2013
Following the 2012 breakthrough of the band Fun., Antonoff’s trio wins best new artist, and “We Are Young” (which spent six weeks atop the Billboard Hot 100) earns song of the year.
This year, acclaimed producer Jack Antonoff has had a direct hand in abetting artistic evolution at different levels of stardom — helping a longtime collaborator, Taylor Swift, shape-shift while staying on top of the pop world, as well as a rising artist, Sabrina Carpenter, secure her place on the A-list. For the latter, Antonoff produced and co-wrote four songs on Carpenter’s new album, Short n’ Sweet — including her first Billboard Hot 100 chart-topper, “Please Please Please” — allowing the pop singer’s sardonic tics to shine on her way to arena-headliner status.
During the week that Sabrina Carpenter’s Short n’ Sweet was released in August, Swift’s The Tortured Poets Department — on which Antonoff contributed to 16 songs across both of its volumes — spent its 15th week atop the Billboard 200, the longest run at No. 1 of any Swift project. Swift announced The Tortured Poets Department on the night of the 2024 Grammys, where previous full-length Midnights was awarded album of the year and she set the record for the most career wins in the category.
This year, Antonoff’s work with Swift and Carpenter — along with the self-titled fourth album from his long-running band, Bleachers, which arrived in March — could help him notch his sixth consecutive Grammy nomination for a producer of the year, non-classical, a category that he has won the past three years. If Antonoff takes home the trophy at the 2025 ceremony, he would set a record as the only four-peat in the 50-year history of the award.
“It would be a really [nice] resolve to a really special period,” says Antonoff’s manager, Jamie Oborne. “If it’s based on the work alone and the broad spectrum of work, I can’t imagine anyone else winning.”
Below are the milestones that would help Antonoff make history.
Following the 2012 breakthrough of the band Fun., Antonoff’s trio wins best new artist, and “We Are Young” (which spent six weeks atop the Billboard Hot 100) earns song of the year.
Taylor Swift’s 1989 becomes her second project to win album of the year after sophomore set Fearless and Antonoff’s first time winning the top prize thanks to his studio contributions, including the single “Out of the Woods.”
Antonoff earns a best rock song trophy for helming “Masseduction,” the title track to St. Vincent’s 2017 album, which marked their first collaboration.
In addition to scoring Big Four nods for his work on Lana Del Rey’s Norman F–king Rockwell!, Antonoff is nominated for producer of the year, non-classical for the first time.
Another album of the year win for Swift and Antonoff, this time for surprise indie-folk foray folklore, which was celebrated at an intimate Grammys ceremony due to COVID-19 restrictions.
After two consecutive producer of the year, non-classical nominations and losses, Antonoff emerges victorious in the category, thanks to working on projects by Del Rey, Swift, St. Vincent, Clairo, Lorde and his band Bleachers that year.
Third time’s the charm: On the same night, Antonoff celebrates his third album of the year win for Midnights alongside Swift (who toasts her record-setting fourth career win in the category), as well as his third straight producer of the year, non-classical victory.
This story appears in the Oct. 5, 2024, issue of Billboard.