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Pepe Aguilar Signs Worldwide Deal With SESAC Latina

Fabled Mexican music singer and producer Pepe Aguilar has signed a worldwide deal with SESAC Latina, Billboard has learned. Previously with BMI, he now joins his children, Ángela and Leonardo Aguilar, who are also part of the SESAC Latina roster.

“We are pleased to announce that superstar Pepe Aguilar has affiliated with SESAC Latina,” Celeste Zendejas, SVP, SESAC Latina, said in a statement. “His career success is truly unparalleled, and he is one of the most iconic figures in Latin music. We pride ourselves on being a family at SESAC, and we are thrilled to work with one of the most famous families in the Mexican artistic world, and we can’t wait to celebrate their continued success in the years to come.”

The son of regional Mexican music royalty — his father was the legendary Antonio Aguilar and his mother the iconic Flor Silvestre — Aguilar, who has been performing since he was a toddler, branched out of regional early in his career to sing in rock bands. Eventually, he would become a renowned ranchera and mariachi music artist placing, so far, nine top 10 titles on Billboard‘s Top Latin Albums chart. Throughout his career he’s also won four Grammy Awards and five Latin Grammy Awards.

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Most recently, he released Que Llueva Tequila, which thrives on the regal mariachi sound that has characterized Aguilar’s style. Earlier this month, the regional Mexican hitmaker also wrapped Jaripeo Hasta Los Huesos Tour with his children and brother Antonio Aguilar Jr.

Pepe Aguilar joins SESAC Latina’s roster that includes Nicky Jam, Edén Muñoz, Christian Nodal and Manuel Turizo, among others.

Linda Perry’s ‘Let It Die Here’ Documentary, Being Queer In Music Industry & More | Billboard News

Linda Perry is an iconic singer- songwriter who has worked with some of the most iconic voices in music. She sits down and shares the raw making of her ‘Let It Die Here’ documentary, what it means to be queer in the music industry, some of the younger talent in music she looks forward to seeing grow and more!

Linda Perry:

I’m not a liar. I am as honest as you will find on this planet. I know that about myself. Hi, I’m Linda Perry. And this is Billboard News.

Tetris Kelly:

Now sitting across from an icon like yourself, I feel like this is a question you might not ever get asked. So I want to start with this. Who is Linda Perry? 

Linda Perry:

Linda Perry has been trying to figure it out. People think you know, just because someone is, you know, pretty tough. I’m aggressive. I’m a powerful person, I get that. And I see that about me. I’m very talented. I’m smart. I’m a great mom. I’m a great friend. I’m all these things. I’m a great songwriter. But sometimes, you lose your way. That’s what this film is about. And in real time, I kind of figured things out. I’m still putting the pieces together. I don’t think honestly, anybody truly knows who they are until they can be at one with everything. I guess I’m trying to get to that point where I don’t have a reaction. Because reactions are emotional.

Tetris Kelly:

You even have said, you know, kind of a female Bruce Springsteen. So where did that analogy come from?

Linda Perry:

I love Bruce Springsteen, I was making a joke about it. Because sometimes I like to think I’m Bruce Springsteen and sing like Bruce Springsteen, and then a song will come and you know, I should be collaborating with Bruce Springsteen. 

Keep watching for more!

Limp Bizkit Fans Boo Drake After Fred Durst Shouts Out Rapper at Band’s Toronto Show: Watch

Drake apparently decided to pop out as a fan to the Limp Bizkit concert in Toronto on Thursday night (July 25), but when frontman Fred Durst shouted him out, the crowd reaction was less than enthusiastic.

“Did you know Drake’s here tonight?” Durst said as concertgoers booed, though the rapper was not visible. “I thought Drake was your homie? What? No? Drake’s my homie.”

The Budweiser Stage audience’s boos continued to get louder as Durst went on, before the rocker dedicated the next track in the band’s set to the 6 God. “F–k you,” one fan can be heard saying in a viral clip on TikTok.

“Since Drake’s here — he’s over here on the side — we’re gonna do this one for him. It’s dedicated to you,” Durst added as the opening strains of the band’s 2000 hit “Take a Look Around” started playing.

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Billboard has reached out to Drake’s reps for comment.

Some watching the Loserville Tour clip on X were shocked to see the rapper getting booed in his hometown, while others weren’t as surprised based on there being not much overlap between Limp Bizkit fans and Drizzy’s core fan base.

“I doubt many Drake fans and Limp Bizkit fans are synonymous with one another,” one person replied.

Another quipped: “Welp guess drake gonna take a selfie with oversized pants a korn tshirt and a box of biscuits.”

While Drake may have received a cold reception at the Limp Bizkit tour, he’s still out to deliver for his own fans when it comes to music. Drizzy recently served up a pair of features via Gordo’s Diamante project, making appearances on “Sideways” and album closer “Healing.”

The OVO boss and Gordo have a rich collaborative history, as he produced a handful of tracks on 2022’s Honestly, Nevermind. Even amid the fallout from the Kendrick Lamar battle, Gordo says Drake is at peace and in a great state of mind.

“Ever since all this has happened … I’ve seen him happier. It’s really weird. He’s pretty jolly,” Gordo told People. “The internet makes it seem like, ‘Oh, that photo, he’s all sad and s–t.’ That’s just a bad photo from a bad camera. But because it’s him, it’s put under a magnifying glass like, ‘Oh, look at his eyes. He’s looking a little droopy. He hasn’t slept.’ But the guy’s been happy as s–t, to be honest. He’s chilling.”

Watch when Limp Bizkit fans booed Drake at the band’s Toronto show:

Myke Towers Announces 2024 North American Tour La Pantera Negra

Riding the wave of a blockbuster year so far, Billboard Español April cover star Myke Towers is poised to embark on his North American tour, La Pantera Negra, this fall.

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After touring Spain, Towers will recreate that stint in 18 cities across U.S. and Canadian arenas and theaters, kicking off in Fairfax, Va., on Oct. 2 at the EagleBank Arena. The Puerto Rican rapper will also perform in major cities such as New York at Barclays Center (Oct. 12), Miami at Kaseya Center (Oct. 16), San Diego at Viejas Arena (Oct. 31) and wrapping up at the YouTube Theater in Inglewood, Calif., on Nov. 3.

Powered by Live Nation, his North American stint is anticipated to deliver his biggest hits, but also fresh tracks from his latest projects.

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The tour is called La Pantera Negra, which is also the name of his upcoming album, is a sort of return to Towers’ origins, both musically and figuratively. 

“There was a legendary person in my neighborhood [Quintana, in Río Piedras] who had several panthers as pets. One escaped and it was a mess. So I said, ‘I’m from here. I’m the black panther of Quintana,’” Towers told Billboard Español in April.

Tickets are available starting Friday (July 26) at 10 a.m. local time on LiveNation.com. See full list of tour dates below:

Myke Towers

Myke Towers

Courtesy of Live Nation

Kai Cenat Previews New Drake And Lil Yachty Song

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It appears that Twitch is the new mixtape leak. Kai Cenat recently previewed a new track from Drake and Lil Yachty.

As reported on Hypebeast, the New York City native broke the internet once again. On Wednesday, July 24, the popular online personality took to Twitch and premiered a new track from Drake and Lil Yachty. Now referred to as “Super Soak,” the selection finds both MCs floating nicely on a slow-pitched beat, which samples Mr. Hotspot’s “Goodness Gracious.” Drizzy opens the cut with his signature approach of blending singing and rapping together. “I’m watching the moves, I’m playing it close / S.O.D., Super Soak / Rainy days, his and hers, matching coat / Jet is so big, it feel like a boat, staying afloat / I’m watching the moves, I’m playing it close,” he raps.

Lil Yachty follows Drake after the chorus with some moody bars on the second verse. “Twenty times Bottega, you can get what you want / Twenty times Balenci’, you could have it all / I don’t ask no questions ’bout who else involved / Get rid of your troubles (Phew), problem solved.” As expected, Kai Cenat turned up while the song played and proceeded to cut a rug from the comfort of his bedroom. Earlier this week, Adin Ross teased a song called “Promotion” that features Ye, Ty Dolla $ign and Future.

You can see the preview to the Drake and Lil Yachty track below.

US Authorities Arrest 2 Of Mexico’s Sinaloa Cartel Top Bosses, El Chapo’s Son & El Mayo

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Just when it seemed like things were quieting down on the drug front in Mexico, U.S. authorities pulled off quite the big haul when they took into custody two of the biggest names in the drug cartel game.

According to ABC News, Sinaloa cartel co-founder Ismael “El Mayo” Zambada and Joaquin Guzman Lopez (the son of “El Chapo” Guzman), were officially placed under arrest Thursday (July 25), in El Paso, Texas. The Department of Justice announced the news and said that both men would be charged for their senior roles in the drug trafficking enterprise that turned certain parts of Mexico into a war zone.

With Sinaloa cartel OG Joaquín “El Chapo” Guzman already serving a life sentence for his role in the cartel, this is a pretty huge haul for the Department of Justice. FBI Director Christopher Wray spoke on the matter and acknowledged as much.

ABC News reports:

“Today, the FBI and DEA arrested two alleged cartel leaders who have eluded law enforcement for decades. Ismael Mario ‘El Mayo’ Zambada García and Joaquin Guzman Lopez, son of El Chapo, will now face justice in the United States,” Federal Bureau of Investigation Director Christopher Wray said in a statement.

“Garcia and Guzman have allegedly overseen the trafficking of tens of thousands of pounds of cocaine, heroin, methamphetamine, and fentanyl into the U.S. along with related violence. These arrests are an example of the FBI’s and our partners commitment to dismantling violent transnational criminal organizations like the Sinaloa Cartel,” Wray said.

The circumstances behind Zambada and Guzman Lopez being taken into custody were not immediately clear as of Thursday evening, however, the men were arrested in an operation that ended on U.S. soil.

“El Mayo” thought he was headed to inspect a clandestine Mexican airfield, of which the Sinaloa cartel has many in the country. Instead, according to a Homeland Security Investigations official, a senior ranking member of the cartel tricked him and flew him to El Paso instead.

Upon landing on the tarmac, agents from HSI, along with the FBI arrested “El Mayo” and Guzman.

Clever trap. Sounds like Netflix might turn this into a season of Narcos with that last maneuver alone.

Having planned this operation for months, you can only imagine how much man power went into pulling this off and how many nerves were on edge while it was being executed.

While we’re sure they will be replaced by other members of the powerful Sinaloa cartel, this is still a huge haul for the DOJ who’ve been doing everything they can to stop the flow of drugs from Mexico into the United States.

Don’t be surprised if the streets get dry for a while. Just sayin’.

Snoop Dogg & Pharrell Carry Olympic Torches in Final Stretch of the 2024 Relay: Watch

Luckily, they didn’t drop it like it’s hot. Snoop Dogg and Pharrell Williams both carried Olympic torches Friday morning (July 26) in the final leg of the 2024 relay, which will soon culminate in the lighting of the cauldron at the opening ceremonies, signifying the beginning of the Paris Games. 

More than two months after the Olympic flame was first lit in Greece — after which it crossed the ocean to be relayed all over France — the Doggfather transported his torch through a stretch of Seine-Saint-Denis. In a video posted shortly afterward, the 52-year-old rapper Crip Walks and waves to nearby fans while carrying the precious cargo.  

“I look at this as a prestigious honor and something I truly respect,” Snoop, who will provide on-the-ground coverage of the Games for NBC this year, previously told the Associated Press of being tapped for the relay. “I would have never dreamed of nothing like this. I’m going to be on my best behavior. I’m going to be on my best athleticism. I’ll be able to breathe slow to walk fast and hold the torch with a smile on my face, because I realize how prestigious this event is.” 

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Later, Pharrell served as the final bearer of the torch before the flame makes its way to the Olympic cauldron, carrying it to the top of the Basilica of Saint-Denis. French journalist Mohamed Bouhafsi and actress Laëtitia Casta first completed the final handover of the flame to the producer, who then entrusted it to the Keeper of the Flame for storage in the official lantern ahead of the opening ceremonies Friday afternoon. 

The “Drop It Like It’s Hot” collaborators are just two of the latest musicians to carry the torch in Olympic history. BTS’ Jin carried the flame earlier this month, while John Legend, Olivia Newton-John, Will.i.am, Loretta Lynn, Lance Bass, Mel C and more have also all participated in the relays of years past. 

The Olympic Opening Ceremony is set to kick off around 1:30 p.m. ET Friday, taking place on the Seine. The festivities will air live on NBC, streaming on Peacock, DirecTV Stream, Hulu + Live TV, Sling TV, and FuboTV. 

Watch Snoop participate in the 2024 Olympic torch relay below. 

VP Kamala Harris Is Down For September 10 Debate With Donald Trump, X Calls Him A Chicken For Seemingly Backing Out

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Source: ROBERTO SCHMIDT / Getty / Kamala Harris

Donald Trump’s hue is usually orange, but he looks very yellow after seemingly pulling out of the upcoming debates in which he initially agreed to participate.

It looks like the Republican nominee for president, Donald Trump, is running scared.

The disgraced former president isn’t looking as tough and cocky as he once was now that Vice President Kamala Harris has become the Democrats nominee to become President Joe Biden’s successor. 

On Thursday, VP Harris said she is down to participate in the ABC News-hosted debate on September 10. Our MVP accused the orange menace of “backpedaling” after the Trump campaign declined to commit to the debate now that he sees Joe Biden will no longer be on the debate stage with him.

The Trump campaign fired back in a statement:

Given the continued political chaos surrounding Crooked Joe Biden and the Democrat Party, general election debate details cannot be finalized until Democrats formally decide on their nominee. There is a strong sense by many in the Democrat Party — namely Barack Hussein Obama — that Kamala Harris is a Marxist fraud who cannot beat President Trump, and they are still holding out for someone ‘better.’ Therefore, it would be inappropriate to schedule things with Harris because Democrats very well could still change their minds.

Trump Is Going To Have To Face Harris Eventually

Harris all but officially secured the nomination after securing a majority of the delegates and endorsements, with her most recent one coming from Barack and Michelle Obama.

News outlets took Trump’s unwillingness to debate VP Harris as him back out, with the Vice President taking to X, formerly Twitter, to call him out.

“What happened to ‘any time, any place’?” Harris wrote on her X account, recalling Trump’s quote to the then-nominee Joe Biden.

The momentum is clearly on VP Harris’ side.

X has also been clowning Donald Trump as well. You can see those reactions in the gallery below.

1. He sure cant’t.

Executive Turntable: BMG Leader in Europe Steps Away and Prescription Promotes Two VPs

Welcome to another edition of Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music. While you’re here, we also have a weekly interview series spotlighting a single executive and a regularly updated gallery honoring many of the industry figures we’ve lost throughout the year.

Maximilian Kolb announced his departure as BMG‘s executive vp of repertoire and marketing for continental Europe, effective at the end of the month. Kolb, who has been running things in Europe since late 2021, said the industry is in the midst of “one of its most revolutionary periods” and that it was time for a “new chapter” in his life. Assuming Kolb’s responsibilities in Europe on an interim basis will be Alistair Norbury, president of repertoire and marketing in the U.K. and Asia-Pacific regions. BMG CEO Thomas Coesfeld lauded Kolb’s contributions over the years, saying “his leadership and vision have been instrumental in the growth and success of our GSA and Continental Europe operations.” Kolb joined BMG from Sony in 2012 as an A&R manager and was promoted to director A&R recorded music for Germany, Austria and Switzerland (GSA) five years later. In 2019, he was elevated to managing director of the GSA block and then snagged his most recent role in October 2021. Some of Kolb and company’s most recent wins include the acquisition of German independent label Telamo and the addition of rights packages from Jean-Michel Jarre, Tina Turner, Martin Solveig, Cro and more. Kolb has not telegraphed his next move professionally.

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Over in the U.S., BMG elevated Jen Morgan to vice president, global content & creative, executing content creation initiatives for BMG artists, as well as developing and executing marketing and sales content strategies supporting BMG’s artists and global objectives. Morgan previously served as vp, creative & imaging, and joined BBRMG in 2010. –Jessica Nicholson

Meanwhile…

Prescription Songs promoted Siara Behar and Eddie Fourcell each to vice president of A&R at the Dr. Luke-founded publisher. Behar was previously senior director of A&R and during her seven years at the company has signed or worked with a host of top writers, including Play-N-Skillz, DallasK, ALOISIO, JayM, LU KALA, Space Primates, Chloe George, Micah Premnath, Seb (1Mind). Prescribed since early 2021, most recently as senior A&R executive, Fourcell has found success with a roster that includes Grammy winner Lunchmoney Lewis (“All My Life” by Lil Durk and J Cole) and Jay-Z collaborator Fridayy, plus B Ham, Kaine, MizzyLoft and Baerose, among others. Fourcell earned his industry stripes at Mary J. Blige’s MJB Productions, where he rose from intern to head of A&R. “Siara and Eddie go above and beyond for our writers and creatives at Prescription Songs,” said Dr. Luke. “We are so grateful and proud to announce their well-deserved promotions and continued leadership roles.” Both executives report to Rhea Pasricha, head of A&R on the West Coast, and Katie Fagan, head of A&R at Prescription Songs Nashville.

PULSE Music Group promoted Steven Gringer to senior vp of A&R. Foley is celebrating his tenth year at PULSE, where in 2014 he started as an A&R coordinator for its publishing division before quickly being promoted to creative director that same year. He eventually rose to vp of A&R for publishing, his most recent title at the company, where he’s based in Los Angeles and reports to Ashley Calhoun, president. Prior to PULSE, Gringer worked in A&R at Shapiro Bernstein Music Publishing. Gringer’s portfolio at PULSE includes Noah Kahan collaborator Gabe Simon, Jack Harlow producer Angel Lopez, Latin music hitmaker Manuel Lara, cross-genre writer-producer DVLP and others. “What makes Steven really incredible as an A&R executive is his deft ability to work across genres, creating pop, latin, hip-hop and international opportunities for our roster of songwriters and producers,” raved Calhoun and co-CEOs Scott Cutler and Josh Abraham in a statement. “As we continue to take the careers of our clients to the next level, Steven’s work over the past 10 years at PULSE Music Group has been an instrumental part of this success.”

Live music company Mammoth hired Rob Owens as president of global touring and Angela Brown as president of global tour marketing. Owens was most recently vp of talent at NoCap Shows and earlier in his career held director-level gigs at AEG Presents and Nederlander Concerts — where for years he booked the historic Greek Theatre in Los Angeles. Brown, who is based in St. Louis, joined Mammoth following 27 years at Live Nation, where she rose to vp of marketing and along the way helped promote tours for Beyoncé, Drake and Billy Joel, among many others.

credit: Amanda Brandl

Alyssa Kitchen was promoted to general manager of the legendary Capitol Theatre in Port Chester, NY. The New Jersey native and self-professed former “emo kid” was previously assistant GM and director of finance at the venue. Prior to storming The Capitol (sorry), Kitchen served in senior accountant roles at Relix Media Group and Hear & There.

Jelena Grozdanich is the new vp of music at FivePointFive, a welltech app launching soon that will offer live and on-demand classes of functional breathwork. Grozdanich (GROWS-duh-nitch) is coming off a 10-year run at Sony Music Entertainment and Columbia Records, where she rose to director in the latter’s film and TV licensing division. While at Sony/Columbia, she represented a who’s-who of influential artists including Beyoncé, Adele, Miles Davis, A Tribe Called Quest and Elvis Presley, among others. During this decade, she also founded her own talent management firm (Guardian MGMT) and wellness community (TheSecret.LA). Grozdanich is based in Los Angeles.

NASHVILLE NOTES: Writer/artist development company Eclipse Music Group hired Courtney Crist as vp of publishing. She joins EMG from Anthem Entertainment, where as senior director she worked with writers including Ronnie Bowman, Early James and Brit Taylor, among others. “Courtney is a songwriter’s best friend, ultimate ally and has the best ears in the business,” said Penny Gattis, a partner at Eclipse … EastCoast Entertainment added Beth Potter to their Nashville office. Potter arrived from Downtown Band Entertainment, home of the Music City-based party band of the same name. ECE recently signed on to rep the band.

Lisa Goich recently left The Recording Academy, where she oversaw the jazz and comedy genres for the Grammy Awards, to launch her own consulting firm. LGA Creative Consulting will work with emerging artists and entrepreneurs from concept to creation on their creative projects. Prior to joining the Recording Academy in 2011, Goich worked in radio, website production (notably for Carole King) and was a coordinator and web-and-social media guru for the Playboy Jazz Festival.

Alana Battaglia joined the publicity team at The Untold. In her new role, she will manage accounts with notable clients including talent agency UTA and its new UTA Creators division as well as Don Toliver’s newly released Fortnite game Hardstone — a playable experience tied to his new album, Hardstone Psycho. Battaglia was previously director of public relations at gaming and esports organization FaZe Clan, where she led strategy and execution for internal and external facing communications and publicity. Prior to that, she was on the digital publicity team at Universal Pictures.Chris Eggertsen

ICYMI:


Bob Bruderman

Bob Bruderman

Legendary Columbia Records and PolyGram president Dick Asher passed away at age 92 … Alexis Lanternier was named CEO of French streamer Deezer, replacing interim CEO Stu BergerHYBE promoted Jason Jaesang Lee to be the company’s new chief executive, replacing Jiwon Park … and Kobalt elevated longtime executive Bob Bruderman to the role of chief digital officer.

Last Week’s Turntable: Tree Paine’s Ex-Assistant Comes Full Circle

What Bruce Springsteen Can Teach the Music Business About Superfandom

As a music journalist, I tend to look at fan armies with only professional interest — what they mean for the industry and how I can make sure they won’t figure out where I live. Last week, however, I suddenly had to face the fact that I’m in one — and I have been for the last 35 years. And I realized that many creators might need to change the way they think about cultivating and keeping superfans.

I went to Stockholm last week to see Bruce Springsteen, one of my favorite artists, for what must be at least the 30th time. I stayed in a hotel close to the venue, which was full of people like me — by which I mean Springsteen fans of a certain age (ahem) who wanted to see the concert enough to travel from all over Northern Europe and, in some cases, the U.S. Many came with spouses or children, and some planned on seeing a few shows — or even a couple of weeks’ worth. One couple said that they were happy Springsteen now gives himself a couple of days off between shows, since it gave them more time for sightseeing during the vacations they organize around concerts.

These people don’t think of themselves as part of a fan army. They don’t have a nickname or collect different versions of the same CD. I don’t, either. In fact, I feel a bit sheepish saying that this concert was one of the highlights of my summer, or that I spent a few hundred dollars to go, but it is and I did, and it was totally worth it. After the show, about two dozen people gathered in the lobby after the show to talk highlights and trade war stories, and some of them gathered again the following night after cancelled flights left them stranded in Stockholm. I feel even more sheepish about how much I enjoyed that.

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Whatever. From a music business perspective, this is just what superfans do. One difference between his and most is that Springsteen built his audience the old-fashioned way — with unforgettable live shows that convinced fans to come back and bring friends (and, these days, kids). The people in my hotel are obviously the exception — I’m talking about a few dozen people in a venue that holds more than 50,000 — but at this point I think Springsteen concerts mostly draw serious fans. (Springsteen opened with “Seeds,” which he only ever released as a live performance on a 1986 box set, so I assume he thinks the same.) And although it’s hard to be sure, I think most of them were won over by his concerts.

These days, music executives focus less on live acts — how live are most pop performances anyway? — and more on hit singles. Fan armies are built online, usually around the shared experience of hoping a song will go to No. 1 or buying extra copies in order to boost it. But how long will that last? The music you love when you’re young tends to remain in your life, but going to concerts might have more appeal over time than trading gossip about chart position online. Cultivating an audience devoted enough to keep coming back year after year can be much harder — but it can also be more effective.

The problem is that this part of the business is hard to see in data. Industry executives often talk about how much superfans are worth in terms of the CDs or tchotchkes they buy, but it’s harder to measure the effect of fans who keep coming back over the course of years. I saw one Springsteen show this year and two last year, which doesn’t really move the needle. The 30-or-so shows I’ve seen would, of course, but those were over a period of 36 years — starting with, if you’re curious, the Tunnel of Love Tour in May 1988. (I was already enough of a fan to attend two of the five shows — and then I was really hooked.)

What keeps me coming back — and I think what keeps most fans coming back — is that Springsteen delivers shows that are both consistently great and fairly different. If he’s had an off night, I haven’t seen it. At the same time, he makes every tour different and varies the set list every night, with moments of genuine magic — in Stockholm he delivered a haunting “Racing in the Street” and pulled a kid up onstage to sing the chorus of “Waitin’ on a Sunny Day.” Others keep going back to hear rare favorites — seeing Springsteen play “Jole Blon” in September 2012 was a profound experience for me, even if most of my friends had absolutely no idea what I was talking about.

You could say a lot of these things about a lot of rock bands — there was a time when playing a different set every night was the rule instead of the exception. And it does seem to draw people in. Fans love a curveball of a cover, and some even appreciate the flubs — there’s so much more at stake without the artificial perfection that comes from a click track. Communities are built from appreciating, comparing and, yes, griping about difference performances. Just read the New Yorker story about Dead & Company to get the idea.

Like any true fan, I’m going to say Springsteen is different. More than any other current artist, he believes — and gets concertgoers to believe, at least for the time he’s onstage — that rock actually matters, that there’s more at stake onstage than entertainment, that this kind of music can actually sustain you. As I get older, with less time to drive down an empty highway for no reason at all, it gets harder to believe that. But I’d like to. Maybe in some way I need to — so much that I’ll be back next year and probably again the year after that.