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Lady Gaga Joins ‘Wednesday’ Season 2 After Viral Jenna Ortega ‘Bloody Mary’ Dance

Two years after Lady Gaga‘s “Bloody Mary” was resurrected by a runaway TikTok trend surrounding Netflix’s Wednesday, Mother Monster has reportedly joined the Jenna Ortega-led cast.

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According to The Hollywood Reporter, Gaga will appear in the second season of the hit Addams Family-inspired show slated for 2025. Details regarding her role are still unknown, but production is currently under way in Ireland.

Billboard has reached out to reps for Gaga and Netflix for comment.

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Though the cameo will mark the “Rain on Me” singer’s first official step into the Wednesday universe, she’s unofficially been in the show’s orbit since its first season premiered in 2022. When one scene of Ortega — who plays the titular role of Wednesday Addams — dancing to The Cramps’ 1981 single “Goo Goo Muck” went viral, fans began editing the sequence to Gaga’s Born This Way deep cut “Bloody Mary.” The edits sparked a broader trend on TikTok of users re-creating the Beetlejuice Beetlejuice star’s choreography, which the Oscar winner herself tried out that December.

The “Bloody Mary” craze also propelled the song into the Billboard Hot 100 for the first time, a full 11 years after it was first release. It bowed at No. 41 in April 2023.

Centered on Wednesday’s experience leaving her famous spooky family behind for boarding school, the first season of Wednesday featured Catherine Zeta-Jones as Morticia Addams, Luis Guzmán as Gomez and Fred Armisen as Uncle Lester. Emma Myers played Ortega’s onscreen best friend Enid, while Gwendoline Christie portrayed Nevermore Academy principal Larissa Weems and Christina Ricci — who played Wednesday in 1991’s The Addams Family — starred as Marilyn Thornhill.

Around the time of the “Bloody Mary” resurgence, Ortega addressed the possibility of Gaga joining the cast. “I’m sure Netflix would love that,” Ortega said on the Golden Globes red carpet in January 2023. “If Lady Gaga were to be a part, [she and Wednesday] would have to be two monsters that understand each other.”

This year, Gaga starred alongside Joaquin Phoenix in Joker: Folie à Deux — for which she dropped a companion album, Harlequin, in September — and she previously acted in A Star Is Born, American Horror Story and House of Gucci.

The musician is also currently gearing up to release her seventh studio album in February. Its lead single, “Disease,” dropped in late October, debuting at No. 27 on the Hot 100.

Pharrell Williams Says He Didn’t Diss Taylor Swift’s Kamala Harris Endorsement: ‘That’s Some Right-Wing Troll S—‘

Pharrell Williams is clarifying a misinterpreted quote he gave to The Hollywood Reporter about celebrity endorsements, which led some to believe he was dissing Taylor Swift over voicing her support for Vice President Kamala Harris in the 2024 presidential election.

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In a new cover story with GQ, Williams explained, “They pit you against each other. I love Taylor. She knows that.”

Noting that he didn’t even mention her in the interview, the “Happy” singer added, “I bought a 1989 Taylor t-shirt online last year, and I was walking around here with it tucked into my jeans. I love her. I love people, bro. That was some right-wing troll s—. But I heard something the other day that made the most sense in the world: Right-wing, left-wing, all the same bird.”

Swift was one of many musicians gave Harris their seal of approval this past election, with Ariana Grande, Billie Eilish, Cardi B, Megan Thee Stallion and more speaking out in support of the Democratic ticket before Donald Trump ultimately won the presidency earlier this month.

In a post shared with her 238 million followers, Swift expressed her admiration for Harris, calling her a “steady-handed, gifted leader” and a “warrior” for causes she holds dear, such as LGBTQ+ rights and women’s reproductive freedoms.

Shortly after her endorsement, the Hollywood Reporter interview with Williams was published in which he said he doesn’t “do politics” and gets “annoyed sometimes” by celebrity endorsements. “There are celebrities that I respect that have an opinion, but not all of them. I’m one of them people [who says], ‘What the heck? Shut up. Nobody asked you,’” he said at the time. “When people get out there and get self-righteous and they roll up their sleeves and s—, and they are out there walking around with a placard: ‘Shut up!’ So, no, I would rather stay out of the way, and obviously, I’m going to vote how I’m going to vote. I care about my people and I care about the country, but I feel there’s a lot of work that needs to be done, and I’m really about the action.”

Former NBA Stars Carmelo Anthony & Rudy Gay Rip Drake for DeMar DeRozan Jersey Retirement Comments: ‘Drake Is Wack for That’

Earlier this month, Drake ripped former Toronto Raptor and current Sacramento Kings star DeMar DeRozan — a Compton native who appeared in the “Not Like Us” video — and scoffed at the idea of the Raptors ever retiring his No. 10.

“If you ever put up a DeRozan banner, I’ll go up there and take it down myself,” Drake said on the broadcast the same night Vince Carter’s No. 15 went into the rafters.

Season two of 7PM in Brooklyn returned on Tuesday (Nov. 12) as The Kid Mero and Carmelo Anthony welcomed a new co-host for the episode with freshly retired NBA hooper Rudy Gay.

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“I think Drake was hurt a little bit because of the relationship he built with DeMar in Toronto,” Melo said. “Representing the 6, Raptors — you know that was a lot of connection with those two. He’s a Raptor for life from a basketball standpoint. Yes, that jersey should be going up.”

Rudy Gay — who suited up for the Raptors in 2013 — chimed in: That’s wack, man. Drake is wack for that … You gotta pull up on DeMar if you feel that way before you go on camera.”

Melo agreed Drizzy’s comments may have been a bit over the top. “Drake did a lot when he said I’ma go up there and take it down. That part is a lot,” Anthony said before adding that he understood why Drake was upset. “Those are shots. You my man, we in the crib, we hanging, we building the 6 up. From that standpoint, that would f–k me up too.”

The former New York Knick and Gay believe Drake and DeRozan should have communicated before saying anything publicly on a broadcast to see if they could hash it out.

“I’m gonna feel a way no matter what, but yes, you do have a conversation. As a man, you have a conversation,” Melo continued.

Gay replied: “As a society we just get used to phones and cameras and all that stuff. If you got a problem, come at me. To see your man’s out there dancing with the enemy, that’s kinda crazy.”

DeRozan — who spent the first nine years of his career with Toronto — was asked about Drake’s comments regarding his potential jersey retirement following the Kings and Raptors game. “He’s going to have a long way to climb,” DeMar quipped.

Drake and DeRozan had a tight relationship, but things have since gone awry with DeMar appearing in Kendrick Lamar’s “Not Like Us” video and joining his fellow Compton native on stage at his Pop Out concert.

Sacramento Kings owner Vivek Ranadive came to DeRozan’s defense during the next Raptors and Kings matchup, and jabbed at Drake while rocking a “They Not Like Us” T-shirt when sitting courtside.

Watch the full conversation below.

Bruce Springsteen and 5 Other Memorable Moments From Stand Up for Heroes Benefit

On Nov. 11, the Bob Woodruff Foundation and The New York Comedy Festival held its 18th annual Stand Up For Heroes (SUFH) benefit at Lincoln Center’s David Geffen Hall in Manhattan, and, as usual, some of music’s and comedy’s biggest stars — Bruce Springsteen, Norah Jones, Questlove, Jerry Seinfeld, Jon Stewart, Jim Gaffigan and Mark Normand — helped raise more than $29 million for military veterans and their families.

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That figure includes the staggering $25 million donation the Craigslist founder Craig Newmark’s philanthropic organization donated to the Woodruff Foundation, where he is on the board of directors.

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The benefit — which took place on Veterans Day for the first time in its history — kicked off with Questlove DJ’ng for the receptive crowd. Here are some of the highlights of the show. (Some jokes are paraphrased for simplicity’s sake; others are not verbatim because recording was not permitted.)

1. Bruce Springsteen

Last things first. The Boss, who has long supported veterans and has performed at 17 of the 18 SUFH benefits, closed the show with an electrifying acoustic performance of four songs: “The Power of Prayer,” from his 2020 Letter to You album, “Land of Hope and Dreams,” “Dancing in the Dark,” and “Long Walk Home,” which he introduced as “a small prayer for our country.” Given the benefit’s comedic theme, Springsteen always brings jokes with his guitar — some ribald, some corny — and he told them between songs.

His first involved a husband learning that his wife is pregnant. Taking the doctor aside, he says his spouse couldn’t be pregnant because he is religious about practicing safe sex and always wears a condom. “Let me tell you a story,” the doctor says. To paraphrase Springsteen, A hunter goes out to bag a lion but brings his umbrella instead of his rifle. When he encounters the big cat, he raises his umbrella, yells “bang!” and the lion falls dead. “Doc, that’s impossible. Some other guy must have shot him.” Rimshot, please! Another: “Bakery burns down,” Springsteen said. “Business is toast.” The crowd didn’t judge Springsteen on his comedy and gave him a standing ovation. As they left the theater, some could be heard using words like, “exhilarating” and “powerful” to describe his performance.

2. Norah Jones

Jones performed early in the show and proved to be the quiet storm of the evening. She left the talking to others, choosing instead to speak through the soulful set she played on a Steinway grand piano that was wheeled onstage. Her first three songs, “Don’t Know Why,” the hit single from her 2002 debut Billboard 200 chart-topping album; “Little Broken Hearts,” the title track of her 2012 release; and “Come Away With Me,” also from her first album, could have been interpreted as subtle commentary on the results of the presidential election. “Don’t Know Why” contains the verse: When I saw the break of day, I wished that I could fly away. Instead of kneeling in the sand, catching tear-drops in my hand.” “Little Broken Hearts,” includes the lyrics, “Only the fallen need to rise. What if lightning strikes them twice? Will they give up on their lives. And finally divide?” And though “Come Away With Me,” is largely a love song, it does contain the line, “Come away where they can’t tempt us with their lies.”

The last song of Jones set was a tribute to the patriotism of the vets gathered at the benefit — “American Anthem,” from the soundtrack of Ken Burns’ World War II documentary, The War. “Let me know in my heart, when my days are through,” Jones sang. “America, America, I gave my best to you.”

Norah Jones

Norah Jones performs during the 18th Annual Stand Up For Heroes Benefit Presented By Bob Woodruff Foundation And New York Comedy Festival at David Geffen Hall on Nov. 11, 2024 in New York City.

Valerie Terranova/Getty Images for Bob Woodruff Foundation

3. Jon Stewart

Stewart’s support of military veterans goes much deeper than the laughs he reliably provokes at Stand Up for Heroes, where he has appeared 15 times, and the applause and cheering he received while he was onstage reflected that. “Thank you for the Pact Act!” Iraq war veteran Amanda Hooper shouted from the audience during Stewart’s set, a nod to the 20 years The Daily Show anchor spent fighting for the 2022 passage of the law that provides assistance to veterans who were exposed to harmful chemicals such as Agent Orange during the Vietnam War and toxins from burn pits that were used to destroy military waste in Iraq and Afghanistan.

The chemicals can cause myriad illnesses, including cancer and respiratory diseases, and prior to the passing of the Pact Act, The Department of Veteran Affairs denied about 75% of veterans’ burn pit claims. Now a senior outreach coordinator at MACV, an organization dedicated to ending veteran homelessness, Hooper told Billboard that she is finally able to receive care for a severe respiratory illness she contracted because of burn pits in Iraq.

As anyone who watches The Daily Show knows, Stewart’s activism has not dulled his comic chops. He told the crowd that after the election, someone asked him if he was “worried about anti-Semitism.” His reply: “I think anti-Semitism will be just fine,” which led him to tell the story of posting a remembrance of his beloved three-legged pitbull, who had died, on social media. While most of the replies offered condolences and tributes to their own late pets, one response stood out: “Why did you change your name, Jew?”

Addressing his age, Stewart, who is 61, told the crowd, “The other day, I needed my reading glasses to jerk off,” and after the guttural laughing died down, he added: “I hear the rumble of recognition.” His final bit was an extended story about his son, Nate, a sophomore in college. Stewart recalled leaving his sleeping son at home to visit a nearby VFW post, where he met an impressive veteran who had enlisted at the age of 18 and deployed three times to Afghanistan. When Stewart returned home, continued, he received a text from his son, who was still in his bedroom. The message: “I’m up. Make me a bagel.”

4. Mark Normand

Normand was the rookie comedian of the night. It was his first time at the benefit, but he clearly wasn’t worried about whether he’d be invited back — which was a very good thing for unrepentant comedy fans in the audience. He opened his set by riffing on the election, and a few gasps peppered the laughter when he imagined Robert F. Kennedy saying to Donald Trump, “Now that you’ve been shot, you feel like family.” Normand also said he’d like to have sex with a non-binary person because it could be interpreted as a threesome. If someone asked, “Did you have sex with her?”, he could reply, “No. Them.

And when all four comedians took to the stage to eat up a few minutes before Springsteen’s set, Stewart gestured to Normand, who at 41 was the youngest of the group, “We’re a boy band, and we finally found a young singer.” “I used to do Diddy parties,” Normand replied. “It’s good to be here. I escaped.”

Jerry Seinfeld, Jon Stewart, Jim Gaffigan and Mark Normand

Jerry Seinfeld, Jon Stewart, Jim Gaffigan and Mark Normand attend the 18th Annual Stand Up For Heroes Benefit Presented By Bob Woodruff Foundation And New York Comedy Festival at David Geffen Hall on November 11, 2024 in New York City.

Slaven Vlasic/Getty Images for Bob Woodruff Foundation

5. Jim Gaffigan and Jerry Seinfeld

Although they performed separately, both Gaffigan and Seinfeld are Jedi masters of observational comedy, and they had the crowd roaring. Gaffigan began his set with a bit on “running late” and traveling. When he sees someone running for their gate at an airport, he said, “I think to myself, I hope they don’t make it.” Otherwise, he added, “How are they going to learn?” He also noted that he takes a lot of connecting flights, which often involve sitting in an airport “for two hours and counting all the losers with neck pillows.”

Gaffigan then told a story about hustling along a New York City street — because he was late — and seeing a crowd of people with their cell phones raised. When he asked one of the amateur photographers what she was shooting, she replied, “The sunset!” Gaffigan said the response left him wanting to “kill” that person knowing “that that photo would be used to bore someone.” “I gotta be honest,” he said. “I want to kill a lot of people.”

Seinfeld also took on the subject of cell phones. When some in the front row broke out their handhelds to snap pictures of him, he encouraged them to proceed because “I choose to enjoy your dumbness.” He added that he also doesn’t give a “rat’s ass” about the photos on other people’s phones. “We need to stick to looking at our own phones, heads down,” he said, and, possibly referring to the election, “ride this disaster of the moment into the ground where it belongs.”

Moving to AI and its potential out-think humans, he said, “We were smart enough to create it; dumb enough to need it; and stupid enough to not know if we did the right thing.” One of the biggest laughs he got came from the simplest punchline: “Why was Frankenstein wearing a sport jacket?”

6. The Heroes

It was impossible to not be moved by the group of veterans who took the stage and, one by one, described the challenges they faced after returning from their deployment in Iraq and Afghanistan, and how they benefited from the programs funded by the Bob Woodruff Foundation. Among those who spoke was Jerrod Reynolds, who became homeless and a drug addict. He explained that the MACV organization found him housing, which led him to conquer his substance abuse. He has since joined VMAC, where he works with Amanda Hooper.

The last to speak was Frank Williamson, the medic who saved Woodruff’s life when he was seriously injured by an improvised explosive device in 2006 while covering the Iraq war for ABC News. Williamson explained that treating hundreds of soldiers life-threatening injuries left him rudderless and despondent when he returned home. He also turned to drugs and was rehabilitated by one of the foundation funded programs. When Williamson finished, Woodruff emerged from the wings, and the two men embraced, brothers in arms.

Pepe Aguilar on His Mexican Pride Dressing Up As a Charro | Behind the Photo

Pepe Aguilar takes us Behind the Photo, where he shares his pride on charro dress wear, his experience in Osaka and more!

Pepe Aguilar:
Friends of Billboard, I’m Pepe Aguilar and this is Behind the Photo.

Behind this photo is one of the beings I love the most on the planet and it’s my puppy, Fat. This photo is there.

Behind this photo is a very scared guy because we were going to the top of the Empire State Building in New York, and they took me to the 100th floor and I felt something. I was very afraid, that’s what I felt. But before I went up, I was grabbed by King Kong. So, this photo is special because I went to the Empire State Building and King Kong grabbed me.

Behind this photo there are 70 years of history. I am not 70 years old, but I am 50 years old of my father doing shows on horseback, plus my 20s, there are almost 80 years of history, of charreria, of tradition, of honor, of pride in who we are as Mexicans. This is one of my biggest dreams, to be able to dress up as a Mexican. I dress up as a charro, I dress up as a superhero because for me, I dress up as a charro. It’s like I’ve always said, it’s like dressing up as a superhero. In other words, just look at this photo. It looks like lightning and thunderbolts are coming out of Olympus there. So behind this photo there is a lot of pride.

Behind this photo there is a lot of sake. 

Keep watching for more!

Hangout Revives a Lost Classic of Music Streaming’s Past

Streaming music isn’t much of a social experience, but Hangout, a new music service that debuted Wednesday (Nov. 13), wants to change that. 

Calling itself a “social platform,” Hangout, which is available on the web, iOS and Android, launched globally with more than 100 million songs available to stream thanks to licensing deals with the three major labels — Universal Music Group, Sony Music Entertainment and Warner Music Group — and indie rights group Merlin. 

“With our broad global partnerships across the music companies in place, Hangout begins its journey to redefine the intersection of music and social media,” founder/CEO Joseph Perla said in a statement. “Our vision has always been to create a platform that celebrates the joy of music but also helps support the music industry. Today marks a monumental step toward that goal.”

The idea is simple: People set up listening rooms and play music for guests. The DJs are represented by avatars on stage, standing aside turntables and moving to the rhythm of the music, while listeners’ avatars face the stage, only the back of their bobbing heads visible. The platform has two business models: Like Spotify and YouTube, Hangout will offer premium subscriptions that eliminate advertisements, while an avatar store will be another source of revenue, the company tells Billboard

If Hangout looks familiar, that’s because the concept, look and feel is borrowed from Turntable.fm, a website that charmed listeners with its cartoonish and communal approach to streaming music. Perla was a co-founder of Turntable.fm and later worked at Facebook and Lyft before reviving the idea and raising capital from the likes of Founders Fund (an early investor in Spotify), Elizabeth Street Ventures and 468 Capital. 

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Turntable.fm exploded onto computers in 2011 and quickly attracted a following. YouTube and the just-launched Spotify had more financing backing and secured licenses with record labels, but they weren’t as engaging for users as Turntable.fm. Imitators soon appeared, showing that entrepreneurs recognized that people wanted more options to stream music. 

The early ‘10s was a different era, though. Good ideas were plentiful but countless startups either failed to build momentum or secure the necessary licenses to reach a large audience. Turntable.fm shut down in December 2013 after it ran into licensing problems, was forced to exclude users from outside the U.S. and nixed the ability for users to upload unlicensed tracks. Now, nearly any track people want to hear is readily available, and Hangout faces a friendlier licensing climate. 

“We’re pleased to support the continued growth of opportunities for fans to experience and listen to Sony Music artists in shared social spaces that fairly value their work,” Mark Piibe, executive vp of global business development & digital strategy at Sony Music, said in a statement. “We’re pleased to support the continued growth of opportunities for fans to experience and listen to Sony Music artists in shared social spaces that fairly value their work.”

“Social listening continues to become a key component of the fan experience, driving loyalty and conversation amongst engaged artist communities and Hangout will help power these fan experiences in a unique and compelling way,” added Kristen Bender, senior vp of digital innovation strategy & business development at Universal Music Group.

“We’re thrilled to partner with Hangout to bring our diverse catalog of artists to this innovative music platform,” said Rachel Scarpati, vp of business strategy & business development at Warner Music Group. “This partnership underscores WMG’s commitment to pioneering new avenues for music discovery, fostering community, and providing fans with dynamic ways to engage and share their love for music.”

And at Merlin, Ryan McWhinnie, vp of business & legal affairs, said, “Community is at the center of independent music. This partnership with Hangout brings new opportunities for our global membership and their artists to connect with fans and broaden their communities.”

Flo Milli Addresses Pregnancy Rumors | Billboard News

Flo Milli posted a teaser of her upcoming single with T-Pain, but fans and friends quickly took it as a pregnancy announcement, and she addressed the rumors. Keep watching to see the reactions and what she said.

Tetris Kelly:
Rapper Flo Milli took to Instagram to tease her upcoming song with pop legend T-Pain. Things took an unexpected turn when fans started to focus on Flo’s appearance more than her new music.

Flo appears in the video dancing on a mystery person in a stomach-exposing top. Folks quickly started to speculate that the rapper was pregnant. Flo’s post had the internet buzzing with many folks congratulating her on what they thought was a pregnancy announcement. Rapper Coi Leray commented on Flo’s post: “congratulations omg.” Rapper Sexyy Red couldn’t handle the reveal and commented: “FLO WAIT WAIT THIS IS ALOT RN.” And the excitement didn’t stop there! Rapper Regina Carter commented: “Congratulations.” Actress Gabrielle Union said: “Congratulations mama!” And Rapper Lady London commented: “my babyyyy!!!! Rooting for a boy.”

Things got so out of hand that the Alabama rapper herself responded on X. Flo wrote: “damn I can’t be bloated??” Does this dispel the rumors that she’s pregnant? Well, Flo, we need to know! We have reached out for comment. Regardless we’re looking forward to the release of Flo’s new track with T-Pain.

Inside ‘Elvis Evolution,’ the Immersive Experience That’s Using AI to Bring Back the King

By the time Elvis Presley’s Comeback Special was taped in 1968, The King was not just on the ropes but nearly down for the count. A lengthy period in the wilderness starring in commercially successful but critically derided musicals throughout the 1960s had left his reputation in tatters as a new wave of musicians rose to prominence. There was hope, however, that a stellar performance at the special — for which a new song, “If I Can Dream,” was written — could help him win back the hearts of the American people.

This moment in time is where Elvis Evolution, an upcoming experiential installation in London, will begin for its audience. Set to debut at the recently-opened Immerse LDN in May 2025, the show’s creators view this as the moment when Presley was at his most vulnerable and authentic, making it the perfect jumping-off point for an odyssey that will trace the arc of his musical journey — from his upbringing in rural Mississippi to Memphis’ iconic Sun Studios and Beale Street to the backlots of NBC Studios in Burbank, California, where the Comeback Special was shot.

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To bring Presley’s musical journey to life, Elvis Evolution will utilize archival material and cutting-edge technology, including generative artificial intelligence, holograms and projections, alongside live music performances from a house band and themed set designs. The show comes from Layered Reality, a production company that fuses digital technology with live theater, and Academy Award-winning special effects company The Mill. In 2023, the former secured the rights from the Presley estate and Authentic Brand Group to license the icon’s image and likeness.

The announcement of Elvis Evolution came amid renewed interest in Presley’s life and music. In 2022, Baz Luhrmann’s jukebox epic Elvis told the story of the singer and his rocky relationship with manager Colonel Tom Parker. And Sofia Coppola’s 2023 movie Priscilla examined his first and only marriage from the perspective of his wife. 

Contrary to those interpretations, Elvis Evolution’s director Jack Pirie — who shares a co-writing credit with playwright Jessica Siân — says the show will remain focused strictly on the music. “What I hope we can do with this show is to move away from the myth of what Elvis represented and the image of him in his later years in a white jumpsuit in Las Vegas,” he says. “We want to go back to who he was as a kid, and look at the music he was listening to and how that shaped him.”

Pirie says Elvis Evolution resulted from the success of other, similarly tech-heavy experiences to debut in the U.K. recently. In 2023, cutting-edge digital art venue Outernet in central London attracted more visitors (6.25 million) than the British Museum (5.83 million). The wildly popular Abba Voyage experience, which started in 2022 and features performing avatars of the Swedish pop group, just extended its run into May 2025.

Even Taylor Swift‘s Eras Tour concert film, which was released in cinemas to big grosses last year, was cited by Pirie as an example of music fans being willing to celebrate in “a non-traditional environment.”

“Elvis didn’t sit at home listening to music on his phone, he had to go out and seek and experience it,” says Andrew McGuinness, founder/CEO of Layered Reality, which previously produced an immersive version of Jeff Wayne’s War of The Worlds musical and The Gunpowder Plot starring Tom Felton. “The fact that live music runs through the DNA of the story makes it a great property to do it this way.”

Elvis Evolution initially caused controversy when it was revealed that the show would use generative artificial intelligence to help recreate Presley in hologram form. But McGuinness and Pirie tell Billboard that the technology is being used only to enhance authentic moments in Presley’s career. For example, they say the technology will help bring new perspectives and sightlines to the ‘68 Comeback Special, for which only limited camera angles exist. As with any powerful tool, says McGuinness, you need to be “bloody careful” with how AI is employed: “We’re not trying to confect something and we take the responsibility with the utmost importance,” he says.

Tickets went on sale for Elvis Evolution in October, and only a limited number remain available through the show’s opening weeks — specifically, May 10 to June 1. The 110-minute experience will have timed entry, with several performances set to take place each day. Tickets start at £75 ($97), while VIP packages are also available, including the “Burning Love” experience, which includes additional merchandise and VIP seating, and the “If I Can Dream” package, which features tickets to the show, commemorative merch and premium access to the show’s daily after-party.

The show’s venue, Immerse LDN, opened at the Royal Docks’ ExCel convention center in July 2024 and is currently hosting both the Formula 1 Exhibition and The Friends Experience: The One In London, both of which use multi-sensory technology and set design. The immersive venue, which will total 160,000 square feet once completed, is part of a £300 million ($387 million) investment in ExCel.

McGuinness and Pirie’s hope is that Elvis Evolution will be successful enough to be toured globally, and they’re particularly excited about the prospect of taking it to some of the U.S. locations that have strong roles in his story, from Las Vegas to Memphis and beyond.

The show’s success could also create opportunities for similar experiences around other music icons; while McGuinness notes that the commercial demands and scale of such events make only a small group of artists “suitable,” he says discussions have already begun between Layered Reality and other artists’ estates. 

Though Presley’s outsized legend makes him one of the few artists, living or dead, to be well-suited for such an elaborate and expensive production, McGuinness adds that one of the goals of the project was to strip away the iconography and get to the root of the person he was.

“There’s a humanity that can get lost with any musician or celebrity, and before I started this project, I was prone to seeing Elvis just as an ‘icon,’” he says. “But within this experience, you get to see him as a man, too.”

Bernice Burgos Claims She Made Up To $70K A Night While Bartending, Some Folks On Social Media Say The Math Ain’t Mathing

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Bernice Burgos Claims She Made Millions While Bartending

Source: Jason Mendez / Getty / Bernice Burgos

Bernice Burgos shared some information on her hustle, which took her from being a “startender” to a successful entrepreneur, but some people are not too sure about math regarding the amount of money she made slinging drinks.

The 44-year-old social media influencer/ entrepreneur stopped by the Joe Budden Podcast to break bread with the former rapper and his crew of talkers.

During the conversation, Burgos revealed she was making outstanding money as a bartender/bottle girl at the Starlets Gentlemen’s Club in New York City.

Burgos said on a good night, she was bringing in $30,000, and on special nights, like her own birthday, she would make $70,000, which is very impressive because that is definitely not the case for all the ladies in her former line of work.

The grandmother (yes, she has a granddaughter) revealed she was able to be successful by building “real relationships” with regulars.

“I make sure I give you the bottles for $250 when they cost $350. So I’m gonna hustle,” Burgos said. “You don’t gotta tip me now. You tip me later, like throwing money. I was smart.”

Burgos also revealed that she had a plan and stuck to it during her three years of making drinks, which Budden revealed during the conversation were “trash.” She stacked her money to start her clothing line and buy a home, and that’s exactly what she accomplished.

She also shot down the notion that she made all that money without having to rely solely on her sex appeal, telling Joe Budden and co. that “I don’t do too much,” adding, “I used to be covered with a whole body suit on.”

Social Media Thinks Bernice Burgos Is Full of C A P

Of course, while some were impressed, a good number of people on social media called C A P, referring back to an old interview on The Breakfast Club in which she said she made $8,000, which is far short of the $30-$70K she claimed to be making.

Welp.

We have no clue if Bernice Burgos is lying; we’re not big on pocket-watching.

You can see more reactions to the interview below.

2. Hmmmmmm

5. Podcast math, LOL

Charli XCX Is Feeling Really ‘Brat’ About ‘SNL’ in New Promo

Charli XCX is pulling double duty on Saturday Night Live this weekend as both host and musical guest, which means that 30 Rockefeller Plaza’s Studio 8H is getting a whole lot more Brat.

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In a new promo for the upcoming episode, the “Apple” singer is seen going over her lines before SNL cast member Chloe Fineman joins her to express excitement over her joining the show. “Brat,” Charli responds, and continues to respond with the same one-word phrase for Fineman’s series of conversation starters, including asking how she’s feeling, inquiring about a rash and more. Of course, the phrase is in reference to her pop culture-dominating album that dropped back in June.

At some point, the comedian tells Charli, “I’m sorry, I don’t know what you’re saying. It sounds like you’re repeating the word ‘Brat,’” which Charli confirms by responding, you guessed it, “Brat.”

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New SNL cast member Emil Wakim then joins in on the conversation, admitting, “I feel like I still don’t understand what ‘Brat’ means.” Charli then shares her longest response of the clip, telling Wakim, “But you will, babes,” before turning up the drama as Fineman blows the singer’s hair back with a leaf blower.

Charli XCX’s SNL appearance comes shortly after she wrapped up her Sweat tour with Troye Sivan. Over the course of 22 shows, the run earned $28 million and 297,000 tickets sold, according to figures reported to Billboard Boxscore. 

Watch Charli XCX in the SNL promo below. Catch the full episode of Saturday Night Live on Nov. 16 at 11:30 p.m. ET on NBC, before it streams on Peacock.