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Joe Budden Sidesteps Diddy Affiliation, Says He Was Never In Freak Off Tapes

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Sean

Joe Budden was once affiliated with Sean “Diddy” Combs via their business dealings, but the retired rapper turned broadcaster says that is where it ended. During an episode of his eponymously named podcast, Joe Budden shut down chatter that he was seen onscreen in the so-called “freak off” footage.

During episode 760 of The Joe Budden Podcast, Budden and his co-hosts went into a deep dive regarding the allegations Sean “Diddy” Combs is facing. The conversation was first lighthearted and replete with some mild humor as is custom for the podcast but Budden shifted it a touch around the 20:00-minute mark when he explained that he wasn’t in any “freak off” footage and that his father called him to inquire further.

After debunking his involvement in any of the reported activities at the alleged sex-fueled parties, Budden spoke to the perception that the public-facing relationships had sparked among the casual observers around the 56:00-minute mark. In Budden’s view, he believes that his connection to Combs was strictly about business primarily as the “Pump It Up” star once hosted a talk show series on the REVOLT network.

The podcast episode took place when Budden recently returned from a vacation, which some fans found to be convenient timing on his part. Ice, another co-host, tried to move the conversation forward by stating that the cast had already dissected the matter and that the information wasn’t exactly new but they decided to give the matter some dedicated time all the same.

To his credit and despite their rumored connection, Joe Budden has been direct in his critique of Combs and has remained as objective as possible regarding his takes.

Check out the podcast episode in question below.

Photo: Getty

Kanye West Announces New Solo Album ‘Bully’, Debuts New Song

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Kanye West's Vultures Listening Experience In Haikou

Source: China News Service / Getty

Kanye West has been surprisingly quiet during this election year and while he seems to be keeping to himself as of late, the polarizing artist is making some noise thanks to a surprising announcement he made at a recent show in China. A new album called Bully.

Over the weekend, news broke that Yeezy is prepping to drop a brand new album. He told a crowd at the Wuyuan River Stadium in Haikou, China, that “I got a new album coming out.”

With cheers erupting at the big reveal, Ye continued, “The album is called Bully, and this song is called “Beauty And The Beast.” Going into a soft and smooth melody, Kanye gets into his 808s & Heartbreak mode and begins singing, “It’s been a long time coming/fresh new ties, I’m still runnin’/It’s a few things I’m overcoming…”

We’re not gonna lie, the song sounds pretty good.

With this being Kanye’s first solo album in a while, we wonder if he’ll once again try to get this project up and running exclusively on the ill-fated Stem Player that seemingly crashed and burned just a few years ago.

Interestingly enough, HipHopNMore reports that Ye’s long-time collaborator, Mike Dean, left a comment saying that the track is actually a leftover from Ye’s 2022 album, Donda.

Still, pretty good song.

Check out Kanye’s announcement and “new” song below, and let us know if you’re looking forward to Bully in the comments section.

Billboard Hot 100 Top 10 Countdown for Oct. 5, 2024 | Billboard News

Can Shaboozey uphold his reign for a 12th week?

Tetris Kelly:
This is the Billboard Hot 100 Top 10 for the week dated Oct. 5. Holding on to No. 10 is “Not Like Us.” “Taste” falls to No. 9, as “Please Please Please” is up to eight. “Lose Control” is locked at seven, as is Billie Eilish at No. 6, Gaga and Bruno at No. 5, Chappell Roan at No. 4. “Espresso” at No. 3. Post and Morgan at No. 2. For the 12th week, twice as many as any other No. 1 this year, is Shaboozey with “A Bar Song (Tipsy).”

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The Cure Tease Epic New ‘Songs of a Lost World’ Track ‘Endsong’

After 16 years of waiting for new music from The Cure, the beloved goth rock godheads have going from zero to the end in quick succession. After dropping the broody “Alone” last week, the Robert Smith-fronted band pulled the curtain back a bit more on Monday morning (Sept. 30) with a tantalizing tease of the even more morose “Endsong.”

The 15-second instrumental bit of the track previewed on the band’s Instagram Story was missing Smith’s iconic haunting melancholy vocals, but it leans hard into the English band’s signature turbulent songcraft via layers of chiming guitars, churning drums and an overall foreboding vibe.

Smith talked about the overall feel of their upcoming Songs of a Lost World studio album in a video interview posted on Friday in which the singer said he doesn’t recall there being an “official beginning” to the sessions for their 14th studio album. “Because it’s been kind of drifting in and out of my life for like an awful long time,” said Smith of the long-awaited follow-up to 2008’s 4:13 Dream.

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“I mean, if I have one regret it’s that I said anything at all about it in 2019,” he added of an interview he did five years ago in which he blamed himself for “going back over and redoing them [the songs]” endlessly during a time when he was grieving the losses of his mother, father and brother.

He said he shouldn’t have talked about the album at all back then because the band had just started working on it at that point. “There are various points where I thought, ‘I think we’re gonna make a new album’… and then… for various reasons other things have happened and the idea’s been sort of pushed back.” During the course of the band’s nearly half-century career, Smith said the key to completing a record has been him nailing down both the opening and closing song on a project.

“[If I do that] I think that the album’s halfway done,” he said. “That’s the key for an album.” As proof, after releasing “Alone,” Smith said it was “the track that unlocked the record; as soon as we had that piece of music recorded I knew it was the opening song, and I felt the whole album come into focus.”

“Alone” and “Endsong” will appear on Songs of a Lost World, which is due out on Nov. 1 via Capitol Records. The album, whose full track list has not yet been announced, was produced by Smith and Paul Corkett, who also co-produced 2000’s Bloodflowers. It features contributions from Smith, Simon Gallup (bass), Jason Cooper (drums), Reeves Gabriel (guitar) and Roger O’Donnell (keyboards); the latter longtime member recently announced that he’d been diagnosed with rare and “aggressive” blood cancer a year ago, but added that “I’m fine and the prognosis is amazing”.

Listen to Smith talk about the new album below.

Shaboozey’s ‘A Bar Song (Tipsy)’ Scores 12th Week at No. 1 on Billboard Hot 100

Shaboozey’s “A Bar Song (Tipsy)” tallies a 12th week at No. 1 on the Billboard Hot 100, extending 2024’s longest command. Notably, it has now reigned for twice as long as any other No. 1 this year, doubling up on Post Malone six-week leader “I Had Some Help,” featuring Morgan Wallen.

“A Bar Song (Tipsy),” which became Shaboozey’s first Hot 100 No. 1 in July, also ties for the third-longest rule this decade.

The track additionally furthers the longest No. 1 run of 2024 on the multimetric Hot Country Songs chart, adding a sweet 16th week in the top spot.

Meanwhile, Sabrina Carpenter claims three songs in the Hot 100’s top 10 – “Espresso,” “Please Please Please” and “Taste” – for a fifth consecutive week, becoming the first woman in the chart’s 66-year history to link such a streak.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Oct. 5, 2024) will update on Billboard.com tomorrow, Oct. 1). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Hozier Crashes Maren Morris’ All Things Go Set for Surprise ‘The Bones’ Duet

Fans were hopeful that Maren Morris and Hozier might link up at this year’s All Things Go festival in Columbia, Md., where both artists were featured on the lineup.

And during the “My Church” musician’s set Sunday (Sept. 29), the pair gave concertgoers exactly what they wanted when the Irish singer-songwriter emerged on stage with her without much fanfare, making fans at the Merriweather Post Pavillion grounds shriek with excitement and surprise. As fans sang along, Hozier and Morris traded harmonies on their 2019 duet “The Bones,” which peaked at No. 12 on the Billboard Hot 100 in April 2020.

“When the bones are good, the rest don’t matter/ Yeah, the paint could peel, the glass could shatter/ Let it rain, ’cause you and I remain the same,” they sang, exchanging a sweet hug before the “Take Me to Church” artist stepped offstage.

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A couple hours later, Hozier took the main stage to close out the entire festival with his headlining set, during which he gave Morris a shout-out. “Maren is such a wonderful person and just a uniquely talented artist as well,” he told the cheering crowd, calling “The Bones” a “stunning” song. “That was a lot of fun, thanks for anybody who was there at that set.”

During his performance, Hozier also thanked the crowd for helping him nab his first U.S. No. 1 this spring by propelling “Too Sweet” to the top of the Hot 100 and called for acceptance and world peace — encouraging fans to reach out to their representatives to support a ceasefire in Gaza — in a passionate minutes-long speech to the crowd. The performance closed out two days packed with live music, featuring Laufey and the Kennedy Center Orchestra, Reneé Rapp, Conan Gray, Janelle Monáe, Bleachers and more.

One person whose absence was felt heavily by the crowds at both the New York City and Maryland installments of the festival was Chappell Roan, who dropped out of All Things Go last minute to focus on her mental health. Muna saved the day by going on in her place Sunday — in addition to covering “Good Luck, Babe!” at both days of the festival — while a cohort of drag performers led a The Rise and Fall of a Midwest Princess dance party in lieu of Roan’s set in New York Saturday (Sept. 28).

Watch a clip of Morris and Hozier singing “The Bones” at All Things Go below.

Rapper-Actor Chino XL’s Cause of Death Revealed

Chino XL — born Derek Barbosa — died on July 28 at the age of 50, but no cause of death was given at the time. His family confirmed to People on Monday (Sept. 30) that the rapper-actor died by suicide.

“It’s been the most painful and personal experience of our lives, but in honor of Suicide Awareness Month, we decided to share this truth,” Chino’s children relayed in a statement, which also noted that the Ventura County Medical Examiner’s Office had listed his cause of death as asphyxia due to ligature hanging.

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“Our father was our rock and our best friend. Papa Bear loved us and taught us so much. Hundreds of emails, texts, chats and beautiful posts and comments on social media, have shown us that Dad was a fountain of strength to so many,” his children continued. “He encouraged and comforted pretty much everyone in his path and left this dimension with an untouchable creative legacy. We are grateful beyond words for our time with Dad and are overwhelmed by the immeasurable global outpouring of love from around the world.”

The statement also noted that the rapper was diagnosed with congenital heart failure in 2020 along with stage 4 prostate cancer earlier in 2024. He also struggled with bouts of depression throughout his life.

Chino XL is survived by his five kids, five grandchildren, his mother Carole and former longtime partner Stephanie. His niece Lady London was among those in the hip-hop community to pay tribute to the New Jersey-bred star.

Over the weekend, the late rapper-actor’s estate cleared up that there is no October release date for Chino XL’s upcoming posthumous album that’s in the works.

“It is with frustration, anger and pain that we renounce the ‘October release’ date for Chino XL’s posthumous album,” they wrote to Instagram. “The family and estate of Derek Barbosa own all rights, copyright and trademarks of the Chino XL name; his voice and likeness.”

Chino XL was born in the Bronx and raised in East Orange, N.J. He formed the Art of Origin duo with Kerri Chandler, and they signed to Def Jam Recordings via Warner in 1991.

His Here to Save You All debut album arrived in 1996 and reached No. 56 on the Top R&B Albums chart. Chino XL also notched collaborations over the years with the likes of Kool G Rap, Proof, J. Dilla and B-Real. He even headed to give Hollywood a try as an actor where he starred in movies such as Alex & Emma, while appearing in television shows such as CSI: MiamiThe Young and the Restless and Reno 911!

If you or anyone you know is experiencing suicidal ideation, reach out to the Suicide & Crisis Lifeline by calling 988 or visiting the website for free, confidential support that is available 24/7, 365 days a year.

Indie Record Store Profile: Sweat Records in Miami

In 2008, Lolo Reskin found out Iggy Pop was a fan of her record store. 

It was roughly three years since Sweat Records in Miami had opened its doors and the news of Iggy Pop’s appreciation came via a segment on CNN. The Stooges legend was showing the news channel around his favorite places in his hometown and took a moment to pose in front of Sweat’s mural, which, over the years, has included Prince, Grace Jones, David Bowie, Dolly Parton and Iggy himself.

At the time, Reskin tells Billboard, “We were like, ‘Oh my god. He knows we exist.’”

Sweat Records

Sweat Records

Zacharie Mantha-Ware

Iggy’s appreciation for the shop meant a lot to Reskin, who has lived and breathed music her whole life. Her grandmother, Joan Field, was a violin soloist who recorded and toured through the 1930s and ’40s. Her father went to Juilliard and was a working musician his whole life. The rest of her family helped ingrain her love of music through the local roller rink, where they would go all the time to soak up DJ sets throughout her childhood and tween years.

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The ability to play music well skipped a generation though, Reskin admits. “I was a decent guitarist in high school,” she says. “But does the world need another decent guitarist?”

Instead, she was the kid making all the mixtapes for her friends and alphabetizing all the CDs at Best Buy. Eventually she began working at a Virgin Megastore, which she loved. But it lacked a local touch.

“There would be something that was a huge hit locally that we wouldn’t have because our buyers were in L.A.,” Reskin says. Miami’s love for electronic music and trance was not being addressed, along with a need for imported singles and acts like Better Off Alone. “I had to go up to the buyer’s office and be like, ‘Can you get all this stuff?’ As cool and comprehensive as that store was, it wasn’t by locals for locals.”

Lolo Reskin of Sweat Records

Lolo Reskin of Sweat Records

So, in 2005, Reskin opened the first iteration of Sweat Records along with a good friend. (Her friend’s ownership in the business was short-lived; she went on to pursue a successful career as a lawyer.) And mere months after opening, the store was destroyed by Hurricane Wilma in late 2005.

“That was fun. I was 23 and stoned, trying to navigate moving my business,” Reskin recalls. “Thankfully, the old owner of [local music venue] Churchill’s Pub had this little warehouse in the back and they let us move all our stuff there.” The landlord at the original location, “in true Miami fashion, d-cked us over. They said they were going to get contractors and fix our building and then weeks went by and it became clear that they were just going to take the insurance check and leave us hanging.”

Sweat opened a temporary location for about a year before the space next to Churchill’s Pub in Little Haiti became available and they have inhabited the 1,200 sq. ft. store ever since. Sweat Records bills itself as the largest selection of new and reissued titles in Miami with several thousand titles on hand. The majority of their sales stem from physical music (about 85%) with the remainder coming in from merch, gear and accessories. Sweat also hosts in-store performances, which Reskin points out have always been all-ages to help foster that love of music in young Miami residents. They also host and promote shows, club nights and partner events around South Florida and are at somewhere around 1,000 events over the years.

The store specializes in “global sounds” with a wide range of Latin, Asian and African genres and they carry a lot of imports and all the essentials in jazz, soul, hip-hop, electronic music, rock/pop and soundtracks. “Miami is such a huge international city and tourist hub that we get visitors daily from different continents,” says Reskin. “A lot of vinyl is really hard to find and/or expensive in other countries, so we get a lot of people excited to visit and stock up who’ve already scoped our website.”

Sweat Records

Sweat Records

Zacharie Mantha-Ware

While Sweat is heading towards its 20th anniversary next year — they are creating a special book to commemorate the milestone — there have been hiccups along the way. But they’ve managed to survive with a little help from their friends.

Shortly after they learned of Iggy Pop’s love of the store, the record store’s air conditioning broke (“Sweat Records to the max,” Lolo jokes) and they reached out to the punk rocker. He was gracious enough to allow them to put the image of him from their mural on T-shirts for a fundraiser and he’s been a friend ever since.

In 2012, when Iggy was named the Record Store Day ambassador, he made his official appearance at Sweat Records, which got the store featured in magazines. When he received a presidential medal of service for the arts from the consulate of France, the Sweat Records crew (who call him tío, which is Spanish for uncle) was invited to the ceremony. He filmed his commentary for the 25th anniversary of the John Waters film Crybaby at the store. He has filmed music videos there and one of their former employees, Alejandra Campos, is now one of his touring guitarists.

When Iggy made a documentary about recording the Josh Homme-produced Post Pop Depression album, the official screening was held at Sweat Records. Reskin interviewed Iggy on stage at Sweat prior to the screening and says she’s never studied for anything harder in her life. But as a Miami native, she spent a lot of the conversation discussing their shared love of the city.

Sweat Records

Sweat Records

Zacharie Mantha-Ware

“He moved to Miami in the ‘90s so he saw it when it was a totally different place and told all these crazy stories about whipping a sports car across the causeways and going out to the old fish camp on Key Biscayne to drink beer,” says Reskin. “He’s so f—king cool. He’s the best.”

Over the years the store has found additional friends in Betty Wright, Clarence Reid and Jimmy Buffett and Reskin appreciates the community that has helped Sweat overcome “hurricanes, recessions, pandemics and selling records in the 21st century.

“I always loved the classic trope of indie record stores,” says Reskin. “Most of the ones I’d gone to in high school closed by the time I was in college. So, it really was just like, ‘I want Miami to have this.’”

More in this series:
Twist & Shout in Denver, Colo.
Grimey’s in Nashville, Tenn.
Home Rule in Washington, D.C.

Reggaéton ‘OG’ Yandel Wants To ‘Keep Being a Legend’

When today’s reggaetón stars refer to the genre’s OGs, names like Daddy Yankee, Don Omar, Wisin and Yandel always come up. During Latin Music Week, Yandel will star on his own panel, which, like his upcoming album (out Oct. 10 on Warner Music Latin), is titled Elyte and will feature new and legendary reggaetón names across 19 tracks.

At 47 years old — and now on his 11th solo set — Yandel is not only comfortable in his role as a solo act, but also as a leader and mentor to a new generation and a bridge between reggaetón’s past and future.

What does being a reggaetón OG mean to you?

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I feel blessed to be here and still be relevant. It’s any artist’s dream. I’m a real OG, a real musical gangster. I know how to traffic my music and lead my business. It’s been 25 years of killing it. I’m someone who respects new generations and collaborates with new artists. I think that’s what keeps me relevant.

How do you see reggaetón today versus 20 years ago?

The evolution of reggaetón has been a complex process, both musically and culturally. Reggaetón came up in the ’90s as a mix of reggae in Spanish, dancehall and hip-hop. In its beginnings, it was cruder, born from the parties and experiences in the streets of Puerto Rico. It has adapted, and in recent years it has integrated other genres like pop, trap, electronica and smoother rhythms like pop and ballads, which have allowed it to be more versatile and accessible to a global audience. It’s gone from being a marginalized genre to dominating global charts.

What’s your role in the genre today?

I’ll continue to explore different sounds, but keep faithful to reggaetón while incorporating trap, pop and dembow. On Elyte, I’ll display a versatility that maybe wasn’t there last year. And I’ll continue to grow on the business side, continue to be relevant and a bridge between classic and modern reggaetón. You know, keep being a legend. Captain Yandel.

This story appears in the Sept. 28, 2024, issue of Billboard.

Metallica Bids Farewell to Mexico With La Sonora Santanera’s ‘Los Luchadores’: Watch

Metallica closed out its visit to Mexico on Sunday (Sept. 29) with a final tribute to the country. Bassist Robert Trujillo and guitarist Kirk Hammett once again surprised the crowd who gathered at the GNP Seguros Stadium (formerly known as Foro Sol) with a performance of another classic from the Mexican popular songbook: “Los Luchadores” by the legendary tropical music group La Sonora Santanera.

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“El Santo, el Cavernario, Blue Demon y el Bulldog,” sang Trujillo, who is of Mexican origin, while Hammett delighted the 65,000 fans gathered at the venue with his challenging riffs, according to figures provided by the promoter OCESA.

With the band’s unique interpretation of La Sonora Santanera’s classic song, the quartet ended a series of performances in Mexico City that marked its return to the country after a seven-year absence. In total, Metallica gathered 260,000 attendees during four sold-out shows, according to OCESA.

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The legendary Californian metal band, also made up of vocalist and guitarist James Hetfield and drummer Lars Ulrich, visited Mexico as part of its M72 World Tour. The group promoted its four dates —Sept. 20, 22, 27 and 29 — with photos of guitar picks with drawings of Mexican pop culture such as the iconic wrestler “El Santo” and a colorful piñata.

Each show included a song in Spanish by a Mexican act, all performed by Trujillo accompanied by Hammett. On Friday (Sept. 27), the band played its own version of the Mexican group El Tri’s classic “A.D.O.” The gesture was reciprocated hours later by the Mexican band’s frontman, veteran rocker Alex Lora, in a video posted on social media.

“Thank you, Metallica, for making my classic A.D.O. yours! Thank you, Trujillo! Thank you, Hammett! And long live rock n’ roll!” Lora said in a video on Instagram, in which he also played the first few verses of his celebrated song.

Previously, during the band’s first night on Sept. 20, Metallica paid tribute to the norteño music group Los Tucanes de Tijuana by playing “La Chona.” Two days later, the rockers paid tribute to rock group Caifanes with their cumbia-themed hit “La Negra Tomasa.”

Metallica’s history with Mexico began three decades ago while promoting its Black Album (1991), when they performed five shows at the Palacio de los Deportes in 1993. Since then, the band has maintained a close relationship with the country, including recording the live DVD Orgullo, Pasión y Gloria (2009), which portrays three spectacular nights in June 2009 at the Foro Sol (now the GNP Seguros Stadium).