Will the Grammys Result in Big Hot 100 Gains for Any Winners and Performers?
Written by djfrosty on February 7, 2024
The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week (for the upcoming Billboard Hot 100 dated Feb. 17), while Jack Harlow’s “Lovin on Me” is again the front-runner to return to No. 1, the biggest winners and performers on Music’s Biggest Night also get perhaps the final big bump of their chart runs.
Luke Combs, “Fast Car” (River House/Columbia Nashville/Columbia): Perhaps the most buzzed-about performance of Grammy night featured Luke Combs dueting with Tracy Chapman (for the first time) on “Fast Car,” the song the two performers both had top 10 hits with, 35 years apart. It was a major moment for both artists, a long-overdue comeback appearance for a traditionally spotlight-reticent Chapman, and a full-circle one for Combs, who has called “Fast Car” his “first favorite song.”
Chapman’s version of “Fast Car” has seen the most pronounced gains since the duet aired, with her original zooming to No. 1 on the iTunes sales chart, and also reaching the top 100 of Spotify’s Daily Top Songs USA chart for the first time. But Combs’ cover has also seen a pronounced bump, climbing back into the iTunes top five and rebounding to Spotify’s U.S. top 40. Combs’ “Car” has been slowing on the Hot 100, after reaching No. 2 last July and most recently ranking in the top 10 in January, but still parks at No. 20 on the chart this week; with his added Grammy propulsion, he very well may pop a U-turn and head back towards the top 10.
Miley Cyrus, “Flowers” (Smiley Miley/Columbia): Miley Cyrus’ new signature hit was truly in full bloom on Grammy night. Not only did it take home two awards on the telecast (best pop solo performance and record of the year, her first-ever Grammy wins), but it also received a spotlight performance, in what Cyrus referred to as just her second time publicly singing the song. Her rendition was understandably triumphant — somewhat literally so, as she finished her final “started to cry, but then remembered…” pre-chorus with the ad-lib “I just won my first Grammy!”
The big Grammy moment has revived interest in the year-old song – which is still lingering in the Hot 100’s top 40, sliding from No. 27 to 32 this week – with it re-entering the top 40 on Spotify’s Daily Top Songs USA chart and the top five on the iTunes sales chart. With radio support for the song remaining steady (and recently record-breaking), if not quite as overwhelming as the song’s mid-2023 peak, it should stand a chance of jumping back into the Hot 100’s top 20 – and perhaps even higher if its newfound momentum keeps up throughout the week.
Billie Eilish, “What Was I Made For?” (Darkroom/WaterTower/Atlantic/Interscope): Award season has always been Billie Eilish and Finneas’ friend, and perhaps none more so than 2024’s. “What Was I Made For?” just won song of the year at the Grammys – their second win in the category, following “Bad Guy” in 2020 – and also received a heartfelt performance from the duo during the ceremony. That may just be the warmup for next month’s Oscars, where the song (from Barbie) is the prohibitive favorite to win in best original song (which would again be a second W for the duo, following Bond theme “No Time to Die” in 2022).
Will the momentum be enough to bump the song to the top 10? Unlike “Flowers” and “Fast Car,” which have already hit peaks of No. 1 and No. 2 on the Hot 100, respectively, “Made For” has yet to reach the chart’s top tier, having peaked at No. 14 last August amid Barbie buzz. The song is currently perched at No. 31, and is up in sales and streams since the Grammys – though not as much as the other two aforementioned Grammy gainers. If it’s going to make up serious ground, it’ll need help from radio – it’s the only one of the three songs mentioned that still has room and potential to grow on the airwaves; while it’s peaked at pop radio, it’s still rising on adult formats.
IN THE MIX
Billy Joel, “Turn the Lights Back On” (Columbia): While Columbia is certainly victory-lapping this week with its Miley Cyrus and Luke Combs Grammy night successes, the label also has reason to celebrate with one of its greatest legacy artists: Billy Joel made his return to recording with the new song “Turn the Lights Back On,” his first single since 2007. The song isn’t likely to threaten the top tier of the Hot 100, but it’s been selling well enough since its Thursday debut, and drawing enough adult radio airplay, to at least challenge for a spot on the chart – which would be his first appearance as a recording artist since his Bob Dylan-penned “To Make You Feel My Love” hit No. 50 in 1997.
Dua Lipa, “Houdini” (Warner): Grammy night’s opening performance came courtesy of returning pop star Dua Lipa, delivering her most recent single “Houdini” along with its yet-unreleased follow-up “Training Season.” Streaming gains for “Houdini,” which sits at No. 25 on the Hot 100 this week after debuting at its No. 11 high in November, have been modest following the performance — but it has seen a bigger spike in sales, which could help give it a boost back to the Hot 100’s top 20.