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Unheard John Bonham Audio Features in Trailer for Authorized Documentary, ‘Becoming Led Zeppelin’

One day after the 44th anniversary of their split, the trailer for the first-ever authorized documentary on Led Zeppelin has arrived.

Titled Becoming Led Zeppelin, the documentary has been in the works for some years, with director Bernard MacMahon helming the project following the success of his 2017 exploration into U.S. roots music, American Epic.

Featuring the participation of the three surviving members – singer Robert Plant, guitarist Jimmy Page, and bassist John Paul Jones – the project was taken to Cannes in 2019, at which point it was noted as being in the post-production phase.

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“When I saw everything Bernard had done both visually and sonically on the remarkable achievement that is American Epic, I knew he would be qualified to tell our story,” Page said at the time.

“The time was right for us to tell our own story for the first time in our own words, and I think that this film will really bring this story to life,” added Jones.

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Hype for the project first gathered steam when a work-in-progress version was screened at the Venice Film Festival, receiving a 10-minute standing ovation. MacMahon later noted that the team behind the film has spent “years designing this film to be experienced on the big screen with the best possible sound.”

Such meticulous attention to sound detail is vital for a project of this caliber, which follows the group – including late drummer John Bonham – as they rise up through the British music scene in the 1960s playing in small clubs. It follows them to a fateful rehearsal in 1968 that changed the course of their careers and culminates in their first tour of America in 1970 as they ascended to rock superstardom.

Led Zeppelin ultimately split on Dec. 4, 1980 following the unexpected death of Bonham just months earlier. Now, almost 44 years to the day since their dissolution, the official trailer for the upcoming documentary has arrived, complete with previously-unheard archival interviews with Bonham himself.

Soundtracked by 1969’s “Whole Lotta Love”, the trailer features visuals of the band’s kaleidoscopic career, interspersed with recent interviews with surviving band members. “The first time we played together, it was stunning,” Bonham says at the end of the trailer. “It was like a gift from heaven, wasn’t it?”

“We spent five years flying back and forth across the Atlantic scouring attics and basements in pursuit of rare and unseen film footage, photographs and music recordings,” writer-producer Allison McGourty said of the film’s production in a press release. “Then we transferred each piece of media with custom techniques, so that in IMAX, these 55-year-old clips and music would look and sound like they came out of the lab yesterday.”

Becoming Led Zeppelin is set for release in IMAX cinemas on Feb. 7.

Soundgarden Members to Reunite for Seattle Benefit Show

Members of Soundgarden are set to take to the stage next week as part of a benefit concert in their Seattle hometown.

The performance, which takes place at Seattle’s Showbox on December 14th, will see guitarist Kim Thayil, drummer Matt Cameron, and bassist Ben Shepherd adopting the name Nudedragons for the affair. That moniker – an anagram of the band’s more famous name – is the same used by Soundgarden in 2010 when they performed at the same venue for their first live date since 1997.

Shaina Shepherd will take on vocal duties with the band in what is being described as a “brief encore performance”.

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The upcoming live show takes place as part of SMooCH, an annual campaign to raise funds for the Seattle Children’s Hospital’s Uncompensated Care Fund. Previous SMooCH events have featured acts such as Modest Mouse, The Afghan Whigs, Jason, Isbell, Angel Olsen, and more.

Alongside Nudedragons, this year’s SMooCH lineup will also include Sebadoh, Doug Martsch of Built To Spill, and Duff McKagan of Guns N’ Roses.

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Originally forming in 1984, Soundgarden intially remained active until 1997, becoming icons of the Seattle grunge scene in the process thanks to albums such as Superunknown, which topped the Billboard 200 upon its release in 1994.

Following various side projects for its members during the interim, Soundgarden reconvened in 2010, and remained active until the passing of frontman Chris Cornell in 2017. The following year, Thayil noted an uncertainty of what Soundgarden’s future could look like, before announcing the retirement of the band name.

Since then, members of the group have reunited for a handful of performances, including a 2019 tribute performance for Cornell dubbed I Am The Highway, which featured guest vocalists such as The Pretty Reckless’ Taylor Momsen and the Foo Fighters’ Taylor Hawkins.

Upon Hawkins’ passing in 2022, Thayil and Cameron were joined by Momsen and members of Nirvana the Foo Fighters for another tribute performance.

Freddie Gibbs “Cosmo Freestyle,” Boosie Badazz “One Of Them Ones” & More | Daily Visuals 12.5.24

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Forbidden Fruit Festival 2024

Source: Kieran Frost / Getty

It seems like just a few years ago Freddie Gibbs was beefing with many of his Hip-Hop peers but as of late the man has been focusing on his music instead of the drama and has been dropping off new work to keep his customers heads nodding and necks breaking.

In his latest visuals to “Cosmo Freestyle,” Gibbs heads to Sin City and politics in Las Vegas and takes in the atmosphere and bright lights from the comfort of his hotel balcony like a boss overlooking his own city. Using old school footage of Vegas was a nice touch.

Boosie Badazz meanwhile uses some old footage of his own and in his clip to “One Of Them Ones,” Boosie uses some stock footage of him and his crew in the club in ’92 to show he’s been balling for more than two decades and he isn’t slowing down one damn bit in 2024.

Check out the rest of today’s drops including work from Tems, Kenny Muney featuring Key Glock, and more.

FREDDIE GIBBS – “COSMO FREESTYLE”

BOOSIE BADAZZ – “ONE OF THEM ONES”

TEMS – “GET IT RIGHT”

KENNY MUNEY FT. KEY GLOCK – “PAPER ROUTE”

C. JAMISON FT. JIM JONES – “LIVING”

EBK YOUNG JOC – “NOW I’M MAD”

CAPELLA GREY – “I’M WEAK”

YUNG MAL – “CANCER”

Bad Bunny Drops Ethereal EDM-Fusion Track ‘EL CLúB’: Stream It Now

As 2024 winds down, Bad Bunny aims to leave his mark on the year’s final stretch with his latest single “EL CLúB,” released Thursday (Dec. 5).

The track artfully merges pulse-quickening house beats with a nostalgic undercurrent, with the help of his longtime producers MAG and La Paciencia, as well as Saox. Then, ethereal-like guitar tones of traditional Afro-Puerto Rican plena enter, blending electronic elements with Puerto Rico’s rich cultural heritage.

According to the press release, the song encapsulates “the longing for a life chapter that still holds a special place in memory.” This theme is vividly depicted in the accompanying music video, directed by STILLZ and featuring a narrative crafted by Benito himself. The video captures Bad Bunny as he enters an elevator en route to “the club,” surrounded by a swirl of psychedelic imagery amid a huge crowd. It culminates with him carrying a box that appears to contain the ashes of a burned house, which he solemnly buries and marks with the Puerto Rican flag.

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The ashes of a burnt house could symbolize the lingering environmental contamination from coal ash produced by the AES Puerto Rico power plant, a major source of toxic ash pollution on the island, impacting local communities with health risks due to improper disposal and leakage into groundwater.

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This act of burial and remembrance in the song/video also echoes the theme of his previous single “Una Velita,” where he tackled government negligence following Hurricane Maria and underscored the need for societal and political engagement.

The release coincides with Bad Bunny being named Spotify’s most-streamed Latin artist worldwide and follows his recent Latin Grammy win for best reggaeton performance with “Perro Negro” featuring Feid. His latest album nadie sabe lo que va a pasar mañana is currently in the running for a Grammy for best música urbana album.

Stream Bad Bunny’s “EL CLúB” below:

Peso Pluma Drops Flashy Corrido ‘Gervonta’: Stream It Now

Peso Pluma isn’t wrapping up the year just yet.

The Mexican music star unleashed the introspective yet provocative “Gervonta,” a corrido that finds Peso reflecting on his own journey to stardom. The nearly three-minute song kicks off with a slow and somber beat and then quickly transitions into a more uptempo, multi-instrumental sound that has characterized Peso’s corrido tumbado style.

The title is a nod to American boxer Gervonta “Tank” Davis, a former three-division world champion who has held the World Boxing Association lightweight title since 2023. (Peso Pluma translates to lightweight in Spanish.) The professional athlete even reposted the new song’s cover art on his own Instagram Stories.

In the flashy “Gervonta,” Peso sings about an extravagant lifestyle, one that thrives on wealth, travel and indulgence. It’s a theme Peso is familiar with, and one he’s explored in previous songs, including in his latest album Éxodo, which he released in June.

The LP — featuring collabs with Cardi B, Ivan Cornejo and Quavo, to name a few — peaked at No. 1 on the Top Latin Albums chart for 12 weeks. On the Billboard 200, the set earned a No. 5 spot. The album also landed in the top five of Spotify’s most-streamed Global Latin Albums, according to 2024 Spotify Wrapped, while Peso was the second most streamed Latin artist globally in 2024 after Bad Bunny.

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Peso Pluma’s Éxodo is up for best música mexicana album (including Tejano) at the Grammys, taking place Feb. 2. He’s up against Carín León (Boca Chueca, Vol. 1), Jessi Uribe (De Lejitos) and Chiquis (Diamantes).

Below, stream Peso Pluma’s “Gervonta.”

Ye’s ‘Bound 2’ Catapults Into Top 5 of TikTok Billboard Top 50 | Billboard News

Ye enters the the top five of the TikTok Billboard Top 50 along with Stepz and Silento makes a comeback in the top 10. Keep watching to see who’s No. 1!

Tetris Kelly:

A rapper has grabbed his first TikTok chart topper. Stepz’s “Rock” lifts a spot to No. 1 on the TikTok Billboard Top 50 chart dated Dec. 7. Stepz himself even contributed to usages of “Rock.” Also up a spot, Gia Margaret’s “Hinoki Wood” lifts 3-2. “Hinoki Wood” is tied to the Chill Guy meme/trend, with creators using the song to upload content showcasing how much of a chill person they are. Ye’s “Bound 2” re-enters the TikTok Billboard Top 50 at No. 4 – its highest rank yet, which is no coincidence due to the 2013 song’s “We made it to Thanksgiving, so maybe we can make it to Christmas” lyric. Ole 60’s “Thoughts of You” breaks the top 10 for the first time, vaulting 41-6 with the country band’s lyric, “Where’d November go?” And lastly, one other song reaches the top 10 for the first time, and it’s also the week’s top debut: Silento’s “Watch Me,” at No. 9. Every Thursday, Billboard will bring you the verified list of the hottest songs on TikTok by monitoring music discovery and engagement on the platform in the United States. To find the TikTok Billboard Top 50 each week, users can simply go to any sound detail page and tap the top right button to access the charts page. 

Stephen A. Smith Has a Message for Drake Amid Kendrick Lamar Beef: ‘Take It to the Studio’

Stephen A. Smith has a message for Drake.

During his YouTube series The Stephen A. Smith Show, the sports media personality revealed that the Toronto rapper may be upset with him about previous comments he made about his battle with Kendrick Lamar and that Drake should answer “Not Like Us” with a song instead of answering with litigation.

“I understand that Drake is a bit sensitive in these times. He’s in his feelings,” he said as he started his rant. “And don’t ask me how, but I know that he’s seen this show and I know that he’s seen some of things I have said about him on this show. I did not say or echo a negative thing about you. You’re a phenomenal artist, you’re big time.”

Adding, “What I said was fact: ‘Not Like Us’ got you. I even pointed how the line about accusing you about being a pedophile — ain’t nobody paying attention to that. They just think it’s lyrics. It’s bars being dropped and he got the better of you. What I’m saying is, you don’t go the lawyer route in hip-hop over something like this. You take it to the studio. You take it to the streets. That’s all I said,” Smith continued. “I didn’t sit up there and say you can’t answer Kendrick Lamar. I said, ‘You better figure out a way to do so,’ meaning you have the capability, I think, to pull it off. That’s all!”

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You can watch the episode below.

‘Wicked’ & More All-Time Top-Grossing Film Adaptations of Broadway Musicals

Well, that was fast. Wicked has been making box-office history since it opened on Nov. 22. The long-awaited film adaptation of the 2003 Broadway musical has already grossed $372.9 million worldwide, a total topped by only three other films that were based on Broadway musicals.

Ariana Grande and Cynthia Erivo star in the film, which was directed by Jon M. Chu, whose hit-studded résumé includes a previous film adaptation of a Broadway musical, the 2021 movie version of Lin-Manuel Miranda’s breakout hit In the Heights.

Seven film adaptations of Broadway musicals appear on Box Office Mojo’s list of the top 1,000 films in terms of lifetime worldwide grosses. That counts Mamma Mia!, a film adaptation of the 2001 stage musical built around ABBA music, but not its Cher-featuring sequel Mamma Mia: Here We Go Again, on the grounds that the latter was really just a sequel to a hit movie, not a Broadway musical. (The sequel did astonishingly well, with a worldwide gross of $395.6 million.) Of course, not all sequels are guaranteed to become box-office successes. Grease is here, but its 1982 sequel, Grease 2, which grossed just $15 million worldwide, didn’t come close. (Michelle Pfeiffer, the star of Grease 2, is represented on this list with Hairspray.)

Wicked Part Two is due for release on Nov. 21, 2025. Will it follow its predecessor to box-office glory? If it does, Chu will join Rob Marshall as the only director with two films on this list; Marshall directed both Chicago and Into the Woods.

One disclaimer about this list right at the top: You can’t really compare box-office grosses of films from different eras. The biggest blockbusters of earlier eras simply can’t match the grosses of today’s hits. (It’s not just your imagination that ticket prices are much higher than they used to be.) The Sound of Music has grossed $159.5 million worldwide, according to Box Office Mojo – not enough to make their list of 1,000 top-grossing films. But that 1965 adaptation of the 1959 Broadway musical is one of the biggest hits in film history.

Other film adaptations of Broadway musicals that have grossed more than $50 million worldwide, but not enough to make the list, include Dreamgirls ($155.5 million), the 2021 version of West Side Story ($76 million), My Fair Lady ($72.7 million) and Funny Girl ($52.2 million).

Here are the seven top-grossing film adaptations of Broadway musicals. All appear Box Office Mojo’s list of the top 1,000 films in terms of lifetime worldwide grosses.

Karol G Breaks Longest-Leading No. 1 Record of 2024 on Billboard Argentina Hot 100

Karol G sets a new record on the Billboard Argentina Hot 100 as “Si Antes Te Hubiera Conocido” rules for a 12th consecutive week (chart Dec. 7-dated ranking), the longest-leading No. 1 song in 2024. The song breaks from a tie with Valentino Merlo and The La Planta’s “Hoy” which dominated for 11 consecutive weeks, starting the July 6-dated tally.

Further, “Si Antes Te Hubiera Conocido,” which added a 20th week atop Billboard‘s overall Latin Airplay chart on the current ranking, also enters a tie with Maluma and The Weeknd’s “Hawai” and Pedo Capo and Farruko’s “Calma (Alicia Remix),” for the fifth-most weeks atop the Billboard Argentina Hot 100 since its inception in 2018. Here is the recap of the songs with the most weeks at No. 1:

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Weeks at No. 1, Song, Artists, Peak Date
25, “Tusa,” Karol G & Nicki Minaj, Jan. 11, 2020
16, “Entre Nosotros,” Tiago PZK, Lit Killah, Nicki Nicole & Maria Becerra, July 31, 2021
15, “La Bachata,” Manuel Turizo, Sept. 10, 2022
13, “Otro Trago,” Sech, Darell, Nicky Jam, Ozuna & Anuel AA, May 25, 2019
12, “Si Antes Te Hubiera Conocido,” Karol G, Sept. 21, 2024
12, “Hawai,” Maluma & The Weeknd, Aug. 29, 2020
12, “Calma (Alicia Remix),” Pedro Capo & Farruko, Jan. 12, 2019

Rauw Alejandro adds a second song on the current chart as “Khé?,” with Romeo Santos, arrives as the Hot Shot Debut of the week, at No.55. The Puerto Rican also takes the Greatest Gainer honors with “Qué Pasaría…,” with Bad Bunny, which rallies 28 spots, from No. 56 to No. 28 for a new peak.

Five other songs debut below the top 50, starting with the bilingual “¿Cómo Pasó?” by Ela Taubert and Joe Jonas, at No. 76. It’s the first chart appearance for both the best new artist Latin Grammy winner and the American singer-songwriter.

Maluma adds his 38th entry as “Cosas Pendientes” starts at No. 84. Meanwhile, Argentinians La T y La M secure their 14 career visit with “Un Montón De Estrellas (Gran Rex)” at No. 84.

Lastly, Nicki Nicole breaks from a tie with Emilia for the third-most entries among women with 38 career performances thanks to two new debuts, “Forty” and “Sheite” which open at Nos. 88 and 97, respectively.

50 Cent Tells Cam’ron Why He Thinks Jay-Z Allegedly Tried to Block His Super Bowl Performance

Cam’ron has a new interview series entitled Talk With Flee and his first guest was his old foe 50 Cent and, of course, the conversation was entertaining. One of the topics they broached was that of an old friend of theirs in Jay-Z. Both have had hot and cold relationships with the Brooklyn rapper and business mogul and have never been shy about speaking their minds when asked about him.

While 50 was talking about his various business ventures, his appearance at the 2022 Super Bowl halftime show alongside his mentors Dr. Dre and Eminem came up and he elaborated on why he feels Jay tried to block him from being involved.

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As he was explaining some of the partnerships he has with professional sports teams, he stopped himself after saying, “The NFL has no issues with me,” and brought up the Super Bowl situation again.

“This is why I was saying I knew what ol’ boy was doing with the Super Bowl,” he began in reference to Jigga. “He was doing some wild sh–, Cam, because he was saying to Em and them that the NFL had the issue with me. And I’m like, ‘Well, what’s the issue? Why don’t they have an issue when I’m becoming a partner with the actual teams? But they have an issue with my performance? It makes no sense.’”

Cam then asked him why 50 felt like he didn’t want him to perform and if he felt like Jay was “threatened” due to their longstanding rivalry. “Not even threatened,” the Queens rapper and filmmaker replied. “Our culture’s competitive, but I think when it goes past the music itself to blocking things in business, then I don’t understand that.”

Adding, “Right now, he’s not even competing for a slot. He doesn’t have a new song out that he wants to be top 10 and he’s still competing. It don’t make sense. What are we competing for? What’s the goal?”

You can watch the full convo below.