Author: djfrosty
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Ever since its release in 2015, Rachel Platten’s “Fight Song” has become a musical representation of hope for anyone overcoming obstacles or struggling with tragedy.
As the wildfires in Los Angeles continue to devastate the city, Platten took the stage at State Farm Stadium in Glendale, Ariz., on Monday (Jan. 13) to perform her hit before the playoff game between the LA Rams and the Minnesota Vikings. “It was such an emotional night. It was so much bigger than me and the song,” she tells Billboard of the moment, which served as a tribute to victims of the fires as well as first responders who are risking their lives to save their city.
Platten and her family are thankfully safe, and were able to return home after a precautionary evacuation. “My heart breaks,” she says. “We know friends who have lost their houses, friends whose schools have burned down. It’s horrifying, and it’s been a really scary experience.”
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During her “Fight Song” performance, Platten switched up the line in the song’s first verse — “I might only have one match/ But I can make an explosion” — to a fitting and more appropriate lyric given the circumstances: “We might have been knocked down/ But I know we’ll keep going.”
“I feel really incredibly grateful for the whole night,” she says. “We can do so many things with tragedy. We can mourn together, and we can cry together — but then there are also times to be strong together. What I felt on stage was, ‘May this song touch people like medicine, may this song be healing.’ I did feel feel a reverberation and an echo in the stadium of that hunger for hope in the midst of darkness. Sometimes music can do what words can’t.”
Platten hopes to continue her message of hope as she embarks on her Set Me Free tour, which kicks off on March 17 in Denver, Colo., and hits multiple cities including Los Angeles before wrapping on May 9 in Orlando, Fla. “It’s freedom, and it’s earned joy, not superficial way of celebration,” she says of the upcoming run of live shows. “It’s the kind of joy where you’ve been through some shit, and you’ve seen pain and you’ve seen tragedy, and you are choosing to stay strong and resilient. We’re all going to sing and dance, but we’re also going to cry and feel our feelings. Hopefully, the whole tour gives people permission to feel everything.”
Watch Platten perform “Fight Song” before the Rams and Vikings game below.
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The new “junk fee” rules passed by the Federal Trade Commission (FTC) to clean up the event ticket industry won’t slow the rising price of concert tickets or reduce the huge fees added by ticketing companies, a group of prominent music agents and managers is warning.
In a letter to the FTC last week, Nathaniel Marro, executive director of the National Independent Talent Organization (NITO), said the new rules are “a positive step forward” in cleaning up the business but that they do “nothing to reduce the junk fees buried inside each concert ticket.” NITO is now asking the FTC to expand its ruling to address its concerns.
So-called junk fees, which are added to a ticket purchase by ticketing companies like AXS and Ticketmaster, regularly push ticket fees up 25% to 30%, often without any sign-off from the artist, says Marro.
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“The artist is kept in the dark about how much their fans are being charged in fees for tickets,” Marro wrote in the letter. “We don’t know the fees in advance. Most agents, and artists and managers don’t see the full spread of fees until the show goes on sale.”
Some of the fees also aren’t accounted for during show settlement, Marro added, meaning that most artists don’t know how much revenue ticketing companies are making from their concerts.
Officials with Live Nation pushed back on this claim, telling Billboard that “if an artist team is ever unsure of the venue fees, it’s a simple ask that the venue rental agreement outline it,” adding, “this is never hidden as it’s a standard cost of doing business.”
Marro worries that the FTC’s new requirements that fans be shown the full price of a ticket upfront –instead of first being shown the face value before fees are tacked onto the price at checkout — will make it easier for ticketing companies to add fees to the face value of a ticket while effectively hiding them, resulting in higher ticket prices.
Recent data from Billboard Boxscore shows that ticket prices are rapidly increasing. The average cost of a concert ticket to one of the tours on Billboard’s Year-End top 100 tours chart last year was $132.30, marking an increase of 9.1% from 2023 and a 20.6% increase from 2022. Prior to the pandemic, ticket prices were increasing at a much more sustainable rate of just 3% to 4% a year.
In a statement to Billboard explaining its support for mandatory all-in pricing, Live Nation said that “fans are better off when they focus on the true cost of a ticket, which is the sum of face value and all mandatory fees. There is no basis for obscuring the all-in price on the fiction that artists do not understand ticket fees. That information is never hidden as the NITO comments suggest. It is readily available to artist teams, who also know that most ticket fees go to the venues hosting their events.”
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