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Tierra Whack & Danny Ocean Partner With Cotopaxi to Support Education & Refugee Crisis Initiatives

Rapper Tierra Whack and Venezualan phenom Danny Ocean have each partnered with outdoor clothing company Cotopaxi to support causes close to their hearts.

As part of the just-announced campaigns, Whack will work with the brand to support the Philadelphia-based music education non-profit Fam Frequency, with Cotopaxi also donating gear to the organization. As part of the initiative, the Philadelphia-born Whack will also visit schools around the city to talk about the importance of education.

“I got to surprise a young artist in the studio, which was so special,” Whack tells Billboard of working with FamFrequency. “Just seeing her face light up reminded me why I do what I do. I’m here to share my journey and my experiences. I also want to show these young creatives that it’s possible to turn your art into a career, and that you can do it while staying true to yourself.”

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Ocean, meanwhile, is using the partnership to draw attention to the global refugee crisis, which is particularly meaningful to him given the current situation in his home country of Venezuela.

“There’s been an autocratic dictatorship there for 25 years which has robbed and depleted all resources which should go towards helping the Venezuelan people, and they’ve created a historic refugee crisis since everyone has to flee to have any hope for a future,” Ocean says in a statement. “I appreciate that Cotopaxi understands the seriousness of this issue for me and is willing to amplify and help.”

“It’s not just about the music or the fame,” Whack adds in regard to artists using their position to support good causes. “We’ve got a voice and a platform that can reach people in ways most can’t. I feel like it’s our duty to use that for something positive, to uplift, to educate, to inspire. If I can do something good with my platform, why wouldn’t I?

Based in Salt Lake City, Cotopaxi donates 1% of its revenue to support communities experiencing poverty, which the company says has benefited 4.25 million people to date. The company focuses on making products as ethical, sustainable and durable as possible while also having a positive social, environmental and economic impact. As of now, 96% of their products are made with leftover deadstock, recycled or certified responsible materials, with the company anticipating that this number will reach 100% in the next few months.

Additionally, Cotopaxi has partnered with the Global Citizen Festival, happening this Saturday (Sept. 28) in New York City’s Central Park and featuring performances by Post Malone, Doja Cat, LISA, Rauw Alejandro and Jelly Roll. These initiatives mark the company’s first forays into music.

Kylie Minogue Talks Tour, ‘Tension II’ and the ‘Mind-blowing’ Success of ‘Padam Padam’

Kylie Minogue’s red-hot moment isn’t cooling off anytime soon.

Australia’s “princess of pop” started her week in Singapore, where she performed for the crowds gathered for the Formula 1 Grand Prix, and fulfilled a lifelong dream when she waved the chequered flag.

Then, on Thursday, Kylie’s name was called out — five times — when the nominations for the 2024 ARIA Awards were announced. Only Royel Otis (with eight) and Dom Dolla (six) collected more nods.

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Next month, the Melbourne-raised pop veteran releases Tension II, Kylie’s 17th studio album and the sequel to her 2023 hit Tension, which led the national charts in the United Kingdom and Australia, and peaked at No. 21 on the Billboard 200.

Tension II is scheduled to arrive Oct. 18, and is led by “Lights Camera Action,” the lead single due out this Friday, Sept. 27.

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There’s no slowing down for Kylie who, in the early months of 2025, embarks on a global tour.

Choosing which songs to stack in her setlist is a “juggling act,” she tells ABC Breakfast in her homeland. It’s “the hardest part of every tour.”

Of course, Kylie will deliver “the biggest hits and leave some space for some oddities. Not just the same old songs you’ve heard time and time again on tours,” she admits.

The global success of Tension hit “Padam Padam” was both “mind-blowing” and “life-changing,” says Kylie. “I didn’t set out to do that. I just consistently worked and consistently try and keep achieving.”

Tension II has “a similar vibe” to its predecessor, Minogue confesses, and features “a few random collaborations which I’ve really enjoyed,” with The Blessed Madonna, Orville Peck, Bebe Rexha, Tove Lo, and fellow Aussie Sia among them. “You feel like some of the pressure’s off you when you share the load.”

Kylie can apparently do no wrong. Earlier in the year, she scooped the Global Icon Award at the BRIT Awards, becoming just the second woman to win it following Taylor Swift in 2021, and went on to win the Billboard Women in Music Icon Award.

Kylie landed a Grammy Award (best pop dance recording) for “Padam Padam,” completed her inaugural Las Vegas Residency, and signed with United Talent Agency (UTA) for live representation in the U.S. and Canada and acting roles worldwide.

The Tension Tour 2025 is scheduled to kick off Feb. 15 at RAC Arena in Perth, Australia, following by pan-Asian dates in March, and a trek through the U.K. and Europe in May.

Royel Otis, Dom Dolla Lead Finalists for 2024 ARIA Awards

With eight nominations, Royel Otis is all set to reign at the 2024 ARIA Awards.

The Sydney-formed indie act bags nods for album of the year, best group, best independent release, best rock album, best Australian live act and more, following their debut full-length album release, Pratts & Pain, which peaked at No. 2 on the ARIA Chart.

Royel Otis has been in sparkling form heading into the ARIAs. Led by Royel Maddell and Otis Pavlovic, and developed by Ourness, the music company behind Genesis Owusu, Royel Otis made their debut on the Billboard Hot 100 with a cover of The Cranberries’ “Linger” reaching No. 94, and impacted Billboard’s Alternative Airplay chart with another cover, hitting No. 2 with their rendition of Sophie Ellis-Bextor’s “Murder On The Dancefloor,” which they covered for triple j’s Like A Version.

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They’ve accumulated 9 million followers on Spotify, and more than 318 million combined streams on the streaming platform in the past year. Royel Otis wrapped a tour of the U.K. and Europe last month, and their currently stateside on a trek that runs until Oct. 22.

At the ARIAs, EDM star Dom Dolla is close behind with six nominations, while Angie McMahon and Kylie Minogue score five nods each.

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Amy Shark, 3%, RÜFÜS DU SOL, The Kid LAROI, Tones And I and Troye Sivan each land four chances, while Confidence Man, FISHER, Mildlife, Miss Kaninna, SPEED and Troy Cassar-Daley are each finalists in three categories.

Awards in 29 categories will be presented Nov. 20 during a ceremony at Sydney’s Hordern Pavilion. On the night, Missy Higgins will be inducted into the ARIA Hall of Fame.

“This year,” comments ARIA CEO Annabelle Herd, “we get to celebrate a deep list of household names in Australian music that span all genres, highlighting the huge shift in positive momentum that the Australian music industry experienced this year. It’s a time to acknowledge those who are achieving amazing things, and spotlight those who are about to, to ensure we continue this momentum forward into 2025.”

The Australian recording industry’s flagship awards night will air live on Stan, with a special broadcast on free-to-air Channel 9. Also, performances and moments will stream globally at the official ARIA YouTube channel.

The ARIA Awards is supported by the NSW Government through its tourism and events agency, Destination NSW, and partnered by YouTube.

Visit aria.com.au for the full list of nominations.

2024 ARIA Awards Nominations

Album of the Year
Amy Shark – Sunday Sadness (Sony Music)
Angie McMahon – Light, Dark, Light Again [AWAL Recordings]
Kylie Minogue – Tension [Mushroom Music/BMG]
Royel Otis – PRATTS & PAIN [Ourness/Believe]
Troye Sivan – Something to Give Each Other [EMI Music Australia]

Best Solo Artist
Amy Shark – Sunday Sadness (Sony Music)
Angie McMahon – Light, Dark, Light Again [AWAL Recordings]
Dom Dolla – Saving Up [Three Six Zero/Sony Music]
Emma Donovan – Till My Song Is Done [Mushroom Music/BMG]
Kylie Minogue – Tension [Mushroom Music/BMG]
The Kid LAROI – THE FIRST TIME [DELUXE VERSION] [Columbia Records/Sony Music]
Tkay Maidza – Sweet Justice [Dew Process/Universal Music Australia]
Tones And I – Beautifully Ordinary [Bad Batch Records/Sony Music]
Troy Cassar-Daley – Between The Fires [Tarampa Music/Sony Music]
Troye Sivan – Something To Give Each Other [EMI Music Australia]

Best Group presented by Stan
3% – KILL THE DEAD [1788 Records/Virgin Music Group]
Hiatus Kaiyote – Love Heart Cheat Code [Brainfeeder/Inertia]
Royel Otis – PRATTS & PAIN [Ourness/Believe]
RÜFÜS DU SOL – Music is Better [Reprise Records/Warner Music Australia]
SPEED – Only One Mode [Last Ride Records/ADA]

Michael Gudinski Breakthrough Artist
3% – KILL THE DEAD [1788 Records/Virgin Music Group]
Becca Hatch – MAYDAY [Forever Ever/SonyMusic
Kita Alexander – Young In Love [Warner Music Australia]
Sycco – Zorb [Future Classic]
Teen Jesus and the Jean Teasers – I Love You [Domestic La La]

Best Pop Release
Amy Shark – Sunday Sadness (Sony Music)
Jessica Mauboy – Yours Forever (Warner Music Australia)
Kylie Minogue – Tension (Mushroom Music/BMG)
The Kid LAROI – Girls (Columbia Records/Sony Music)
Troye Sivan – Something To Give Each Other (EMI Music Australia)

Best Dance / Electronic Release
Confidence Man – I CAN’T LOSE YOU (I OH YOU/Mushroom Music)
CYRIL – Stumblin’ In (Spinnin’ Records/WMA)
Dom Dolla – Saving Up (Three Six Zero/Sony Music)
FISHER Feat. Kita Alexander – Atmosphere (etcetc Music)
RÜFÜS DU SOL – Music is Better (Reprise Records/Warner Music Australia)

Best Hip Hop / Rap Release
3% – KILL THE DEAD (1788 Records/Virgin Music Group)
Kobie Dee – Chapter 26 (Bad Apples Music/Island Records Australia)
Lithe – Fall Back (GSL/GYROstream)
ONEFOUR – Natural Habitat (ONEFOUR RECORDS)
The Kid LAROI – THE FIRST TIME [DELUXE VERSION] (Columbia Records/Sony Music)

Best Soul / R&B Release
Forest Claudette – Jupiter (Sony Music)
Milan Ring – Mangos (Astral People Recordings/[PIAS])
Miss Kaninna – Blak Britney (Soul Has No Tempo)
PANIA – WE STILL YOUNG (Say Less)
Tkay Maidza – Sweet Justice (Dew Process/Universal Music Australia)

Best Independent Release presented by PPCA
Angie McMahon – Light, Dark, Light Again (AWAL Recordings)
Emily Wurramara – NARA (ABC Music/The Orchard)
Kylie Minogue – Tension (Mushroom Music/BMG)
Miss Kaninna – Blak Britney (Soul Has No Tempo)
Royel Otis – PRATTS & PAIN (Ourness/Believe)

Best Rock Album
Angie McMahon – Light, Dark, Light Again (AWAL Recordings)
Grinspoon – whatever, whatever (Universal Music Australia)
King Gizzard & The Lizard Wizard – Flight b741 (p(doom) records)
Middle Kids – Faith Crisis Pt 1 (EMI Music Australia)
Royel Otis – PRATTS & PAIN (Ourness/Believe)

Best Adult Contemporary Album
Angus & Julia Stone – Cape Forestier (Sony Music)
Crowded House – Gravity Stairs (BMG/ADA)
Emily Wurramara – NARA (ABC Music/The Orchard)
Emma Donovan – Til My Song Is Done (Civilians)
Fanning Dempsey National Park – The Deluge (Dew Process/Universal Music Australia)

Best Country Album
Casey Barnes – Mayday (Casey Barnes Entertainment/Chugg Music)
Henry Wagons – The Four Seasons (Cheatin’ Hearts Records/ADA)
James Johnston – Raised Like That (Warner Music Australia)
Tori Forsyth – All We Have Is Who We Are (Island Records Australia/Universal Music Australia)
Troy Cassar-Daley – Between The Fires (Tarampa Music/Sony Music)

Best Hard Rock / Heavy Metal Album
C.O.F.F.I.N – Australia Stops (Damaged Records/Inertia)
Dune Rats – If It Sucks, Turn It Up (BMG/ADA)
Polaris – Fatalism (Resist/Civilians)
SPEED – Only One Mode (Last Ride Records/ADA)
Teenage Jones – The Rot That Grows Inside My Chest (Domestic La La)

Best Blues & Roots Album
Checkerboard Lounge – SUN Sessions (Cheersquad Records and Tapes)
Dope Lemon – Kimosabè (BMG/ADA)
Georgia Mooney – Full Of Moon (Nettwerk Music Group)
Mia Dyson – Tender Heart (Metropolitan Groove Merchants)
The Paper Kites – At The Roundhouse (Wonderlick Recording Company)

Best Children’s Album
Bluey – Dance Mode! (Ludo Studios/Demon Demon Music Group/Rocket)
Emma Memma – Twirly Tunes (GYROstream)
Josh Pyke – It’s Gonna Be A Great, Great Day! (ABC Music/The Orchard)
The Wiggles – Wiggle and Learn: 100 Educational Songs for Children (ABC Music/The Orchard)
Zinzi & The Zillionaires – Zinzi & The Zillionaires (ABC Music/The Orchard)

PUBLIC VOTED AWARDS
Best Video presented by YouTube
REAL LIFE LOVE – SPEED, Jack Rudder, Jem Siow, Thomas Elliot (Last Ride Records/ADA)
Cold Treatment – Lime Cordiale, Jack Shepherd (Chugg Music/MGM)
U Should Not Be Doing That – Amyl and The Sniffers, John Angus Stewart (Amyl and The
Sniffers/Virgin Music Group)
Time Of My Life – Peach PRC, Josh Harris (Island Records Australia)
Lately – RÜFÜS DU SOL, Katzki (Rose Avenue Records/Warner Music)
Beautiful Eyes – Amy Shark, Marcario De Souza (Sony Music)
Is It Ever Gonna Make Sense – Budjerah, Michael O’Halloran [ONYX FILM] (Warner Music Australia)
Dance With Me – Tones And I, Nick Kozakis and Sela Vai (Bad Batch Records/Sony Music)
Blak Britney – Miss Kaninna, Will Hamilton-Coates (Soul Has No Tempo)
I CAN’T LOSE YOU – Confidence Man, Zac Dov Wiesel (I OH YOU/Mushroom Music)

Best Australian Live Act presented by Destination NSW
Angie McMahon – Making It Through Tour (AWAL Recordings)
Barkaa – BARKAA (Bad Apples Music/Island Records Australia)
Confidence Man – Laneway Festival (I OH YOU/Mushroom Music)
Dirty Three – Love Changes Everything Tour (Anchor & Hope/Remote Control Records)
Dom Dolla – DOM DOLLA AUSTRALIAN TOUR 2023 (Three Six Zero/Sony Music)
King Stingray – Regional Run 2024 (Civilians/The Orchard)
Missy Higgins – The Second Act Tour 2024 (Eleven/EMI Music Australia)
Royel Otis – Royel Otis PRATTS & PAIN Tour (Ourness/Believe)
RÜFÜS DU SOL – RÜFÜS DU SOL 2024 Australian Summer Tour Dates (Rose Avenue Records/Warner
Music)
Tones And I – P!nk Supported By Tones And I (Bad Batch Records/Sony Music)

Song of the Year presented by YouTube
CYRIL – Stumblin’ In (Spinnin’ Records/WMA)
Dom Dolla – Saving Up (Three Six Zero/Sony Music)
FISHER Feat. Kita Alexander – Atmosphere (etcetc Music)
G Flip – The Worst Person Alive (Future Classic)
Jessica Mauboy Feat. Jason Derulo – Give You Love (Warner Music Australia)
Kylie Minogue – Tension (Mushroom Music/BMG)
Lithe – Fall Back (GSL, GYROstream)
Royel Otis – Murder on the Dance Floor – triple j Like A Version (ABC Music/The Orchard)
The Kid LAROI – Nights Like This (Columbia Records/Sony Music)
Troye Sivan – Got Me Started (EMI Music Australia)

Most Popular International Artist
Ariana Grande – Eternal Sunshine (Republic Records/Universal Music Australia)
Billie Eilish – Hit Me Hard And Soft (Darkroom/Interscope/Universal Music Australia)
Chappell Roan – The Rise And Fall Of A Midwest Princess (Island Records USA/Universal Music
Australia)
Charli XCX – BRAT (Atlantic Records/Warner Music Australia)
Drake – For All The Dogs (Republic Records/Universal Music Australia)
Olivia Rodrigo – Guts (Geffen/Universal Music Australia)
Tate McRae – Think Later (RCA Records/Sony Music Entertainment)
Taylor Swift – The Tortured Poets Department (Republic Records/Universal Music Australia)
Travis Scott – Utopia (Epic/Sony Music Entertainment)
Zach Bryan – Zach Bryan (Warner Records/Warner Music Australia)

ARIA Music Teacher Award
Casey Allen – PLC Sydney, Eora Nation, NSW
Hayley Wedding – Seaview High School, Kaurna Land, SA
Nathaniel Miller – Bulman School, Arnhem Land, NT
Susan Sukkar – Petersham Public School, Eora Nation, NSW

ARTISAN AWARDS
Best Cover Art
Daniel Boyd and Nomad Create for KILL THE DEAD – 3% (1788 Records/Virgin Music Group)
Giulia McGauran & Sam Chirnside for Tones And I – Beautifully Ordinary (Better Batch Records/Sony
Music)
Louis Leimbach for Lime Cordiale – Enough Of Sweet Talk (Chugg Music/MGM)
Michael Bryers for Troy Cassar-Daley – Between The Fires (Tarampa Music/Sony Music)
Tomas Shanahan for Mildlife – Chorus ([PIAS] Australia/Inertia Music)

Engineer – Best Engineered Release
Chris Collins for Royel Otis – PRATTS & PAIN (Ourness/Believe)
Dom Dolla for Dom Dolla – Saving Up (Three Six Zero/Sony Music)
Eric J. Dubowsky for Angus & Julia Stone – Cape Forestier (Sony Music)
Luke Steele, Nick Littlemore, Peter Mayes for Empire Of The Sun – Ask That God (EMI Music
Australia)
Tony Buchen for Mildlife – Chorus ([PIAS] Australia/Inertia Music)

Producer – Best Produced Release
Chris Collins for Royel Otis – PRATTS & PAIN (Ourness/Believe)
Crowded House & Steven Schram for Crowded House – Gravity Stairs (BMG/ADA)
Dom Dolla for Dom Dolla – Saving Up (Three Six Zero/Sony Music)
FISHER for FISHER Feat. Kita Alexander – Atmosphere (etcetc Music)
Luke Steele, Nick Littlemore, Peter Mayes for Empire Of The Sun – Ask That God (EMI Music
Australia)

FINE ARTS AWARD
Best Classical Album
Australian Chamber Orchestra/ Richard Tognetti – Beethoven Symphonies 1, 2 & 3 ‘Eroica’ (ABC
Classic/The Orchard)
Grigoryan Brothers – Amistad – Music For Two Guitars (Decca Australia/UMA)
Orava Quartet – ORAWA (Deutsche Grammophon Australia/UMA)
Sophie Hutchings – A World Outside (Mercury KX/UMA)
Veronique Serret – Migrating Bird (Migrating Bird Records/The Planet Company)

Best Jazz Album
Audrey Powne – From The Fire (Barely Breaking Even/The Orchard)
Elixir (feat. Katie Noonan, Zac Hurren & Ben Hauptmann) – A Small Shy Truth (ABC Jazz/The
Orchard)
Mildlife – Chorus ([PIAS] Australia/Inertia Music)
Tourismo – Torque (ABC Jazz/The Orchard)
Vanessa Perica Orchestra – The Eye is the First Circle (Vanessa Perica)

Best Original Soundtrack or Musical Theatre Cast Album presented by Stan
Ack Kinmonth – Scarygirl (Independant)
Harlow – This is HARLOW (Music From Paper Dolls) (Helium/MGM)
Helena Czakja – Nemesis (Original Series Soundtrack) (ABC Music/The Orchard)
Jackson Milas – The Way, My Way (Ambition Records/MGM)
Various Artists – Faraway Downs (DTS Productions/Sony Music)

Best World Music Album
Christine Anu – Waku (ABC Music/The Orchard)
Dobby – Warangu; River Story (ABC Music/The Orchard)
Joseph Tawadros – The Virtue of Signals (Independant/The Planet Company)
Radical Son – Bilambiyal (Wantok Musik/The Planet Company)
Soweto Gospel Choir & Groove Terminator – History of House (Xelon Entertainment)

OUR SOUNDTRACK OUR ADS
Best Use of an Australian Recording in an Advertisement
Cancer Council: End The Trend – Bolster Group, JK-47
NRL & AFL: WARRIORS & STORYTELLERS – Fox Sports Australia, Kobie Dee
Qantas Olympics: Already Proud – Howatson+Company, Tones And I
realestate.com.au: Keep Moving – 72andSunny, Eurogliders
Speedo International: Go Full Speedo – Collider/Mirimar, The Beefs

Sophie’s Self-Titled Posthumous LP Arrives: Stream It Now

The music of Sophie lives on through her self-titled final album, which surprised dropped late Wednesday.

Released through Future Classic and Transgressive, the posthumous SOPHIE collection is stacked with collaborations with close friends, and houses previously-released cuts “Reason Why” (featuring Kim Petras & BC Kingdom), “Berlin Nightmare” featuring Evita Manji, “One More Time” ft. Popstar, “Exhilarate” ft. Bibi Bourelly, and “My Forever” ft. Cecile Believe.

Hannah Diamond worked with Sophie on the album track “Always and Forever,” recorded in London during the 2020 lockdown. “It ended up being the last ever day that I saw her in person,” Diamond remarks.

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Sophie, an important figure in underground pop and dance music, died the following year, at the age of 34.

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“Our beautiful Sophie passed away this morning after a terrible accident,” read a statement at the time, issued by Future Classic. “True to her spirituality she had climbed up to watch the full moon and accidentally slipped and fell.”

Born and raised in Glasgow, Scotland, Sophie Xeon inherited an interest in dance and electronic music from their father, and started recording their own music at a young age. In the early ’10s, they struck up an association with a few artists on the PC Music label, soon to be at the experimental pop vanguard, and released their debut single “Nothing More to Say” in 2013.

Over the next decade, Sophie appeared on and helmed a slew of recordings, including 2017’s “It’s Okay to Cry,” ultimately named by Billboard as one of the best songs of the year.

Following Sophie’s passing, pop cult favorite Rina Sawayama remembered the lateartist as “the sweetest – an icon and a visionary,” adding, “the world and our community has lost a beautiful soul.”

SOPHIE is released as a double vinyl, with each side representing a different section of the album. The wax comes in standard black as well as translucent neon pink, clear, and silver and is available to order here.

Stream SOPHIE in full below.

Sean “Diddy” Combs Hit With New Lawsuit Alleging Mogul & Bodyguard Filmed Assault

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Sean “Diddy” Combs is currently behind bars at a detention facility in New York as he awaits sentencing and his legal troubles are still mounting. A new lawsuit filed by Thalia Graves alleges that Diddy and a bodyguard brutally assaulted her and that the incident was filmed.

As reported by CNN, Thalia Graves, 48, held a press conference alongside Gloria Allred on Tuesday (September 24) in Los Angeles. Graves was a former resident of Queens who encountered Diddy around 1999 and 2000 as her boyfriend at the time was a part of the Bad Boy Records executive team.

In her lawsuit, Graves says that in the summer of 2001 while at her mother’s home, she entered into a vehicle with Combs and his bodyguard Joseph “Big Joe” Sherman and accepted a glass of wine. She alleges in the suit that after having the wine, she began to feel strange after consuming the beverage.

Graves said that she eventually passed out from the wine, which she alleges was tainted with drugs, and woke up naked in a Manhattan studio with her hands tied behind her. She goes on to say that Combs sexually assaulted her and used force to keep her stationery as she tried to resist. She added that Sherman sexually assaulted her as well as she regained and lost consciousness.

While flanked by Allred, the current Texas native said that the encounter with Diddy left her physically and emotionally damaged.

“The combination of physical and emotional pain has created a cycle of suffering from which it is so hard to break free,” Graves said, through tears. “I want to continue on this journey towards recovery and healing. I’m glad that he is locked up, but that’s a temporary feeling of relief.”

While Combs’ legal team has yet to respond to Graves’ 26-page complaint, Sherman issued a statement saying that Graves’ assertion of him assaulting her were “false and baseless accusations” and added that Graves is looking to cash in on a financial settlement.

“These accusations are not only false but damaging to my character,” Sherman said. “I have never met the accuser, and I was not working with Sean Combs during the time in question. I will be pursuing legal action to address this defamation and protect my name.”

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John Legend Celebrates Rove Concepts Furniture Collaboration: ‘It’s Cool to Dream Up Beautiful Spaces to Live, Work & Create In’

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

John Legend is tapping into interior design. The 45-year-old singer partnered with Rove Concepts on a furniture collection that blends his design taste with Rove’s sleek aesthetic.

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Inspired by Legend’s creative reach across music, film and theater, the Journeys Collection combines plush textures with wood finishes and rounded edges made from sustainable materials and available in calming, earthy tones such as tan, clay and sage green.

“I remember when this was just a concept, no pun intended,” Legend joked during the launch party at the Rove Concepts showroom in Los Angeles on Monday (Sept. 23). “It’s so cool to dream up beautiful spaces for people to live, work and create in.”

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Legend added that the collection is a “nice coming together of Rove Concepts and my aesthetic. I love what we’ve done.”  

The centerpiece of the collection is an oversized, comfortable sectional made from corduroy velvet and silkstone. Available tan, gray, clay and evergreen, the Kaye Sectional L-Shaped Sofa retails for $2,999 for Rove members and $3,999 for non-members.

Other standouts from the Journeys Collection include the Curva Lounge Chair ($932), Beja Rug ($665), Orb Coffee Table ($732) and Orb Side Table ($319). Members save 25% off pieces in the collection.

Rove’s membership program is $200 annually and offers 25% off sitewide for a year, 10% back in vouchers, VIP access to sales, a complimentary design consultation and a dedicated concierge for orders.

The Journeys Collection is available in Rove Concepts stores in Los Angeles, Miami and San Diego, Calif. in addition to Vancouver, B.C. and Toronto.

See more on the collection in the video below.

Mixxy Mayor Eric Adams Indicted, NYC Xitter Is Lit

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New York City Mayor Eric Adams

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New York City Mayor Eric Adams has been indicted. The divisive politician is the first mayor of the Big Apple to face criminal charges while on the job.

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The indictment is sealed, for now. Adams, a retired NYPD captain, has been under investigation by the Department of Justice for months over the fundraising for his mayoral campaign, which has been allegedly tied to foreign nations including Turkey. Adams’ phones were seized last year, yet, he was still on the job.

Of course, Adams put out a statement denying everything, claiming he is the actual victim. Reportedly, even after he’s inevitably arrested, he can still return to office until his case is taken to trial. New York State’s governor Kathleen Hochul does have the ability to suspend Adams, if she desires. But at this point that is all conjecture.

Over the last couple of weeks and days alone numerous top officials on his staff and NYC’s City Hall have stepped down.

Earlier in the day (Sept. 25), Congresswoman Alexandria Ocasio-Cortez Casio called for Adams to resign, citing all the investigations surrounding his administration and referencing the departures. “I do not see how Mayor Adams can continue governing New York City,” wrote AOC on X, formerly known as Twitter. “The flood of resignations and vacancies are threatening gov function. Nonstop investigations will make it impossible to recruit and retain a qualified administration.”

To say Adams has been a divisive figure since the moment he was elected mayor would be an understatement. Socia media media user, particularly from NYC, are letting everyone know how they really feel—see in the gallery below. More calls for his resignation are coming through, too.

4. Never forget.

Kelly Clarkson Pours a Cup of Chappell Roan’s ‘Coffee’ for Kellyoke

Kelly Clarkson is part of the Pink Pony Club!

The superstar covered Chappell Roan’s “Coffee” for her latest Kellyoke installment during her talk show on Wednesday (Sept. 26). “If I didn’t love you, it would be fine/ I’ll meet you for coffee, only for coffee/ Nowhere else is safe, every place leads back to your place,” Clarkson mused the melancholy lyrics backed by her instrumentalists, My Band Y’all.

Roan has skyrocketed to fame in the months since she dropped her debut album The Rise and Fall of a Midwest Princess last year. After a series of headline-making performances — including at Coachella and Gov Ball 2024 — the 14-track project earned a new peak of No. 5 on the Billboard 200 last month.

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The album features the track “Coffee” as well as breakout hits “HOT TO GO!,” “Red Wine Supernova,” “Casual” and “Pink Pony Club.”

“It feels like I was right all along,” Roan recently told Jimmy Fallon of her musical rise during an appearance on his late-night talk show. “I feel kind of like, I made it already when people showed up to my concert a few years ago … everything else has been a cherry on top.”

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Watch Kelly Clarkson perform Chappell Roan’s “Coffee” below.

CMT Undergoes Layoffs as Part of Paramount Global Restructuring

A number of staffers at CMT, the Nashville-based country music and lifestyle programming network, have been let go as part of a broad swath of staff cuts taking place at Paramount Global.

Billboard has learned that among the music and talent team leaving are Stacey Cato (director of music and talent), Quinn Brown (vp of production), Ray Sells (senior director of production), Jennifer DeVault (senior producer), Jordan Walker (senior manager of music and talent), Abbi Roth (senior manager of music and talent) and Bryana Cielo (executive assistant), as well as Heather Graffagnino, vp of production management.

Among those remaining are Margaret Comeaux (senior vp of music and events production), Donna Duncan (vp of music and talent), Melissa Goldberg (vp of digital and social), Yasmin Mohammed (producer) and David Bennett (creative director).

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Sources say that Paramount will continue to support CMT and is positioning the outlet for the future, but what that looks like is unclear.

This week, Paramount Global began a second round of staff cuts, as it continues its aim of reducing its U.S. workforce by 15%, seemingly in preparation for the company’s planned merger with Skydance Media. In a memo to staffers on Monday (Sept. 24), Paramount’s co-CEOs George Cheeks, Chris McCarthy and Brian Robbins stated, “Like the entire media industry, we are working to accelerate streaming profitability while at the same time adjusting to the evolving landscape in our traditional businesses. In order to set Paramount up for continued success, we are taking these actions. Days like today are never easy. It is difficult to say goodbye to valued colleagues, and to those departing, we are incredibly grateful for your countless contributions.”

The cuts come as the company, like many legacy media companies, is seeing a decline in linear television viewership and advertising, and consumers continue to move toward streaming video and digital.

In June, Paramount cut nearly all the content roles across its CMT, MTV, Comedy Central and TV Land websites, while storied news site MTVnews.com was taken down. During a town hall on June 25, McCarthy noted that Paramount’s revenue had grown by 13% between 2018 and 2023, while the company’s operating income before depreciation and amortization (OIBDA) has fallen 61% during that same time frame. Thus, they are aiming at cutting $500 million in costs.

Country radio trade publication Country Aircheck first reported a number of the layoffs.

Reps for Paramount Global had not responded to Billboard‘s request for confirmation by press time.

Macklemore Releases Statement, Clarifies ‘F— America’ Chant in Seattle: ‘They Will Not Silence My Voice’

Macklemore has released a statement after leading a “f— America” chant at Seattle’s Palestine Will Live Forever Festival over the weekend.

Macklemore performed his new song at the event, “Hind’s Hall 2,” the sequel to his May song of the same name whose proceeds are given to the United Nations Relief and Words Agency (UNRWA), which provides assistance to Palestinian refugees. “Straight up, say it, I’m not gonna stop you,” told the crowd in a fan video from the show. “I’m not gonna stop you… yeah, f–k America.”

On Tuesday (Sept. 24), the rapper was dropped from Las Vegas’ Neon City Festival lineup.

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In his statement, released on Wednesday, Macklemore explains his mindset leading up to the performance. “My thoughts and feelings are not always expressed perfectly or politely. Sometimes I slip up and get caught in the moment. Saturday night was one of those times,” he began his lengthy statement posted to social media.

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“Unfortunately, the historic event in my hometown that brought thousands of people together to raise awareness and money for the people of Palestine has become overshadowed by two words,” he continued, noting that he hasn’t been “OK” in the months since the Israel-Hamas war has broken out. ” I have been in utter disbelief with how our government is showing up at this moment in history. I don’t think I’m alone,” he wrote, “Some days I don’t know how to love something that is hurting others so much. I don’t think I’m alone.”

He continued, “And some days I wake up, see another couple billion dollars given to Israel, or another refugee encampment destroyed, or a father holding a limb from his martyred child, or another speech from a politician justifying the right of Israel to ‘defend itself’ while denying Palestinians the right to exist, and I say to myself…. ‘F— America.’ I don’t think I’m alone.”

Macklemore concluded his statement, “I’ve slipped in front of the world before. I’m sure I’ll do it again. But they will not silence my voice, and they will not close my heart. I’ve lost endorsements, I’ve lost shows, I’ve lost business ties. I am still here, unwavering in my support for a Free Palestine. I care about humanity and this earth too much to turn back now. My intent always comes back to the pursuit of peace, love, equality and liberation for all. And that isn’t radical, it’s human. I don’t think I’m alone.”

See Macklemore’s powerful statement in full below.