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Katy Perry Accepts Video Vanguard Award With Dance-Heavy Hits Medley, Encourages Other Artists to ‘Block Out the Noise’

Katy Perry accepted the Video Vanguard award with a house-ified career-spanning performance at the 2024 MTV Video Music Awards on Wednesday (Sept. 11).

“We fell in love with her as Katy Perry,” began actor Orlando Bloom when introducing his partner. “I fell in love with her as Katheryn Hudson. You know her as a global superstar who brings love light and her unique sense of humor to every song she writes and every music video she creates. I know her as a mother, as a partner, who brings that same love and joy to our family.”

After a short video intro, Katy Perry began her career-spanning performance with a remixed version of her “Dark Horse” collab with Juicy J, as she hung suspended from the middle of a big webby circle on stage. She was then lifted around the stage for a rendition of her Kanye teamup “ET,” running across her backing dancers before finally being lowered onto the stage.

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From there, Perry debuted the new song “I’m His, He’s Mine,” featuring guest rapper Doechii and an interpolation of Crystal Waters’ early ’90s dance hit “Gypsy Woman (She’s Homeless),” as Perry and Doechii writhed together on stage. She then launched into a version of her signature Teenage Dream smash “California Girls,” with an intro that lifted from Stardust’s 1998 French touch classic “Music Sounds Better With You,” before seguing into a clubbier version of the album’s beloved title track.

After a quick guiter interlude, Perry came back out with big silver balloon wings to perform her 2008 breakout single “I Kissed a Girl.” She then transitioned into Teenage Dream third single “Firework,” singing the first verse and chorus over a minimal piano backing, with friend-turned-rival-turned-friend-again Taylor Swift gleefully applauding the performance in the audience. She then closed out the performance with a rendition of her 143 single “Lifetime,” holding up a paper butterfly as the crowd applauded.

“I did that all on the first day of my period, too. Can you believe it?” Perry began her acceptance speech. “Thank you so much to MTV for believing in my weirdness from day one, and for helping artists extend their worlds beyond a song. There are so many things that have to align to have a long and successful career as an artist. There are no decade-long accidents.”

She went on to give thanks to a few people, including her team, her label Capitol Records and her parents (“We don’t always agree, but what a lesson that those disagreements can still be full of love”). She also gave her early fans a treat by thanking “MySpace, Warped Tour and all the bygone places wehre I found a voice, identity and a community so early on,” as well as friends “who were there when my Jetta was repossessed. My KatyKats who stood by me for a lifetime,” and the LGBTQ community, “who I recognize I would not be here without, and who show me that you can be both kind and c–t.”

After giving special shoutout to beau Bloom and daughter Daisy, she closed with some thoughts on the current music industry — “I’m excited when I look around music today and I see all the aamzing young artists who are operating with confidence, agency, vulnerability and authenticity” — and about important lessons she’s learned in her career:

“I’ve heard a lot of do this, don’t do that, wear less, wear more now, don’t cut your hair… one of the biggest reasons I’m standing here right now is I learned how to block out all the noise, that every single artist in this industry has to constantly fight against, especially women. I just want to say with my whole heart, do whatever it takes to stay true to yourself and true to your art, turn off social media, safeguard your mental health, pause, touch grass, and do what you were born to do, just like I was born to do this.”

Sabrina Carpenter Channels Marilyn Monroe for 2024 VMAs Medley of ‘Please Please Please,’ ‘Taste’ & ‘Espresso’

Sabrina Carpenter was a glittering star at the 2024 MTV VMAs on Wednesday (Sept. 11) as she celebrated her first No. 1 album with a performance introduced by one of the award show’s OGs.

“I won my Moonman award in 1984 at the first-ever VMAs,” said “Girls Just Want to Have Fun” singer Cyndi Lauper as she introduced Carpenter, whose Short n’ Sweet album topped the Billboard 200 album chart dated Sept. 17.

Seated on a gigantic diamond on a trapeze high above the stage as silver confetti rained all around her, Carpenter — who was nominated for seven VMAs this year — crooned her Billboard Hot 100 No. 1 smash “Please Please Please,” and, as Lauper predicted, the very vocal audience enthusiastically shouted at the song’s NSFW refrain while Carpenter descended to the stage. She landed on a foreign planet as an astronaut and blue-skinned alien did a slinky dance all around her to the strains of Carpenter’s latest hit, “Taste.”

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The song with sapphic overtones was accented by a censor-nightmare dance sequence in which the alien briefly threw a leg up on the kneeling space ranger’s shoulder as he, well, had a taste, with their bump-and-grind threatening to distract from the singer’s vocals. That is, until she yanked the astronaut to the side and laid a big kiss on the female alien’s lips.

Ripping off the high collar on her silver-studded bodysuit, Carpenter strutted down the catwalk as she glided into her No. 3 Hot 100 summer smash “Espresso.” All around her, the space filled up with more than two dozen helmeted rocketeers busting out interstellar choreography beneath neon signs bearing the song’s title and space-themed images on the stage, whose main feature was an enormous Moon Person reaching out into the arena.

The routine ended with Carpenter lying back into the dogpile of space-helmeted men while giving off serious Marilyn Monroe Gentlemen Prefer Blondes vibes.

Kendrick Lamar Drops New Song, Black Air Force 1 Xitter Is Elated

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Kendrick Lamar 9/11 Black Air Force 1 Song

Source: @kendricklamar / Instagram

Kendrick Lamar is crafty. On the night of the MTV VMA’s, the anniversary of 9/11, the day after Kamala Harris dogwalked Donald Trump during a debate and Taylor Swift dropped a political co-sign, Kendrick Lamar decided to release a new song.

As you should have expected, it didn’t get lost in the sauce and immediately started trending. Per 2024 Hip-Hop protocol this means that K-Dot is still the alpha rapper of the moment, as if getting tabbed to headline the 2025 Super Bowl halftime show, and all the salty envy it sparked, wasn’t already an indicator.

As for the song, we don’t have a title. As for the artwork, it’s a well-worn pair of black Nike Air Force 1’s, long the indicator of someone who is about that action, a shooter or someone you definitively do not want the smoke with.

“Influencers talk down ’cause I’m not with the basic sh*t/But they don’t hate me, they hate the man that I represent,” spits the Compton rapper. “The type of man that never d*ck ride ’cause I want a favor/The man that resides in patience/So where the soldiers at?/The ones that lost it all and learned to learn from that/A thirst for life/Head inside a book ’cause he concerned with that/Information that’ll change his life because he yearns for that/Dedication, finding out what’s right ’cause he can earn from that.”

Of course, a jab at “influencers” means many are assuming DJ Akademiks is in the crosshairs. Uh oh.

Also worth note, K-Dot big ups Lecrae on the refrain, and that’s just dope, period.

https://twitter.com/AndresWrites/status/1833545343897886762

The praise, and hate, is already off to a fiery start on the Internets. Peep some of the more volatile reactions that we assembled in the gallery.

We’ll get back to you on the name of the song, too.

Sabrina Carpenter Brings Madonna’s 1991 Oscars Dress Back to the Red Carpet at 2024 MTV VMAs

Sabrina Carpenter brought true Hollywood glamour to the 2024 MTV Video Music Awards red carpet by wearing the actual Bob Mackie gown Madonna wore to the 1991 Oscars.

According to Vogue, Carpenter and her stylist were hunting for a Madonna moment for the awards show and found what they were looking for with archival fashion dealer Tab Vintage. The silver Mackie dress “was originally designed for Madonna to wear to perform at the Academy Awards,” Tab Vintage’s Alexis Novak told Vogue. “It was inspired by Marilyn Monroe in Gentlemen Prefer Blondes and made headlines when she wore it.”

Back in 1991, Madonna paired the gown with a white fur stole and, in addition to her old-Hollywood style, the Queen of Pop also made headlines that night for her choice of date: fellow pop superstar Michael Jackson. In a previous interview, Madonna said of the A-list team-up: “Michael was like, ‘Well who are you gonna go with?’ I looked at him and said, ‘I don’t know. You wanna go?’ And he said, ‘Yeah, that’d be great.’” During her Carpool Karaoke segment with James Corden in 2018, Madonna looked back on the night as her “best date ever.”

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Carpenter kept the night’s silver and sparkly theme going when she hit the stage later in the night, opting for a silver sequin leotard to perform a medley of the first three singles from her Billboard 200 No. 1 album Short N’ Sweet: “Espresso,” “Please Please Please” and “Taste.”

See Carpenter’s full look below:

Sabrina Carpenter at the 2024 MTV Video Music Awards held at UBS Arena on September 11, 2024 in in Elmont, New York.

Sabrina Carpenter at the 2024 MTV Video Music Awards held at UBS Arena on Sept. 11, 2024 in in Elmont, New York.

Gilbert Flores

Kendrick Lamar Surprise Releases Menacing New Song: Listen

Kendrick Lamar is standing on business. Lamar returned with his first song since the nuclear “Not Like Us” Drake diss on Wednesday (Sept. 11).

As of press time, the track is available only on K. Dot’s Instagram account. The five-minute sneer-fest arrived without a title, but has a heavily creased pair of Black Air Force Ones as the cover art.

Lamar addresses his disgust with what he sees thriving in society and admits he’d trade a lot of those sucking up the Earth’s oxygen to get the late great Nipsey Hussle back.

“I know b—-s that’s harder than a lot of you n—-s/ Would trade y’all for Nip I can’t be proud of you n—-s,” he raps of his “Dedicated” collaborator.

Next, the Compton legend turns his attention to what’s being pushed on the radio airwaves and television screens across the country.

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“The radio personality pushing propaganda for salary/ Let me know when they turn up a casualty/ I want agony,” Lamar spews.

Essentially, K. Dot sounds fed up with society.

“Thank god. Quality hip-hop has been missing,” one excited fan wrote in his comments section.

Lamar was announced as the Super Bowl LIX Halftime Show headliner on Sunday (Sept. 8); he’ll take the Caesars Superdome stage in New Orleans on Feb. 9. There’s been much debate in the hip-hop community about Kendrick being chosen to headline the big show, as some — such as Nicki Minaj –weren’t thrilled to see Lil Wayne, who is a New Orleans native, get snubbed.

Listen to the track below.

NewJeans Hold Guerrilla Livestream Alleging Mistreatment, Demand HYBE Reinstate ADOR CEO Min Hee-jin

During the months-long feud between HYBE and NewJeans creative director and former ADOR CEO Min Hee-jin, the Billboard 200-topping girl group has largely remained silent. But early Wednesday morning (Sept. 11), group members Minji, Hanni, Danielle, Haerin and Hyein made their voices heard.

In a since-deleted post on their Twitter account, the group shared a YouTube link that led to a livestream on a no-longer accessible YouTube account named “nwjeans.” During the livestream, the five members spoke for about 30 minutes in Korean and English about their situation, expressing anxiety over their professional futures, worries about continuing to work under HYBE and revealing previously unheard stories.

Apologizing for the “sudden meeting,” all five members of the K-pop girl group sat in a nondescript room with notebooks, papers and iPads during the livestream. The youngest NewJeans member, Hyein, 18, spoke first, explaining that staff members they trusted (presumably also under or previously under the HYBE/ADOR umbrella) helped set up the location and stream but that it was the quintet’s choice to speak out. 

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After that, Haerin noted that media coverage revolving around NewJeans’ situation became invasive when their private medical records and videos from their days as HYBE trainees leaked on the internet — four of the five NewJeans members were minors under the age of 18 when they debuted in July 2022 — but that when the group, alongside Min and their parents, raised concerns to ADOR parent company HYBE, the K-pop giant took no action.

One of the most talked about moments online among K-pop fans came early in the broadcast, when Hanni shared a story about a time when, while at the HYBE building to get her hair and makeup done, an unnamed HYBE LABELS group passed her with a manager. According to the Vietnamese-Australian singer, after initially greeting one another, the manager told the members of the other group to “ignore her.”

During the livestream, NewJeans members also expressed worries about the ADOR label’s inner workings following Min’s ouster as CEO.

In reference to ADOR’s new legal battle with Shin Woo-seok, the director of NewJeans’ “Ditto” and “ETA” music videos, Minji said it was “frightening” to see their work compromised. The director has alleged that ADOR targeted him for uploading “director cut” versions of NewJeans music videos and other content, which he claimed to have permission for, on his personal YouTube account.

Following ADOR’s removal of those videos, the label shared a statement on Sept. 4 that it would do its best to “ensure that the deleted NewJeans content can be uploaded to ADOR’s official channel in the future,” as reported by the Korea JoongAng Daily. That report also noted ADOR’s follow-up statement that only the “director cut” music videos were requested for removal — not behind-the-scenes clips starring the members that have racked up millions of views — while claiming it was advertisers who wanted the “director cut” videos removed.



“Just like that, the content that we released solely for our fans, for our Bunnies, was instantly erased,” Danielle said in English about the incident. “I truly can’t understand why anyone would do this to a group or just anyone in general.”

Minji added that ADOR’s “new management” would keep production and management teams separate, like other HYBE LABELS. Under this arrangement, which saw Min being restricted only to production, and not being part of the discussions around the group’s overall management strategy, the group members said they were apprehensive over how they could continue as the NewJeans in its current form.

“Personally, the way that ADOR used to run was the business management and creative production was not separated…factors that played and worked in harmony with each other,” Hanni said in English. “It was our way of working and it was our CEO’s way of producing NewJeans’ content which a lot of you were able to enjoy and appreciate. But now that she’s no longer CEO, these factors that should have continued to work together in harmony are now being seen as two different areas of work.”

On Aug. 27, HYBE announced that Min would step down as ADOR CEO and shared in a statement to Billboard that ADOR “will restructure to separate its production from management — a multi-label practice that has been standard across all other HYBE labels but was previously not implemented at ADOR.”

Haerin also claimed that NewJeans learned of Min’s dismissal through the news instead of through their company, saying it “made it clear to us that they don’t respect us at all” and led them to feel that statements about HYBE’s plans for NewJeans were empty promises. (In April, HYBE shared a statement with Billboard claiming that the company “will continue to provide attententive [sic] mental and emotional care to the company’s artist NewJeans…the company will meet legal representatives of the respective members as soon as possible to discuss the plan to protect the act.”)

Beyond these specific incidents, the five NewJeans members also spoke at length of their worries about losing their team identity and wariness that HYBE has their best interests in mind while insisting that Min return to work with them.

“Even before debuting as NewJeans and through all of the time that we spent together with Min Hee-jin all of us felt that the music we wanted to make and the kind of world we wanted to build together, our vision, was similar in so many ways,” 19-year-old Danielle said. “Putting our sincere effort into something is only possible because of the people that we’re working with have trust in each other and have that same vision.

“Min Hee-jin is not only the person that produces our music, but someone who makes NewJeans who we are; she discusses even the smallest details with us and explains them in ways that we can understand clearly. NewJeans has a distinct color and tone, and this was created with Min Hee-jin. She is integral to NewJeans’ identity and we all feel that she is irreplaceable.”

Hanni later spoke to HYBE’s alleged directive that Min wrap up all her creative work in the next two months following her dismissal as CEO.

“Like how we have our own and individual thoughts and feelings, we have the choice to choose how we will react to each situation and we are not going to follow HYBE’s every order blindly,” Hanni said in English. “We are more than well aware that this is getting in the way of our work and that we should be treated much much better than how we are right now. And it’s very hard to believe that they are truly sincere about wanting to help us continue, to be able to continue to work with our Min Hee-jin.

“Despite her being in the midst of all this current legal conflict, she’s expected to plan and creatively produce our future endeavors in just only two months, which I personally think makes no sense at all. We don’t want to hear all the empty words of how they’re going to help us continue to work with Min Hee-jin. And all we want is this legal conflict to be resolved and have our working environment returned back to normal the way it was before.”

NewJeans’ eldest member, Minji, 20, ended the livestream with a direct message to HYBE chairman Bang Si-Hyuk, saying, “We hope chairman Bang and HYBE make a wise decision to restore ADOR to its original state by the 25th.”

HYBE has not yet responded to Billboard‘s request for comment about the livestream.

The now five-month-long conflict began in April, when HYBE launched an audit of ADOR and asked Min to step down as CEO. The K-pop giant later reported Min to police, alleging the executive had committed a breach of trust. That led Min to respond by holding an emotionally charged press conference during which she denied claims that she had usurped NewJeans’ management and doubled down on claims that HYBE subsidiary BELIFT LAB had plagiarized NewJeans with its own girl group, ILLIT, and that another HYBE subsidiary, Source Music, had broken its promise to debut NewJeans as its first girl group, among other claims. Min was subsequently sued by both BELIFT and Source for defamation due to those comments, riling up several K-pop fanbases against her.

In May, a court ruled that Min could legally stay in her position. But in the past month, a former female ADOR employee accused Min of covering up her reportsof sexual harassment from a male superior. While HYBE’s own internal investigation reportedly concluded that the incidents didn’t constitute harassment, Min allegedly verbally abused the employee for speaking out — a claim that Min has denied, instead alleging that the issue arose from the former employee’s job performance and salary negotiations.

On Aug. 27, HYBE announced that it had appointed an ADOR director with human resources expertise, Ju Young Kim, as the label’s new CEO, and that Min would step down from her role but remain as an in-house director.

Karol G Dances With Taylor Swift During ‘Si Antes Te Hubiera Conocido’ Performance at the 2024 VMAs

At the 40th anniversary of the MTV VMAs, Karol G captivated the audience with a sultry yet lively performance of her recent hit single, “Si Antes Te Hubiera Conocido” (“If I Had Known You Before”), including dancing with Taylor Swift at one point.

The Colombian superstar took the stage, radiating presence with her long blonde hair, decked in sandy-colored bell-bottoms and a bikini top (almost channeling the Stripped-era Christina Aguilera look) and surrounded by a string of tiny international flags.

Karol then ignited the crowd with a shout, “¡Familia! Los extraño un montón. ¿Están listos para la fiesta?” (“Family, I miss you greatly. Are you ready for the party?”) She then descended into a vibrant scene, leading audience members — young and old alike — into an impromptu dance party. Among those grooving was an adorable elderly couple, echoing the joyful spirit of her “Si Antes” music video.

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The stage transformation didn’t stop there — it morphed into a tropical styled tiki bar complete with a sandy beach underfoot, where the Medellín hitmaker ramped up the energy with her infectious rhythms.

The highlight of the night came when she joined Taylor Swift, Post Malone and Camila Cabello in the crowd, dancing and further elevating the festive atmosphere, transforming the entire scene into a Latin party dance-off.

With “Si Antes Te Hubiera Conocido,” Karol G became the first artist to top the Hot Latin Songs, Latin Airplay & Tropical Airplay charts simultaneously in over a decade. The chart achievements landed as Karol G wrapped up her record-breaking Mañana Será Bonito Tour.

It’s the second consecutive time Karol G has performed at the MTV VMAs.

Shawn Mendes Debuts New Song ‘Nobody Knows’ at 2024 VMAs

Shawn Mendes debuted a new song from his upcoming album Shawn live at the 2024 MTV Video Music Awards on Wednesday (Sept. 11) at the UBS Arena in Elmont, New York.

Mendes and his band delivered the new tune on a massive rug lined with candles on a smoky stage, giving the whole performance a casual, living-room aura. Titled “Nobody Knows,” the song started out in a slow, folk-rock vein before gradually growing in intensity, reaching an emphatic, impactful climax. Toward the end of the song, Mendes turned away from his adoring fans and faced his drummer, strumming furiously on his acoustic guitar and smiling broadly as his lead electric guitarist ripped off a solo alongside him. The onstage chemistry between Mendes and his band is palpable, and when his drummer turned to the camera with a joyous look on his face at the end, it was hard not to be won over.

Based on Mendes’s VMAs debut of “Nobody Knows,” the singer-songwriter’s musicianship and songcraft is continuing to develop and mature (perhaps he’s been listening to some Leonard Cohen lately?) without losing any of the youthful exuberance that made him a guitar-slinging breakout in the first place.

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Prior to Mendes’ VMAs performance, chatter swirled around the fact that Mendes would be performing at an awards show that also boasted performances from not one but two of his exes – Camila Cabello (with whom he topped the Billboard Hot 100 in 2019 with the duet “Señorita”) and Sabrina Carpenter. But his vocally and instrumentally impressive performance easily pushed gossip aside to turn the spotlight back to his music and stagecraft – at least for a while.

Mendes’ fifth album, Shawn, drops Oct. 18. His last studio album, 2020’s Wonder, topped the Billboard 200.

Flavor Flav Surprises Gymnast Jordan Chiles With Custom Bejeweled Clock at 2024 MTV VMAs

Public Enemy’s Flavor Flav is a man of his word, and the rapper proved it on Wednesday night (Sept. 11) when he presented U.S. gymnast Jordan Chiles with a very special custom neck piece. The veteran MC took the stage to hand out the first award at the 2024 MTV VMAs alongside the American athlete, who was stripped of her bronze medal at this summer’s Paris Olympics due to a scoring dispute during the women’s individual floor exercise.

But Flav, who has become one of the nation’s most ardent athletic supporters this year, made things right. Taking the stage in a pink sweatsuit with a matching custom oversized clock pendant, Flav said it was “such an honor to be standing right next to Jordan Chiles,” as the gymnast smiled at the love from the rap icon.

Wearing a silver halter dress with long black gloves, Chiles looked surprised when Flav said he wanted to turn their intro for the best collaboration award into a “little Olympic moment.” Reaching into his pocket, Flav pulled out the custom bejeweled bronze clock pendant he had made for for Chiles, saying, “Jordan, I know they tried to take your medal away from you. But you know what? I got you something that they can’t take away from you.”

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Flav then put the giant timepiece around Chiles’ neck as the audience howled at the special moment. “I don’t even know what to say here,” Chiles said, beaming. As she thanked Flav, the “Don’t Believe the Hype” rapper pulled out one of his water polo caps from the Olympics — Flav famously gave financial support and free cruises to the U.S. women’s team — while changing out his glasses to a gold pair while hyping up his sponsorship of the water polo squad. “That’s why I wanted to turn this into an Olympic moment, a’ight?” he said, before revealing that he would also be gifting Jordan the prize money she missed out on.

“I got your prize money for you!” Flav said. “What an honor Flav!” Chiles said as the pair then teamed up to give out the award for best collaboration to Taylor Swift and Post Malone for their song “Fortnight.”

LL Cool J ft. Eminem “Murdergram Deux,” A$AP FERG “Off White Rozay” & More | Daily Visuals 9.11.24

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LL Cool & Eminem Murdergram Part Deux video

Source: Vevo / Youtube

A few days ago LL Cool J released his 14th studio album in The FORCE and while it received mixed reviews and reactions, there’s no doubt that the man is still very much an icon in the game and for his latest offering collaborates with another legend who also recently released his latest project, The Death of Slim Shady.

For his new visuals to “Murdergram Deux,” LL Cool J links up with Eminem to spit some rapid fire flows while bring back the leather pants with the matching jacket before ultimately busting out the big guns (his biceps) to once again lure his hardcore fanbase in high heels.

Back in Harlem A$AP Ferg gets the neighborhood poppin’ and in his clip to “Off White Rozay,” Ferg rolls up on a block party where he pops some bottles in the streets and gets the crowd on their feet and hands in the air while paying homage to Virgil Abloh with his rhymes and some custom cowboy boots with his face on them. Can’t say we saw that coming.

Check out the rest of today’s drops including work from Computa featuring Havoc, Kamaiyah, and more.

LL COOL J FT. EMINEM – “MURDERGRAM DEUX”

A$AP FERG – “OFF WHITE ROZAY”

COMPUTA FT. HAVOC – “EVERYTHING YOU GOT SON”

KAMAIYAH – “CHEDDA”

CASH COBAIN, CHOW LEE & LENNY LOVE – “RED BULL SPIRAL FREESTYLE”

KAMILLION – “BYKE AHSIDE”

JODI LUVV – “SMOOTH OPERATOR”

DEVEYE – “GOTTA HAVE IT”

B. GREEDY – “SO SUAVE”