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In Canada: Regina Folk Festival Shuts Down, Plus Artists Boycott East Coast Music Awards

Written by on March 14, 2025

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After more than 50 years, Saskatchewan’s Regina Folk Festival is saying goodbye.

The festival’s board of directors released a statement announcing the cancellation of a planned 53rd edition for this summer. The board is instead winding down the festival’s operations, explaining that “economic challenges have become insurmountable.”

The longstanding festival had cancelled its 2024 edition in order to take a regrouping year. Last fall, the festival announced a 2025 edition would go ahead. In the months since, however, the board says it has become clear that it’s not financially possible to hold another event.

“Ongoing financial pressures from the pandemic, including stagnant or reduced funding, rising costs, and declining ticket sales, have created obstacles we can no longer overcome,” says the statement.

The festival is the latest Canadian live arts event to shutter, as the industry faces serious challenges in the wake of the COVID-19 lockdowns. Montreal’s Just For Laughs comedy festival filed for creditor protection last year, while the Vancouver Folk Festival announced it was shutting down in 2023, before the community — and an injection of funding — saved it.

Trending on Billboard

The Canada Live Music Association’s Hear and Now report, which measures the value of Canada’s live music industry, highlighted that globally, live music didn’t live up to projected performances in 2024.

“The live music sector in Canada has suffered greatly over the last five years and we are not immune,” the Regina Folk Festival (RFF) board states. “According to Festivals and Major Events Canada, it now costs 30% to 40% more than it did in 2019 to organize a comparable event.”

Like many folk festivals, the RFF is a non-profit. The festival has programmed some of Canada’s best-loved and most acclaimed artists, like Joel Plaskett, Alan Doyle and The Halluci Nation.

Emerging artists often get their first gigs at local folk festivals, and the folk festival circuit is a crucial space for like-minded artists to prioritize community and share best practices. But their grassroots nature also means those festivals aren’t necessarily able to withstand financial shocks.

“For 55 years, the Regina Folk Festival has been more than just a celebration of live music; it’s been a highly-anticipated weekend of community building where lasting memories were made,” the Board message concludes. “We look forward to discovering all the beautiful new events that will sprout in its absence. We encourage everyone to support the arts however they can.”

Read more here.

As Festival Sponsorships Dwindle, Toronto’s Beaches Jazz Festival Calls On Brands To Support Canadian Arts

One of Toronto’s biggest summer music events, Beaches Jazz Festival, is calling on brands to support Canadian arts.

The free music festival draws 800,000 people a year, programming plenty of local and international musicians.

But as big brands increasingly drop their sponsorship of music events, Beaches Jazz Festival is issuing a direct appeal to Canadian businesses: amidst a wave of Canadian cultural nationalism, champion homegrown talent.

“This call goes beyond just Beaches Jazz,” festival founder Lido Chilelli tells Billboard Canada. “It’s a larger conversation about ensuring that Canada’s cultural events remain strong and independent.”

Even with government funding, festivals often rely on corporate sponsors to operate at a large scale. As the Globe and Mail reports, TD has recently pulled out of sponsoring some of the country’s biggest jazz festivals, including Toronto Jazz Fest and Calgary’s JazzYYC Summer Festival. In January, Vancouver International Jazz Festival, which also recently lost its title sponsor, put out a concerned call for donations.

Chilelli says that Beaches Jazz Festival typically sees strong interest from sponsors early in the year, but conversations have been slower this time around.

“We want companies to recognize that the Beaches Jazz Festival is more than just music — it’s a cultural event that brings communities together, drives tourism and significantly boosts the local economy,” Chilelli explains. “It’s an investment in community and culture.”

Chilelli points out that in a crowded digital landscape, it should be valuable to sponsor events that still provide in-person connection. Without brand sponsorship, though, festivals like Beaches Jazz aren’t able to program as many artists, leading to reduced opportunity for local arts.

Beaches Jazz Festival returns July 4-27, 2025.

Read more here.

Artists Boycott East Coast Music Awards Following Departure of CEO

At the end of February, the East Coast Music Association announced the nominees for the 2025 ECMA Awards, but it almost immediately faced controversy. 

Many prominent nominees have declared that they are withdrawing their nominations following controversy over the recent replacement of former CEO Blanche Israël

That list includes acclaimed singer-songwriter Mo Kenney, nominated for rock/alternative release of the year, for “Evening Dreams.”

Explaining the move on Instagram, Kenney stated “I was nominated for an ECMA, but I am withdrawing and I will not be attending the conference. I do not agree with the lack of transparency around the sudden firing of former CEO [Blanche Israël], and what I would call essentially online bullying leading up to the firing. Much love and please do better @ecmaofficial.”

Others declining their nominations and boycotting the ECMAs include Indigenous rapper Wolf Castle, New Brunswick rapper Stephen Hero and Outside Music head Evan Newman.

Along with Classified, Juno and Polaris Prize winner Jeremy Dutcher had earned the most ECMA nominations, but he has withdrawn all eight nominations from the East Coast Music Awards in solidarity with other musicians who are boycotting the event.

“We need more than an award show on the East Coast,” Dutcher told CBC. “I hope this is a message to all other arts organizations that when we take on consultation with communities of artists, the artists might actually start to care about what happens … and they might start to get invested.”

A statement from the East Coast Music Association reads, in part: “We recognize that some have chosen to decline their nominations, and we respect their personal decisions. We also acknowledge the concerns that have been shared and remain committed to listening, learning, and fostering open conversations.”

The ECMAs will take place in St. John, Newfoundland, on May 8.

Read more here.

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