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Bishop Briggs Has Embraced Her Life Changes, Plus 5 More Cool Pop Songs This Week

Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered. These tracks from artists including Jeremy Zucker & Chelsea Cutler, Mt. Joy, Yukimi and more will get you energized to take on the week.

Coolest Pop Song of the Week: Bishop Briggs, “Good For Me”

“I’m dreaming of all I ever wanted,” Bishop Briggs sings, stretching out the word “dream” to glide a little bit longer before following falling back down with, “was it ever good for me?”

The chorus to “Good For Me,” a darkly pretty meditation on achieving longtime goals as your identity evolves, buttresses Briggs’ tone with a dream-pop arrangement built around a driving beat and gradually deepening guitar chugs. Her voice, which has often been deployed as a hurricane-level force in the past, bends and lilts here, simmering in the question rather than finding a declaration.

Eight years ago, the UK native hit it big with “River,” a soul-rock anthem that crossed over to alternative radio and reached the top 5 on the Rock Airplay chart. Briggs continued finding success at the format, with seven entries on the Hot Rock & Alternative chart across her first two studio albums (2018’s Church of Scars and 2019’s Champion) on Island Records; a half-decade later, the singer-songwriter is now in her thirties, a new parent, still grieving the tragic loss of her sister, Kate McLaughlin, and operating outside of the major label system, while delivering the most revealing and emotionally resonant songs of her career.

“Good For Me,” the latest offering from new album Tell My Therapist I’m Fine (out this Friday through Virgin Music Group), crystallizes the album’s compelling juxtaposition of Briggs figuring out the possibilities of the next phase of her career while simultaneously settling into her skin. Songs like “My Serotonin” and “Shut It Off” allow Briggs to keep rocking out, but she now turns up the volume to emphasize her lyrical darts rather than shout over them. Meanwhile, Briggs mourns her sister and also utilizes her grief to push herself forward — in “Mona Lisa on a Mattress,” for instance, she doubles her voice and sings about a broken romance, “Kate would always say, I should run away,” as a means of finding resolution through a memory.

In the center of the album is “Good For Me,” the subtleties of its production and the maturity of its lyrical perspective slowly blooming and hooking the listener. Briggs has experienced several life changes since her last album, and is wondering what she’s even chasing anymore — but the care given to that exploration makes the song, and its host album, worth absorbing in full.

Here are some more new pop songs worth checking out this week…

Jelly Roll Says He Wants to ‘Have a Conversation’ With the People He Robbed 24 Years Ago: ‘I Hope They Would Forgive Me’

Jelly Roll hasn’t had the easiest road to success, but he hopes to heal the hurt he might have caused along the way.

In a vulnerable, in-depth interview with Jay Shetty on the latter’s On Purpose With Jay Shetty podcast, the “Need a Favor” singer opened up about wanting to reach out to the people he robbed over weed when he was a teenager. Jelly was subsequently charged as an adult with aggravated robbery and was facing a potential 20-year sentence, though he ultimately served over a year for the charge, followed by more than seven years of probation.

“I really want to have a conversation with them. I’ve thought about reaching out,” he told Shetty. “This has been 24 years ago now. I just don’t know how that would even start, or, you know, how I would go about it because sometimes I wonder if they might have even seen me in passing or are aware of my success. I wonder if they’ve even correlated. I mean, I’ve obviously dramatically changed. I was 15, dude, you know what I mean? I couldn’t grow facial hair at all. I hardly hit puberty. I still had my high voice when I did that robbery. So, I’ve thought about that a ton and they’re definitely on my list.”

He added that he would apologize, take accountability and ask for forgiveness. “I had no business taking from anybody,” Jelly explained. “Just the entitlement that I had, that the world owed me enough that I could come take your stuff. It’s just what a horrible, horrible way to look at life and people. What a horrible way to interact with the Earth.”

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The Grammy-nominated star continued, “I hope that they would see that I’ve made it my life’s mission to change and to change people because that’s what I’m representing the most in what I do. I think people cheer for me because they see a little bit of me in them, or they see their cousin — I’m a family member, they relate, and I speak for an unspoken group of people, and I hope they would know that. […] I’m trying to diligently prove myself that I’ve not only changed but also I took the platform serious and that it’s making me change more every day. I hope they would forgive me.”

Elsewhere in the interview, Jelly opened up about how he doesn’t relate at all to the person he once was. “I look back at those years, and I’m so embarrassed to talk about them,” he revealed. “I was still a bad person in my early thirties, but I mean, I was a really horrible kid all the way into my mid-twenties. People are always like, you’re the nicest dude I’ve ever met. I’m like, I’m so glad y’all haven’t met nobody that knew me 20 years ago.”

He added, “I took zero accountability for anything in my life. I was the kid that if you asked what happened, I immediately started with everything but me. And it took years for me to break that, like years of work, solid work to just like break that. It also has taken years of work for me to even forgive that kid.”

Watch Jelly Roll’s full On Purpose With Jay Shetty interview below.

Judge Says Martin Shkreli Must Testify in Court Under Oath Over Rare Wu-Tang Album

Amid a federal lawsuit, a judge says Martin Shkreli must personally go to court and testify under oath about the extent to which he copied and shared Wu-Tang Clan’s rare album Once Upon a Time in Shaolin.

In a brief ruling Friday (Oct. 11), Judge Pamela K. Chen scheduled a hearing for next month to resolve the issue of what exactly Shkreli did with Once Upon, an ultra-rare Wu-Tang record that he once owned but was forced to forfeit to federal prosecutors after he was convicted of securities fraud.

The judge said the ruling was designed to “resolve the deficiencies” in Shkreli’s previous sworn statements about the fate of the album, in which the pharma exec said he wasn’t sure who might still have copies.

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“Defendant Shkreli will be called upon to testify under oath regarding the copying and distribution of the album’s tracks,” the judge wrote. “Both parties will be permitted to question defendant Shkreli on these issues.”

Wu-Tang’s fabled album was recorded in secret and published just once, on a CD secured in an engraved nickel and silver box. In addition to the bizarre trappings, Once Upon came with strict legal stipulations — namely, that the one-of-a-kind album could not be released to the general public until 2103.

In 2015, Shkreli — soon to become infamous as the man who intentionally spiked the price of crucial AIDS medications — bought Once Upon at auction for $2 million. But after he was convicted of securities fraud in 2017, he forfeited it to federal prosecutors to help pay his multi-million dollar restitution sentence. PleasrDAO, a collective of early NFT collectors and digital artists, then bought the album from the government in 2021 for $4 million, and in 2024 acquired the copyrights and other rights for another $750,000.

Amid recent efforts to monetize Once Upon, Pleasr sued Shkreli in June after he made threats to release the album publicly and destroy the exclusivity that the company had purchased. The lawsuit accused him of both breaching the federal forfeiture order and violating federal trade secrets law, which protects valuable proprietary information from misappropriation.

In August, Judge Chen granted Pleasr a preliminary injunction requiring Shkreli to hand over any copies of Once Upon that were still in his possession. Shkreli’s attorneys had argued he had the right to create private copies when he owned the album and could retain them even after he forfeited the original copy, but the judge rejected that argument.

Last month, Shkreli told the judge he had “searched my devices, electronic accounts, and other personal effects” and handed over any copies he owned. He swore that he had done so “under penalty of perjury under the laws of the United States of America.”

But he also said he didn’t know exactly who he had shared it with, and that some of them probably still have copies.

“Because I shared the musical work several times several years ago, I cannot recall each and every time that I have shared the musical work,” he told the judge. “It is possible, and indeed I find it highly likely, that one of the many people who viewed, heard, or otherwise accessed the musical work via my social media recorded the musical work and retains a copy of the same.”

Attorneys for Pleasr weren’t pleased. In a response filing days later, they told the judge that Shkreli’s disclosure “falls short” of the judge’s requirements and “raises doubts as to whether Defendant has, in fact, made a good faith effort to comply.”

On Friday, Judge Chen responded with her order requiring Shkreli to appear in court. His attorneys did not immediately return a request for comment on Monday (Oct. 14).

Ludacris Corrects Soulja Boy After ‘Crank That’ Artist Claims to Be ‘First Rapper to Fly an Airplane’

Soulja Boy is typically one to brag about being the first rapper to do something, but he’s had to retract one of his latest claims.

On Oct. 12, Big Draco posted a clip to social media of himself in the cockpit of a plane with a pilot gearing up for takeoff. “I was the first rapper to fly an airplane. Let’s go, we bout to get in the air,” he said in the video. “You ready to do this? Let’s do this.”

The “Crank Dat” rapper must’ve not been familiar with Snoop Dogg’s pilot work as Captain Mack in 2004’s Soul Plane.

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Ludacris, who has posted clips of himself flying planes while working on his pilot license dating back to 2021, hopped into Soulja Boy’s comments section with a simple message to correct his fellow rapper, leaving a thinking emoji with the hand over its chin. Plenty of fans backed up the rapper-turned-actor’s claim and Soulja took note. Big Draco did some research and bent the knee to Ludacris while handing over the rap pilot title belt.

“I just saw ur video you did it first,” Soulja Boy wrote back to Luda with a gold medal emoji.

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Back in June 2021, Ludacris joined The Ellen DeGeneres Show, where he cleared the air about his flying videos and clarified that although he owns a plane, he doesn’t have a pilot license.

“That’s something that’s called a ‘nickel ride.’ That term goes back to the military days. So, it’s my first time actually flying,” he told the comedian at the time. “I actually own a plane, but for all of these years, I’ve never wanted to become a pilot, because you can’t drink alcohol within eight hours of flying. Who would want to go on a vacation and not drink before they leave?”

Ludacris continued: “Long story short, that’s the first of many, but I do plan to get my pilot’s license soon. It’s a work in progress, it takes some time.”

Watch Soulja Boy’s video of himself in a plane’s cockpit below:

Paradise: Fat Joe Discusses 2024 BET Hip Hop Awards, New Album & More

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FAT JOE BET HIP HOP AWARDS 2024

Source: Photo by Paras Griffin/Getty Images for BET / Photo by Paras Griffin/Getty Images for BET

All eyes are on Fat Joe and for all the right reasons. The veteran MC is closing out the year with a return to the BET Hip Hop Awards, a new album and more.

While the 2020 pandemic negatively impacted millions it surprisingly brought the Hip-Hop community together via virtual engagement on social media; here Fat Joe was reborn. The “Lean Back” rapper hosted a captivating Instagram Live series that featured some of the highest profile talents in music, film, sports and more. Fast forward a couple of years and the Bronx, NY native is Rap’s unofficial Master of Ceremonies that we never knew we needed.

This week he completed a rare three-peat and returned as host for the 2024 BET Hip Hop Awards for the third time. Taped in Las Vegas on Tuesday, Oct. 8, the ceremony was attended by countless celebrities and power players. The event not only celebrated some of the most impactful releases from the last year but also honored Travis Scott with “I AM HIP HOP Award.”

In an exclusive interview with HipHopWired.com Fat Joe made it clear the honor was all his. “Three-peat baby! Night night! [There’s] nothing like it. You know coming from The Bronx there is no better vibe than representing the culture and seeing all the other artists. You know the only time we get to see the other artists” he said with excitement.

Since his last stint at the BET Hip Hop Awards Fat Joe has kept busy with co-hosting talk shows, multiple promotional appearances for his autobiography and more. He went on to admit that the additional experience of being on set served him well. “To be honest with you I did it and before you knew it, it was the last act. It just flew by so smoothly; I don’t know how to explain it” he added. “This year was way easier than the first two. I knew everything that was going on. The timing was perfect, everything was perfect about it. I guess practice makes perfect.”

While he didn’t give us any spoilers about the event, he made it clear his favorite moment of the night was when Cactus Jack was honored. “The biggest moment of the night was when Travis Scott received the ‘I AM HIP HOP Award’. This man created his own style. His music is so incredible, he’s one of the few artists that I can listen to 20-30 songs in a row” Joe explained. “It was a happy moment to see him received his flowers.”

Back in 2022, Fat Joe broke necks when he hosted the BET Hip Hop Awards wearing the very limited Eminem Jordan 3 sneakers. When asked what fans can expect this year he remained tightlipped but revealed that he was thinking pink. “I got an outfit called Pinky and the Brain, that’s how I start the show. Super Bottega [Veneta] flow. A lot of name brands that a lot of people don’t know” he said cryptically. “It was real clean, it wasn’t big logos it was more just straight clean. More subtle but [the pieces] are real!” he said jokingly.

To round out the year Fat Joe looks to release a new album. “The World Changed On Me will be out later this month, no later than the beginning of next month. I feel like I am the last un-gentrified MC. [It’s like] I got the bodega and they trying to change the neighborhood with the Jamba Juice and all that,” he said.

The 2024 BET Hip Hop Awards will air Tuesday, October 15 at 8PM EST and will be simulcasted across BET HER, VH1, AND MTV2.

CactusCon: Travis Scott Takes Over ComplexCon As Artistic Director & Curator

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ComplexCon 2016

Source: Phillip Faraone / Getty

It’s that time of year when ComplexCon ascends on the Hip-Hop culture. This year, Complex has tapped one of the biggest names in the music industry, Travis Scott, to help curate their eight annual festivities.

Over the weekend, it was revealed that none other than La Flame aka Travis Scott would be taking the helm for this year’s ComplexCon in Las Vegas. It all goes down Saturday, November 16 and Sunday, November 17 at the Las Vegas Convention Center, which will tout over 1,000,000 sq ft, for brands like Nike, adidas, Awake NY, New Era, Cactus Plant Flea Market, Hidden Undefeated, Mitchell & Ness, and many more to outfit pop-ups, special drops and activations.

It will be dubbed CactusCon (of course) as Cactus Jack, who headlined the first ComplexCon back in 2016, will be the event’s Artistic Director and headliner for the Sunday night finale. As cool as the news is, sneakerheads want to know if Travis Scott will be breaking out some new exclusive kicks for the event or if he’ll be rocking some joints we’ve already seen before (just sayin’).

In a press release from ComplexCon, we get an idea of what we can expect now that the “Highest In The Room” rapper is in control of the festivities.

Under Scott’s creative direction, Cactus Jack will infuse its iconic style throughout ComplexCon. Scott will also design exclusive merchandise only available at the festival. The multi-platinum, diamond-certified recording artist, producer, and style icon’s role builds upon ComplexCon’s history of working with the most prominent and innovative artists such as Takashi Murakami, to push artistic and experiential boundaries.

So are we getting some exclusive Travis Scott Nikes or Jordans?! Re-releasing some grails that were hard to cop? Again, inquiring sneaker minds want to know.

VIP and general admission tickets are already available at ComplexCon.com.

What do y’all think? Are y’all excited about this years “CactusCon” now that Travis Scott is in charge? Let us know in the comments section below.

NetEase Games Unveils ‘Destiny: Rising’ It’s Free-To-Play FPS RPG Set In Bungie’s ‘Destiny’ Universe

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Destiny: Rising

Source: NetEase Games / Bungie / Destiny: Rising

Destiny: Rising, NetEase Games’ long-rumored free-to-play mobile first-person shooter set in Bungie’s Destiny universe has finally been unveiled.

Finally, we know what to expect from Destiny: Rising, the free-to-play shooter from China-based NetEase Games. Destiny Rising’s announcement comes after NetEase Games announced their 2018 $100 million investment in Bungie, which is coming to expensive smartphones that can run some pretty big games.

In Destiny: Rising, players will no longer create their Guardians based on the Hunter, Warlock, or Titan classes. Instead, you will choose from unique Destiny heroes.

Each character will have unique abilities and stories to utilize those characters in single, co-op, and competitive multiplayer modes, all set in Bungie’s Destiny universe.

The trailer also revealed that Destiny Rising will feature Ghosts, Lightbearers, Iron Lords, and Warlords while showcasing the hero’s unique abilities, such as the “void scythe,” which is reminiscent of an ability that the Warlock class would use in the base Destiny games.

Classic enemy factions like the Fallen, Hive, and Vex were also in the announcement trailer.

NetEase Games Is Building Its Own Storyline Using Destiny’s Lore

The game will take place in an alternative Destiny timeline and explore the post-Dark Age era before the rise of the Guardians and the Tower.

NetEase was granted creative freedom to develop its own storyline and vision for Destiny: Rising“We want to capture and depict a specific time where the reins are in the hands of the players to experience, to explore, to define,” Stone Shi, senior narrative designer at NetEase, said, The Verge reports.

“With Destiny: Rising, NetEase Games is honored to partner with Bungie to deliver a Destiny-caliber experience to mobile devices,” said Ethan Wang, Senior Vice President, NetEase, Inc. “Destiny is an incredible franchise with a passionate and dedicated global fanbase. As huge fans ourselves, we are humbled and thrilled for the opportunity to bring gamers an action-packed RPG shooter set within the Destiny Universe.”

“For over a decade, we have built this universe to contain many unique and wonderful stories, and we are excited to see mobile gamers be able to experience this new take on the Destiny universe from the creative team at NetEase,” said Terry Redfield, Creative Lead at Bungie.

Destiny: Rising will also allow players to play in first-person or third-person modes, feature exotic weapons, and introduce a new Mythic weapon rarity class that will introduce a new weapon type and have touchscreen controls and controller support.

No release date was announced, but you can sign up for the closed alpha test on November 1 by heading here.

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How Feid Conquered Stadiums: Best Quotes From His Billboard Latin Music Week 2024 Panel

Feid, one of the biggest artists in the música urbana movement today, participated in the panel From Clubs to Stadiums Featuring Feid. Presented by Live Nation, the conversation — which also featured his manager, Luis Villamizar, and Hans Schafer, SVP of global touring for Live Nation — took place on Monday (Oct. 14) during Billboard Latin Music Week 2024.

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Moderated by Alejandro Marin — a radio DJ, writer, podcaster and music analyst — together they offered perspectives on the Colombian star’s rise to the top. Here are the best quotes:

“For me, the most special thing is to work as if it were the first day, with the same enthusiasm; I don’t like to just wait,” said Feid. “There are many of us who are part of the team. It has been a daily process, dreaming about everything we are achieving. I strive every day to be better than yesterday in every possible aspect. I live intensely in the present, and this helps us stay alert.”

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He mentioned that he started as a composer from his home and how his team gradually grew. “At the beginning, we were one, two, three, four — and now we are 140! We focus on organizing all aspects, improving concerts, music production and emphasizing the importance of the live show,” he said. The musician also talked about a trip to Europe, where he performed in front of only six people in nightclubs, and how he never got discouraged despite difficulties. “There is a very interesting theory that says that, although sometimes something may be tedious, we always celebrate our triumphs,” said Feid.

“When we opened for Karol at the Bichota Tour in Bogotá and Cali, we broke records in Colombia, but when we started on the West Coast, we had to learn how to manage an audience that had no idea who we were,” Feid continued. “In one way or another, that broadened our view of how tours are managed in the United States and Europe, and how to navigate those worlds.”

“There is a secret magic in our team, including the executives and everyone involved in every aspect: recording, lighting, screens and sound,” said manager Villamizar.

Schafer mentioned what he considers Feid’s most important qualities: “Being patient, hardworking, having a lot of empathy, optimism, being a person who accepts failure, not as a bad thing, but as a way to change, to adjust. The setlist was not perfect; it needed to be adjusted. I always believe that money follows success. The things that move you, motivate you, inspire you. Money is not going to solve everything. Like turning this stone into a diamond.”

Over the past 35 years, Latin Music Week has become the one, steady foundation of Latin music in this country, becoming the single most important — and biggest — gathering of Latin artists and industry executives in the world. Initially named Latin Music Seminar, sponsored by Billboard, the event traces back to 1990, where it kicked off as a one-day event in Miami featuring a two-artist showcase and awards show.

Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.

Behind the Scenes of Meghan Trainor’s Timeless Tour at Madison Square Garden | Tour Stop | Billboard News

It’s been eight years since Meghan Trainor went on tour, and the star takes Billboard behind the scenes of The Timeless Tour at her stop at Madison Square Garden in New York. She talks about what it’s like to bring her husband, Daryl Sabara, and kids on tour with her, what she missed about touring and more!

Meghan Trainor:
Don’t TikTok that, goddamn it! Here we go. Damn it! Do we really want to film this for Billboard? Here we go … It’s been, like, eight years since I’ve toured. I talk about it every night with my crowds because I thank them for waiting for me. It’s been incredible to come back and see the fans, and there’s so many families that come out, and they make signs that say, like, ‘I was here eight years ago, and now I’m grown up,’ which is crazy to me.

So we’ve been crushing it, and my husband and I are like, ‘Do we like this? Like, are we good at this?’ Playing MSG is a bucket list, for sure a dream come true. I still don’t believe it until I get on the stage.

My main goal tonight is don’t cry. Don’t cry. Everyone today has treated me like it’s my birthday, and it’s been a bigger deal than like, going to award shows. They’re like, “Happy MSG Day!”

A day in the life on tour with me and my kids. We wake up early with the babies. They wake up around 7:30 — 8 if we’re lucky. We leave early. Daryl and I go to the venue because the kids have to take a nap at the hotel, and then they meet us at the venue. I do vocal warm-ups on the way to the venue, and at 4:15 I do the VIP sound check where I sing a song. 

Keep watching for more!

Why New Artist Deals Are Evolving the Business of Latin Music: ‘Everyone Has to Be Happy’

Latin music has gone global and its revenues have now surpassed the $1 billion mark, which means the business of Latin music has evolved.

The New Latin Music Business panel, which took centerstage on Monday (Oct. 14) at the 2024 Billboard Latin Music Week, was moderated by Rancho Humilde’s CEO and founder Jimmy Humilde, and featured panelists Atella (producer and songwriter, head of music, Zumba and ZML Records), Cris Falcão (managing director of artist & label strategy and GM Latin, Virgin Music Group) and Txema Rosique (senior VP of A&R, Sony Music U.S. Latin).

Humilde kicked off the conversation acknowledging the globalization of Latin music, adding that labels, whether indie or not, have had to adapt to a new way of doing business with artists who now want to be more involved in that aspect and are looking for different types of deals — from record, distribution or even single-track deals.

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“Our challenge is to make the new artists understand what labels have to offer, from A&R, marketing, business development, they can make use of all those resources, that’s the challenge we have as a label now,” said Rosique. Alternatively, Atella added that “some artists arrive with the idea that the label is going to do everything for them, but the artist has to give 100% — they can’t stay at home and think that the label is going to do everything for them.”

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Falcão explained that at Virgin Music Group, they have focused on deals that are “tailor-made” for each artist. “We’re not just truck with boxes anymore, we offer something different for each partners, all types of services, depending on trends, product management or marketing.” Humilde said he’s following a similar approach. “I sit with the artist and ask what they’re looking for, what deals they feel most comfortable doing. In the near future, the artist will be making their own deals, so really we’re open to take any deal that come our way.”

The panelists also spoke about the importance of both the artist and label or management company being happy with whatever type of deal they land on. “Today, the artist is clear that their patrimony is their music, their masters, every time we see more artists that are clear about what they want to give to the company and what they don’t, and obviously that depends on the commitment from both parts. This is a business where everyone needs to be happy with the deal, all parties involved. You cannot have a depressed artist.”

The 2024 Billboard Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.