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‘5 to 9’ Country Hitmaker Hudson Westbrook Talks His Whirlwind Year & Lone Star State Roots: ‘I’m Always Going to Stay Loyal to Texas’

Less than 12 months ago, Hudson Westbrook was attending school and making a living breaking cattle in his native Texas, with plans to join his family working in the oil and gas industry. Instead, he’s released a self-titled debut EP, has a slate of hit streaming songs to his credit — including “5 to 9” and “House Again” — and has swiftly added his name to a growing crop of new artists forging their music on traditional country sounds and timeless songwriting.

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“It’s been crazy,” Westbrook tells Billboard of his whirlwind year. “It’s gone way better than I expected, and I’d be happy if we had even half of the success we’ve had so far.”

Growing up in Stephenville, Westbrook’s life revolved around sports and farm life. He was part of a state championship-winning high school football team. He also worked with cattle and was involved with Future Farmers of America, serving as a chapter president for 75 schools.

He began playing guitar in 2020 and wrote his first song after enrolling at Texas Tech last year. In April Westbrook released his breakthrough song “Take It Slow,” which has earned over 10 million Spotify streams. Soon after he released his first video, Hudson says various music executives began reaching out, so he sought advice from a fellow Texan and musician, Grant Gilbert, who pointed him toward the Warner Music Nashville-distributed River House Artists.

“He was like, ‘These are the best people I can guide you towards,’ and then I talked to a booking agent and they said the same thing — ‘I trust them. I’ve seen it firsthand.’” Westbrook says.

Now with River House, and managed by River House’s director of creative/A&R Zebb Luster, Westbrook has followed with a steady slate of resonant songs over the past several months, including “Dopamine,” the romantic “5 to 9” (11.5 million Spotify streams since its August release) and the sobering “House Again” (over 14 million Spotify streams since its October release). In the process, he’s seen his Spotify followers swell to more than 2.6 million monthly listeners.

“When I started writing, I really was pushing myself to get outside of my comfort zone and find who I am as an artist,” Westbrook says. “When we released ‘5 to 9,’ I was like, ‘This is real; I think this can work.’ I feel like that’s a major reason why this is working right now, is because I’m writing about stuff that I’m experiencing firsthand.”

Westbrook’s “House Again” reached No. 14 on Billboard‘s Hot Country Songs chart. In November came his seven-song, self-titled project, which reached No. 46 on Top Country Albums, while Westbrook rose to No. 25 on Emerging Artists. According to Luminate, Westbrook’s catalog has earned 79.6 million official on-demand U.S. streams.

Those streams have translated to burgeoning concert audiences, and Westbrook says he’s doing his best to connect with as many of his fans as possible.

“We did a free show at Billy Bob’s in Fort Worth and a thousand people showed up,” he recalls. “The merch line was four hours long, and I sat there and signed all those. Then, we went to open for Midland [in September] and the merch line was still going by the middle of their set.”

Westbrook seems poised to continue his ascendant trajectory in 2025. January will see the launch of his own headlining tour, while he will also play several country festivals in the summer. He also has his sights set on releasing a full album.

Westbrook, Billboard’s Country Rookie of the Month for December, opened up about his career journey, songwriting, and his favorite music.

What is the story behind “House Again”?

We came up with the hook and I was like, “What if this was about my parents’ divorce?” and we wrote about just little things that I experienced as a child, watching as my parents got divorced. I used to live in the country with tons of land around our house, then I had to move to a golf course [community] with like point zero of an acre around it. It was a big change. I feel like it was expressing my frustration as a kid, watching that happen and not being able to control any of it or figure out why it’s not working.

You worked with several top songwriters on your EP, including Marv Green. What was it like writing songs for this project?

It was great. I was very nervous. You’re a new artist, your whole life just changed. These people have been doing this for years and have written number ones and you’re like, “Screw me. I’m going into this room and anything I say is going to sound dumb.” I feel like the day we wrote “House Again” was the first day that really opened up, like “This was my idea. This was my experience.” I realized I have to make sure I speak up about my experiences, and that I’m writing about something that I experienced because I relate to that best and I can write towards that best.

Who would you like to write or record with?

I think Randy Montana is my dream [co-writer], and Dean Dillon. I love all the older dudes that have created country into what it is today. And then I think for collabs, Megan Moroney would be really cool, and Parker McCollum or Ella Langley.

What is a song you wish you had written?

“Like a Cowboy” by Parker McCollum, written by Chris Stapleton and Al Anderson.

What is your desert island album?

Benson Boone’s Fireworks & Rollerblades.

What is your take on the current state of country music?

I think everything new is going to go back to old. I think people are leaning toward sounds like Merle Haggard and Tracy Lawrence. I think we’re seeing that firsthand with Zach Top. People are leaning towards those older sounds.

What television show are you watching right now?

I started watching Landman on Paramount Plus. It’s a movie about what I would be doing if I wasn’t doing music. I watch it and I’m like, Dude, there’s still something there. I still would love to do that one day. I’ve never watched Yellowstone, but Landman right now is my stuff.

What is a holiday memory that stands out to you?

I think a Christmas memory that stood out to me is [from] three Christmases ago, when my grandpa was about to pass away. He sat all of us down and told us that he was going to pass away, but he prayed and said that everything was going to be okay. He was like, “Don’t worry about me. Y’all keep doing Christmas at my house. Y’all are always welcome to do Christmas here.” It was really sad, but it was really cool to watch him be like, ‘Y’all are still welcome here.”

What does being from Texas mean to you?

I’m always going to stay loyal to Texas. I live in Lubbock. If you live in Nashville — and not hating on anyone that lives [in Nashville] — but it can become a very cycle-based lifestyle. Write at 10, write at 2, play shows on the weekend — I love music, but I find beauty in separating yourself from what you love, so that you love it more once you do it again.

Little Big Town Gives Fans an Early Glimpse of Their ‘Christmas at the Opry’ Special: Watch

Little Big Town and the Grand Ole Opry are ushering in the holidays this year, pairing Christmas music with one of Nashville’s most iconic stages in the upcoming television special Little Big Town’s Christmas at the Opry.

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Set to air Dec. 16 on NBC beginning at 8 p.m. ET/PT (and streaming on Peacock the following day), the special will be hosted by three-time Grammy winners Little Big Town (who will also lend their sterling harmonies to several songs).

They will also welcome several of their fellow friends and artists, including Dan + Shay, Kelsea Ballerini, Sheryl Crow, Kirk Franklin, Josh Groban, Kate Hudson and Orville Peck to perform a mix of Christmas classics and original holiday music. The mix of solo performances, duets and other collaborations were all filmed in front of an audience at Nashville’s Grand Ole Opry House.

In an early-look clip previewing the special, Little BIg Town’s Jimi Westbook says, “There’s no better place to celebrate the holiday and season that we love so much, than to be here at the Opry with friends and family.”

The clip also spotlights Ballerini performing a rendition of “White Christmas,” Dan+Shay performing “Holiday Party” from their 2024 album It’s Officially Christmas: The Double Album, and Little Big Town teaming with Groban for a harmony-filled collaboration.

“We are simply beside ourselves to announce that we will host our own NBC Holiday Special at the prestigious Grand Ole Opry House,” Opry members Little Big Town previously said in a statement. “This is an incredible honor for us, and we are beyond thrilled to share this special evening with viewers and fans across the country.”

In October, the six-time CMA vocal group of the year winners released their first Christmas project, The Christmas Record, which includes their renditions of songs including Merle Haggard’s “If We Make It Through December” and Amy Grant’s “Tennessee Christmas.”

The NBC special is executive produced by Jesse Ignjatovic, Evan Prager and Barb Bialkowski for Den of Thieves. Jason Owen and Ashley Edens also executive produce.

See the First Look at NBC’s Little Big Town’s Christmas at the Opry below:

Behind the Scenes of Fuerza Regida’s BBMAs Performance | Billboard Music Awards 2024

A behind-the-scenes look at Fuerza Regida’s BBMAs performance for the 2024 Billboard Music Awards.

Manny Bonilla:
Dick Clark Productions contact me to direct this multi-cam performance of Fuerza, and it’s pretty big deal.

Janeth Briceno:
The movement was created for Manny, our director, and he talked about 360s everything like bird eyes, they want dancing around the audience. So everything like a big party.

Manny Bonilla:
She’s the one. I’m ready. I’m ready. This is the Mayan Theater. It’s a gorgeous theater. We trimmed it on its head. We put the stage right in the middle of the pit, and we shot back into the audience.

Janeth Briceno:
Well, the idea was, he thought about a video like, something very sexy. They want dancers around him. He said, “Just, I want something sexy.”

Manny Bonilla:
I’ve always had fun working with dancers the problem solving of, “Hey, this is a problem.” And then you show to them. They’re like, “Oh.” And then they go do something else. These dancers that we had here were absolutely phenomenal. I think they absolutely crushed it. Janeth is unbelievable. We’ve been working together for like, 25 years. I didn’t know she was on this project, and I saw her face on a Zoom call, and I was just like, yeah, Janeth!

How to Watch the Navy vs. Army Game Online Without Cable

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Ahead of the Playoff National Championship next month, you can watch one of college football‘s oldest and most heated rivalries go head-to-head for bragging rights and glory.

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The Navy Midshipmen (8-3) take on the Army West Point Black Knights (11-1) at Northwest Stadium in Landover, Maryland on Saturday, Dec. 14.

When Does Navy vs. Army Start?

The Navy vs. Army game broadcasts live, with kickoff at 3 p.m. ET/12 p.m. PT. The game airs on CBS.

Where to Watch Navy vs. Army for Free

For cord-cutters, there are a few ways to watch Navy Midshipmen vs. Army Black Knights, if you don’t have cable — especially if you want to watch for free. And since the game broadcasts on CBS, it’s also livestreaming on Paramount+, which offers a seven-day free trial to watch for free.

Meanwhile, DirecTV Stream has a five-day free trial, while other streaming services — such as Hulu + Live TV and Fubo — also offer free trials, so you can watch CBS for free.

Keep reading for more details on how to watch the Navy-Army game with DirecTV Stream, Hulu + Live TV and Fubo.

How to Watch Navy vs. Army with Paramount+

Paramount+ has two tiers for streaming plans to watch the Navy-Army game. The first is the Paramount+ Essential plan, which is ad-supported and goes for $7.99 per month. It grants you access to everything the streamer has to offer, including and catalog titles — from hubs such as CBS, CBS Sports, CBS News, BET, Comedy Central, MTV, Nickelodeon and The Smithsonian Channel — but with limited commercial breaks throughout movies, TV shows and live TV.

The other is Paramount+ with Showtime, which is ad-free and goes for $12.99 per month. This plan has all of Paramount+ originals and network hubs, as well as programming from Showtime with hits including Yellowjackets, Billions, The Curse, The Chi and Your Honor without any ad breaks.

How to Watch Navy vs. Army with DirecTV Stream

A subscription to DirecTV Stream — which comes with CBS for Navy vs. Army — gets you access to live TV, local and cable channels, starting at $74.99 per month. The service even offers a five-day free trial to watch for free, if you sign up now.

You can watch local networks such as NBC, ABC, Fox, and PBS, while you can also watch many cable networks, including ESPN, FS1, Lifetime, FX, AMC, A&E, Bravo, BET, MTV, Paramount Network, Cartoon Network, VH1, Fuse, CNN, Food Network, CNBC and many others.

How to Watch Navy vs. Army with Hulu + Live TV

The Navy Midshipmen vs. Army Black Knights game on CBS is available to watch with Hulu + Live TV too. Prices for the cable alternative start at $82.99 per month, while each plan comes with Hulu, Disney+ and ESPN+ at no additional cost.

Hulu + Live TV might be best for those who want all of these streaming services together in one bundle. It also features many other networks, including ESPN, ABC, Hallmark Channel, BET, CMT, Disney Channel, NBC, Fox Sports and more.

How to Watch Navy vs. Army with Fubo

To watch Navy vs. Army on CBS, Fubo starts at $49.99 for the first month, $79.99 per month afterwards (the streamer’s current deal) with nearly 200 channels — including local and cable — that are streamable on smart TVs, smartphones, tablets and on web browsers.

The service even gets you live access to local broadcast networks including NBC, Fox and ABC, while it also has dozens of cable networks, such as ESPN, Bravo, CMT, ID, TV Land, VH1, TLC, E!, FS1, MTV, FX, Ion, OWN, Paramount Network and much more.

Who Is Performing During Navy vs. Army Halftime Show

Since it’s a college football game, the West Point Band is likely set to perform at halftime of the Navy vs. Army game.

How to Buy Navy vs. Army Tickets Online

Want to attend the Navy-Army game in person? There are still last-minute tickets to the rivalry game available via Vivid Seats (get $20 off purchases of $200 and over with code BB2024), SeatGeek (your first purchases can get $10 off ticket order $250 and with code BILLBOARD10), StubHub and GameTime (score $20 off ticket orders of $150 and over with code SAVE20). Prices vary depending on the city and seats available.

Moreover, you can save $150 off when you spend $500 with promo code BILLBOARD150, or $300 off when you spend $1,000 with promo code BILLBOARD300 at TicketNetwork.com.

Starting at 3 p.m. ET/12 p.m. PT, Navy Midshipmen vs. Army West Point Black Knights broadcast on CBS, while it’s also available to livestream on Paramount+ or DirecTV Stream on Saturday, Dec. 14.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

Yeison Jiménez Plays Finish the Lyrics: Watch

Yeison Jiménez played Finish the Lyrics to some of his biggest hits including “Aventurero,” “Ya No Mi Amor” and more!

Yeison Jiménez:
I’m Yeison Jiménez and I’m with Billboard. Today we are going to Finish the Lyrics.

And I don’t run from anyone/ I never humiliate anybody/ I am who I am.

I’d like to know about that. 

When you are humble you succeed everywhere/ They get scared.

I like that one a lot.

I’m already forgetting that he cheated on me/ So please bring more bottles. 

How can I forget if I wrote that part?

It’s now over/ Not anymore my love/ I’m not a fool anymore/ Who suffered for you/ Who did everything.

I don’t want honors/ Tears or flowers/ I want to rest.

This song is my latest release with Luis Alfonso, I like it too much.

The dogs barking/ And the bill filling up/ And to make it hurt/ I’m still singing in Billboard

What’s Your Favorite New Music Release of the Week? Vote!

Kicking things off are Stray Kids who dropped a new album, Hop, just five months after scoring another No. 1 album on the Billboard 200 with Ate and one day after taking home the 2024 Billboard Music Award for Top Global K-Pop Artist.

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It was a big week for hip-hop. Snoop Dogg and Dr. Dre dropped their Missionary album via Death Row Records, Aftermath Entertainment and Interscope Records. The project features previously released singles “Gorgeous” (featuring Jhené Aiko), “Outta da Blue” (featuring Alus) and “Another Part of Me” (featuring Sting). It’s their first full-length project together since Snoop’s 1993 Doggystyle debut studio album, which topped both the Billboard 200 and Top R&B/Hip-Hop Albums charts.

Another collab of the week is “Xmas Time” from GloRilla and Kehlani. Both Glo and Keh both scored nominations ahead of the 2025 Grammy Awards; the former is nominated for best rap song and best rap performance with “Yeah Glo!” while the latter is up for best progressive R&B album (Crash), best R&B song (“After Hours”) and best melodic rap performance (“KEHLANI” by Jordan Adetunji).

More releases of the week include Bossman Dlow’s Dlow Curry, Olly Alexander’s “Archangel” and Fred Again..’s Two More Days. Now, we want to know your favorite. Check out our Friday Music Guide here, and let us know by voting here or below.

Lil Wayne Defends Bill Belichick Amid Backlash From NFL Fans for Taking UNC Job

Legendary football coach Bill Belichick shocked the football community when he took the University of North Carolina head coaching job earlier this week instead of waiting for a possible NFL gig.

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While plenty of debate was sparked on social media with Belichick’s surprising move to the NCAA, Lil Wayne hopped on X on Thursday (Dec. 12) to congratulate the six-time Super Bowl champion on getting the UNC job.

“Man much respect 2da GOAT coach Bill Belichick! Not sure why they’re all hatin but I believe it to be envy and just a bunch of folks that don’t know how to simply say “congratulations” or nada,” Wayne wrote while calling out the haters.

He continued to quote bars from his “Love Me or Hate Me” track, which landed on 2007’s The Leak EP. “A wise man once said ‘u can luv me or hate me, I swear it wont make me or break me.”

With Wayne slamming the backlash against Belichick, some fans flipped his words against him. They compared the situation to when he voiced his frustration about not getting the Super Bowl LVI Halftime Show gig instead of simply showing love to Kendrick Lamar.

“Say kongratulations to Kendrick challenge,” one TDE fan wrote while another said: “This sounds oddly familiar..”

Wayne admitted he was “hurt” when Kendrick was announced as the Halftime Show headliner in his hometown of New Orleans next year.

“That hurt. It hurt a lot. You know what I’m talking about. It hurt a whole lot,” he said at the time. “I blame myself for not being mentally prepared for a letdown. And for automatically mentally putting myself in that position like somebody told me that was my position. So I blame myself for that. But I thought that was nothing better than that spot and that stage and that platform in my city, so it hurt. It hurt a whole lot.”

Earlier this month, Joe Budden speculated that Wayne attempted to call Kendrick Lamar to discuss the situation after the Compton native mentioned Weezy on GNX, but K. Dot reportedly had no interest in hopping on the phone with the New Orleans rap legend.

Tokischa & Nathy Peluso Team Up for ‘De Maravisha’ & More Best New Music Latin

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

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Tokischa & Nathy Peluso, “De Maravisha” (Tokischa LLC/Warner Music Latina)

Tokischa and Nathy Peluso join forces for this irreverent statement of female empowerment in which they show off their slick rapping skills. Written by both artists and produced by Skrillex, “De Maravisha” – a variation of “de maravilla” according to the Argentine pronunciation, and which in English means “wonderfully” – includes bars like “Cream mochi, I’m Hannah Montana/ I do whatever I want” and “A queen, if you ask me, I am adored and I am prayed to,” before turning halfway into a full reggaetón jam.

“I have been a fan of Nathy for many years and it is a dream to release this song with her, and of course very grateful to Skrillex who produced it with us, uniting our essence as rappers and the perreo that we love,” Tokischa said in a statement sent to Billboard. “Accompanying Toki on this song has been a very fun adventure from the beginning,” Peluso added. “We started writing the song in Barcelona after connecting, and we chose to make it in two parts, to give it two sides.” The song’s fun music video, directed by Olivia de Camps under the creative direction of Tokischa herself, was filmed in New York City. — SIGAL RATNER-ARIAS

Vanessa Zamora & Ximena Sariñana “TRANSFORMANDO” (Vanessa Zamora)

Mexican singer-songwriters Vanessa Zamora and Ximena Sariñana team up for the beautiful single “TRANSFORMANDO.” The song — conceived on Sariñana’s home piano, as Zamora revealed on social media — begins with a soulful R&B atmosphere, where the vocal textures of both artists intertwine with an ethereal performance. However, the song’s true charm lies in its unconventional structure: halfway through, it takes an unexpected turn that breaks down the initial melody, evoking the fluidity of a three-movement classical work and making it more interesting as it progresses. Lyrically, “TRANSFORMANDO” delicately addresses the idea of ​​surrendering to the inevitable processes of change that life dictates. — LUISA CALLE

Calle 24, ONDEADO$ (Street Mob Records)

Originally known as a songwriter behind Fuerza Regida’s biggest hits (“Sabor Fresa,” “Crazyz”), Calle 24 (Diego Millán) has been stepping more into the spotlight, like with his ambitious third studio album, ONDEADO$. This 24-track set skillfully expands the borders of traditional corridos with a robust array of moods and collaborators (Adriel Favela, Chuyin). From the big-banda, brass-driven flair of “Mi Vida Loka” to the introspective sierreño “Últimamente” about a new crush, which brings back the trio — Chino Pacas, Fuerza, Calle — behind the Hot 100 hit “Qué Onda,” the album intrigues with unexpected variety. There are surprising tracks like “Come Back” a bilingual smooth hip-hop jam featuring Imagine. The Mexican singer-songwriter delivers a lush, attitude-filled showcase through celebration, struggle, and a generous dose of debauchery. It’s a compelling listen for anyone vested in the genre’s future. — ISABELA RAYGOZA

GORDO feat. Emilia, “Olvidarte” (Ultra Records)

Just months after releasing his debut album Diamante, renowned producer GORDO is back with an EP that features collaborators like Eladio Carrión, Bad Gyal and Emilia. This six-track set is enthralling offering a handful of EDM tracks that showcase his stronghold on a genre he helped define during the U.S. dance music boom of the early 2010s. While all songs are fascinating, it’s Emilia’s “Olvidarte” that stands out from No Hay Verano Sin Gordo. Powered by a haunting, head-bobbing beat that intensifies throughout the song while Emilia’s velvety vocals take flight as she sings about drinking to forget. — GRISELDA FLORES

Listen to more editors’ Latin recommendations in the playlist below:

‘Billboard Unfiltered’ Discusses Hottest Female Rappers List, 2025 Predictions & More

Billboard Unfiltered returned with a brand new episode on Friday (Dec. 13), and some new faces joined the fellas for the 25th installment of the series.

Vibe‘s Regina Cho and Amber Corrine make their Unfiltered debut alongside co-hosts Carl Lamarre and Kyle Denis for the final episode of 2024, during which they also discuss predictions for 2025.

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Billboard‘s Top 10 Hottest Female Rappers of 2024 list created some waves around the culture, and the foursome debated what they liked and didn’t, as well as who they hope to see make a leap next year.

“Any list that does not include GloRilla at No. 1 I feel like causes an uproar because it is undeniable the year she has had,” Cho said. “It is so remarkable how in June, Doechii was not on the list, and now she’s at No. 6. The ascension she’s had in the last few months is so amazing to see … My year was defined in Latto, Megan Thee Stallion and Glo.”

As a resident of Gag City, Corrine wanted to see Nicki Minaj get the nod over Megan Thee Stallion at No. 2. “I’m very happy to see Nicki Minaj in the top five, but I would maybe make her No. 2,” she said. “I’d like to see Tierra Whack too.”

Denis is very happy with how the list turned out, as JT moved up a slot compared to June’s iteration. “I’m happy to see my girl JT move up a spot. I’m incredibly proud of the year she’s had,” he shared. “Latto was another defining artist regardless of genre or gender for me … If I had to champion one person who didn’t make the list, it would probably Little Simz.”

Lamarre, who spearheaded the list, enjoyed the reception to it, but especially the humility displayed by Cardi B at No. 10, as he sees a dominant 2025 in her future. “To be quite frank, there were discussions about her being off the list altogether,” he admitted. “We’re used to seeing Cardi in superstar form and she has not been that … She took it with grace … I think Cardi is going to put herself in position to have an explosive 2025, and I wouldn’t be surprised to see her go from 10 to one.”

Also discussed during the episode was Jay-Z, who in a civil lawsuit filed Dec. 8 was accused of raping a 13-year-old girl at a 2000 MTV Video Music Awards afterparty with Diddy. A Jane Doe made the assault allegations against the two men in the suit filed by Texas attorney Tony Buzbee. Hov has vehemently denied all allegations against him, calling the suit “extortionate.”

“I wasn’t shocked because it felt like they were coming for Jay-Z next,” Corrine said. With Jay-Z being a fixture in his life as his favorite rapper, Denis shared that his “stomach sank” after hearing the shocking lawsuit’s details. “That was pretty heavy to sit with. I’m gonna wait to see how this plays out,” he said. “My heart broke for Blue [Ivy].”

Watch the episode below.

Fat Joe Calls Losing a Grammy to Chance the Rapper ‘the Biggest Disrespect’

Fat Joe is still not over his Grammy loss back in 2017. The Bronx rapper has never been shy about speaking his mind, and that didn’t change during a recent listening session of his latest album, The World Changed on Me.

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In a clip shared by XXL, Crillz talked about contemplating retirement before discussing when he lost out on Grammys to the Black Eyed Peas and Chance the Rapper. “So, I’m busy trying to get these businesses going and get real money,” he began. “Then, Killer Mike wins three Grammys, right? And I call Dre [of Cool & Dre] up, and was like, ‘F—k that, they givin’ real n—as Grammys?’ I said, ‘Let’s go back in, let’s lock in.’ If it wasn’t for [Killer Mike], I was retired.”

Remy Ma, who was sitting next to Joe, then mentioned some of the Grammys they’ve been nominated for over the years before Joe interjected, proclaiming, “We got robbed.”

He then elaborated, saying, “‘Lean Back’ we lost to the Black Eyed Peas — I don’t know if you know — without Fergie. And then we lost ‘All the Way Up’ to Chance the Rapper.” Adding, “Like that’s the biggest disrespect … Let me tell you something, I’ma keep it real with you,” as the crowd in attendance reacted to what he was saying.

He then continued, “You know how Jay-Z used to say, ‘Gotta learn to live with regrets?’ I can’t live with that one. Losing to Chance the Rapper. .. ‘All the Way Up’ or whatever his s–t was, it was just not that, a’ight. So, Remy comes outta jail, I come outta jail, we throw a f—king miracle frisbee out there, s–t No. 1 in America and you gonna give it to, you know? It’s crazy. Grammys been playing with us for a long time.”

In 2004, the Black Eyed Peas won the Grammy for best rap performance by a group or duo for “Let’s Get It Started,” and then in 2017, Chance, Lil Wayne and 2 Chainz took home that Grammy for “No Problem,” while Drake‘s “Hotline Bling” beat out “All the Way Up” for best rap song.