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Offset & His Crew Brawl With French Rapper Gazo & Company In Paris

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Paris might be known as the “City of Love,” but it seems like Offset’s relationship with some of its residents got off to a rocky start as he found himself in a brouhaha during a recent visit to the home of the Eiffel Tower.

According to TMZ, Offset and his entourage found themselves in a wild street brawl with French rapper, Gazo, and his crew outside of Hôtel du Collectionneur (sounds like a hotel in a John Wick movie or something). The incident unfolded Wednesday night (Nov. 13) after the two crews got into a dispute over a music video shoot that Offset was paid to do for Gazo and company. Feeling like the former Migos rapper failed to meet their requirements due to his “laziness,” Gazo wanted a refund on the $150,000 he paid Offset for his appearance. Needless to say, the “Clout” rapper was having none of that.

After confronting Offset and his crew in front of Hôtel du Collectionneur, fists were thrown and Offset was even able to land a kick to someone’s head as his security team did their best to refrain him from participating in the sidewalk brawl.

TMZ reports:

The 2 sides began to brawl so hard in the Paris streets … one guy managed to land a swift roundhouse kick to the back of one of Offset’s guy’s head, which angered the rapper.

The guard was preventing him from jumping into the fight to even the odds!!!

The confusion even led to Offset’s crew fighting each other at one point — but Offset wouldn’t give up.

He managed to break free and whack one of his French opps with a designer boot kick to the head — before the guard rushed him back into the hotel.

The French rappers weren’t quitters either and bum-rushed the door, attempting to pull Offset out. A woman ended up taking a scary fall on the pavement when she fought off the attackers.

We’re not sure if that woman was a video model or part of anyone’s crew, but what we do know is that she was a ride or die chick for someone out there. Respect, shorty.

Eventually, police arrived on the scene and though no one was taken into custody, Gazo ultimately shared a pic of himself kicking it with Offset to promote their upcoming collaboration, “Wemby.” If he didn’t get his money back he might as well get his money’s worth and promote their collabo regardless, right?

What do y’all think of this situation? Who’s right and who’s wrong in your opinion? Sound off in the comments section below.

Governor Hochul To Bring Back Congestion Pricing In NYC

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Living in the Big Apple is about to get even more expensive. Governor Hochul is about to bring back congestion pricing to New York City.

As reported by the New York Times, the politician has announced she is reviving her plan for congestion pricing. Originally announced in April, state officials were aiming to impose an additional $15 dollar toll on vehicles that enter Manhattan below 61st Street. Commercial trucks, however, would face a higher fee of anywhere from $24 to $36 depending the axle count, dimensions, weight and other factors. The original idea was met with harsh criticism from citizens and business owners alike. Ultimately, the plan was put on hold in June.

This version of the plan has a reduced rate, which starts at $9 for regular cars. She detailed the reasoning during a formal press conference. “I’m proud to announce we have found a path to fund the MTA, reduce congestion and keep millions of dollars in the pockets of our commuters,” the governor said. She went on to add that citizens who make than less than $50,000 a year will receive a 50% discount after their 10th entry. Additionally, the toll overall will be cut after 9 p.m.

According to the New York Post, President-elect Donald Trump is not in favor of the move. “I have great respect for the Governor of New York, Kathy Hochul, and look forward to working with her to make New York and America Great Again. But I strongly disagree with the decision on the congestion tax,” he said in an exclusive statement to the newspaper.

The congestion pricing is currently being finalized but could start as early as January. You can see Governor Kathy Hochul’s press conference below.

Morgan Wallen Notches Record Fifth Country Airplay No. 1 in a Single Year With ‘Lies Lies Lies’

Morgan Wallen earns his 15th No. 1 on Billboard’s Country Airplay chart as “Lies Lies Lies” ascends a spot to the top of the tally dated Nov. 23. During the Nov. 8-14 tracking week, it drew 30.3 million audience impressions, according to Luminate.

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The song was written by Jessie Jo Dillon, Josh Miller, Daniel Ross and Chris Tompkins, and produced by Joey Moi. It’s the lead single from an upcoming Wallen album.

Notably, Wallen rounds up his fifth Country Airplay chart-topper of 2024 – marking the first time that an act has amassed five No. 1s in a single year dating to the list’s January 1990 launch. “Lies Lies Lies” follows “Cowgirls” (featuring Ernest), which led for a week in in July; Post Malone’s “I Had Some Help” (featuring Wallen; four weeks, June-July); “Man Made a Bar” (featuring Eric Church; one week, April); and Thomas Rhett’s “Mamaw’s House” (featuring Wallen; one week, March).

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Luke Combs (2021) and Garth Brooks (1991 and 1993) each collected four new Country Airplay No. 1s in single years, while Wallen ranked at the summit with four songs in 2023, including “You Proof,” which first led in 2022. (Brooks remains the only act to notch as many as four new No. 1s all as a lead artist in a single year, in both 1991 and 1993).

McGraw Ties for Most Top 10s

Tim McGraw claims his own slice of Country Airplay history, scoring his record-tying 61st top 10 as “One Bad Habit” bounds 11-5 (24 million, up 40%).

Marc Beeson, Aaron Eshuis and Tony Lane wrote the song, which McGraw produced with Byron Gallimore.

McGraw matches Kenny Chesney and George Strait for the most Country Airplay top 10s. Alan Jackson is next with 51, followed by Keith Urban (44), Toby Keith (42) and Brooks & Dunn (41).

Plus, with “One Bad Habit” climbing to No. 5, McGraw pads his lead for the most top five Country Airplay hits: 55. Strait is second with 53 and Chesney has 50.

McGraw last reached the Country Airplay top tier with “Standing Room Only,” which hit No. 2 last November. He earned his first top 10 with the No. 8-peaking “Indian Outlaw” in April 1994. Follow-up “Don’t Take the Girl” became his first of 29 No. 1s when it dominated for its first of two frames the next month. He most recently led with two hits in 2016: his own “Humble and Kind” (one week, that June) and as featured on Florida Georgia Line’s “May We All” (two weeks, December).

Lady A’s Hillary Scott Shares ‘Hard to Wait for Christmas’ Duet With Her Daughter Eisele

“Hard to Wait for Christmas,” a sweet holiday duet by Lady A‘s Hillary Scott and her daughter Eisele Kaye, has arrived to get you in the Christmas spirit.

The surprise holiday song was released Friday (Nov. 15).

“We hope this song makes families smile and encourages them to laugh and have fun together as they wait patiently (or not!) for Christmas,” Scott says in a statement about the festive new tune featuring her 11-year-old. “My favorite line from the song is about how it feels better to give than to receive, and if we could say anything about the Christmas season, it is that we hope you have a giving heart. That’s what really makes Christmas special — the gift of your time to the people you love, and the gift of your generosity to those in need.”

On Instagram Friday morning, Scott announced the song to fans: “Eisele and I have an early Christmas present for you… Our new Christmas song ‘Hard To Wait For Christmas’ is OUT NOW!”

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“Last year Eisele, her dad, and I sat and wrote this song after a little family drama trying to explain to her sisters, Betsy and Emory, why we were not able to open every single day of the advent calendar. This conversation led into all the other reasons why it is hard to wait for Christmas,” wrote Scott, who’s a Grammy Award-winning artist with country trio Lady A and Christian group Hillary Scott & The Scott Family; both acts have topped various Billboard charts.

Hillary Scott Eisele Kaye Hard to Wait for Christmas

Hillary Scott ft. Eisele Kaye, “Hard to Wait for Christmas”

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She added, “Our hope is that this song makes your family smile and lean into the playful spirit of the holiday season while you wait 40 more days until Christmas. We wish you a Merry Christmas.”

“It’s hard to wait for Christmas/ All the joy there is to share/ Like cookies baking in the oven/ The sweetest smell that fills the air/ Let’s hold our hope/ And shine our light/ Before it’s Christmas Eve/ We know this season’s so much more/ Than presents and a tree/ But honestly … It’s hard to wait for Christmas,” the mother-daughter duo sings together with joy, trading lead vocals on the chorus. You can feel them smiling throughout the recording.

“Hard to Wait for Christmas” is available to stream now on Spotify, Apple Music, Pandora, Amazon Music and YouTube Music. The track was produced by Scott, Chris Tyrrell and Ryan Gore.

Scott shared some adorable holiday memories — like a home video of herself singing “Santa Claus Is Coming to Town” as a little girl, and one of a younger Eisele singing “Jingle Bells” — on Instagram leading up to Friday’s song release.

Plus, on release day, she unveiled the official visualizer for “Hard to Wait for Christmas,” which shows Hillary and Eisele in the recording studio and spending time with the whole family (mom Hillary, dad Chris, Eisele, and younger sisters Betsy and Emory), all dressed beautifully for a holiday card photo shoot. It’s fun to get a glimpse at everyone’s personalities (and to spot Eisele rocking a cool Niall Horan concert tee!).

The “Hard to Wait for Christmas” video, which might inspire you to start baking cookies this weekend, can be seen on Scott’s YouTube channel. If you want to learn the words to the song with your own kids, check out the cute advent calendar-themed lyric video, too.

Darren Criss & Helen J Shen Talk Starring In Broadway’s ‘Maybe Happy Ending’ | Billboard News

Darren Criss and Helen J Shen are headed to Broadway to star in the musical Maybe Happy Ending. The pair sits down to discuss what it’s like to work with each other, how they got the roles, the beauty of musicals and more!

Darren Criss:
This is a funny little backdrop, because before we were like in previews. We’ve done performances for audiences over 20 times, I think, or something like that. This is we’ve met for …

Helen J Shen:
Probably 48 hours, less. 

Darren Criss:
Yeah, just a couple, yeah. This is, this is so proto what we are now. The show looks very different from this. I don’t have, none of us have our wigs on, but I think the heart is there, I suppose. So I don’t want to misdirect it too much.

Rebecca Milzoff: The heart and the plant.

Darren Criss: Most importantly, the main star of our show. He couldn’t make it today. He’s already on the private yacht. Yeah, he’s partying on a yacht somewhere.

We’ll give Hua Boon his moment later on, I feel like the show is straightforward to explain, but also sort of defies description in so many ways. I would love to hear when you’re giving kind of your elevator pitch on it to friends and people considering coming. How do you describe Maybe Happy Ending?

Darren Criss: There’s what the story is, and then there is what the show is about. Those aren’t necessarily the same things. Thematically it’s kind of about, yeah, two elderly people in hospice that decide to break out of the situation, to go connect with their family. Now that is a really grim, depressing construct for a show. So why would you ever want to see a musical comedy about that? 

Keep watching for more!

Rudy Gobert Celebrates Our Health Potentially Going Down The Drain With RFK Jr. HHS Appointment

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Rudy Gobert Slammed On Social Media Supporting RFK Jr. Pick

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Minnesota Timberwolves big man Rudy Gobert has once again stepped into it. This time, he threw his support behind one of Donald Trump’s heada** picks for his presidential cabinet and is getting roasted for it.

Felon 47, aka Donald Trump, is putting together what is easily one of the worst cabinets in the history of the presidency. His latest pick is Robert Kennedy Jr., a constant promoter of conspiracy theories related to health and vaccine hater, to run the Health and Human Services Department.

While the rest of the country knows just how BAD that is, Gobert took to Elon Musk’s dying platform, X, formerly Twitter, to express his excitement for the failed presidential candidate, landing a job he has no business having, writing in the post, “Let’s go @RobertKennedyJr (praying hands emoji).”

Now, why is this bad, you ask? Well, let’s quickly break it down. The former environmental lawyer turned his attention to public health and wrote numerous books that promoted baseless conspiracy theories, many of them about the use of vaccines, which ironically gained popularity during the COVID-19 pandemic, a subject he also had conspiracy theories about.

Then there are reports about Kennedy Jr’s nonprofit group, the Children’s Health Defense, causing a measles outbreak in American Samoa in 2019 because they believed his nonsense about vaccines, leading to vaccine skepticism, which is on the rise globally and led to the death of 70 people.

You Know It’s Bad When People Actively Root For Draymond Green Against You

Combine the worst Kennedy’s track record and Gobert’s presser incident, which many believe was the catalyst to the NBA shutting down after the pro hooper caught COVID-19; it’s no wonder people are now saying on social media Draymond Green was right for putting him in a chokehold and constantly being a thorn in Gobert’s side.

The backlash to Gobert’s post on X has been epic, and honestly, we wouldn’t be shocked if it made him cry like when he got “snubbed” for participating in the 2019 NBA All-Star Game.

On top of that, Minnesota Timberwolves fans and superstar Anthony Edwards might want their overpaid big man to put down his phone and focus on basketball because he’s struggling right now, and the Timberwolves are not looking like the team they were last year.

Granted, the Timberwolves are not the same team from last year, but there were big moves made, with Karl-Anthony Towns being traded to the New York Knicks for Julius Randle, who is off to a great start, while Donte DiVincenzo struggles to fit in on his new team.

Welp.

You can see more reactions to Rudy Gobert celebrating our health going down the drain in the gallery below.

1. We understand Draymond, we understand

4. The timing is immaculate

Dwayne Johnson Reveals the Jelly Roll Lyric That Helped Him ‘Through a Hard Time’

Jelly Roll was Dwayne Johnson’s rock long before the musician was a bestselling recording artist.

While appearing on The Kelly Clarkson Show Friday (Nov. 15), The Rock opened up about discovering the “Need a Favor” singer’s music many years prior, during what the actor described as a rough patch in his life. “I was going through a hard time at that time — he didn’t even know it, because we didn’t know each other,” Johnson recalled.

“That was one of my bouts with depression, and I was struggling, and I was really wobbly,” he continued. “I was trying to balance a lot, we were pregnant with our second baby … my older daughter, she was long distance, I was trying to film a movie. There was a lot going on.”

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Johnson — who shares daughter Simone with his ex-wife, producer Dany Garcia, and daughters Jasmine and Tiana with musician Lauren Hashian, whom he married in 2019 — went on to read aloud a lyric of Jelly’s 2017 track “Only,” which the Moana star says particularly inspired him at the time.

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“What if the darkness inside of me has finally taken my soul?/ What if the angels in heaven were sent to take me home?” Johnson quoted. “Would they fight through the demons that I have in my life?/ Lord, I’m believing eventually see the light.”

“That really moved me and touched me,” The Rock concluded. “We got in contact with each other and I told him what it meant to me. We didn’t know each other but became really good friends. That’s my boy, and I love that guy.”

As host Clarkson pointed out, the exchange occurred well before Jelly hit his commercial breakthrough in late 2022 with “Son of a Sinner” — which reached No. 31 on the Billboard Hot 100 — and sealed in his superstar status with 2023’s Whitsitt Chapel. The Tennessee native has since scored his first No. 1 album on the Billboard 200 with October’s Beautifully Broken, and he’s fresh off of nabbing two new Grammy nominations: best country song and best country solo performance for “I Am Not Okay.”

Jelly previously opened up on the Kelly Clarkson Show about his side of the story of his friendship with Johnson, a snippet of which the talk show played during the Jumanji actor’s episode. “He was a fan when I wasn’t worth being a fan of,” the musician says of The Rock in the clip. “By him being a fan, I was like, ‘If one of the greatest personalities of this generation — one of the greatest actors and entertainers — if he sees something in this music, maybe I’m on to something.’”

Watch Johnson gush about Jelly below.

The Weeknd Goes on a Wild Ambulance Ride Into the Heart of Darkness in ‘Open Hearts’ Video: Watch

The Weeknd is a trip. More specifically, Abel Tesfaye (as the singer now refers to himself, using his birth name) is on a wild voyage in the trippy new video for his electro-pop single “Open Hearts.” The singer released the video for the new single on Friday (Nov. 15), which is part of an immersive experience maximized for the Apple Vision Pro reality headset.

According to a release, the collaborative “The Weekend: Open Hearts” project with Apple was shot in the 180-degree Apple Immersive Video format and is optimized for viewing on the company’s VR headsets; fans are invited to get the full ultra-high-res video and Spatial Audio experience by booking an Apple Vision Pro demo at their local Apple store starting today, or by checking it out for free with the Apple TV app on Apple Vision Pro.

Based on fan-captured footage of the video directed by Anton Tammi — who also directed the video for “Dancing in the Flames,” the first single from Tesfaye’s upcoming Hurry Up Tomorrow album — is yet another journey into a dark netherworld in which the singer fights his demons and other seemingly sinister forces.

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It opens with Abel strapped to a gurney in the back of an ambulance looking shell-shocked as the tune’s bubbling synth pop groove chugs behind him and he sings, “I can hear the wind blow, even through the window/ I can hear the whisper, even with my ears closed.” As the EMS crew work to revive the singer, taking off his sunglasses and checking his pupils, Abel croons the falsetto chorus, “Where do I start?/ When I open my heart?/ It’s never easy falling in love again/ Cover my scars/ When I open my arms/ It’s never easy falling in love again.”

Because nothing is ever what it seems in Abel World, the next time we see the ambulance crew they are dressed in black and have glowing orange eyes, hinting at something sinister afoot. The trip down a desert highway includes an escort from wild horses to the streets of Los Angeles, where the singer wakes up and finds himself seemingly floating above the city.

After a mysterious figure appears in the window, Abel opens the door to the passenger cabin, which transports him to a room full of glowing eye creatures as the song devolves into a spooky psychedelic wash and he confronts a hooded, eyes blazing cult-like leader who is, of course, him.

The Weeknd’s upcoming sixth studio album will be accompanied by a feature film-length psychological thriller of the same name directed by Trey Edward Shults (It Comes At Night), which will mark the singer’s feature-starring debut; Jenny Ortega and Barry Keoghan will also star in the film that will be distributed by Lionsgate.

Check out the teaser for the Vision Pro experience here.

Friday Music Guide: New Music From Linkin Park, Tate McRae, Shawn Mendes, Shaboozey and More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Linkin Park leaps back into view, Tate McRae does not want conversation, and Shawn Mendes bares his soul. Check out all of this week’s picks below:

Linkin Park, From Zero 

With new co-vocalist Emily Armstrong and drummer/co-producer Colin Brittain in the fold, guitarist Brad Delson, bassist Dave “Phoenix” Farrell, turntablist/producer Joseph Hahn and singer/rapper/producer/sonic architect Mike Shinoda have revived Linkin Park, and From Zero imagines a new beginning for one of the biggest bands of the past few decades in a way that any fan can appreciate. Click here for a full review of the new album.

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Tate McRae, “2 Hands”

“Want your two hands on mе / Like my life needs savin’,” Tate McRae sings on her sensual new single, her desperation for physical touch animating another rhythmic pop delicacy that will delight fans of hits like “Greedy” and “Exes.”
 
Shawn Mendes, Shawn 

With his new album, Shawn Mendes has paused what’s been a whirlwind career thus far — from viral Vine clips to global arena performances — and looked inward, returning with a rustic folk-rock sound, prodding self-examinations and the most intimate album of his career.

Shaboozey, “Good News” 

While “A Bar Song (Tipsy)” continues to set Hot 100 history, now as the longest-running No. 1 song by a solo artist, newly minted best new artist nominee Shaboozey is not resting on his laurels, offering “Good News” as a somber refraction of his smash hit’s clap-along formula.

Jin, Happy 

Years after BTS crossed over to top 40 radio in the U.S. with bright, bubbly pop anthems, Jin’s first solo album leans in to similar positivity, as Happy functions as both an injection of cheeriness and a lovely showcase for another one of the group’s talented members.

Gwen Stefani, Bouquet 

Working with a live band at Smoakstack Studios with producer Scott Hendricks, Gwen Stefani hints at a full-blown country crossover on fifth solo album Bouquet — but more than any genre-hopping, the pop great’s voice sounds fuller when surrounded by expert instrumentation.

Rauw Alejandro, Cosa Nuestra 

Puerto Rican superstar Rauw Alejandro opened up his Rolodex for his fifth studio album, with Bad Bunny, Pharrell Williams, Feid and Romeo Santos all stopping by — but the greatest strengths of Cosa Nuestra rest on Alejandro’s shoulders, his airy voice powering the most magnetic hooks here.

Lil Nas X, “Light Again!” 

Lil Nas X’s flow sounds more effortless than it has in years on “Light Again!,” which applies his knack for enormous choruses to throbbing dance music and relies on his effervescent persona to maintain the listener’s attention.

Sam Fender, “People Watching”

Produced with The War on Drugs’ Adam Granduciel and serving as a tribute to a late friend and mentor, “People Watching” allows Sam Fender to dive into his big Boss influence while showcasing his emotional slant on anthemic pop-rock; this one could be big.

Editor’s Pick: 070 Shake, Petrichor  

WIth Petrichor, the unbridled greatness of 070 Shake has fully emerged: unconfined by sonic boundaries and unafraid of addressing heavier topics, the singer-songwriter gets psychedelic, toys with hip-hop ideas, covers Tim Buckley alongside Courtney Love (!) and generally pours her entire being into her art, in a way any music fan must respect.

Executive Turntable: Universal Hires Warner Veteran to Lead EMI Japan, Plus C-Suite Moves at Opry, Downtown and CAA

Welcome to an overflowing edition of Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music.

Read on for mostly good news and don’t forget to nominate an impactful executive for our Power 100 Players’ Choice Award, plus peep our weekly interview series spotlighting a single c-suiter and our helpful calendar of notable industry events and confabs.

Universal Music Japan named Shintaro Aki as managing director of EMI Records Japan. Reporting to UMJ president and CEO Naoshi Fujikura, the Tokyo-based executive brings over two decades of industry experience, including a successful tenure at Warner Music Japan, where he rose to senior executive producer. While at Warner, he notably spent seven years as head of Creative Room 1 (now known as Prescribe), the label home to Aimyon, Chanmina, Campanella and others. Over the course of his career Aki has played a pivotal role in developing artists like Superfly, whom he has A&R’d since 2007, Ulfuls, Ges no Kiwami Otome, WANIMA and THE YELLOW MONKEY, among others. Fujikura praised Aki’s proven track record for producing hits and strong relationships with artists, adding, “We look forward to EMI Records, which already has a long history and a broad roster of artists, continuing to shine under Mr. Aki’s new leadership.”

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Warner Music appointed Darina Connolly as general manager of Rhino UK, where she’ll report to Dirk Ewald, WMG’s svp of global catalogue, and Isabel Garvey, Warner Music UK’s COO. Connolly will lead marketing efforts for iconic Rhino artists like David Bowie, Fleetwood Mac, Madonna and Prince, among others. Formerly head of music partnerships at TikTok, Connolly has also held key roles at Apple Music, Sony Music, and MTV, where she managed projects with artists such as AC/DC and John Legend. A strong advocate for diversity — spot her in Billboard’s 2024 Music Industry Pride list — Connolly developed inclusion initiatives including Apple Music’s Elevate program and TikTok’s #queersounds campaign. Connolly is enthusiastic about enhancing Rhino UK’s legacy, while Ewald and Garvey anticipate her positive impact. This appointment follows the departure of Tom Gallacher, who relocated to Scotland after ten years with Rhino UK.

John Storey joined CAA as chief financial officer, bringing nearly 20 years of experience in corporate development, strategy and finance to the talent agency. Storey previously served as president of finance and operations at Asurion, a leader in smartphone insurance. CAA president Jim Burtson highlighted Storey’s expertise in strategic planning and operational efficiencies, which align with CAA’s objectives to expand internationally. “His accomplishments in building for growth match well with our ambitious goals,” Burtson said. Storey, whose background includes five years as Asurion’s CFO and previous roles as a research analyst and investment banker, said CAA is “clear in its vision to create limitless opportunities for its clients and employees” and that he looks forward to achieving those goals.

Meghan Cassin | SXSW

South by Southwest appointed Meghan Cassin as senior vp of content, aiming to strengthen its focus on content to support creatives and broaden community engagement. Cassin, with 17 years of experience in global media, previously served as vp of content at Warner Bros. Discovery, where she led content initiatives for platforms such as Nat Geo Wild, Disney Plus and Max. Jann Baskett, SXSW co-president and chief brand officer, expressed enthusiasm about Cassin’s appointment, noting her passion for storytelling. “With new ideas around content and an audience-first approach, we know she’s the right executive to spearhead our efforts,” she said.

Downtown Music Publishing promoted Jedd Katrancha to chief creative officer, where he will direct the company’s A&R, business development, sync and other creative-y strategies. A Downtown veteran since its start in 2007, Katrancha aims to expand exposure and revenue for Downtown’s catalog by aligning creative efforts to capture new opportunities across various markets. Katrancha will also lead efforts to forge strategic partnerships, helping to unlock the potential of Downtown’s catalog, which spans legacy artists like John Lennon and Miles Davis to recent signings such as Colbie Caillat and Peso Pluma. Downtown president Emily Stephenson praised Katrancha’s “dedication to fostering and executing impactful creative strategies for our artists and business clients.”

Gamma, the Larry Jackson-founded media and entertainment company, announced two key hires this week: Mike Hamilton as senior vp of commercial partnerships, and Casey Compernolle as vice president of A&R and digital strategy. Hamilton, formerly svp of commerce at Def Jam Recordings, will manage relationships with digital service providers for gamma artists, while Compernolle, previously a top playlist programmer and emerging artist advocate at Apple Music, will focus on artist development and digital strategy. “What gamma. has accomplished in under two years is nothing short of remarkable,” said Hamilton. “As independent companies continue to dominate our industry, I am honored and excited to join such a talented & impactful team.” Compernolle added that she’s stoked to “help develop the industry’s next wave of independent talent alongside a phenomenal roster of artists and an incredibly talented group of creatives.”

Opry Entertainment Group named Gary Scott as chief operating officer. Scott joins OEG from Ridgeline Hospitality Group, where he served as principal/owner and provides counsel to clients in sectors including hotel, gaming, food/beverage and hospitality. His career also includes time at Virgin Hotels Las Vegas, Hard Rock Hotel & Casino, and MGM Resorts/The Mirage Hotel & Casino. Opry Entertainment Group’s portfolio of venues includes the Grand Ole Opry, Ryman Auditorium, the Blake Shelton-inspired Ole Red, ACL Live at Moody Theater and Luke Combs’s Category 10. –Jessica Nicholson

NASHVILLE NOTES: 2911 Media promoted Scott Sexton from director of publicity to vice president of publicity. My top priority has always been to help our clients reach their full potential, and that will never change,” he said … The Familie added artist manager Emma Kyes to its Nashville music division. Kyes brings Sadie Bass to the Famile fam after securing deals for the singer-songwriter, including with WME and Sony Music. Royce Risser, The Familie’s evp of music, praised Kyes’ “drive and commitment” as “extraordinary.”

Matt Morgan, a former senior marketing executive at Atlantic Records UK, is the new creative marketing director at Trade Secrets Management, which represents Teddy Swims. Morgan, who joined Atlantic last November, played a pivotal role in the global success of Swims’ “Lose Control” campaign, which garnered hundreds of millions of views and established Swims in the UK market. Morgan, who also manages Amelia Dimoldenberg, Reggie Yates and Dynamo, signaled enthusiasm for continuing his work with Swims and the Atlantic team in his new role. His appointment is expected to enhance Swims’ presence and expand the reach of Trade Secrets Management’s creative marketing strategies. “Matt is one of the most creative and talented marketing minds I’ve had the pleasure of working with”, said Luke Conway, director at Trade Secrets Management. “His unique and impactful campaigns have been instrumental in breaking Teddy in the UK. We’re thrilled to welcome him to the Trade Secrets team.”

Leftbrain named Larry Tyler as a business manager, where he’ll lead a team serving a diverse range of industry clients, from indie artists to major label stars. Tyler brings over 13 years of experience from NKSFB Business Management, where he rose to partner, and has previously held roles at Gursey|Schneider LLP and GSO Business Management, specializing in tour finances and client relations. Founder and CEO Nicholas Judd said that Leftbrain, now in its sixth year, is busy expanding its mission after initially focusing on business management for musicians through tech. “Now, we’re expanding our mission by partnering with like-minded business managers,” he said. “Larry’s legendary experience and vision make him a perfect fit for our team, and we’re excited to show what’s possible together.”

ALL IN THE FAMILY: Nicole Morano is the new associate vice president of communications at Penske Media, where she’ll oversee PR and communications for New York-based brands like this one, Rolling Stone and Sportico, as well as SXSW events in Austin, Sydney and London. Based in NYC and reporting to Brooke Jaffe, svp of public affairs and strategy, Morano will also support Penske Media’s New York executive teams, including licensing. Morano was previously director of corporate communications at Condé Nast and earlier in her career handled publicity at Penguin Random House.

Michelle McCarthy officially cut the ribbon on MCC Marketing Group, a New York-based agency specializing in live entertainment and sports marketing. The agency aims to create strong connections between artists, brands, and audiences through strategic campaigns for concerts, festivals and other events. With over 15 years of experience, McCarthy previously led marketing at Madison Square Garden and Radio City Music Hall, handling major events like Billy Joel’s residency and Harry Styles’ sold-out shows. In 2024, MCC Marketing Group successfully promoted the “Rock the Country” festival series featuring Kid Rock and Jason Aldean, and David Gilmour’s “Luck and Strange” U.S. Tour, achieving sold-out shows.

RADIO, RADIO: Jeff Littlejohn, iHeartMedia’s longtime executive vp of engineering, is retiring after 32 years. Steve George will now oversee technical operations for iHeart’s 860 local stations. Additionally, Oklahoma svp of programming JJ Ryan will expand his role to include Arkansas, Kansas and Missouri, as part of iHeart’s regional leadership restructuring. This change follows the layoff of Greg Chance, who had overseen programming for more than 20 stations … Audacy promoted Kieran Geffert as its new market manager in San Francisco, overseeing a portfolio that includes 95.7 The Game, Alice @ 97.3 and 102 Jams, among others.

ICYMI:


Greg Maffei

Greg Maffei

Liberty Media announced that longtime president and CEO Greg Maffei will step down at the end of the year, with chairman John Malone sliding in as interim CEO … Ikenna Nwagboso, the co-founder of label services and partnerships at emPawa Africa, will exit the company in January … and former MNRK Music Group president/CEO Chris Taylor officially opened the doors on Hall of Fame Artists. [KEEP READING]

Last Week’s Turntable: WCM Irons Out Head of A&R in Amsterdam