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Jinkx Monsoon & BenDeLaCreme Deliver Laughs & Hard-Earned Truths With ‘The Jinkx & Dela Holiday Show’

Early on in their Thursday night (Dec. 5) performance at the Kings Theater in Brooklyn, NY, drag stars Jinkx Monsoon and BenDeLaCreme told their crowd of a few thousand fans that they intended to do things a little differently this year.

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The pair have been performing together in various iterations of their annual Jinkx & DeLa Holiday Show for the last seven years, with each successive variety performance becoming more involved, plot-driven and deeply meta than the last. Their 2023 show, as they point out during this year’s production, revolved around their show itself turning on and trying to kill them.

So for 2024, the dynamic duo told their audience that they just wanted to keep things straightforward — some lighthearted fun, some good laughs, and that winning parody combination of “a pop song you heard on the radio all year, plus Christmas,” as DeLa put it. Nothing fancy, just an easy, simple holiday show.

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What ensued, while it was of course not at all what the duo described at the outset of their performance, proved exactly why these Drag Race alumni make such a perfect pair on the stage. Across two acts and two hours, Jinkx and DeLa managed to not only encapsulate the manic brilliance of their now-historic run together, but to also deftly (and often bluntly) address and audience still reeling from the political chaos of the last month.

Fans of the The Jinkx & DeLa Holiday Show will have plenty to celebrate with this year’s iteration, as the pair keep on the tradition of building a loose narrative around a Christmas-themed concept. This time around, Jinkx delightfully informs the audience that they’re doing a Nutcracker riff (or “nut-gobbler,” as DeLa accidentally calls it), as the pair get shrunk down to toy-size and participate in the well-loved Christmas ballet. It’s a welcome shift, seeing the usually-grinchy Jinkx getting excited for the holdiays, while the often-optimistic DeLa gets her opportunity to make fun of the centuries-old ballet at every given opportunity.

The song parodies are also back, and arguably better than ever. Jinkx and DeLa once again meld their own original songs with new versions of holiday classics, American standards and a heaping helping of 2024 pop hits. A now Broadway-minted Monsoon flexes both her musical and comedic chops on the early standout performance of “Secular” (to the tune of Wicked‘s “Popular”) as she delights in leaving the more Judeo-Christian aspects of the season behind. Meanwhile DeLa stuns with a rendition of Beyoncé’s “Texas Hold ‘Em” that sees the star crooning about missing snow in a globally warmed winter of unseasonably warm weather — although, when it happens this much, we really shouldn’t call it “unseasonable,” as DeLa points out.

The standout running gag from the show, though, comes in the form of the pair desperately trying to find an appropriately funny (and Christmas-y) Chappell Roan parody. DeLa tries her best early on — conjuring up clunky visions of a “Red Reindeer Place” and attempting to incite a “Femininomenon” in the city of Bethlehem — before Jinkx tells her to just give it up. But the pair finally triumph with their own, double-meta version of Roan’s breakout hit “Hot to Go,” this time singing about the difficulty of coming up with a Chappell parody before settling on spelling out “Hot Coco.”

While the show certainly has plenty of fun songs and hilarious jokes — Jinkx’s ongoing infatuation with and seduction by The Nutcracker had the Brooklyn audience in stitches — the show’s core comes into full focus during it’s second act, when both Jinkx and DeLa partially drop the facade of the show to look at the context they’re performing it in.

In an interview with Billboard back in October, both Jinkx and DeLa expressed their desire to get to the core of our current system of political division, and how those divisions have made the holidays and even harder time of year for everyone, especially in the LGBTQ+ community. “At a hard time of year, a bunch of people get to come together and look at some beautiful visuals, outfits, props and performances from our brilliant cast,” DeLa said at the time.

While I won’t give away the show’s clever plot, I can say that the Act II breakdown from Jinkx & DeLa landed exactly where they wanted it to. As the pair use the structure of their show itself to process Donald Trump’s re-election in November, they dig even deeper to get to the emotional crux that the audience at the Kings Theater was feeling. When Jinkx woefully declared that she — like many of us — was “so tired of caring,” DeLa delivered the needed reality check: “I’m tired of people not caring.”

The fabulous costume design and gifted background performers helped elevate 2024’s Jinkx & DeLa Holiday Show to new heights, that’s for certain. But the thing that always made this zany show work is what worked best for the 150th time on Thursday night; a pair of best friends and talented performers who know exactly how to balance the real with the delightfully absurd.

Doechii Impresses With Jazzy Tiny Desk Concert Performance: Watch

Doechii is blossoming into a star. The Top Dawg Entertainment rapper checked off another box within her ascension on Friday (Dec. 6) by making her Tiny Desk concert debut at NPR’s headquarters.

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The Swamp Princess didn’t disappoint with her set either, as she brought the Black Girl magic and some friends along for the magic carpet ride. The all-female band boasted a nine-person arrangement of horns, and vocalists rocking braids with beads styled to match Doechii’s for the jazz-tinged concert.

Most of the setlist stuck with Doechii’s acclaimed Alligator Bites Never Heal mixtape as the 26-year-old burgeoning rapper ran through the smooth “Boom Bap,” “Boiled Peanuts,” “Denial Is a River,” “Catfish” and fan-favorite “Nissan Altima” before moving into “Bullfrog” and “Hide n Seek.”

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Prior to closing out her electric set with Oh the Places You’ll Go‘s “Black Girl Memoir,” Doechii glanced at the Black women in the room and delivered a poignant message.

“I decided to perform this record because I think there’s been a lot of heightened emotions with the current state of our country, and I wrote this song specifically for Black women. As a dark-skinned woman, there’s a very unique experience I’m trying to internalize,” she said ahead of the 2020 track. “This is a song I think other dark-skinned women will relate to. So this is dedicated to all the beautiful Black women in the room.”

It’s been a special year for Doechii, who is coming off the release of her Alligator Bites Never Heal mixtape, which came in at No. 10 on Billboard‘s Best Albums of 2024 List.

The Florida native’s rise also resulted in her jumping to No. 6 on the Hottest Female Rappers list for 2024 after not appearing on the first iteration earlier this year.

Watch her performance below.

Greatest Pop Stars of the 21st Century Podcast: List Recap With AJ Marks & Final Thank Yous

On today’s (Dec. 6) episode of the Greatest Pop Stars of the 21st Century podcast, we’re finally out of new rankings and pop stars to discuss — so we take a look back at the top 10, and the entire Greatest Pop Stars project, with some help from AJ Marks, moderator of Reddit’s r/Popheads forum and host of the stellar Main Pod Girl podcast. (AJ previously joined the podcast to talk about the list’s first half, find his previous podcast appearance here.)

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Host Andrew Unterberger talks with Marks about his big-picture takeaways from our rankings — what parts of the ordering did or didn’t make sense to him, and if he feels like he has a better understanding of the Billboard editorial staff’s definition of pop star greatness than he did when the project started. We also of course talk a little Taylor Swift and Beyoncé — and about the r/Popheads reaction to the entire rollout of the top 10, leading up to our No. 1 reveal — and look forward a little to our upcoming 2024 Greatest Pop Stars rankings, with AJ offering his predictions for some of the most likely artists to be in the mix for the top spot.

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We close with AJ by asking him the questions we’ve asked for every pop star on this list so far — making him choose between the total pool of choices for all 25 artists. Then, Andrew closes by offering some much-deserved thanks to the dozens of folks on staff who helped make this entire list possible.

Check it out above, find all our past episodes here, and be sure to subscribe to Billboard‘s Greatest Pop Stars of the 21st Century series wherever you get your podcasts! (And definitely remember to check back next week as we begin the rollout for our Greatest Pop Stars of 2024.)

What’s Your Favorite New Music Release of the Week? Vote!

The holiday season is in full swing, but today’s top music artists are hardly slowing down.

Kicking off the new music releases this week is BLACKPINK star Rosé, who dropped her first solo album, Rosie. The dozen of songs include hit single “APT.” with Bruno Mars — which has spent six weeks so far at No. 1 on the Billboard Global 200 — and “Number One Girl.”

It was a big week for K-pop, as TWICE dropped their seven-track mini-album, Strategy, which features a collaboration with Megan Thee Stallion on the title track. “I feel like Megan’s style really enhanced our part of the music,” member Jeongyeon told The Hollywood Reporter of working with the rapper. “When we were shooting the music video, Megan really wanted to learn Korean, so she kept saying like, ‘귀여운,’ which means cute. That ‘you’re very cute’ or ‘that’s really cute.’ She did a lot of Korean-style jokes and those hand hearts that Koreans do a lot to break the ice.”

Meanwhile, BTS’ V got into the holiday spirit by teaming up with the late Bing Crosby to release a duet version of “White Christmas.” “I’m so grateful to have had the chance to be featured in a song with my all-time favorite jazz artist, Bing Crosby,” V previously said of the track in a statement. “I grew up listening to his song ‘It’s Been a Long, Long Time’ countless times a day, and I feel incredibly fortunate and honored to have sung along on ‘White Christmas’ with the voice of someone I consider an idol.”

That’s just the tip of the North Pole iceberg. Other drops this week include Bad Bunny’s “EL CLúB;” “Georgia Ways,” a collaboration between Quavo, Teddy Swims and Luke Combs; and “Personal,” which reunites Khalid and Normani.

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We want to know your favorite music release of the week. Check out our Friday Music Guide here, and let us know by voting in our poll here or below.

Ella Langley & Riley Green’s ‘You Look Like You Love Me’ Sidles Up to No. 1 on Country Airplay Chart

Ella Langley’s “You Look Like You Love Me,” featuring Riley Green, leaps from No. 7 to No. 1 on Billboard’s Country Airplay chart dated Dec. 14. The song, which the pair penned with Aaron Raitiere, increased by 18% to 26.5 million audience impressions Nov. 29-Dec. 5, according to Luminate. (The six-spot leap ties for the third-greatest to the top in the chart’s nearly 35-year history.)

Langley lands her first Country Airplay No. 1 with her second entry (on SAWGOD/Columbia/Nashville Harbor). “Strangers,” with Kameron Marlowe, spent a week at No. 56 in July. Green nets his second chart-topper, following his featured turn on Thomas Rhett’s “Half of Me,” which led for a week in November 2022.

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Meanwhile, for the first time in 2024, a woman artist rules Country Airplay. Lainey Wilson last led among women, as featured on Jelly Roll’s “Save Me” for two weeks in December. Langley is the first woman to reign in a lead role also since Wilson, who spent three weeks at No. 1 in October 2023 with “Watermelon Moonshine.” Langley ends the longest break – 51 weeks – between women (including groups with prominent female vocals) topping the chart since a record 61-week shutout in 2003-04.

New Top 10s

Morgan Wallen banks his 18th Country Airplay top 10 as “Loves Somebody” lifts 11-9 (20 million, up 10%). The song is the second single from Wallen’s upcoming album, following “Lies Lies Lies,” which topped the Nov. 23-dated chart, becoming his 15th No. 1 – and his fifth of 2024, a new annual high for any artist.

Plus, Tucker Wetmore’s “Wind Up Missin’ You” becomes the singer-songwriter’s first Country Airplay top 10, as it hops 12-10 (18.1 million, up 4%). The 25-year-old previously charted with “Wine Into Whiskey” (No. 56 peak, May). The Kalama, Wash., native, who boasts 1.2 million TikTok followers, sent his debut collection, Waves on a Sunset, to No. 18 on Top Country Albums in October.

All Billboard charts dated Dec. 14 will update on Billboard.com Tuesday, Dec. 10.

Ovy on the Drums Teams Up With PapiKaiser for ‘Voces Del Futuro’ Mentorship | Billboard

In partnership with Billboard and Johnnie Walker, Ovy on the Drums sat down with rising star PapiKaiser to offer industry advice, listen to music and share a toast as part of the Voces del Futuro video series.

Ovy On The Drums:

I am who I am today obviously thanks to my talent and my effort, but behind that there’s a mountain of people that have contributed to what I am today. The truth is that it never crossed my mind, my dreams of being a producer, my dreams of being an artist. Never. Ovy on the Drums here. I’m with Billboard and Johnnie Walker Blended Scotch Whiskey celebrating and advising the voices of the future. For me, it’s obviously an honor to share all that I’ve learned with these new artists.

PapiKaiser:

Hey, PapiKaiser here. I’m very excited to meet Ovy. I’ve listened to a lot of his songs. So, for me, it’s a pleasure to meet him. Ovy!

Ovy On The Drums:

PapiKaiser, my brother. A pleasure to meet you.

PapiKaiser:

How is everything? It’s a pleasure to finally meet you.

Ovy On The Drums:

The pleasure is all mine, little brother.

PapiKaiser:

Yes, yes. How’s the process going? Does the music still fascinate you?

Ovy On The Drums:

Well, the truth is every day is like the first day that I discovered my love for music.

PapiKaiser:

At what age did you discover you wanted to be a music producer?

Ovy On The Drums:

Around 20 years old. I discovered that i was born for this. What year did you begin making songs?

PapiKaiser:

I began in 2019. I release my first song title “Cura” in Spanish. Well, Ovy, I brought you this song here that’s cooking up in the pot right now and I want to share it with you. Let’s listen.

Keep watching for more!

Majo Aguilar Plays Finish the Lyrics: Watch

Majo Aguilar finishes the lyrics to some of her biggest hits, which include “No Voy a Llorar,” “Cuéntame” and more!

Majo Aguilar:
How are you? I’m Majo Aguilar, and I am going to Finish the Lyrics of my own songs here with Billboard

It’s unclear to me/ Remember that you said/ You would never do me no hard.

And no matter how much you try/ What we had is dead/ And there’s no turning back. 

That I’m not going to cry/ If you want to leave/ Well, I’m not going to stop your dreams/ Of flying to a happier world with crystal clouds. 

He cries because the love of his life has married/ It’s sad to see a train leaving/ Taking the best of his life with it. 

I want a love that/ Understands everything I feel/ Finally leaving behind/ Finally leaving behind heartaches and laments.

How much you could have spared me/ Before I fell in love.

‘Billboard Unfiltered’: Kendrick Lamar’s ‘GNX’ & Drake’s Legal Filings Against Universal Music Group

It’s Kendrick Lamar Week for Billboard Unfiltered following the Thanksgiving break. Lamar unleashed his GNX album without any sort of warning on Nov. 22, and the LP debuted atop the Billboard 200 with 319,000 equivalent units earned.

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Dot also took up a ton of real estate on this week’s Billboard Hot 100, with seven out of the top 10 and the entire top five. He even announced an accompanying 2025 North American stadium trek called the Grand National Tour, on which his “Luther” collaborator and former Top Dawg Entertainment running mate SZA will be joining him.

There was a clean sweep of approval from the quartet of co-hosts, with GNX launching Lamar into the album of the year conversation and stamping his banner year of rap domination.

Deputy Director of R&B/Hip-Hop Carl Lamarre believes K. Dot’s ’24 rivals some of the great years rap’s seen in the last 25 years. “Him being able to land three No. 1s this year on the Hot 100 … Him announcing this tour, him having a No. 1 album,” he said. “I think his run this year is probably comparable to what we’ve seen from an ’08 [Lil] Wayne, an ’03 50 [Cent], a 2018 Drake with what he’s been able to do.”

Editorial Director Damien Scott credited Lamar with “blanketing the culture” and compared GNX to Jay-Z’s The Blueprint with how direct and to the point the project is while releasing digestible hit records. “To me, this album feels like a Jay-Z album. It feels like The Blueprint. It’s very direct, it’s very to the point. Here’s Jay at the height of his powers being like, ‘I run this s–t. F–k all of you.’ Just like Kendrick is on the opening track,” Scott opined. “First it was f–k this one guy, now it’s f–k all of you … It’s an amazing rap record.”

The Debbie Deb-sampling “Squabble Up” launched at No. 1 on the Hot 100, and Senior Charts Analyst Trevor Anderson didn’t expect to hear a hit record like that. “Coming off ‘Squabble Up,’ I was up there looking like Jonathan Majors in my apartment doing the little civil rights dance,” he joked. “One thing we missed with Mr. Morale was a clean Kendrick hit.”

Elsewhere during Billboard Unfiltered, the staff discussed Drake making a pair of legal filings against Universal Music Group in November, alleging that his record label artificially inflated the popularity of Lamar’s “Not Like Us.”

Staff Writer Kyle Denis was confused initially by the 6 God’s legal actions, but believes the first pre-filing has a chance to be a landmark case if it indeed heads to trial and there’s a ruling in Drake’s favor that shakes up streaming’s landscape. “If this does end up going to trial and we get a decision that actually impacts the very model of streaming, this would be an important case,” he stated. “All of that is still colored by the timing of it all, and this arriving during GNX week. It’s a little bit pathetic … It just feels a little bit ‘Let me do what I can to muddy up this guy’s release week any way that I can.’”

Watch the full episode above.

Friday Dance Music Guide: The Week’s Best New Tracks From Rebecca Black, Knock2 & RL Grime & More

This week in dance music: Lightning In a Bottle announced its 2025 lineup featuring John Summit, Jamie xx and Khruangbin, and Electric Forest dropped a 2025 lineup featuring Justice, Sara Landry and Tiësto. Meanwhile, we spoke with jungle boss Nia Archives, EMPIRE signed Palestinian American DJ Habibeats, Depeche Mode said they’re not currently focused on making new music, we went backstage at Portola to see the festival’s hybrid battery system that saved the use of a whopping 6,053 gallons of diesel fuel.

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But that’s not all: Charli XCX revealed that she’s frequently in “a lot of pain” due to nerve damage, we spoke with Charli’s Club Sweat tour partner Troye Sivan, electronic pioneers Kraftwerk announced a 2025 North American tour, and Burning Man art car Titanic’s End announced the launch of a new record label, Titanic’s End Records.

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And as we see the end of the year in the headlights, these are the best new tracks of the third-from-last Friday of 2024. (And watch this space for our best of the year dance lists, unrolling right here next week.)

Rebecca Black, “Sugar Water Cyanide”

After a buzzy Boiler Room set in October and standout performances at Portola in September, Rebecca Black is further establishing herself as our new favorite Brat-lite club queen with “Sugar Water Cyanide.” The track is pop on its face via Black’s silken-voiced verses, but ultimately it’s club-coded in its pitched-up vocals laid over a hyper-pop-tinged house production. Coming from Black’s album Salvation, out January 17, the song is one Black says is “like if my drug of choice were a person. This is one of those songs that feels as though it’s been inside of me my whole life and was waiting for the right day and time to be ready for it to pour out. I wanted to make THAT song you could only really hear on 100% volume in your car or busting through the bass in the club.”

RL Grime & Knock2, “come aliv3”

Hitting hard with waves of 2012-era mainstage nostalgia, the latest collab from San Diego wunderkind Knock2 and bass icon RL Grime hits as hard as you want it to, with the pair shifting from a throwback progressive sound to oversized, ride-that-rail trap fare that is both their specialities. “come aliv3” is third single from Knock2’s forthcoming debut album, nolimit, coming on 88rising, on a date that’s yet to be announced. The 25-year-old producer will tour behind on the album on a run of more than two dozens dates that starts in February and wraps in April all the way over in Australia. This release comes after a three-show residency from Knock2 and his pal ISOxo (performing as Isoknock) at the Bill Graham Auditorium in San Francisco, where special guests included genre titans Hudson Mohawke, Baauer and 100 gecs’ Dylan Brady.

Tokimonsta, “For You”

After pushing the release date for her forthcoming album back in September due to a personal matter, Tokimonsta is back with a new single and a revised schedule. A collaboration with multi-instrumentalist and producer Kaelin Ellis, album single “For You” is a softly gorgeous and soothing but still swiftly moving production that puts crisp, complex polyrhythms at the fore and layers it up with bass and other instruments that create something with genuine soul. “After taking necessary time off to prioritize caring for a loved one, I’ve realized that creating and sharing my art remains my deepest purpose,” the Los Angeles-based producer says. “‘For You’ is a reflection of my journey forward, embracing joy and connection through music. It’s a gift from my heart to the world, and I hope it resonates with everyone who listens.” Tokimonsta’s seventh album, Eternal Reverie, is now coming in 2025 via her own Young Art label. The project will feature collaborations with Cakes da Killa, Anderson .Paak and more.

Bubble Love, “Original Mix”

Bubble Love is a side project from longstanding U.K. producer Ross From Friends, with the artist saying that this alter-ego gives him the ability to harness the wilder and more experimental energy of his clubs sets without feeling pressure to change his de facto sound. It’s a welcome addition to his oeuvre, with the fusion of rap and two-step on his Cameo Lush colla “Close Your Eyes” giving a good indication of the overall sound and spirit of the 10-track eponymous LP.

Storken, “Totoish”

Swedish producer Storken absolutely outdoes himself on the seven-and-a-half-minute nu-disco opus “Totoish.” Weaving in bits of Moroder, Vangelis, Todd Terje and ’80s power pop, this multi-movement production — made in collaboration with fellow Swedish producer Gusteau — melds piano, hand drums and a shimmering, chord-changing synth at the center. “Enjoy this Swedish baked assemblance of the rock n roll hall of fame legacies, a try to unite a lot of bands that never saw daylight,” Storken says of the independently released single.

SZA Teases ‘SOS’ Deluxe Edition Tracklist in the Studio

Solana season appears to be on the horizon. After promising a pair of albums, SZA has teased the deluxe edition of her record-breaking SOS album.

The Grammy-winning singer posted a photo to her Instagram Story on Friday (Dec. 6) featuring a whiteboard that appeared to have a tracklist for the upcoming deluxe, but SZA made sure to cover up most of the potential song names.

“Do not erase. Deluxe,” the board is titled with every track blurred out except for “Saturn.” SZA looks ready to protect Gotham as she’s rocking a Spider-Man suit in the studio.

“SHE GOT BACK IN THE STUDIO,” an excited fan replied on X.

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In November, SZA revealed she had plans to release two albums, one being the SOS deluxe and the other being her anticipated Lana project.

“I think I am making music from a more beautiful place. From a more possible place versus a more angsty place,” she told British Vogue. “I’m not identifying with my brokenness. It’s not my identity. It’s s–t that happened to me. Yeah, I experienced cruelty. I have to put it down at some point. Piece by piece, my music is shifting because of that, the lighter I get.”

SOS arrived in December 2022 and debuted at No. 1 on the Billboard 200 with 318,000 equivalent album units – the third-highest debut week of the year. The album went on to sped 10 total weeks atop the chart.

SZA will be hitting the road in 2025 as part of Kendrick Lamar’s Grand National Tour, which will be invading stadiums across North America next summer.