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Linkin Park From Zero World Tour: How to Get Tickets Online

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After a seven-year hiatus, Linkin Park surprised fans with a new tour, a new lead singer and new music. The band — Mike Shinoda, Phoenix, Joe Hahn and new members Emily Armstrong (co-vocalist) and Colin Brittain (drummer) — will launch the first of six arena shows at the Kia Forum in Inglewood, Calif., on Wednesday (Sept. 11).

Linkin Park announced a string of live performances in Los Angeles; New York; Hamburg, Germany; London; Seoul, South Korea; and Bogota, Colombia as part of the From Zero World Tour. The band will be joined on the tour by Godson and down one member on the road after guitarist Brad Delson announced that he won’t be going on tour.

Keep reading for a deeper dive into ticket prices and how to score discounts to shows in Los Angeles and other cities on the tour.

Linkin Park Tour: When & Where to Buy Tickets Online

Hoping to see Linkin Park in Los Angeles or New York? Resale tickets are currently available on several sites including TicketMaster, StubHub, Vivid Seats, TicketNetwork and SeatGeek. Looking for tickets to international tour dates? You can find them on Viagogo in addition to the aforementioned sites.

General on-sale tickets for tour stops in Los Angeles and New York reportedly sold out after they were released on Sept. 7. Another batch of tickets for the New York show went on sale at Ticketmaster on Monday. The NYC concert will take place Sept. 16 at Barclays Center in Brooklyn.

Linkin Park Underground members can purchase pre-sale tickets to the Bogota show as of today at 10 a.m. local time, according to the Linkin Park X account. Pre-sale tickets to the London show at O2 Arena and Barclays Arena in Hamburg will go on sale Sept. 12. General-on sale for the shows in Europe starts on Sept. 13.

Prices range from approximately $123 and up for the U.S. show. A select number of resale tickets for the concert in Bogota have apparently hit the web, and they’re priced at $101 and up.

Right now, Los Angeles and New York have the highest ticket prices at $350 on average. Use code BILLBOARD150 to save $150 off $300 at TicketNetwork and BILLBOARD300 to save $300 off $1,000.

See tour dates below.

Linkin Park Tour Dates

Sept. 11 – Kia Forum, Inglewood, Calif.

Sept. 16 – Barclays Center, New York, N.Y.

Sept. 22 – Barclays Arena, Hamburg, Germany

Sept. 24 – The O2, London, U.K.

Sept. 28 – INSPIRE Arena, Seoul, South Korea

Nov. 11 – Coliseo Medplus, Bogota, Colombia

Shaboozey Thanks Beyoncé for ‘Opening a Door for Us’ as ‘Cowboy Carter’ Is Snubbed by CMA Awards

As Shaboozey celebrated his first two CMA Awards nominations on Monday (Sept. 9), he took a moment to recognize an artist who didn’t score any nods at the country awards show: Beyoncé.

The country newcomer shared his excitement on social media over scoring two nods at the Nov. 20 show — new artist of the year and single of the year for his breakout hit “A Bar Song (Tipsy),” which spends its ninth week at No. 1 on the Billboard Hot 100 this week — but he also couched his excitement with praise for Beyoncé, whose blockbuster first country album, Cowboy Carter, didn’t receive any nods.

On his Instagram Story sharing the news of his two nominations, Shaboozey used Beyoncé’s Hot 100 No. 1 Cowboy Carter single “Texas Hold ‘Em” to soundtrack the slide. And on the next Story, he wrote: “That goes without saying. Thank you @Beyonce for opening a door for us, starting a conversation, and giving us one of the most innovative country albums of all time!” He shared the same sentiment on X (see his post below).

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Before “A Bar Song” took over the Hot 100 this summer, Shaboozey made his chart debut as a featured act on two Cowboy Carter tracks: “Spaghettii” (also featuring country legend Linda Martell) and “Sweet * Honey * Buckiin’.” Then ‘Boozey and Bey made history in April, when “A Bar Song” replaced “Texas Hold ‘Em” atop the Hot Country Songs chart — marking the first time two Black artists had led the ranking back-to-back.

In addition to his Beyoncé spotlight, Shaboozey also shared his heartfelt thanks for the two noms on X. “Wrote a song about winning a CMA in 2016, and now I’m nominated for 2! Thank you @CountryMusic and congrats to the other nominees. What an honor would be an understatement. #CMAawards.”

Morgan Wallen is the leading nominee for the 2024 CMA Awards, picking up seven nods on Monday. Cody Johnson and Chris Stapleton follow with five nods apiece, while Post Malone and Lainey Wilson each earned four. Louis Bell, Luke Combs, Charlie Handsome, Hoskins, Jelly Roll, Megan Moroney and Kacey Musgraves each secured three nominations. The 58th annual CMA Awards will broadcast live from Nashville’s Bridgestone Arena on Wednesday, Nov. 20, at 8 p.m. ET on ABC and next day on Hulu.

Broadway Of Bronx Rap Group Strickly Roots Passes Away

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Broadway of Strickly Roots

Source: YouTube / Nervous Records

Hip-Hop has lost yet another MC this month. Broadway of Strickly Roots and of Boogie Down Productions fame has passed away.

As spotted on HipHopDX, one half of the Bronx duo is no longer with us. On Saturday, September 7 DJ Premier broke the bad news  via his Instagram Story when he shared a video that featured the MC. Media personality Desus also acknowledged the performer on X, formerly known as Twitter. “rip broadway from strickly roots. bx mc, valley legend” he wrote.

Born Dion Barnes, Strickly Roots gained a buzz with their single “Beg No Friends” featuring Grand Puba and Fat Joe. The song would be played on local radio and the very influential Video Music Box show. Later in 1996, Broadway would go solo and release his single “Must Stay Paid” which was produced by KRS-ONE. Broadway was the son of Reggae singer Sugar Minott. At this time Broadway’s cause of death is unknown.

You can view the video for “Beg No Friends” below.

The Year-Long Civil War In Sudan And Its Causes, Explained

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Conflict in Sudan

Source: picture alliance / Getty

The civil war taking place in Sudan has been raging for over a year – we set out to examine it, and its causes.

Last April, the country of Sudan fell into a civil war during the Islamic holy period of Ramadan as the Sudanese Armed Forces (SAF) and the paramilitary Rapid Support Forces (RSF), a coalition bolstered by the Janjaweed Arab nomad militia. The resulting conflict has led to intense fighting in and around the capital city of Khartoum and in the western Darfur region, where international observers have noted shocking instances of ethnic cleansing and other crimes not seen since the previous conflict in 2003. This is actually the third civil conflict in the nation – the last took place from 1983 to 2005 resulting in the creation of South Sudan as an independent nation in 2011.

The internal conflict between the SAF and the RAF began when Sudan’s strongman Omar al-Bashir (who created the RSF in 2013) was ousted in 2019 by the army, with the help of the RSF. Both factions would rule in a junta despite mediation from the African Union & international pressure, but as the SAF under Ahmed Fattah Al Burhan sought to transfer power to a democratic government, the RSF led by Mohamed “Hemedti” Hamdan Dagalo balked perceiving a Khartoum-centered administration. The RSF would attack government structures in Khartoum, and carry out attacks in Darfur which the Human Rights Watch said have been against the Massalit people and non-Arab communities specifically. The United Nations estimates that 20,000 have been killed and 33,000 injured including foreign nationals since the war began, with 7.7 million people displaced and 2.1 million who’ve fled the country as refugees.

There has also been a ramping up of sexual violence in the Darfur region to rival what took place there 21 years ago. “Men in RSF uniform and armed men affiliated with the RSF were reported to be responsible for 81% of the documented incidents,” said U.N. High Commissioner on Human Rights Volker Türk in March. But the attention from world powers – outside of allegations of military involvement from Russia and the United Arab Emirates – has been sorely lacking. “Why are people not paying attention to what is happening?” U.N. envoy Alice Nderitu said in an interview. “If we do not break the cycle of impunity, then we will not be able to address the root causes of the violence and re-establish solid foundations for the future.”

Baekhyun Says ‘Hello, World’ With New Album, Label & Professional Outlook: ‘I Feel More Ownership’

As one of modern-day K-pop‘s top-selling soloists, Baekhyun hardly needs an introduction. But with the release of his new solo album Hello, World, the singer-songwriter is signaling more than just another musical comeback — it’s the start of a new era, where Baekhyun is equally involved behind the scenes as he is when performing the songs onstage.

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After his 2023 exit from SM Entertainment, the K-pop label where he spent 12 formative years as a member of EXO as well as its subunit EXO-CBX, and the Billboard 200-topping supergroup SuperM, Baekhyun established a new home at INB100, which also houses fellow EXO members Xiumin and Chen. While EXO’s group activities remain tied to SM, Hello, World is Baekhyun’s first release outside his longtime label, showcasing the growth and independence cultivated as an established idol performer and an increasingly more hands-on K-pop professional.

Hello, World tracks like the bossa nova-inspired “Rendez-Vous” and crunchy-yet-harmonious, electro-pop cut “Woo” strike a balance between the polished, silky R&B and jazz influences Baekhyun first showed in 2019’s City Lights (that peaked at No. 4 on Billboard’s World Albums chart and spent 16 weeks on the chart) to more experimental ideas he’s been eager to explore including a rap-like delivery on “Cold Heart” and the ’80s new wave-tinged departure into synth-pop on the lead single “Pineapple Slice.” Now having a production-heavy hand in everything from musical direction to visual concepts, tracklisting and fan connectivity, the superstar admits that his perfectionist tendencies slowed down the process but ultimately led him to the proper balance.

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“I’m a bit of a perfectionist when it comes to music,” Baekhyun shares during an afternoon Zoom call from a Seoul office. “I think [the album] was delayed because I was trying to find the right feel to release the perfect album, which was really born from the title track ‘Pineapple Slice,’ which ended up being just the song I was looking for.”

The lead single’s sweet-yet-sultry vibe became the cornerstone for the rest of the album, inspiring the 32-year-old to push boundaries and further personalize his creative process.

“Now, I want to express my opinion, my ideas and what I want to try,” Baekhyun adds. “I think it’s fun to build up from the primary stages of preparing for an album and working together with a team where I’ve been able to contribute more is exciting. I feel a bit more ownership.”

While Baekhyun’s comeback may look like a seamless return to form from the outside, Hello, World results from countless hours spent behind the scenes, meticulously crafting his sound and image to kickstart a new chapter with grace. For now, the EP is Baekhyun’s way of saying he’s back and ready to take on even more in his next phase, sharing with Billboard more about the album, the processes behind it, and how he wants to meet fans around the world.



How are you feeling with this new album release? The album’s title is Hello, World, and the opening song is “Good Morning.” Does it feel like a new day for you as an artist?

I really like new beginnings so I’m very exited about this new chapter in my life and excited to show a greater audience what I’ve prepared. That’s exactly why I put “Good Morning” as the first track on the album and why I named it Hello, World because the first lyrics that start the song are “Hello, world” so I wanted a lot of people to listen and feel like, “Oh, this is the start.” The song was kind of made to feel like preparation for your heart to listen to the rest of the album; it has an overall very soft sound and I thought that it would be nice to build up musically throughout the album. I was very particular with the tracklist, so I’m very happy that the order of songs get progressively more climactic.

This isn’t your first solo album, but your first under your new company in INB100. Has the process been similar or different to past releases?

It’s very different from when I released my previous album. Now, I want to express my opinion, my ideas, and what I want to try, which I think is really good because I can try a lot of big, new ideas. I think it’s fun to build up from the primary stages of preparing for an album and working together with a team where I’ve been able to contribute more is exciting. So, I feel a bit more ownership of the album — I’m excited for it to become one of my favorites.

You enlisted in the military for almost two years, and it’s been three-and-a-half years since your last solo record in 2021. Generally speaking, what took so long?

I’m a bit of a perfectionist when it comes to music, and I think it was delayed because I was trying to find the right feel to release the perfect album, which was really born from the title track [single] “Pineapple Slice,” which ended up being just the song I was looking for. As long as it took, I really put a lot of effort into this to be able to put and show a lot more of the things that I wanted to do.

What kind of things were you able to do this time?

I had a lot of thoughts about wanting to show who I am as an artist in the long term which means that I should focus on the music that I enjoy and artistic decisions that I, as an artist, wish to make. Stylistically, a lot of the music is what I wants to do. The genre is R&B, but there are so many genres that I can branch out to further with that genre as a base. I even tried rapping on this album which was something new for me.

Second off, process-wise — the music video, the recording procedure and the visuals — everything was a little bit more “Baekhyun-centric” and I was able to input a lot more of my opinions. Instead of someone saying, “Oh, this would look good on you,” I was able to, I guess, reverse that process and say, “This is what I’ve been envisioning for myself, what do you guys think?” and move forward from there.



You say Hello, World is inspired by movie genres with the album description saying, “A world where imagination becomes reality.” How exactly did you show this?

I’ve done a lot of different concepts throughout my career and I believe that the job of an idol is to kind of experience all these different sides you show. So, I thought that [making] the keyword “films” or “movies” would be a good way to put that in like one big box and express all these different things that I’ve done as one big genre. So, pretending that this is all a movie means I can turn my imagination into reality: I can be the stuntman, I can be a writer, I can be the director; there are so many different roles that go into making a movie…the “Pineapple Slice” music video is vampire themed and that also kind of taps into the fantasy and magic genre. But, once again, imagination becomes reality because, unlike the stereotypical vampire who is afraid of the sun and gets burned by the sunlight, my character in the music video does not, so it’s even these little twists that reflect back on the overarching theme of a world that I’ve imagined.

You can be very theatrical in your music, concepts, and even your vocals, but I’ve also read you are very low-key; right now, you’re in a T-shirt and simple hair. Does it feel like you’re acting when you go into K-pop idol concepts? Is idol life like acting in a way?

I think the job of an idol is similar to that of an actor, who acts according to the scene or concept. While I’m very satisfied with my job, I don’t usually like to wear makeup on a daily basis so that’s why I’m a bit more casual today. [Laughs] But on the other hand, I think there are differences. Onstage, I definitely focus on the moment and fully digest the concept in the song, but I don’t really feel like that’s acting — it’s not like I’m putting on a new persona. It’s more so that I focus on the moment and the job of performing the song perfectly more than being fake or pretending to be something.

The first preview we got of the album was the bossa nova-inspired “Rendez-Vous” performed during your Lonsdaleite Asia tour. Why was this song important to introduce your new chapter of music?

I wanted to show the most “Baekhyun-like” style from the songs I had. It’s been a while since I’ve been out [with new music], so I wanted to show fans a sound they were more familiar with instead of something completely new that would feel surprising or distant. I personally really like the song “Rendez-Vous,” like you mentioned it incorporates bossa nova, and that’s what I enjoy about R&B is how it can branch into and be altered in so many different ways depending on what you fuse in it.

Even since your last record, R&B music has changed so much, so it’s cool that you can do areas you’re comfortable with and play with something new in a song like “Pineapple Slice.”

When I first heard “Pineapple Slice, ” I got the feel within the first few seconds that this was the track I wanted to make as my single. I’d been searching for a song that has a very intriguing instrumental and catches the ear and “Pineapple Slice “did that. The bassline is very catchy so when you first hear it, I could kind of envision people listening and tapping their feet to the bass. And it’s different from his first three albums [singles] “UN Village,” “Candy,” and “Bambi” in that it has a stronger sound rather than the smoother, jazzy vibe. But the lyrics are very sweet, speaking about a male character trying to lure and seduce a lover, so I think the contrast is also very charming.

What do you think is the most surprising song on the album for fans?

“Cold Heart” was a track that, when I first heard it, I was very much like, “Oh, would I be able to pull this off?” but I really wanted to give it a shot. It was the first time I chose a song that I wanted to be better at; I chose it because I wanted to kind of prove that I could do it. I’ve spent so long as a vocalist, and this track has a lot of hip-hop influences and references, so finding the correct tone for rap was very difficult. So, I’m still feeling very nervous about this song coming out to the world and that the release day will be my “judgment day” since the fans will then be able to see whether or not I really pulled it off. I believe they’ll think, “Oh, Baekhyun sings this kind of song?”

It’s great to hear you challenging yourself in all these different ways under your new company. Why was it important for you to break out and create a space with your own company?

First of all, I wanted to meet my fans more and get a little bit more closer to them. And I always wanted to participate more in my own album process. With this question, rather than thinking about enjoying a new type of challenge, it’s more so that I really just wanted to get closer to my fans and listeners. Likewise, I believe that now I won’t have to take as long of a break between releases and hope to be able to come back in a quicker time frame. Working with my team and people, more possibilities are open for me in regards to things that I can do in the future, like producing, for example. Although there aren’t any set plans as of now, it’s a dream of mine and I thought this new chapter would open such doors.



That makes sense because you’re keeping group activities with EXO strong and have EXO-CBX with you at INB100. More K-pop artists are balancing outside solo careers with group activities. How do you personally balance both sides?

Many fans want to continue seeing new sides of the group, so I understand that and we will continue to try new things and meet you in the future together. As for Baekhyun as a soloist, I feel that’s a little bit different from Baekhyun as a part of a group. So, in the future, I’m excited to show three different sides of myself: as a part of a unit, a solo artist, and also as part of a group. So I hope my fans are also excited to witness that journey alongside [me] as it happens.

Anything you can tease for your fans in this new era? Or other messages to the fans?

So, first and foremost, I’ll definitely be working on album promotions. Apart from that, I want to go on a world tour someday — and it’s definitely a possibility that’s, uh, not very far from reach. [Laughs] Since I recently finished my Asia tour, I want to branch out further to fans around the world…

To EXO-Ls who have been waiting for my album for such a long time, I’m so grateful for all of you and I want to promise you that there will never be a break like this again. I’ll show you a lot of great things in the future with new looks, new music, and all the cool things I’m ready to show the world. And like I slightly teased before, I’m ready to go meet more fans around the world so I hope that everyone stays happy and healthy until we meet again.

Pusha T Backs Up Kendrick Lamar’s Apparent ‘No Round Twos’ Drake Swipe in Super Bowl Announcement: ‘This Is True’

Folks are still reacting to Kendrick Lamar announcing that he’s headlining the 2025 Super Bowl halftime show in New Orleans in February. However, Pusha T reacted to something else after Sunday’s big news.

While telling the world that he’ll be performing in the NFL’s “Big Game,” Lamar said something that resonated with the Virginia rapper. “You know there’s only one opportunity to win a championship. No round twos,” Kendrick said while using a football throwing machine. An obvious dig at Drake suggesting a few weeks back that another round in their battle was on the horizon, Push agreed by reposting the quote on his Instagram Story and adding, “This is true” with a shrug emoji.

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Like Kendrick, Pusha T had a long history of trading subliminals with Drake until things boiled over with “The Story of Adidon” in 2018, and like Kendrick, Push was declared the victor in that battle by the fans.

As fans and artists argue about whether Lamar was the right choice to headline the halftime show, he and Jay-Z are looking forward to the February performance. “Rap music is still the most impactful genre to date,” Lamar said in a statement. “And I’ll be there to remind the world why. They got the right one,” with Jay adding, “Kendrick Lamar is truly a once-in-a-generation artist and performer. His deep love for Hip Hop and culture informs his artistic vision. He has an unparalleled ability to define and influence culture globally. Kendrick’s work transcends music, and his impact will be felt for years to come.”

Wale “Ghetto Speak,” Toosii & Gunna “Champs Elyees” & More | Daily Visuals 9.9.24

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2024 Roots Picnic

Source: Astrida Valigorsky / Getty

It’s been a while since we’ve had a Wale sighting on the rap scene but he may be ready to pop back up on the strip as he comes through with some new work as he continues to work on his eighth studio album which may release later this year.

Dropping off some new black-and-white visuals to “Ghetto Speak,” Wale takes it back to his hometown of Washington D.C. where everyone goes about their business whether on the block or the boxing ring while Wale spits his verse and styles in a pair of “DMV” Nike Air Foamposite Ones. Them joints hella exclusive.

Elsewhere Gunna continues to live his best life regardless of how his haters may feel and for the clip to “Champs Elysees,” he and Toosii hit up a fancy fashion soiree in a luxury mansion where everyone flosses some high-end designer outfits as the cameras flash and the rappers get turnt.

Check out the rest of today’s drops and some joints you might’ve missed over the weekend including work from G Herbo, Talib Kweli and J. Rawls, and more.

WALE – “GHETTO SPEAK”

TOOSII & GUNNA – “CHAMPS ELYSEES”

G HERBO – “CANDYMAN”

TALIB KWELI & J. RAWLS – “BREAK, EYES, MEMORY”

ELCAMINO & BLACK SOPRANO FAMILY – “ZIP LOCK OLYMPICS”

ROME STREETZ & DARINGER – “STARBVXKZ”

FLO MILLI FT. COOP & GG – “WET DREAMS”

SAMARA CYN – “CHROME”

BOYNEXTDOOR Talk Personal, ‘True Story’ Vibe of New EP ‘19.99’: ‘We Always Feel Pain of Growth’

K-pop boy band BOYNEXTDOOR dipped into the members’ personal stories for the tracks on new EP 19.99. Singer Taesan tells Billboard that the seven-track mini-album “explores the emotions experienced just before turning 20. Specifically, the tracks express the intricate emotions that precede and follow turning 20.”

Group leader Jaehyun adds that the album is especially close to the singers’ hearts because it involves a lot of “true stories” from their personal lives. “We felt a lot of some kind of pain, some kind of happy and some kind of thankful. We always feel pain of growth, growing, so that is our album’s story,” he says.

The EP that dropped on Monday (Sept. 9), was preceded by the uptempo single “Dangerous,” which the group says represents their “mischievous side,” in which they fantasize about such rule-breaking activities as not listening to their moms, hanging out with friends all night and other shenanigans they pulled off before turning 20. And while their aim was to express a wide variety of feelings in a uniquely BOYNEXTDOOR fashion, boys also, of course, just wanna have fun.

Then again, lead single “Nice Guy” presents the flip side of that dangerous attitude, with lyrics Jaehyun says are funny and witty, which, of course, would not be as funny if they were all in their 30s. (All of BOYNEXTDOOR’s members — which also include Sungho, Riwoo, Leehan and Woonhak — are between 17 and 20 years old.) “But we are 20, or 19, 17, so I think that point is a really good point and ‘Nice Guy’ is [like a] flirt to someone,” he says.

Because the members of HYBE’s latest boy band write and co-produce a lot of their songs, Taesan — who co-wrote and co-produced “Dangerous” — says he also incorporated a lot of his own stories and an anecdote involving one of his siblings on the EP that focuses on “real-life experiences” rather than more generalized pop culture references from TV and movies. “We tried our best to use lyrics and melodies that feel genuinely relatable from our everyday experiences,” he says.

BOYNEXTDOOR scored its highest charting album to date in the U.S. when How? entered the Top Album Sales chart at No. 7 on the May 4-dated tally. The group released its first single album, Who! in May 2023, followed by the EP, Why.., in Sept. 2023 and this year’s How?

Watch BOYNEXTDOOR’s interview with Billboard above.

BOYNEXTDOOR on ‘19.99’ Adulthood Transition, ‘Dangerous’ & ‘Nice Guy’ | Billboard News

BOYNEXTDOOR shares how 19.99 marks the group’s journey into adulthood and how the album’s themes deal with the emotions surrounding that. The boys talk about how “부모님 관람불가 (Dangerous)” and “Nice Guy” portray the epitome of their personal stories, why K-Pop is no longer a genre, but a culture, their first Japanese release and more!

Hey, what’s up? It’s Tetris with Billboard News, hanging out with BOYNEXTDOOR. How’s it going, fellas? So you guys have a busy, busy time right now, you obviously announced your album ‘19.99.’

Yeah that’s right!

So tell me about the album and tell me about the title because why 19.99?

The album explores the emotions experienced just before turning 20. Specifically, the tracks express the intricate emotions that precede and follow turning 20. That’s the key point to focus on, so please look forward to it. 

We’re watching the growth. 

Yeah, that’s right. The album captures BOYNEXTDOOR’s journey to adulthood. This album is especially involved with a lot of our story, our true stories. We felt a lot of some kind of pain, some kind of happiness, and some kind of thankfulness. We always feel pain for growing, so that is our story.

I mean, you’re covering a lot of emotions there. The pre-release track was called “(Dangerous).”

That’s right!

Tell me about that song and why that was the perfect song to set the tone.

The pre-release track “Dangerous” shows our mischievous side. We sometimes would imagine things like not listening to our moms, hanging out with friends all night, and so on, as students before we turned 20. We tried to uniquely express in our own way the diverse feelings we had, wanting to just have fun. 

Oh you guys are really giving both sides because that’s “Dangerous,” but then the main single “Nice Guy.” So tell me about “Nice Guy.” 

Keep watching for more!

Were Beyoncé & Lil Wayne Snubbed? | Billboard News

Fans feel Beyoncé got snubbed from a CMA Awards nomination for “TEXAS HOLD ‘EM” and ‘Cowboy Carter,’ and that Lil Wayne should have performed at next year’s Super Bowl halftime show. Do you think the two stars were snubbed? Let us know in the comments!

Narrator:

From country to football, fans think their faves just got snubbed. Beyoncé topped the Billboard Hot 100 this year with her country hit “TEXAS HOLD ‘EM.” But that wasn’t enough to get her any nominations at the CMA Awards. Many fans pointed out that they find it strange that Bey didn’t get one nod yet Post Malone, who Beyoncé featured on ‘Cowboy Carter,’ got four for his song with Morgan Wallen. 

Current chart-topper and another ‘Cowboy Carter’ collaborator, Shaboozey, had this to say on X: “That goes without saying. Thank you beyonce for opening the door for us, starting a conversation, and giving us one of the most innovative country albums of all time!” He got two CMA noms, including for new artist of the year. 

In the football world, many are excited to see Kendrick Lamar perform at the Super Bowl halftime show, but some are saying Lil Wayne should have gotten the honor since SB59 will take place in his hometown of New Orleans. In the rap world, Birdman, Master P, Mase and many more spoke in defense of Wayne, while Nicki Minaj fired off a bunch of posts on X suggesting Jay-Z didn’t pick Lil Wayne because of her. Neither Lil Wayne nor Jay-Z have addressed these concerns. Billboard has reached out to Jay-Z’s reps at Roc Nation for comment. Do you think Lil Wayne or Beyoncé got snubbed? Let us know in the comments.