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Lizzo Clarifies Her ‘Gap Year’ Comment: ‘You May Not See Me, But I’ve Been Working’

Lizzo‘s break didn’t last long. While participating in a panel at the Fortune Most Powerful Women Summit Monday (Oct. 14), the star shared that she’s not really taking a gap year as she works hard on her Yitty business and new music.

“‘Gap year’? Girl, who said ‘gap year’?” Lizzo began, laughing. (Spoiler alert: She did!) “I launched my company Yitty in 2022 at the same time as my album, Special … As soon as I stepped down home from tour — I may not be as public-facing — but I went straight to Yitty headquarters, and I’ve just been working, working, working. You may not see me, but I’ve been working.”

“It ain’t a gap year, it’s a grind year,” the “About Damn Time” musician noted.

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The panel comes less than two months after Lizzo shared footage of her trip to Bali and wrote, “I’m taking a gap year & protecting my peace.” The Grammy winner has been open about how her mental health has suffered in the aftermath of her ex-dancers filing a lawsuit against her over claims of sexual misconduct and hostile work conditions, all of which Lizzo has emphatically denied. While speaking at the Fortune event, she declined to speak on the matter twice: “This isn’t the space for it, we’re celebrating CEOs and powerful women.”

Lizzo has also been open about how she’s taken refuge in making music and working out, both of which she touched on during the summit. Of the former, she teased that she’s “very close” to being done with her fifth studio album — “I’m really really proud of the music I’ve written,” Lizzo added — and of the latter, explained that she’s leaning into body neutrality instead of body positivity.

“One inevitability we all have to face is that our bodies will change … it’s a beautiful thing,” she said of her recent fitness journey. “My body is nobody’s business, other than me, my doctor, my trainer and my man.”

Plus, the businesswoman joined numerous other artists in praising one of 2024’s biggest breakout stars: Chappell Roan. “I see a lot of parallels … we had the same kind of rise, and it was so quick,” Lizzo said of the “Good Luck, Babe!” musician. “I watch how she handles her relationship to public and fame. If I had one thing to say to her: Call your therapist. I wore my therapist out when I was becoming famous. I respect her a lot for how she handles herself.”

Old Man Trump Abruptly Ends Town Hall To Listen To Music, Cooked On Xitter

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A town hall crowd was left stunned as Donald Trump stopped taking questions, opting to sway and dance to music instead.

On Monday night (October 14), former President Donald Trump was on stage at his town hall in the suburban Philadelphia town of Oaks, Pennsylvania when someone in the audience passed out due to the heat in the venue. As they were being attended to, Trump directed a staffer to play “Ave Maria” as he began to answer questions with South Dakota Governor Kristi Noem. But that was halted as someone else passed out. At that point, Trump said: “Let’s not do any more questions. Let’s just listen to music. Let’s make it into a music ——. Who the hell wants to hear questions, right?”

Trump then began just to stand and sway to the music being played, with audience members approving at first with their phones out, recording him. According to USA Today, he cracked a couple of jokes about the lack of cool air in the building while assuring the crowd those who passed out were okay. “Would anybody else like to faint?”, he asked. A few minutes later, Trump said: Personally, I enjoy this – we lose weight, you know? … We can do this, lose four or five pounds, it’s okay with me.” Rufus Wainwright’s “Hallelujah,” Sinead O’Connor’s “Nothing Compares To You” and James Brown’s “It’s A Man’s World” played as some filed out. As his usual closing song, the Village People’s “Y.M.C.A.” began to play, Trump appeared confused that the crowd was still present. “There’s nobody leaving,” he said. “What’s going on?” Noem looked on awkwardly as a staffer came on stage with a sheet of paper. After a bit of conversation, Trump waved, pumped his fist and walked off stage to “Memory” from the Cats musical. The entire scene lasted 39 minutes.

The situation shocked many observers online who managed to watch the town hall. Some commented on how Trump appears to be in a distinct cognitive decline. In a post on X, formerly Twitter, actor Jon Cryer wrote: “After his Coachella rally ended in a fiasco, now his Pennsylvania town hall has gone off the rails. What is happening to the Trump campaign?” Democratic presidential nominee Kamala Harris shared a post capturing the moment on X, writing: “Hope he’s okay.” 

1. Ron Filipkowski

2. Solomon Missouri

3. Josh Sorbe

4. AZ Resist

5. Tristan Snell

6. Mike Sington

7. Brooklyn Dad, Defiant

Grupo Frontera Creates Cumbia Magic in Making the Hit Live! Panel at 2024 Billboard Latin Music Week

There was no better way to kick off the second day of the 2024 Billboard Latin Music Week on Tuesday (Oct. 15) than with Grupo Frontera‘s Making the Hit Live!, during which the group from Texas worked its magic to create a brand new song.

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As is tradition, during Making the Hit Live!, an artist will take the entire panel time to write and produce a song from scratch. But instead, this year, Grupo Frontera — who shot to stardom in 2022 thanks to ots cover of “No Se Va” — received lyrics from the band’s go-to producer and songwriter Edgar Barrera ahead of time, and added ots signature cumbia sound to the lyrics during the panel. Unofficially titled “Ya No,” the irresistible, hip-swiveling song was indeed created in a span of 40 minutes.

“Before we met Edgar Barrera, I would write songs for the group,” Payo, the band’s frontman, said enthusiastically. “We released, like, two songs that were penned by me, and I wrote four other ones, but those didn’t come out because that’s when we met Edgar and were like, ‘OK, we’re good,’” he added with a laugh.

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Now, when they’re in the studio with Barrera, Frontera’s Juan, Payo and Beto will contribute to the songwriting process, but Payo pokes fun at his bandmates. “They just say one word hoping it sticks,” he shared. “One time, they were obsessed with the word ‘gafas’ and they just kept repeating it, like, chill bro.”

When it comes to production, that’s where all six of them contribute with their respective instruments.

Part of the process of creating a song also includes setting time to think about content for social media to complement the song’s essence. The group’s presence online, whether it’s recording a dance or acting out a scene using part of a song’s lyrics, has made Grupo Frontera go viral more than once on TikTok. “We don’t create a song thinking it will be a hit on TikTok,” Juan explained. Payo added, “When we record a song, we always think the chorus will go viral, but we always get it wrong, so we have to record all of our social media content all over again.”

While setting the cumbia rhythm for “Ya No,” Frontera shared the story of when the members recorded “No Se Va.”

“We didn’t have money to rent a studio to record, well we didn’t have money, period,” said Beto. “So when we did record, we’d have to do everything in one take — even if we made a mistake, we’d leave that in there. We recorded ‘No Se Ve’ at a friend’s apartment building and every resident there was fine with us using the space — except for this one lady who complained.”

That song scored Frontera the group’s first ever Billboard chart entry. The song peaked at No. 3 on the Hot Latin Songs chart. While they’re not sure yet if they’ll release “Ya No,” the song they created during the panel, the track has hit potential. Check out a sneak peek below:

The 2024 Billboard Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.

50 Cent Signs First-Ever Residency In Las Vegas For $15M

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Just when it seemed like 50 Cent was done with the music aspect of his career, the Get Rich or Die Tryin’ rapper will once again be taking to the stage to perform many of his classic hits as he’s just landed a new gig in Las Vegas.

According to TMZ, Fiddy has just inked a deal to get himself his first-ever Las Vegas Residency as he’ll be performing for six nights at PH Live inside Planet Hollywood Resort & Casino. To help sweeten the deal, the “I Get Money” rapper will be pocketing a cool $15 million for six days of work. That’s the kind of payday many men dream of but might never come across. Then again, there’s only one 50 Cent, right?

TMZ reports:

We’re told the residency is set to kick off in December 2025, with one of the performances being an exclusive New Year’s Eve celebration presented by 50 Cent’s own Sire Spirits brand.

The residency, dubbed “50 Cent: In Da Club,” will be unlike anything he’s ever done before and we’re told fans can expect a fresh experience while still hearing all their favorite hits from Fifty, including classics “In Da Club,” “Candy Shop,” and “21 Questions.”

Wait, it isn’t happening till next year?! And we thought Lauryn Hill was notorious for keeping her fans waiting a long time.

Y’all already know 50 Cent’s going to start every show with “Go shorty, it’s your birthday!” And it’ll be worth it.

Will y’all be checking out 50 Cent’s residency in Sin City come December of next year? Let us know in the comments section below.

Hot 100 First-Timers: Little Simz, Elyanna & Tini Debut With Coldplay Collab ‘We Pray’

Little Simz, Elyanna and Tini each earn their first career entry on the Billboard Hot 100 (dated Oct. 19), thanks to their collaboration with Coldplay, “We Pray.”

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Released Aug. 23 as the second single from the band’s album Moon Music, the song (which also features Burna Boy) debuts at No. 87 with 8 million in airplay audience (up 11%), 3.3 million U.S. streams (up 103%) and 3,000 downloads sold (up 109%) in the Oct. 4-10 tracking week, according to Luminate.

Radio-wise, the song concurrently rises 16-15 on Adult Pop Airplay and 24-23 on Pop Airplay.

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The song’s gains are tied to the album’s release on Oct. 4, with Moon Music debuting at No. 1 on the Billboard 200 with 120,000 equivalent album units earned. The band earns its fifth No. 1 and first since Ghost Stories in 2014.

TikTok has also been a factor in the song’s growing profile. Multiple snippets of the track highlighting the artists featured on the song have broken through on the platform. There’s the “We Pray (Elyanna Version)” and “We Pray (Tini Version),” plus a “Blank Verse Version” that allows users to add their own verses (with all three posted to Coldplay’s official account).

Little Simz, from Islington, London, first appeared on Billboard’s charts in November 2017 via her feature on the Gorillaz song “Garage Palace.” The track debuted and peaked at No. 37 on the Hot Dance/Electronic Songs chart. She earned her first solo appearance in 2021 with her fourth studio album, Sometimes I Might Be Introvert. The set reached No. 33 on the Top Album Sales chart, plus No. 22 on Vinyl Albums. Across the pond, it peaked at No. 4 the Official U.K. Albums chart.

Little Simz has released four other albums: A Curious Tale of Trials + Persons (2015), Stillness In Wonderland (2016), Grey Area (2019) and No Thank You (2022). Outside of music, she starred in the Netflix drama series Top Boy.

Elyanna, a Palestinian-Chilean singer-songwriter from Nazareth, also reaches the Hot 100 for the first time thanks to “We Pray.” The song marks her first appearance on Billboard’s charts. Elyanna has been releasing music since 2019 and dropped her first full-length, Woledto, in April, via Universal Arabic Music. In February, she appeared on the cover of Billboard Arabia. “I’m on a Billboard cover, and we have a sold-out tour, and I have an album coming,” she told Billboard Arabia at the time. “It feels insane to me. I’m doing things I dreamt of my whole life.”

Elyanna also performed at Coachella in April, making history as the first artist at the festival to perform in Arabic.

Argentinian singer-actress-dancer Tini also arrives on the Hot 100 for the first time via “We Pray.” Tini (full name Tini Stoessel) is already a household name in Argentina, having begun her career as a child actress in the Disney Channel Latin American telenovela Violetta. She reprised the role for the series’ sequel film Tini: The Movie in 2016. She became the first Argentine act to sign with Hollywood Records in 2015. Since then, she’s released five studio albums: Tini (Martina Stoessel) (2016), Quiero Volver (2018), Tini Tini Tini (2020), Cupido (2023) and Un Mechón de Pelo in April.

Cupido reached No. 45 on Billboard’s Top Latin Albums chart. Tini has charted 41 songs on the Billboard Argentina Hot 100, including five No. 1s: “Miénteme,” with Maria Becerra; “Bar,” with L-Gante; “La Triple T”; “La_Original.mp3,” with Emilia; and “Pa.”

Elanna and Tini both performed “We Pray” with Coldplay on NBC’s Saturday Night Live on Oct. 5 when the band was the musical guest.

‘The Voice’ Contestant Camryn Brooks Gets Four-Chair Turn After Previously Washing Out: ‘Literally a Dream Come True’

The Voice season 26 contestant Camryn Brooks provided living proof on Monday night (Oct. 14) that you should never give up on your dreams. Three years after washing out of season 21 after getting no chair turns, the California native made a triumphant return that elicited four chair turns.

After impressing the judges with her soaring cover of Maggie Rogers’ “Light On,” Brooks, 24, brought down the house and got Gwen Stefani out of her chair, inspiring the solo star and No Doubt singer to brag, “I was first!”

“I’m literally crying right now because this is like, absolutely unreal. I was a contestant on season 21 and I didn’t get any chair turns,” Brooks told coaches Snoop Dogg, Reba McEntire and Micael Bublé after her performance. “I didn’t ever envision I was going to get four so this is literally a dream come true.”

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McEntire, who praised Brooks’ “beautiful” voice, was elated by the redemption story, reminding viewers that the show’s judges often tell singers who don’t get a chair turn to “please come back.” Bublé also had high praise, adding that he hit his button because of FOMO, with Snoop giving the Mt. Shasta native props for her tone, composure and stage presence.

She and Bublé also bonded over their early gigs singing the National Anthem, though the Canadian crooner couldn’t get Brooks to join him on a chorus of his native “Oh Canada” as Snoop repeatedly trolled him for singing the “wrong” anthem. He got his own redemption, though, when Brooks noted that when she attended a performing arts school the only song she sang to earn money in competitions was Bublé’s rendition of Nina Simone’s “Feeling Good.”

Despite the mutual admiration, Brooks ended up going with Stefani, who said her new team member’s voice reminded was pleasantly reminiscent of her favorite 1970s singers. “There are so many singers that are good, but there’s certain ones that just like touch you because of their tone or just little taste things that they do,” Stefani said. “That’s what I was feeling from you. I would listen to that voice on a record. It’s round, it’s soothing, it would be really fun to work with you ‘cause I feel like we could pick some really cool songs and define who you are.”

Not for nothing, Brooks’ story was even wilder because after her no-turn 2021 audition she noted that her plans to finish school and start performing professionally were derailed when she was diagnosed with myocarditis, an inflammation of the heart muscle. “It was really scary because I couldn’t get out more than three words at a time,” she said. “The first thought that came to my mind was, ‘Am I going to be able to sing again?’ In that moment, you just think, ‘Am I gonna die? I’m too young to have this happen.’”

Though frightening, Brooks said the ailment really put into perspective what mattered to her and made her fight harder for her dreams. “I’m just so blessed to even be here,” she said.

New episodes of The Voice air Monday and Tuesday night at 8 p.m. ET/PT on NBC, and then stream on-demand via Peacock the next day.

Watch Brooks perform “Light On” below.

Watch Drake & His Dad Duet on a T-Bone Walker Classic at an Intimate Jazz Club in Toronto

Drake and Dennis Graham enjoyed a father-son outing over the weekend for a night out at a Toronto jazz club. The duo even hit the Reservoir Lounge at one point after being invited to join Shane Philips’ set.

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With the Band of People at their back, Drake and his pops sang along to T-Bone Walker’s 1947 blues hit,
“Stormy Monday.” “They call it stormy Monday/ But Tuesday’s just as bad,” Drizzy crooned before passing the mic off to his dad.

“And Wednesday’s worse/ And Thursday’s all so bad,” the elder Graham sings.

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Philips was honored to have Drizzy and Mr. Graham on his stage. “These guys are on my mic, but it’s fine. Peace and love is part of this,” he said.

Philips later threw up a selfie with the 6 God sporting a million-dollar grin from ear to ear. “It’s not often that i let people up on my stage but #drake showed up to my show with his dad and guess what … his dad could sing so i got them both up. If my dad was alive I would have wanted the same,” he wrote.

Fans enjoyed the impromptu performance from Drake and his father. “It’s crazy how Fathers voice and sons voice are different but sounds incredible together,” one person commented. “It’s interesting how well put together a spontaneous moment could be so perfect… you know. Like Drake is 6 god. And Dennis produced the making… so on and so forth.”

Drake’s been spending plenty of time with family recently. He celebrated his son Adonis’ seventh birthday with a SpongeBob-themed birthday party over the weekend as well. “Big Don,” Drizzy captioned the photos with his mini-me inside the “Bikini Bottom” background.

Watch the clip of Drake performing with his dad below.

Limp Bizkit’s UMG Fight, Nelly Copyright Case, Barry White Sample Suit & More Music Law News

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.

This week: Limp Bizkit sues Universal Music Group for $200 million over claims that the band has ‘never’ been paid royalties; a lawsuit against Nelly takes a twist as his former bandmates allegedly push back on the case; Barry White’s estate files a lawsuit over Future and Metro Boomin’s chart-topper “Like That”; and much more.

THE BIG STORY: Has Limp Bizkit Really Never Gotten Royalties?

At one point in the bombshell, $200 million lawsuit Limp Bizkit filed against Universal Music Group last week, the band’s attorneys explicitly asked the question that everyone was thinking as they read the case: “The band had still not been paid a single cent by UMG in any royalties until taking action against UMG, leading one to ask how on earth that could possibly be true.”

How on earth, indeed. How had one of the biggest bands of its era, which sold millions of records during the music industry’s MTV-fueled, turn-of-the-century glory days, still never have been paid any royalties nearly three decades later?

According to Limp Bizkit and frontman Fred Durst, the answer is an “appalling and unsettling” scheme by UMG centered on “systemic” and “fraudulent” policies that were “deliberately designed” to conceal royalties from artists and “keep those profits for itself.”

Scathing language aside, the lawsuit really appears to be a long-delayed dispute over recoupment.

Durst says that UMG repeatedly told him that Limp remained unrecouped — meaning its royalties still had not surpassed the amount the group had been paid in upfront advances. UMG allegedly told Durst that it had paid out a whopping $43 million in advances over the years, a huge figure that would go a long way to explaining the lack of royalties.

Limp Bizkit’s lawsuit says UMG didn’t provide “any back-up for this alleged amount” – and that the label essentially kept the band in the red with shady bookkeeping, including “intentionally concealing the true amount of sales” and “fraudulent accounting practices.”

“Where did this additional $199,676.00 charged to the account come from?” the band’s lawyers wrote at one point, referring to one such alleged inconsistency. “It seems to have come out of thin air to overdraft Limp Bizkit’s due and payable account in order to defraud Limp Bizkit and show an unrecouped account.”

UMG has not yet publicly commented on the allegations, so we’ll keep you updated when the music giant files its first formal response in court…

Other top stories this week…

ALWAYS MORE DIDDY – Since you last heard from Legal Beat one whole week ago, there have somehow already been four big developments in the story of Sean “Diddy” Combs, who stands accused of decades of sexual abuse. Here goes:

-Attorneys for the rapper filed their opening salvo in an appeal of a ruling denying him pre-trial release on bail, arguing the “sensationalism” of the case led the judge to keep him locked up over “purely speculative” concerns about witness intimidation. In the days since, the appeals court has already declined to issue a quick ruling releasing him; instead, the court will hear the case at normal pace and rule at some point in the next few months on whether he should be set free until trial.

-Less than a day after filing the appeal, Combs’s team accused the government of leaking evidence to the media in order to “taint the jury pool and deprive Mr. Combs of his right to a fair trial.” Among other evidence allegedly shared with the press? The infamous surveillance video of Combs assaulting then-girlfriend Cassie in 2016, which his lawyers say was leaked “to mortally wound the reputation and the prospect of Sean Combs successfully defending himself.”

-The judge set a May 5 date for the start of Combs’ criminal trial, in which he will face charges of racketeering and sex trafficking over what prosecutors say was a sprawling criminal operation aimed at satisfying his need for “sexual gratification.” The schedule could still be pushed back, particularly if prosecutors file new charges or add defendants to the case, or if Combs eventually gets released on bail and chooses to waive his “speedy trial” right.

-Six new civil lawsuits were filed in Manhattan federal court, including one from a man who says he was sexually assaulted by Combs in 1998 when he was 16 years old and attending one of the rapper’s famed “white parties” in the Hamptons. The cases were the first in a wave of dozens of civil cases that are expected to be filed in the weeks ahead by Los Angeles attorney Andrew Van Arsdale and Texas attorney Tony Buzbee, who earlier this month said they are representing at least 120 such alleged victims.

ST. LUNATICS REBEL – Weeks after Nelly’s former St. Lunatics groupmates sued him for allegedly cutting them out of royalties, an attorney for the star claimed that three of them had never approved the lawsuit in the first place. In a letter sent last month, Nelly’s attorney warned the lawyer who filed the case last month that Murphy Lee (Tohri Harper), Kyjuan (Robert Kyjuan) and City Spud (Lavell Webb) had recently retained his services and had “informed me that they did not authorize you to include them as plaintiffs” and were “demanding you remove their names” from the case.

DR. DRE’S DR. DRAMA Dr. Dre was hit with a lawsuit accusing him a waging a “malicious campaign of harassment” against a psychiatrist served as a marriage counselor and mediator for the rapper and his now-ex-wife Nicole Young. Dr. Charles J. Sophy says the rapper subjected him to a “barrage of threats” via text message, and even sent fake FBI agents to his home to intimidate him. Dre’s attorneys quickly fired back, saying Sophy only sued because Dre is currently seeking to have his medical license revoked over allegations of “dereliction of duties and incredible incompetence” during the divorce.

SAMPLE SPAT Barry White’s estate filed a copyright lawsuit over allegations that a prominent sample at the heart of Future and Metro Boomin’s chart-topping “Like That” infringes the rights to a 1973 song by the legendary singer — but they didn’t actually file the case against those stars. Instead, they sued duo Rodney-O (Rodney Oliver) & Joe Cooley, the classic hip hop duo behind “Everlasting Bass,” the track that Future and Metro Boomin sampled.

NAME BLAME – Attorneys for Garth Brooks publicly disclosed the name of a woman who sued the country star for sexual assault, naming her as a defendant in a lawsuit that accuses the woman of extortion and defamation. The move drew a sharp rebuke from the woman’s lawyers, who said Brooks had “publicly named a rape victim” in order to “punish” her for speaking out.

THE CASE ISN’T ALRIGHT – A California appeals court sided with The Offspring in a long-running court case filed by former drummer Ron Welty, rejecting his claims that he was owed millions more from the punk band’s $35 million catalog sale to Round Hill Music. A Los Angeles judge rejected those accusations last year, and California’s Court of Appeals ruled that there had been “no reversible error” in that decision.

I WANT MY ROYALTIES BACK, ROYALTIES BACK – What’s going on in the Chili’s legal department? For the second time this year, the huge restaurant chain was sued over accusations that it used copyrighted music on social media without permission — this time by Universal Music Group over dozens songs by Ariana Grande, Justin Bieber and other stars. The new case came shortly after the advertising-averse Beastie Boys sued Chili’s over the same thing back in July.

TAKING THE STAND – Amid a lawsuit claiming Martin Shkreli might leak copies of Wu-Tang Clan’s ultra-rare album Once Upon a Time in Shaolin, a federal judge ruled that the pharma exec must personally go to court and testify under oath about the fate of the album. Shkreli once owned the album, but was forced to forfeit to federal prosecutors after he was convicted of securities fraud.

YE LAWSUIT UPDATE – Ye (formerly Kanye West) was sued by Lauren Pisciotta, a former assistant who claimed that the rapper drugged and sexually assaulted her during a studio session he co-hosted with Diddy. Pisciotta already sued Ye in July for sexual harassment, breach of contract and wrongful termination, but she filed an updated version of the case that includes the Diddy-linked claims.

Live Your Life: T.I. Announces He’s Retiring From Touring

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If you have yet to see T.I. perform in person you might want to catch him before the year ends. He has announced that he will no longer be touring after December.

As reported by TMZ, the Atlanta, Ga., native is stepping down from the stage. On a recent visit to 96.1 The Beat he spoke to the crew at the Rari At 2 show. He discussed a variety of things, but when asked about his upcoming performance at their Jingle Ball he revealed he is retiring from performing after that appearance. “I appreciate y’all for offering me my last working gig because I do not need the money anymore and I will not be performing,” he explained. “I don’t want to do it anymore. I don’t want people to pay me to hop around and sweat for their entertainment anymore.” Young Dro accompanied him and jokingly chimed in saying, “I will be picking up all of Tip’s shows that he ain’t going to. Doing them all.”

Many feel his decision is due to his recent legal win against the MGA Entertainment. He and his wife Tiny Harris alleged the toymaker stole the likeness from their group the OMG Girlz for their “O.M.G.” toy doll line. After a three-week trial a jury found MGA Entertainment guilty of infringement and awarded T.I. and Tiny over $71.4 million dollars in damages. In an exclusive statement to Billboard, their lawyer John Keville detailed why this battle was bigger than the couple. “T.I. and Tiny did what any parent would have done — used their resources to stand up for their kids,” Keville said. “They fought a billion-dollar corporate bully with grace, perseverance, and a determination to stand up for themselves and other creatives.”

You can see T.I. discuss his decision below.

Donald Trump’s Campaign Asked Elon Musk & X To Block JD Vance Leak

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Republican Presidential Candidate Former President Trump Holds Rally In Butler, Pennsylvania

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Donald Trump’s presidential campaign staff reportedly asked Elon Musk to block links to the JD Vance dossier on the X platform before the action took place.

According to reports, members of Donald Trump’s campaign staff reached out to Elon Musk to request that links to a dossier on his running mate JD Vance be blocked on X, formerly Twitter. The request apparently came before X made the move to suspend Ken Klippenstein, the independent journalist, from the platform. Klippenstein had published a link to the dossier in his newsletter. The security account for the platform stated that their reason for the suspension was due to its “rules on posting unredacted private personal information.” Klippenstein had publicly queried why other press outlets hadn’t released the document after obtaining it. The Trump campaign claimed that it was leaked after an alleged hack by Iran.

Klippenstein would be reinstated quietly over the weekend just as the report from the New York Times broke. He wasn’t named in the article, but he would subsequently point out in posts on X, formerly Twitter, that Musk’s actions were contrary to his previous posturing as a “free speech absolutist” who had deemed actions by the platform in 2020 concerning the ban of stories about Hunter Biden and his laptop as “incredibly inappropriate” after acquiring the company in 2022. After backlash, former CEO Jack Dorsey changed the hacked materials policy to prevent the “straight blocking of URLs.”

The news comes as Musk has been more and more expressive in his support of the Republican presidential nominee, being described as “obsessive, almost manic, about the stakes of the election,” even appearing on stage with Trump at his rally in Butler, Pennsylvania, last week. He’s also expressed that fervor in a recent interview with former Fox News journalist Tucker Carlson, where he stated that if Trump didn’t win in November he’d be “screwed.” It has not gone unnoticed by many on the X platform, who have noted how much pro-Trump propaganda has been allowed to be published there. Trump has recently said that he’d consider making Musk a part of his administration, remarking over the weekend at a campaign rally that he was looking to make him “Secretary of Cost-Cutting.”