Post Malone & Morgan Wallen’s ‘I Had Some Help’ Rebounds for Sixth Week Atop Hot 100, Now 2024’s Longest-Running No. 1

“I Had Some Help,” on Mercury/Big Loud/Republic, adds a sixth week at No. 1 on the Hot 100, with 76.5 million radio airplay audience impressions (up 5%), 39.1 million official streams (down 3%) and 12,000 sold (down 8%) in the U.S. June 21-27.

The team-up climbs 2-1 on Radio Songs – becoming Post Malone’s second leader, after “Circles” dominated for 11 weeks in 2019-20, and Wallen’s first. It also keeps at No. 3 after two weeks atop Digital Song Sales, and slips 2-4 after it led Streaming Songs chart in its debut week.

As it leads Country Airplay for a second week, “I Had Some Help” becomes just the sixth song to have topped the Country Airplay and all-format Radio Songs charts, dating to the lists’ 1990 inceptions (and the latter’s 1998 expansion to include country panelists, among other format reporters). Below is a recap, with all six songs having achieved both country and pop/adult radio success, as they have all reached the top 10 on the Pop Airplay, Adult Pop Airplay and Adult Contemporary charts in addition to their Country Airplay coronations.

Plus, “I Had Some Help” hits No. 1 in just its eighth week on Radio Songs, by far the fastest trip to the top among the six hits below.

Radio Songs No. 1s That Have Also Topped Country Airplay:
*Weeks to No. 1 on Radio Songs in ()

“I Had Some Help” concurrently rules the multimetric Songs of the Summer chart for a fifth week and Hot Country Songs for a seventh frame.

Shaboozey’s “A Bar Song (Tipsy)” ascends 3-2 for a new Hot 100 best.

The track leads Digital Song Sales for a seventh week (22,000 sold, up 7%). It boasts the most weeks at No. 1 on the chart by a soloist in the 2020s; among all acts, only BTS’ “Butter” (2021) and “Dynamite” (2020-12) have spent more time on top, 18 weeks each, this decade.

Kendrick Lamar’s “Not Like Us,” which ruled the Hot 100 in its debut week in May, bounds 6-3, following his Juneteenth The Pop Out: Ken & Friends concert – in which he performed the seething diss track five times – at the Kia Forum in Inglewood, Calif.

The single flies 6-1 for a fourth week atop Streaming Songs, up 30% to 45.4 million streams, good for top Streaming Gainer honors on the Hot 100. It’s also up 101% to 8,000 sold as it wins the Hot 100’s top Sales Gainer award.

The track rules the multimetric Hot Rap Songs chart for a seventh week and Hot R&B/Hip-Hop Songs for a fifth week.

Sabrina Carpenter’s “Please Please Please” falls to No. 5 on the Hot 100, a week after it became her first No. 1, and “Espresso” holds at No. 4 after reaching No. 3.

“Please Please Please” earns the Hot 100’s top Airplay Gainer nod (9.7 million in audience, up 203%). It soars onto the Pop Airplay chart (helped by multiple radio-friendly edits) at No. 24; “Espresso” rises 3-2 for a new Pop Airplay high and prior single “Feather,” which became Carpenter’s first No. 1 on the chart in April, ranks at No. 12. She is the only artist with three songs on the survey.

Carpenter notches a third week with two songs in the Hot 100’s top five simultaneously – she remains the only act with multiple such frames in 2024.

Tommy Richman’s “Million Dollar Baby” backtracks 5-6 on the Hot 100, after hitting No. 2. It tops the multimetric Hot R&B Songs chart for a ninth week.

Hozier’s “Too Sweet” is steady at No. 7 on the Hot 100, following a week at No. 1 in April. It leads the multimetric Hot Rock Songs and Hot Alternative Songs charts for a 13th week each and Hot Rock & Alternative Songs for a 12th week.

The rest of the Hot 100’s top 10 is likewise stationary, with Benson Boone’s No. 2-peaking “Beautiful Things” at No. 8, Teddy Swims’ “Lose Control,” which reigned for a week in March, at No. 9 and Billie Eilish’s “Birds of a Feather” at No. 10 after hitting No. 9.