Yungblud’s 2026 Australian Tour Still Moving Ahead Despite Global Cancellations
Trending on Billboard Yungblud’s 2026 Australian tour dates will move ahead as scheduled, even as the U.K. singer halts all remaining performances for the rest of 2025 due to medical advice. Explore See latest videos, charts and news The Doncaster-born artist revealed over the weekend that recent vocal and blood test results prompted doctors to […]
Spotify Opens ARIA Week With The Kid LAROI and ONEFOUR
Trending on Billboard Spotify launched its first Artist Party in Sydney on Monday night (Nov. 17) featuring The Kid LAROI, marking the start of ARIA Week with a tightly programmed event centered on Australian talent ahead of the 2025 ARIA Awards. Held at the Cell Block Theatre in Darlinghurst, the event functioned as Spotify’s primary on-the-ground activation during ARIA Week and drew a cross-section of nominated artists, emerging acts and industry figures. The Kid LAROI headlined the night with a short set that included a surprise appearance by Western Sydney drill group ONEFOUR for “Distant Strangers.” The performance marked a rare public pairing for the two acts in the lead-up to this year’s ceremony. Related LAROI, who has been home in Australia ahead of his next release cycle, addressed the crowd briefly, noting the significance of performing in Sydney during ARIA Week. The Kid LAROI said: “I grew up dreaming about nights like this, so to be back in Sydney, performing this party with Spotify and surrounded by so many Aussie artists I respect, is special.” He added, “Australian music is having a massive global moment right now, it’s so cool to be part of that!” Several 2025 ARIA nominees also appeared on the bill. Sons of the East (Best Blues & Roots Album) and Taylor Moss (Best Country Album) delivered unannounced acoustic performances, while Young Franco — nominated for Best Solo Artist and Michael Gudinski Breakthrough Artist — closed the night with a DJ set. The event drew notable nominees, including Ninajirachi, this year’s most-nominated artist, as well as RedHook and Larissa Lambert. Members of The Wiggles were also seen in attendance, reflecting the wide footprint of ARIA Week programming across genres and generations. This year’s ARIA Awards arrive with higher-than-usual audience participation following the introduction of Spotify’s in-app voting tool, which the ARIAs say has driven more than 250,000 public votes across the ceremony’s open categories. That figure surpasses combined tallies from the previous two years and indicates elevated visibility for this year’s broadcast and livestream. The 2025 ARIA Awards will be held Nov. 19 at Sydney’s Hordern Pavilion, streaming live on Paramount+ from 5 p.m. AEDT before airing later that night on Network 10.
Reba Hits Mic Drop for a Grit-Packed ‘Hurricane’ Knockout Performance
Trending on Billboard Aaron Nichols secured one of the most coveted spots in The Voice Season 28 Knockouts on Monday night (Nov. 17), earning Team Reba’s “Mic Drop” selection after a commanding performance that cut through an already stacked episode. Explore See latest videos, charts and news The Knockouts continued with matchups from Teams Reba McEntire, Michael Bublé, Snoop Dogg and Niall Horan, with mega mentors Joe Walsh and Zac Brown stepping in during rehearsals. The format remains high-stakes: no steals, no saves — just three head-to-head battles for a place in the Playoffs, plus one Mic Drop pick per team. The Mic Drop nominee performs at the Rose Parade, with the final decision left to viewer votes. This week, that honor went to Nichols, whose rugged tone on “Hurricane” by The Band of Heathens immediately grabbed Reba’s attention. Walsh encouraged Nichols to be more present in the room — “I can’t quite see your eyes,” he said — while Reba noted his command felt seasoned beyond the show. Nichols faced off against Cori Kennedy, who delivered Lady Gaga’s “You and I” with intense, full-bodied power. Walsh suggested slight phrasing changes, while Bublé praised her natural force: “You walk out and you just destroy.” Snoop Dogg highlighted her dynamic build (“you started off mild then got real hot”), and Horan compared her energy to Stevie Nicks. But Nichols’ emotive grit ultimately won the round. Reba called him “a seasoned veteran up on the stage” and hit the Mic Drop button, cementing him as her nominee for the Rose Parade performance slot. This marks the third Mic Drop nomination of the season. In earlier episodes, Bublé selected 14-year-old Max Chambers after his smooth run through Stevie Wonder’s “Don’t You Worry ’Bout a Thing,” and Horan chose DEK of Hearts following their harmony-rich take on Lady A’s “What If I Never Get Over You.” The Knockouts continue next Monday at 9 p.m. ET/PT on NBC. Check out the performance below.
Ashley Gorley & Shaboozey Win Top Honors at 2025 ASCAP Nashville Songwriters Celebration
Trending on Billboard Ashley Gorley and Shaboozey won top honors at the 2025 ASCAP Nashville Songwriters Celebration, with Gorley winning ASCAP country music songwriter of the year for a record 12th time. That’s more times than anyone has won songwriter of the year at an ASCAP awards celebration in any genre. Related ASCAP celebrated the winners at an invitation-only party on Monday (Nov. 17) in Nashville. ASCAP chairman of the board and president Paul Williams, ASCAP CEO Elizabeth Matthews, ASCAP executive vp and head of creative membership Nicole George-Middleton and ASCAP vp of Nashville membership Mike Sistad handed out awards. Among ASCAP’s most-performed country songs of the year, penned by Gorley, are “Fix What You Didn’t Break” (Nate Smith), “I Am Not Okay” (Jelly Roll), “Liar” (Jelly Roll) and “Park” (Tyler Hubbard). In June, Gorley was inducted into the Songwriters Hall of Fame. Shaboozey received the ASCAP country music songwriter/artist of the year honor. In addition to his “A Bar Song (Tipsy)” earning ASCAP’s country music song of the year, his “Good News” (co-written by Sean Cook) is also among ASCAP’s most-performed country songs of the year. “A Bar Song (Tipsy)” was co-written by Sean Cook, Jerrell “J-Kwon” Jones, Joe Capo Kent and Mark “Tarboy” Williams. It was published by Sony Music Publishing, Essancy Music, Seeker Music, Range Music Publishing, Tarpo Music Publishing, Hood Hop Music, Kreshendo and Warner Chappell Music. The song topped the Billboard Hot 100 for 19 weeks, tying Lil Nas X’s “Old Town Road” (featuring Billy Ray Cyrus) as the longest-running No. 1 song in Hot 100 history (which dates to 1958). Additionally, “A Bar Song (Tipsy)” won a CMA Award for single of the year, a Billboard Music Award for top country song and top-selling song, and a Brit Award for international song of the year. Shaboozey is nominated for new artist of the year at Wednesday’s CMA Awards and recently received Grammy nominations for best country solo performance, best country duo/group performance and best country song. Sony Music Publishing is the ASCAP country music publisher of the year. Among their awarded titles are “A Bar Song (Tipsy)” for the second consecutive year, “Fix What You Didn’t Break” (Nate Smith), “Hard Fought Hallelujah” (Brandon Lake, Jelly Roll), “Good News” (Shaboozey), “Cowboys Cry Too” (Kelsea Ballerini, Noah Kahan), “Coming Home” (Old Dominion), “Country House” (Sam Hunt), “I Am Not Okay” (Jelly Roll), “4x4xU” (Lainey Wilson) and “Love You, Miss You, Mean It” (Luke Bryan). The ASCAP writers and publishers of the most-performed Christian music songs also received their awards at the celebration. A complete list of ASCAP country music winners can be found at the ASCAP site.
Trending on Billboard YoungBoy Never Broke Again returned to deliver his “Zero IQ Freestyle” over the weekend, and the Baton Rouge rapper didn’t mince words when addressing some of his exes — and possibly sent a few shots in NLE Choppa’s direction. YB released an accompanying video shot from the comforts of his Utah mansion. […]
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Omarion has spoken about the few years he spent practicing celibacy as part of a spiritual experience.
The B2K singer opened up to Boyz II Men’s Shawn Stockman on his On That Note podcast and said that as a young man, being celibate was an intense experience because of how he was “spiritually searching for strength and personal control over myself and my body.”
“I did it for three years. Now I look back, I be like, sheesh,” he says around the 45-minute mark below. “‘Cause I love women. I love women in all [their] splendor, friendships, best friends, lovers, all that.”
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He continued, “I think that that’s when I was being introduced to a form of telepathy. Feeling closer to someone even when they’re away. I just had the power to say no to anything. Like yo, if I don’t want to do something, I could stop today. And I think that that’s the power of discipline — [it] really turns your life into just another level. … So I think more than anything that I was just really just practicing discipline of self, and it really served its purpose. I always say I’m one of the few guys that I could turn my discipline on and off, and it’s like it’s a cheat code for certain things. … I really know how to focus and commit to something because of that discipline.”
Omarion has been very open about his intense celibacy experience in the past, previously discussing it last summer during a sit-down with the Know Thyself podcast. “‘Do you want to have a career? Or do you want to be out here making babies?’” Omarion said of his peers at the time allegedly asking him. “And we’re like, ‘Huh?’ You know 15, 16, we’re not thinking about that, but it’s a real thing.”
In other news, Omarion caught up with Zoe Spencer & Jerah Milligan at Billboard’s R&B/Hip-Hop Power Players 2025 back in September and said his new album O2 is on the way.
“I’m so excited, I just announced my collaboration with Create Music Group,” Omarion said. “I got a new album titled O2, and I’m ready to give the world some new music…vibes all the way.”
Check out the full conversation below.
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