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Linkin Park Appears to Tease 2025 World Tour, Including a Stop at London’s Wembley Stadium

It’s shaping up to be a banner week for Linkin Park. On Friday (Nov. 15), they will release their new LP From Zero – the band’s first record following the passing of lead vocalist Chester Bennington in 2017. Now, the iconic nu-metal band also appears to be teasing some huge headlining shows for 2025.

As a slew of social media posts from venues across North America, Europe and the U.K. revealed uesday (Nov. 12), a “Counting From Zero” banner has been placed somewhere around each arena or stadium. Though the signs don’t explicitly include the band’s name, they seemingly nod to the title of the forthcoming album.

Among those venues are London’s legendary Wembley Stadium, Toronto’s Scotiabank Arena and Deutsche Bank Park in Frankfurt, Germany. Each post appears to indicate that a tour announcement is expected to land Thursday (Nov. 14) at 12 p.m. GMT (7 a.m. ET).

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Billboard has reached out to Linkin Park’s reps.

In September, following a seven-year hiatus, the band released its comeback single, “The Emptiness Machine,” which peaked at No. 21 on the Billboard Hot 100, and entered the Official U.K. Singles Chart at No. 4. The new iteration of the band has seen the introduction of Colin Brittain on vocals and drums, while Emily Armstrong (singer with Dead Sara) has also taken on co-lead vocal duties. 

These lineup changes follow Bennington’s death by suicide in July 2017. A tribute concert took place that October, before the band’s members went their separate ways for an extended break. Linkin Park co-founder Mike Shinoda released his solo album Post Traumatic in 2018, which was supported by a world tour.

During the band’s first public show since the loss of Bennington at the L.A. Forum on Sept. 11, Shinoda spoke about the emotional significance behind their reformation. “This is not about erasing the past,” he said. “It is about starting this new chapter into the future.”

The band is currently on their From Zero world tour, having recently played London’s O2 Arena twice, alongside dates in France, Germany, Colombia and South Korea. They are currently gearing up to perform two shows in São Paulo, Brazil, across their album’s release weekend.

Earlier this year, Linkin Park spoke to Billboard, sharing that the band kept its return under wraps in order to alleviate any anxiety they were feeling towards making new music. “Things just came into focus, naturally,” Shinoda explained. “Even with Emily and Colin, we didn’t say, ‘Hey, come in, we’re doing Linkin Park sessions.’ We just said, ‘We’re going to write songs.’”

“For three days at least, I don’t ever remember touching the ground,” Armstrong described of her experience of joining the band. “And then everything was different when I came back down – knowing my life was going to be different, in the best way. I came back to a dreamland.”

Pusha T Launches Grindin Coffee, Capsule Collection With Carhartt WIP

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There are certain ideas that make you say, “What took so long?,” when they finally come to fruition. Case in point, Pusha T has launched a coffee line called Grindin.

For the sake of those who are very new to this Hip-Hop music thing, the Neptunes-produced “Grindin” was the breakthrough hit of Pusha’s group the Clipse way back in 2002.

Hypebeast reports that Push A Ton is launching his coffee brand with a pop-up shop in Los Angeles this upcoming weekend. Reportedly, Grindin is being touted as this premium, high-caffeine black coffee blend that will be available first at OG LA coffee shop Café Tropical.

Reportedly, and per Hip-Hop marketing in 2024 protocol, the brand launch also includes a capsule collection of apparel. That aspect is being handled in conjunction with Carhartt WIP that includes a limited-edition hoodis, tees and tote bags. Fans who will be attending Tyler, The Creator’s Camp Flog Gnaw music festival will be able to get their hands on the merchandise at the event.

Recently, Clipse announced it had signed a new record deal with Def Jam Records, with a new album out…soon? Produced entirely by Pharrell Williams, the new album is titled  Let God Sort Em Out.

Liberty Media CEO Greg Maffei Stepping Down as Company Spins Off Live Business

Liberty Media signaled on Wednesday that longtime president and CEO Greg Maffei will step down at the end of the year, with chairman John Malone sliding in as interim CEO. Starting Jan. 1, Maffei will serve as a senior advisor for the company, aiding in the changeover amid a planned spin-off of its live entertainment assets into a new, publicly traded business.

Over his 19-year tenure, Maffei led Liberty Media through significant growth, investing in high-profile companies including the Charter Communications, Live Nation Entertainment, the Atlanta Braves, SiriusXM, Formula 1 and DirecTV. The company said that under Maffei’s leadership, Liberty’s composite value has enjoyed an annual growth rate of 17%.

Maffei has held numerous leadership roles across Liberty’s portfolio companies and, post-resignation, will remain as chairman of Qurate Retail, Liberty TripAdvisor, Tripadvisor and SiriusXM, and he’ll keep his director post at Charter, Live Nation and Zillow.

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In a statement, Malone commended Maffei’s impact, particularly his strategic vision that drove Liberty Media’s evolution and asset growth. Malone credited Maffei with establishing Liberty’s current streamlined structure and Maffei expressed gratitude for his nearly two decades at Liberty Media. “He has grown our asset base and made the company better and more valuable for shareholders, along the way overseeing as many as five separate public companies simultaneously,” said Malone.

The announcement of Maffei’s departure coincides with Liberty’s disclosed plans to spin off its Liberty Live Group — consisting of Liberty’s 30% stake in Live Nation and its minority interest in other companies like Kroenke Arena Company — into a separate public entity. Before the split, Liberty Media’s subsidiary Quint will be reattributed from its Formula One Group to the Liberty Live Group in exchange for private assets and cash consideration determined later. The company said the moves should simplify Liberty Media’s capital structure. 

Post-split, expected to be finalized in the second half of 2025, Liberty Media will focus mostly on sports, while the newly formed Liberty Live will become a separate publicly traded company, ending Liberty Media’s tracking stock structure.

Earlier today, Charter Communications announced it will acquire Liberty Broadband in an all-stock transaction.

“Following today’s announcements at Liberty Media and Liberty Broadband, all the Liberty acquisitions completed during my tenure are now in structures where shareholders can have more direct ownership in their upside,” Maffei said. “The corporate structure is optimized, and the portfolio companies are in strong positions with talented executive teams in place. While it’s never easy to leave an organization as dynamic as Liberty, I am confident that this is the right time.”

Jenni Rivera’s New Biopic has a Trailer & Release Date: Watch It Here

JENNI, the new ViX original film inspired in the life of the late superstar Jenni Rivera, will premiere on ViX and select theaters in the U.S. and Mexico on December 6, the Spanish-language streaming service announced today (Nov. 13) in a press release including the first trailer of the film.

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Starring Annie Gonzalez (Flamin’ Hot, Gentefied) as the iconic Mexican-American banda singer, the movie follows Rivera from her humble beginnings in her hometown of Long Beach, California, to her rise as one of the most famous female regional Mexican artists, and the last days before her tragic and unexpected death.

JENNI also shows the struggles that she endured in her personal life and how she became the artist fans all know and love today, and how she persevered and found strength from within,” adds the press release. “This story of resilience and bravery shows the building blocks of what made Jenni Rivera who she was and the remarkable legacy she left behind.”

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The trailer starts with Gonzalez — who also sings and is credited as executive producer — performing Rivera’s early song “La Chacalosa” at a night club. “My life ain’t no fairy tale,” she’s heard saying while the song continues in the background and a collage of scenes shows Jenni’s struggles with teenage pregnancy, domestic violence and stumbles with the law, but also her ascend to stardom and role as the proud mother of five.

Rivera paved the way for women in Música Mexicana, a genre that to this day is dominated by male artists. Her anthemic songs, including “La Gran Señora” and “Inolvidable,” offered empowering lyrics and became a source of inspiration for women everywhere.

Known as “La Diva de la Banda,” she was the single most successful woman in regional Mexican music and on the Billboard Latin charts when she tragically died in a plane crash in 2012 at the age of 43. Among other achievements, she entered more than 30 songs on Regional Mexican Airplay, including 15 top 10s and her No. 1 hit “De Contrabando.” On Hot Latin Songs chart, she placed a total of 25 songs. La Misma Gran Señora gave her her third No. 1 on Top Latin Albums in December 2012, ruling for eight weeks and becoming her longest charting title, remaining on the tally for 73 weeks.

JENNI‘s cast includes Manuel Uriza as Pedro Rivera, Jenni’s father and Regional Mexican entrepreneur; Cinthya Carmona as her oldest daughter, singer Chiquis Rivera; and Jero Medina and Miguel Angel Garcia as Trino Marín, Jenni’s first husband and father of her three oldest children, at different stages in his life.  Gabriela Reynoso plays Jenni’s mother, Rosa Saavedra; J.R. Villarreal plays Juan “Cinco” Lopez, Jenni’s late second husband; and newcomer Tatiana Alicia Beltrán portrays the young Jenni Rivera.  

JENNI was produced by Javier Chapa and Phillip Braun of Mucho Mas Media and Alec Meachem from De Line Pictures, under the direction of Gigi Saul Guerrero with a screenplay by Shane McKenzie and Kate Lanier.

Watch JENNI‘s official first trailer below:

Lil Nas X Promises There Will Be ‘Light Again’ With New Single Announcement

While Lil Nas X‘s new music feed has gone somewhat dark over the last few months, the singer is back with a promise — there will be “Light Again.”

In a post to his social media accounts on Tuesday (Nov. 12), Lil Nas announced that he would at last be officially releasing his next single on Friday (Nov. 15). Titled “Light Again,” the song will come to streaming platforms such as Spotify and Apple Music after the rapper previously teased it on social media in the spring and shared the song to his SoundCloud earlier this year.

The announcement arrived just after Lil Nas shared a high-concept teaser trailer for his forthcoming new album, Dreamboy. In the clip, Lil Nas X is adrift at sea on a wooden raft when Dreamboy, a flying, helmet-wearing figure descends from the clouds to “save” the rapper from himself. “It’s time to remember who you are,” Dreamboy tells Lil Nas before surround him with a series of memories. Lil Nas responds in the best way he knows how: “Wow! A fa—t!”

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But not all of Lil Nas’ online antics were meant to troll his fans. In a post shared early Wednesday (Nov. 13) morning, the singer shared a heartfelt reflection with his followers on X, thanking them for sticking around to see what he does next. “it just dawned on me how lucky i am to have all of you that still f–k with me,” he wrote. “bc i know it isn’t always easy! dreamboy isn’t just an album, it’s me coping with the loss of what once was and fighting for a new world. im so excited to bring you on the journey.”

Check out Lil Nas X’s official announcement for “Light Again,” and his trailer for Dreamboy, below:

Disney Cruise Ship Saves Family On Sinking Boat

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US-LIFESTYLE

Source: DANIEL SLIM / Getty

The happiest place on Earth for one family in distress happened to be a Disney cruise after the ship saved them from their sinking catamaran.

As reported by TMZ, a family of four was sailing more than 200 miles off the coast of Bermuda. Soon into the voyage their catamaran malfunctioned and started taking in water to which the married couple instantly released a distress signal. Luckily for them, their daughter and a cousin, The Disney Treasure, a new cruise liner, happened to be only 80 miles away. The ship deployed a lifeboat and the coast guard was able to rescue the four individuals without them suffering any injuries.

According to officials, the oldest person on the catamaran was 74 and the youngest was 24. A Disney Line representative gave further details on the incident to CBS News. “We are pleased that the Disney Treasure was able to provide aid to the boat passengers in peril. Our crew members worked together on the rescue, skillfully demonstrating their training and commitment to safety,” Disney Treasure Captain Marco Nogara said in an exclusive statement. The ship offers 1,256 staterooms and is scheduled to go on its maiden voyage to the Caribbean on Dec. 21.

You can watch footage of the rescue below.

University Partners With Blizzard For ‘World of Warcraft’ Themed College Week

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'World of Warcraft' Themed College Week

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It looks like the University of Washington will be entering a new arena of gaming. On Tuesday, Nov. 12, the home of the Huskies announced a partnership with video game developer Blizzard Entertainment to celebrate the 20th anniversary of World of Warcraft.

'World of Warcraft' Themed College Week

Source: Blizzard / Blizzard

In a press release announcing the new venture, the University of Washington touts it will be transformed into the “University of Warcraft” throughout the rest of the week, with everything culminating on Friday night (Nov. 15) when the team takes on the UCLA Bruins. The NIL deal will feature star players like Jonah Coleman, who will be creating custom World of Warcraft content to promote the rebranding.

During the game you can expect to see all kinds of World of Warcraft-related decorations and symbolism including special WoW t-shirts for the student section in the stadium, World of Warcraft visuals and thematics being integrated into the entire in-game video board production, and even WoW mascots running with the team out onto the field. There will even be a World of Warcraft-themed fan zone featuring different characters from the video game for the hardcore players to indulge in when they attend the game.

Sounds like a helluva good time. With everything that Blizzard Entertainment is blessing the University of Washington with, the Huskies better win that game, man. Just sayin.’

Deputy Athletic Director for External Relations at the University of Washington, Kurt Svoboda expressed his gratitude for the collaboration with Blizzard Entertainment.

“We’re excited to partner with Blizzard Entertainment in a groundbreaking collaboration that brings together the worlds of sports and gaming, highlighting our shared commitment to innovation and creativity,” said Kurt Svoboda,  in a statement. “Our football players have had the unique chance to contribute to Blizzard’s 20th anniversary celebration, gaining valuable insights into the creative production process behind an iconic brand. We look forward to Friday’s World of Warcraft takeover at Husky Stadium, where two powerhouse brands will come together for an unforgettable experience.”

Sounds unforgettable indeed.

Os Garotin, Kevin Aguilar & More Light Up Miami at 2024 Latin Grammy’s Best New Artist Showcase

Now in its third year, the Latin Grammy’s Best New Artist Showcase raised the bar for emerging talent, delivering a spectacular evening on Tuesday (Nov. 12) at Miami Beach’s Faena Forum. Hosted by Catalina García of Monsieur Periné, the event spotlighted this year’s contenders for the 25th Annual Latin Grammy Awards best new artist category, each proving why they deserved their place on this prestigious platform.

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The event featured a star-studded lineup of nominees, each bringing their own flavor to the stage: Agris, Kevin Aguilar, Darumas, Nicolle Horbath, Cacá Magalhães, Os Garotin, Íñigo Quintero, Sofi Saar, and Ela Taubert.

The performances spanned a gamut of genres and styles. Many artists — who each had the opportunity to sing two songs — chose to cover iconic renditions, a move that, while risky, paid off in some cases by highlighting their vocal prowess and interpretive skills. 

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Kany García, who won the best new artist title in 2008, introduced Monterrey’s Sofi Saar, who captivated the audience with her “popteño” swagger, reflecting a much-needed female perspective in the genre. Her performance included her exciting original work followed by a cover of Selena’s “Si Una Vez,” a personal favorite of mine by the late Tejana legend.

Spanish sensation Íñigo Quintero, who previously topped the Billboard Global Excl. US chart, delivered a poignant performance with his trademark soft piano balladry. Brazil’s Cacá Magalhães and Mexico’s Agris both left strong impressions with their potent singing abilities — the latter artist sang the timeless hit “Paloma Negra” with a haunting but thrilling vocal quality.

US-based trio Darumas — comprising Aldana Aguirre, Ceci León and Vedala Vilmond who hail from Argentina, Cuba, and Haiti, respecively — kicked off with their mix of old-school funk, rock-infused R&B, and a dash of riot grrrl attitude. However, one of the standout moments of the show was when they impeccably sang one of the hardest songs to sing by the legendary Whitney Houston, “I Wanna Dance With Somebody.”

DARUMAS

Ceci Leon, Vedala Vilmond and Aldana Aguirre from the band DARUMAS performs during the 25th Latin GRAMMY Awards – 2024 Best New Artist Showcase and CPI on November 12, 2024 in Miami, Florida.

Rodrigo Varela/Getty Images for The Latin Recording Academy

Hands down, a highlight of the night was Os Garotin’s performance. Composed of Anchietx, Cupertino and Leo Guima, the trio from Rio de Janeiro’s São Gonçalo amped up the vibe with their infectuous mix of funk, soul, and rap, which got the crowd to their feet and received a standing ovation. Their dance moves were also contagious which kept all eyes glued to them.

Though Barranquilla’s Nicolle Horbath delivered a competent rendition of 2024’s Person of the Year Carlos Vives’ “Fruta Fresca,” it was a relatively safe choice that nonetheless succeeded in engaging the audience. Missing in action was Mexico’s experimental rock troupe Latin Mafia — a personal disappointment, as they are one of my favorite emerging stars of the year — although an introductory video managed to cover their absence somewhat.

The showcase closed on a high note with the youngest nominee, 13-year-old Kevin Aguilar, whose old-soul voice and invigorating performance belied his young age. Accompanied by an accordion, he delivered an impassioned performance of the corrido “Cuando Te Cambian Por Alguien,” evoking comparisons to a young Christian Nodal at the onset of his career.

In an exhilarating turn, Aguilar then shifted gears to perform Luis Miguel’s “La Incondicional,” infused with a polka-styled norteña beat. His execution was flawless, hitting each note with precision and intensity that captivated and left the audience in awe, confirming his status as a standout performer of the night.

Kevin Aguilar

Kevin Aguilar performs during the 25th Latin GRAMMY Awards – 2024 Best New Artist Showcase and CPI on November 12, 2024 in Miami, Florida. (Photo by John Parra/Getty Images for The Latin Recording Academy)

Esteemed past winners and nominees such as Tiago Iorc, Joaquina, Juliana, Manuel Medrano, Nella, Mau y Ricky, and Nicole Zignago also graced the event as presenters of this year’s nominees. 

In the words of the Latin Recording Academy’s CEO, Manuel Abud: “The best new artist category is very special for us, because it is a reflection of the mission of The Latin Recording Academy, to support and promote new talent and open doors for them,” he said from the stage. “The guys are surely going to have several nominations and surely many awards, but nominated for best new artist, just this once. That makes it a very special moment and it’s also one in which we can influence and positively affect the artist’s life in a unique way. It is a turning point in their careers.”

Each performance echoed Abud’s sentiments during an evening that not only celebrated the current crop of new talent but also set a high standard for Latin music’s blooming future.

Members of Mt. Joy, Rainbow Kitten Surprise & More to Perform at Whale Conservation Benefit in Brooklyn

It will be a whale of a good time — for a good cause — when members of Mt. Joy, Rainbow Kitten Surprise, Young the Giant, Needtobreathe, The Red Clay Strays and more perform a show benefiting endangered whales next month.

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This group of artists, along with other yet-to-be announced musicians, will perform as part of Whale Jam, an ongoing concert series benefiting The Whale & Dolphin Conservation, and North Atlantic right whales in particular.

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This upcoming edition of Whale Jam marks the event’s first time in New York City, with previous show happening in Boston since the event’s inception in 2022.

Happening Dec. 12 at Brooklyn Paramount, a 2,700-capacity venue that opened earlier this year, the night will feature Matt Quinn of Mt. Joy, Ela Melo of Rainbow Kitten Surprise, Sameer Gadhia of Young the Giant, Clyde and Grace Lawrence of Lawrence and others. See the current lineup below.

Tickets for the event are available now and start at $64, with proceeds directly benefiting the nonprofit Whale & Dolphin Conservation North America. Focused on stripped down sets and impromptu collaborations, Whale Jam’s last show this past May in Boston raised $75,000 for the organization.

Whale Jam is produced by Nantucket Crisps, a potato chip brand inspired by Nantucket, with flavors named after islands on the beach. The famed Massachusetts island is, of course, located in the North Atlantic ocean, where whalers in the 1800s hunted North Atlantic right whales to the brink of extinction. Nantucket was once the whaling capital of the world, a legacy that gave Nantucket Crisps co-founder Hayden Arnot a special interest in raising money for whale conservation.

“For our last show, Matt Quinn joined Taylor Meier for ‘Dreams’ by Fleetwood Mac, David Shaw of The Revivalists joined Jonathan Russell of The Head and The Heart for ‘Lost in my Mind’, and at the end of the show all of the artists joined on stage for a rambunctious version of Neil Diamond’s ‘Sweet Caroline’, very fitting for Boston,” Arnot tells Billboard. “It’s truly amazing seeing these eco-minded artists take the time out of their busy schedules for this cause; it’s a stars aligning moment every time. The North Atlantic Right Whale is a whale that is very near and dear to the heart of the Northeast.”

North Atlantic right whales — named so because whalers once considered them the “right whales” to hunt — are only found in North America and live on East Coast’s migratory corridor. According to the The National Oceanic and Atmospheric Administration, the North Atlantic right whale is one of the world’s most endangered large whale species. The whales have been listed under the Endangered Species Act since 1970, with roughly 370 of these whales currently remaining.

Their two biggest threats to these whales are strikes from water vessels and accidental entanglement in fishing gear. As such, money raised by Whale Jam directly benefits efforts to expand on demand fishing, which removes vertical line from fishing waters to prevent entanglement. Whale and Dolphin Conservation North America is also working to implement regulations that would require water vessels to go slower during whale migration periods. Money raised goes to purchase on demand fishing gear and to pay staff working to get regulations in place.

“In order for our oceans to be healthy, we need whales,” Whale & Dolphin Conversation’s deputy director Melissa Walker tells Billboard, explaining that the work whales to do circulate nutrients in the ocean plays a vital role in ocean health and its ability to absorb carbon and release oxygen.

Whale Jam

Whale Jam

Courtesy of Whale Jam

GEMA Sues OpenAI Over Song Lyrics In a First for PROs

BERLIN — GEMA, the German performing rights organization (PRO), today sued OpenAI for copyright infringement in Munich regional court, alleging that the technology company used without permission lyrics from songs to which GEMA licenses rights. This makes GEMA the first PRO to file such a lawsuit, although it controls some rights that U.S. societies do not. This also seems to be the first case involving only lyrics; the case does not involve recordings. In its announcement, GEMA described the suit as a “model action,” aimed at clarifying copyright law in Germany, and potentially all of Europe.  

Since OpenAI offers copyrighted song lyrics in response to prompts, GEMA is alleging that the company trained its software on song lyrics that it has the rights to license, so it is suing the company for violations of the making available and reproduction right. (Making available is a right under European law that in this case is roughly analogous to the right of public performance, or in this case public display. It’s also alleging two infringing reproductions – one to ingest the lyrics for training purposes and another when they are output.) In the U.S., PROs do not control mechanical rights, so they would not have the standing to file such a lawsuit. 

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So far, most of the music business lawsuits involving AI companies have been over the ingestion of recordings, although that by definition would also involve the underlying compositions. But OpenAI is already facing a considerable amount of litigation, including a putative class action from authors, a lawsuit from The New York Times, and one each from online publishers and other newspapers. The issue in the U.S. is whether or not copying to train an AI qualifies as a “fair use” exception to copyright law. The record label cases against Suno and Udio will involve the same principle. 

European copyright law provides “exceptions and limitations” to copyright, rather than fair use, and the 2019 Copyright Directive allows text and data mining unless rightsholders opt-out. In this case, however, GEMA has opted out for all of the works it licenses. (GEMA does not license the lyrics for all the songs in its repertoire, but the lawsuit involves ones for which it does.) This lawsuit aims to clarify the law, and it has the support of some big German songwriters, as well as their publishers. 

“Our members’ songs are not free raw material for generative AI systems providers’ business models,” said GEMA CEO Tobias Holzmüller in a statement. “Anyone who wants to use these songs must acquire a license and remunerate the authors fairly. We have developed a license model for this. We are taking and will always take legal action against unlicensed use.”

The lawsuit comes as rightsholders around the world are becoming more concerned about how AI will affect the value of their works, as well as how they should be compensated for how it is trained. At the end of September, GEMA presented a licensing model for generative AI software that would compensate songwriters and publishers. It has also sent letters to AI companies stating they must license GEMA works in order to use them.

Since OpenAI both operates servers and makes content available in Germany, it will presumably have to operate according to German law. This seems clearer than the U.S. system, where fair use often involves considerable uncertainty. However, European countries do not offer rightsholders the opportunity to collect damages as high as they can get in the U.S. 

A representative for OpenAI did not immediately return a request for comment.