay, Adult Pop Airplay and Rhythmic Airplay charts – stems from its seamless blend of genres and influences, which Shaboozey brings together with an engaging vocal performance. The track’s unique production and radio-friendly composition make it appealing to a diverse audience and help it stand out in the landscape of 2024’s other hits.

Here’s a look at the song’s many sonic characteristics.

Pop Influences

“A Bar Song (Tipsy)” is heavily influenced by pop, evident in its radio-friendly qualities. It features catchy “K.I.S.S. ME” (keep it simple, singable and memorable) melodies and the arrangement includes multiple “A.P.M.” (audience participation moment)-primed sing-along moments. In addition, this genre-bending track seals the deal with modern production qualities, relatable lyrics and infectious hooks, all ingredients highly appealing to a pop audience.

Country Influences

Country influences are also prominent throughout, predominantly showcased in the song’s vocals. Shaboozey’s vocal performance includes a Southern twinge, and the lyrics include references to “two-steppin’ on the table” and “a party downtown near 5th Street.” In addition, the use of acoustic and pedal steel guitars, banjo and fiddle in the song’s main “hook centers” (third chorus and post-choruses) heightens its country appeal.

Folk Influences

“A Bar Song (Tipsy)” also draws on multiple folk sub-genres, including stomp ‘n’ holler and bluegrass. The acoustic instrumentation and background vocal textures evoke the communal, rustic atmosphere of an old-timey bar.

The use of a clap-along backbeat and a stomping four-on-the-floor kick drum pattern in such sections as the second post-chorus, third chorus and outro bring these genre influences up to date by filtering them through the lens of modern pop production.

Hip-Hop Influences

In addition to its pop, country and folk influences, “A Bar Song (Tipsy)” incorporates subtle elements of hip-hop, due, in part, to its interpolation of J-Kwon’s 2004 hit “Tipsy.”

Vocally, Shaboozey’s delivery in the second verse takes on a rap cadence, and this style is also present to a lesser extent in the pre-choruses. Later in the song, the background vocals include the use of ad libs, a hallmark of the hip-hop genre.

Lyrically, alongside its theme of partying and living it up, the song also touches on lifestyle, a theme highly commonplace in hip-hop. It also features hip-hop-influenced lyricism including specific references to luxury items (“My baby want a Birkin”), slang (“Tell my ma, I ain’t forget”) and occasional profanity (“We gon’ do this s–t again”).

Overall, “A Bar Song (Tipsy)” has set a precedent on Billboard’s charts and stands out as a masterful blend of disparate genre influences. The song’s ability to seamlessly integrate these diverse elements makes it one-of-a-kind, and that uniqueness has helped drive it to the top of the Hot 100.

David and Yael Penn co-founded Hit Songs Deconstructed. In October 2023, Hit Songs Deconstructed and fellow song analysis platform MyPart publicly launched ChartCipher, an AI-powered platform analyzing a deeper scope of hit songs, as defined by Billboard’s charts.

Mercury Prize 2024: Charli XCX, The Last Dinner Party and Corinne Bailey Rae Lead Nominations

Charli XCX’s Brat was among the albums shortlisted for this year’s Mercury Prize on Thursday (July 25). It’s the second time that the recent Billboard Cover star – whose album recently charted at No. 3 on the Billboard 200 – has been nominated for the prize, following a nod for 2020’s How I’m Feeling Now.

The Mercury Prize is awarded annually and celebrates the best of British and Irish music across a wide range of genres. The Last Dinner Party’s Prelude To Ecstasy, Beth GibbonsLives Outgrown, Corinne Bailey Rae’s Black Rainbows and CMAT’s Crazymad, For Me are also up for the award. The winner will be announced in September.

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The shortlisted albums were announced at a launch event in London this morning. It follows the news that this year’s live event – traditionally held at the capital Eventim Apollo and featuring performances from the nominated acts – will not be taking place. Coverage across the BBC on TV, radio, online and social media will replace the usual live performance.

The announcement comes admidst a huge summer for Charli. Earlier this week, the pop star endorsed U.S. Vice President Kamala Harris following the news that President Joe Biden would not seek the Democratic nomination in this year’s U.S. presidential election. Fans on social media quickly spliced together clips of songs from Brat with footage of Harris, and the presumptive democratic party nominee changed the banner on her campaign’s X feed to the signature Brat green palette and font. In addition, talking heads on CNN, Fox News and late-night talk shows scrambled to clumsily explain this sudden explosion of memes to their audiences. In September, Charli will join Troye Sivan on a co-headline tour in the U.S. before a string of solo arena shows in the U.K. later this fall.

The Mercury Prize was first awarded in 1992. Recent winners include Ezra Collective (2023), Little Simz (2022), Arlo Parks (2021) and Michael Kiwanuka (2020). PJ Harvey, who won the prize in 2001 and 2011, and is the only artist to have won the award twice.

A panel of judges, chaired by Jeff Smith, head of music, Radio 2 & 6 Music, selects the winner and it also includes the following: Danielle Perry – broadcaster & writer; Jamie Cullum – musician & Radio 2 broadcaster; Jamz Supernova – 6 Music broadcaster & DJ; Lea Stonhill – music programming consultant;  Mistajam – songwriter, DJ & broadcaster; Phil Alexander – creative director, Kerrang!/contributing editor, Mojo; Sian Eleri – Radio 1 broadcaster & DJ; Will Hodgkinson – chief rock & pop critic, The Times; Sophie Williams – music writer & broadcaster.

Here’s the complete list of 2024 Mercury Prize album of the year nominees:

  • Barry Can’t Swim, When Will We Land?
  • BERWYN, Who Am I
  • Beth Gibbons, Lives Outgrown
  • Cat Burns, early twenties
  • Charli XCX, Brat
  • CMAT, Crazymad, for Me
  • Corinne Bailey Rae, Black Rainbows
  • corto.alto, Bad with Names
  • English Teacher, This Could Be Texas
  • Ghetts, On Purpose, With Purpose
  • Nia Archives, Silence Is Loud
  • The Last Dinner Party, Prelude to Ecstasy

Does Going Green Pay Off for Record Labels?

LONDON — Record companies that actively embrace sustainability are more efficient, more innovative and more likely to appeal to artists, fans and employees, according to research carried out by European independent labels trade body IMPALA.  

The Brussels-based organization’s inaugural report into the economic benefits of sustainability, published Thursday (July 25), says that labels who have implemented green measures, such as reducing travel and shifting distribution from air to sea freight, make cost savings over time and reduce waste. 

Other rewards identified by IMPALA members who took part in the survey include tax breaks for sustainable initiatives and the ability to gain a competitive advantage over less-eco-friendly businesses when it comes to attracting and retaining artists, especially from younger musicians who place sustainability high among their list of priorities.  

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Labels and music companies who have taken environmentally friendly action additionally benefit from an improved brand image among music fans and a more creative and forward-thinking business culture, said the trade group. 

The report’s findings are based on qualitative interviews IMPALA conducted earlier this year with a number of European indie labels signed up to the organization’s sustainability task force, including Beggars Group, Ninja Tune, PIAS, Warp and Domino.   

Independent research projects carried out by U.K. labels trade body BPI, professional services company PWC and Harvard Business Review into sustainability also fed into the report’s findings. 

Helen Smith, executive chair of IMPALA, said its research indicated that the adoption of sustainability practices by record companies benefits not just the planet but also delivers “concrete advantages in other areas such as attracting artists, reducing costs, hiring and retaining employees,” as well as “being seen as a [market] leader.”

“The question of futureproofing is also important as companies see sustainability as an opportunity before it becomes a burden, and this pays off almost immediately,” said Smith in a statement accompanying the report. 

IMPALA, which represents 6,000 independently owned European labels and music companies in 33 countries, launched its sustainability program in 2021. It aims to halve the sector’s greenhouse gas emissions by 2030 and achieve net zero emissions before 2050. 

To help reach those goals the organization devised a carbon footprint calculator for member labels to measure and reduce their emissions. So far, nearly 150 labels have signed up to the initiative, which has now been rolled out to the U.S. in partnership with the American Association of Independent Music (A2IM).

IMPALA’s first carbon footprint calculator data report, which was published last year, found that the biggest source of carbon emissions for the indie sector is manufacturing (predominantly vinyl production), followed by the distribution of physical products.

To help tackle the climate crisis record labels around the world are taking positive steps to become more sustainable by reducing waste, water, electricity and fuel consumption.

Other green practices that have been recently introduced by IMPALA members include replacing plastic jewel CD cases with cardboard ones and switching vinyl production from PVC compound to the more environmentally friendly polyethylene terephthalate (PET) material, which equates to a 70-80% reduction in energy consumption, says the organization. Opting for 140g vinyl instead of 180g also lowers production costs and labels’ environmental impact, it adds.

Members of IMPALA’s sustainability task force noted that green initiatives had a significant impact on the quantity and quality of job applications they received, improving employee retention and workplace culture.  

“We’re proud to have sustainability as one of our core company values and have seen this translated with attracting and retaining top talent, said Horst Weidenmueller, chair of IMPALA’s sustainability task force and CEO of K7 Music.

Last month, the Germany-based label became one of the first indies to receive B Corp certification in recognition of its social and environmental practices. “It’s great to see consumers and suppliers moving in the same direction,” said Weidenmueller in a statement.   

According to a 2022 survey by U.K. charity Music Declares Emergency and the University of Glasgow, music fans are more likely to care about climate change and place a higher priority on tackling the crisis than non-music fans. A different survey by U.K. entertainment product manufacturer Key Production found that 71% of 18–24-year-old respondents were willing to spend more on physical music products with a reduced environmental impact. Across all age groups, 50% of respondents said they would pay a premium price for eco-friendly merchandise, CDs or records. 

In line with consumers’ growing concerns around environmental issues, sustainability has become a key focus and area of investment for the wider music industry. 

Last year, Universal Music Group, Sony Music Entertainment and Warner Music Group joined forces to establish the Music Industry Climate Collective (MICC) – a new alliance to address and lessen the sector’s environmental impact, which is being assisted and advised by A2IM.

In 2021, all three major record companies, plus independent labels BMG, Beggars, Partisan, Warp, Ninja Tune and the Secretly Group, signed up to the Music Climate Pact, a wide-ranging commitment to “decarbonize” the global record business.

Can We Get an Amen! Elevation Worship’s ‘Praise’ Hits 20 Weeks at No. 1 on Hot Christian Songs Chart

Elevation Worship’s “Praise,” featuring Brandon Lake, Chris Brown and Chandler Moore, reaches a 20th week at No. 1 on Billboard’s streaming-, airplay- and sales-based Hot Christian Songs chart (dated July 27).

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“Praise,” which was co-authored by Elevation Worship frontman Brown with Lake and Moore, as well as Pat Barrett, Cody Carnes and Steven Furtick, becomes just the ninth title to have dominated Hot Christian Songs for 20 frames or longer over the survey’s 21-year history.

When the song first hit No. 1 in March, Brown told Billboard, “We’re blown away by what God has done with ‘Praise,’ and we’re thankful for everyone who has streamed, tuned in and shared the song. We hope it is a great reminder of all the reasons to praise God not just for what He’s done, but for who He is.”

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Hot Christian Songs, Most Weeks at No. 1:

132 weeks, “You Say,” Lauren Daigle, beginning in July 2018

61 weeks, “Oceans (Where Feet May Fail),” Hillsong United, beginning in June 2013

37 weeks, “What a Beautiful Name,” Hillsong Worship, beginning in February 2017

28 weeks, weeks, “Gratitude,” Brandon Lake, beginning in February 202

26 weeks, “Something in the Water,” Carrie Underwood, beginning in October 2014

24 weeks, “In Jesus’ Name (God of Possible),” Katy Nichole, beginning in March 2022

23 weeks, “Word of God Speak,” MercyMe, beginning in August 2003

20 weeks (to date), “Praise,” Elevation Worship, Brandon Lake, Chris Brown, Chandler Moore, beginning in July 2024

20 weeks, “Thank God I Do,” Lauren Daigle, beginning in May 2023



Meanwhile, as Lake is featured on “Praise,” he earns his second Hot Christian Songs ruler of at least 20 weeks, following his solo single “Gratitude.” The only other artist with such a double is Lauren Daigle, via her crossover hits “You Say” and “Thank God I Do.”

“Praise” tops the latest Hot Christian Songs list with 7.4 million audience airplay impressions, 3.4 million official U.S. streams and 1,000 downloads sold July 12-18, according to Luminate.

How Ryan Tedder, Gwen Stefani and Anderson.Paak Came Together for Coca-Cola and the Olympics’ Song, ‘Hello World’: Exclusive

Coca-Cola has worked with the International Olympic Committee for nearly a century, but for the first time in their 96-year relationship, the brand and the producers of the Olympic games have collaborated on a song that both organizations will use beyond the Paris 2024 Olympics, which start tomorrow (July 26).

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The upbeat, unifying “Hello World,” written by Ryan Tedder with additional lyrics by Anderson.Paak and performed by Gwen Stefani and .Paak, was released by digital service providers around the world on Thursday (July 25). The video, available on the International Olympic Committee’s YouTube channel, features the two artists dancing in front of the iconic five Olympic rings, interspersed with electrifying footage from past Summer Olympics. 

The song and video will be featured throughout the Games as the International Olympic Committee and the Coca-Cola Company will leverage the song across their marketing and communications programming during the two-week Paris competition, with the intention to use it in future Olympics Games as well.

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Instead of picking a specific artist or licensing an existing song for the project, Josh Burke, global head of music and culture marketing at the Coca-Cola Company, and Brian Monaco, Sony Music Publishing’s president/global marketing officer, met over dinner to discuss broader concepts. 

“We were brainstorming ways to work more closely together, and I pitched the idea of creating an original song for the Olympics,” says Monaco. “We chatted over the next few weeks and decided to test out some demos to share with the Coca-Cola team and the International Olympic Committee. I called Ryan Tedder because he is an amazing songwriter and he and I have a solid track record working with some of the world’s top brands. We immediately started hashing out concepts for the song.”

The creative brief for Tedder was simple. “We wanted a song with broad appeal that would resonate worldwide, an uplifting and bright song that would inspire everyday greatness among athletes and music fans,” Burke says. “It was also important to us that we wouldn’t try to create a ‘brand’ song or ‘jingle’, and we’d have to give up some control, which is very difficult to do! We trusted Ryan and the process and that’s how “Hello World” was born.” Tedder has worked with Coca-Cola previously, including on Sprite’s Limelight 2023 program. 



“It’s not every day that you’re given the opportunity to write an official song in celebration of the Olympic Games, and I am grateful to be part of such an incredible collaboration,” Tedder tells Billboard. “The Games are an important way for all of us to come together and celebrate each other globally, and we wrote this song with that in mind. I grew up watching every Olympics since childhood, so this is a lifelong dream. I hope this song inspires and uplifts.  I’m excited to share ‘Hello World’ with all of you, and I want to thank Brian Monaco, and the teams at Coca-Cola and IOC, for their partnership and support.”

Once Tedder finished the song, the search for the right artists began, landing on Stefani and .Paak, both of whom are repped by Full Stop Management. “Gwen & Anderson’s energy together is undeniable, and both have these incredibly unique and iconic voices that were a perfect blend this global track,” Burke says. “ We also loved that this was the first time Ryan, Gwen and Anderson have collaborated, and the story of two very different artists coming together is a nice nod to Coke’s legacy in music and the spirit of the Olympic Games.”

Coca-Cola and IOC worked hand in hand on the project. “The IOC were our partners every step of the way, from concept to execution, and they were incredible collaborators in this process,” Burke says. “Beyond the Olympic rings, the footage is from their archives and also features several athletes that Coca-Cola is collaborating with for our broader Olympic brand activity for Paris 2024.”

Coca-Cola has an existing partnership with Universal Music Group and worked with UMG’s Interscope Records, Stefani’s label home, to release the song. “It was crucial that we treated this release in the most authentic way possible,” Burke says. “And with the same care as any major single.”

Going forward, Sony Music Publishing will administer the majority of the song globally (.Paak’s portion is handled by Warner Chappell) and work with Coca-Cola and the IOC on future projects.

For .Paak, blending their different genres to create something “was the real magic of creating with Gwen and Ryan on our new song,” he said in a statement. “While we hope the song becomes an instant hit and gives listeners worldwide a new sound to groove to, we also hope to inspire fans and athletes to embrace the differences that make them unique as we celebrate the excitement of the Olympic Games.”